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Showing posts with label Shim Sham Shimmy. Show all posts
Showing posts with label Shim Sham Shimmy. Show all posts

Friday, April 17, 2015

Frankie Manning's Choreography Of The Shim Sham (Shim Sham Shimmy)

Edited by Azizi Powell

This pancocojams post showcases five videos of Frankie Manning's choreography of the Shim Sham (Shim Sham Shimmy) dance routine. Information about Frankie Manning and information about the Shim Sham are also included in this post.

The content of this post is presented for cultural, entertainment, and aesthetic reasons.

All copyrights remain with their owners.

Thanks to Frankie Manning for his dance legacy. Thanks also to all those who are featured in these videos, the publishers of these videos, and all those who are quoted in this post.

Click http://pancocojams.blogspot.com/2015/04/taint-what-you-do-record-shim-sham-dance.html for a pancocojams post on the 1939 record "Tain't What You Do" as recorded by the Jimmy Lunceford band. That record has become closely associated with the Shim Sham dance.

Other pancocojams posts that feature Frankie Manning can be found by clicking the Lindy Hop tag or the Big Apple tag that are found below.

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INFORMATION ABOUT FRANKIE MANNING
From http://en.wikipedia.org/wiki/Frankie_Manning
"Frankie Manning (May 26, 1914 – April 27, 2009)[1] was an American dancer, instructor and
choreographer. Manning is considered one of the founding fathers of the Lindy Hop.
Biography

Manning was born in Jacksonville, Florida, in 1914. He moved to Harlem at the age of three, with his mother, who was a dancer. Frankie began dancing as a child, then started attending the early evening dances for older teens at the Renaissance Ballroom. When he was older, he started going to the Savoy, which was for better dancers. He frequented Harlem's Savoy Ballroom in the 1930s, eventually becoming a dancer in the elite and prestigious "Kat's Corner," a corner of the dance floor where impromptu exhibitions and competitions took place. During a dance contest in 1935, Manning and his partner, Frieda Washington, performed the first aerial in a swing dance competition against George "Shorty" Snowden and his partner, Big Bea, at the Savoy Ballroom. The airstep he performed was a "back to back roll" and was danced while Chick Webb played "Down South Camp Meeting," which was Manning's request after having heard the song earlier in the evening. The airstep went flawlessly to the music and astonished the more than 2,000 audience members.

Career
In 1935, Herbert White organized the top Savoy Ballroom lindy hop dancers into a professional performance group that was eventually named Whitey's Lindy Hoppers. Manning created the troupe's first ensemble Lindy Hop routines and functioned as the group's de facto choreographer, although without that title. The troupe toured extensively and made several films. While with Whitey's, Manning also danced with Norma Miller, who became known as the Queen of Swing. Whitey's Lindy Hoppers disbanded around WWII when many of the male dancers were drafted. After the war, in 1947, Manning created a small performance group called the Congaroos. When the Congaroos disbanded in 1955, Manning quietly settled into a career with the United States Postal Service. Some 30 years later Frankie Manning started his second career in dancing: travelling the world as a renowned instructor and inspiratory...

In recent years, Manning's annual birthday celebrations have drawn together dancers and instructors from all over the world....

Before his death in April 2009, Manning had been planning to celebrate his 95th birthday in May 2009 in New York City at a special Lindy Hop dance event over Memorial Day weekend. The event, commonly referred to as Frankie Fest or Frankie 95, proceeded without him but in his memory and gathered dancers and instructors from around the world. In anticipation of the event, dance groups from all over the globe posted more than 160 videos to YouTube of local performances of the Shim Sham (a swing line dance long associated with Manning) as well as many videos of a Savoy-style routine choreographed especially for the Frankie 95 celebration by noted swing dancer and Lindy instructor Peter Strom. On Sunday of Frankie 95, attendees attempted to set three Guinness world records in Central Park, including one for the greatest number of people dancing the Shim Sham simultaneously in one place.

Proceeds from the five-day Frankie 95 celebration were used to create a Frankie Manning Foundation.[4]."...

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INFORMATION ABOUT THE SHIM SHAM (Shim Sham Shimmy)
From http://en.wikipedia.org/wiki/Shim_Sham
"The Shim Sham Shimmy, Shim Sham or just Sham originally is a particular tap dance routine and is regarded as tap dance's national anthem.[1] For swing dancers, today it is a kind of line dance that recalls the roots of swing.

History
In the late 1920s, when Leonard Reed and Willie Bryant were with the Whitman Sisters troupe on the T.O.B.A. circuit, they danced what they called "Goofus" to the tune Turkey in the Straw.[1][2][3] The routine consisted of standard steps: eight bars each of the Double Shuffle, the Cross Over, Tack Annie (an up-and-back shuffle), and Falling Off a Log.[1][3][4]

In early 1930s, the Shim Sham was performed on stage in Harlem at places like Connie's Inn,[3][4] Dickie Wells's Shim Sham Club,[1][3] the 101 Ranch,[5] the LaFayette Theatre,[1] and the Harlem Opera House.[1]

At the end of many performances, all of the musicians, singers, and dancers would get together on stage and do one last routine: the Shim Sham Shimmy. Tap dancers would perform technical variations, while singers and musicians would shuffle along as they were able.[3] For example, in 1931 flash dance act The Three Little Words would close their show at Connie's Inn with the Shim Sham, and invite everyone to join in, "and the whole club would join us, including the waiters. For awhile people were doing the Shim Sham up and down Seventh Avenue all night long," according to Joe Jones.[4]

According to tap dancer Howard “Stretch” Johnson the word "Shim" was a contraction of the term "she-him", a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men.[5]...

Variations
There are several variations of "shim sham" choreography. There is the choreography used by Leonard Reed and Willie Bryant, as well as a number of variations by Leonard Reed and others. Other "shim sham" choreographies include ones by Frankie Manning, Al Minns and Leon James (also called the "Savoy Shim Sham"), and Dean Collins....

The Dance
The Shim Sham is 10 phrases of choreography (each phrase lasting four 8-counts), so it does not usually take up an entire song. After the Shim Sham was over, the dancers then would exit either stage left or right, depending on what was agreed upon for that show.

Today in the Lindy Hop scene, once the Shim Sham choreography is over, dancers typically grab a partner and break into lindy hop for the remainder of the song. During this portion of the song, the band or a DJ may call out "Freeze!" or "Slow!" instructing the dancers to either stop where they are or dance slowly, then call out "Dance!" to tell everyone to resumes normal dancing. The Frankie Manning version repeats the basic choreography (replacing each of the break steps with an 8-beat hold), then adds two Boogie Back/Boogie Forward phrases and two Boogie Back/Shorty George phrases to the end of the second repetition of the basic choreography.[9] Only after the final Shorty George is completed do the dancers break into freestyle Lindy Hop.

The Shim Sham goes best with swing songs whose melody lines start on beat eight, as does the choreography. An obvious choice is The Shim Sham Song (Bill Elliot Swing Orchestra), which was written specifically for this dance and has musical effects (e.g., breaks) in all the right places. However, today the Shim Sham — particularly the Frankie Manning version — is danced more often to "'Tain't What You Do (It's The Way That Cha Do It)" by Jimmie Lunceford and His Orchestra, or "Tuxedo Junction" by Erskine Hawkins. In fact, it is typical now at a Lindy dance party for dancers to start up a Shim Sham whenever "'Tain't What You Do" is played. There is also a recording "Stompin' at the Savoy" with the George Gee band where Manning himself calls out the moves."

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FEATURED VIDEOS
These videos are presented in chronological order based on their publishing dates on YouTube with the examples with the oldest dates presented earliest, with the exception of Examples #4 and #5.

Example #1: Shim Sham



Peter Blaskowski Uploaded on Apr 14, 2006

Demo of the classic line dance "Shim Sham", from the instructional video starring Frankie Manning

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Example #2: Frankie Manning, Shim Sham

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SwingPatrol Uploaded on Oct 2, 2006

Frankie Manning comes to Melbourne and leads 'The Shim Sham', a Lindy Hop 'stroll', at the Swing Patrol Frankie Manning Ball, 2002 (full DVD available from swingpatrol.com.au).
-snip-
The song is Bill Elliot Swing Orchetra's "I Wanna Learn Shim Sham." Click https://www.youtube.com/watch?v=9JE0hTnrAb4 for a video of performance of that song while the Shim Sham is being danced.

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Example #3: Frankie Manning's Funeral Services - Shim Sham led by Chazz Young - 2009-05-02



vwluong, Uploaded on May 7, 2009
-snip-
Here's a comment from that video's discussion thread:
Dreambro1, 2014
"This is not a funeral, This is a Home going Celebration. ! ;-)"
-snip-
"Home going" is an African American contemporary term for a funeral service that include celebratory elements such as dancing (particularly when the person who died was a dancer or enjoyed watching dancing. The funeral service is referred to as a "home going service" since the person who "passed on" is going home to be with God.

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Example #4: Shim Sham for Frankie



stuartmath Uploaded on Mar 17, 2009

Frankie's Wednesday Nite Hoppers, sometimes Thursday Nite, now Monday Nite perform the Shim Sham for Frankie's 95th birthday at the You Should Be Dancing Studios in NYC. Happy Birthday Frankie!
-snip-
Here's a comment from that video's viewer comment thread:

Sing Lim, 2009
"Hahahhahahahahaaha! no fair! u have Dawn!!!"
-snip-
"Dawn" is "Dawn Hampton" (the older woman in the video). Dawn Hampton was a Jazz vocalist who was a contemporary of Frankie Manning. Although she wasn't a professional dancer, in their later years, Dawn Hampton did Shim Sham and other Swing dances with Frankie Manning and both of them are beloved by the worldwide Swing community. Click http://www.swingsistah.com/index.php?id=17 for Dawn Hampton's biography.

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Example #5: Frankie100 Birthday Shim Sham



DowntownswingPublished on May 27, 2014

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Visitor comments are welcome.

Saturday, October 25, 2014

Ella Fitzgerald - "Darktown Strutters Ball" (example, lyrics, and more)

Edited by Azizi Powell

This post is Part II of a two part series on the Jazz classic "Darktown Strutters Ball".

Part II showcases a 1936 example of "Darktown Strutters Ball" that was recorded by Ella Fitzgerald and the Chick Webb band. The lyrics of this version are included in this post.

The Addendum to this post presents two brief excerpts of biographies of Shelton Brooks and a bonus video of Shelton Brooks singing one of his other compositions, "Hole in the Wall".

Click http://pancocojams.blogspot.com/2014/10/what-words-darktown-and-strutters.html for Part I of this series,
Part I provides information & comments about the meaning of the words in the title "Darktown Strutters Ball". That post also provides a sound file & lyrics of that early Jazz classic, and information about the song's composer, Shelton Brooks.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Shelton Brooks, the composer of "Darktown Strutters Ball", Ella Fitzgerald, and Chick Webb & his band for their musical legacy. Thanks also to the publisher of this featured soundfile and thanks to all those who are quoted in this post.

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GENERAL INFORMATION ABOUT "DARKTOWN STRUTTERS BALL"
From http://parlorsongs.com/issues/2011-4/thismonth/feature.php
"Just a year after [composing] Walkin' the Dog, Brooks wrote what is his most lasting hit. I suspect that even now, nearly one hundred years later, many people could still sing at least the opening phrase of the chorus; "I'll be down to get you in a taxi honey." It is no doubt his most recorded song as well. Popularized by Sophie Tucker, it may have been introduced on Vaudeville by the young lady on the cover, Blossom Seeley. Fred Astaire and Ginger Rogers performed it in the film, The Story of Vernon and Irene Castle in 1937. It was also performed in other films including, Broadway (1942), Incendiary Blonde (1944), The Dolly Sisters (1946) and Little Boy Lost in 1953. Seeley was born Minnie Guyer, in San Francisco, California. A top vaudeville headliner, she was known as the "Queen of Syncopation" and helped bring jazz and ragtime into the mainstream of American music. She introduced the Shelton Brooks classic "Some of These Days" in vaudeville in 1910, one year before Sophie Tucker recorded it in 1911.

This is one of "ragtime's" greatest hits and it simply speaks for itself. Enjoy the music..

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SHOWCASE SOUND FILE: Darktown Strutter's Ball by Ella Fitzgerald



Fireworksandsunshine, Uploaded on Jul 29, 2011
-snip-
Here are two comments from this sound file's discussion thread.
oldtimeswinger, 2012
"The recording was made on 19 November, 1936. The backing may be by Chick Webb's Band."

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Sovery Strange, Aug 13, 2012 in reply to oldtimeswinger
"Definitely Chick Webb:)"
-snip-
Click http://en.wikipedia.org/wiki/Ella_Fitzgerald for information about African American Jazz vocalist Ella Fitzgerald (April 25, 1917 – June 15, 1996).

Click http://en.wikipedia.org/wiki/Chick_Webb for information about African American jazz and swing music drummer as well as band leader Chick Webb(February 10, 1905 – June 16, 1939).

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LYRICS OF THIS VERSION: DARKTOWN STRUTTER’S BLUES
(originally written by Shelton Brooks [1917], This version as sung by Ella Fitzgerald)

I'll be down to get you in a taxi honey
Better be ready 'bout half past eight
I mean don't be late
Be there when the band starts playin'
Remember when you get there honey
Dance all over the floor, dance all over my shoes
When the band plays the Jelly Roll blues
Say t'morrow night at the darktown strutters ball

[instrumental]

I'll be down to get you in a push cart honey
Better be ready 'bout half past eight
I mean don't be late
Be there when the band starts playin'

'Member when you get there honey
Shim sham wins them all
Dance all over my shoes
When the band plays the Jelly Roll's blues
Say t'morrow night at the darktown strutters ball

Source: http://www.metrolyrics.com/darktown-strutters-ball-lyrics-ella-fitzgerald.html
-snip-
This is a shortened version of the 1917 lyrics for "Darktown Strutters' Ball".

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"Jelly Roll Blues" (The OriginalJelly Roll Blues" is a 1915 fox trot song that was composed by African American pianist and composer Jelly Roll Morton. Click http://en.wikipedia.org/wiki/Jelly_Roll_Blues for more information about this song.

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Notice the substitution of the "Shim Sham" dance for the two step, the buck and wing and other dances that were mentioned in the 1917 version of this song.

"The Shim Sham" originally referred to and still refers to a tap dance routine.
"If you’re at a tap event, you’ll probably see the classic Shim Sham, which is a lot like Reed’s Goofus: A single chorus routine with four counts of eight bars each. According to Valis Hill’s recent book Tap Dancing America, these sections are: the double shuffle, the crossover, the Tack Annie, and the half break (also known as “falling off the log”). Source: http://www.dancespirit.com/2010/12/the_shim_sham_a_tap_tradition/ [hereafter given as dancespirit:Shim Sham]
-snip-
However, that tap dance evolved to a social dance called the "Shim Sham Shimmy".
"In the 1930s, the Shim Sham became the Shim Sham Shimmy when a quick shoulder shake was added to the choreography. Harold Cromer, a more-than-50-year tap veteran best known as Stumpy from the famous comedy tap team Stump and Stumpy, recalls learning the Shim Sham Shimmy with the chorus girls at the Apollo in NYC. “Over the years, the Shim Sham has mutated into a simple dance,” he says. “But it used to be a sexy dance. That’s what the girls were doing: the Shim Sham Shimmy with frills and heels.” Source: dancespirit:Shim Sham
-snip-
I think that the "Shim Sham Shimmy" (and not the "Shim Sham" tap dance or the "Shimmy" shaking dance) is the dance that is referred to in that "Darktown Strutters Ball" line. Here's information about the earlier "Shimmy" dance from http://en.wikipedia.org/wiki/Shimmy
"A shimmy is a dance move in which the body is held still, except for the shoulders, which are alternated back and forth. When the right shoulder goes back, the left one comes forward. It may help to hold the arms out slightly bent at the elbow, and when the shoulders are moved, keep the hands in the same position. In 1917, a dance-song titled "Shim-Me-Sha-Wabble" by Spencer Williams was published, as was "The Jazz Dance", which included the "Shimmy-She", among others. Flappers often performed the dance in the 1920s."
-snip-
In that Ella Fitzgerald version of "Darktown Strutters Ball", the line "Shim sham wins them all" alludes to the dancing contest or dancing contests that occurred during that Strutters' ball.

Part I of this pancocojams series provides information about this actual annual African American event in Chicago, Illinois.

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ADDENDUM: INFORMATION ABOUT SHELTON BROOKS & A VIDEO OF BROOKS SINGING ONE OF HIS COMPOSITIONS
From http://www.aaregistry.org/historic_events/view/lyricist-extraordinaire-shelton-brooks "African American Registry
Tue, 1886-05-04"
"Shelton Brooks, a popular African American music composer, was born on this date in 1886,in Amherstburg, Ontario, Canada.

At about the age of 15, in 1901, he and his family moved to Detroit. Brooks sang, played piano, and performed in vaudeville and in musical comedies. He had a songwriting career and a radio show on the CBS network in the 1930s.

Brooks wrote some of the biggest hits of the first third of the 20th century. His compositions included "All Night Long," "At the Darktown Strutters' Ball," "Every Day," "Some of These Days," "Somewhere in France," "Swing That Thing," "That Man of Mine," "There'll Come A Time," and "Walkin' The Dog." Shelton Brooks died on September 6, 1975."

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From http://www.allmusic.com/artist/shelton-brooks-mn0000024890/biography
"Shelton Brooks was raised in Detroit and began his career as a ragtime piano player, initially entertaining the public in Detroit's cafes and nightclubs, then expanding his territory to include Chicago. It was right around 1909 that Brooks began to compose his own material. By this time he had also developed into an accomplished vaudeville entertainer. Brooks toured the United States of America, Canada, and the British Isles.

"Some of These Days" was published in 1910 and eventually sold more than two million units on the sheet music market. It was also destined to become a jazz standard. Barry Singer, in his biography of lyricist Andy Razaf, claims that this number was "...perhaps the landmark song of this Tin Pan Alley epoch, whereby Brooks, with sophisticated lyric colloquialism and heartfelt passion, elevated the coon song into the realm of expressive emotion." Brooks wrote "All Night Long" in 1912 and "Walkin' the Dog" in 1916. He should also be remembered as the composer of "I Wonder Where My Easy Rider's Gone."

But it was "The Darktown Strutter's Ball" that constituted Brooks' next big hit. First circulated on the vaudeville circuit, this rowdy syncopated novelty just happened to get utilized by the Original Dixieland Jazz Band at their first recording session on January 30, 1917. This first nominal jazz record sold like hotcakes, and the sheet music sales exceeded three million... It was as a performer on-stage, in movies, and on the radio that Brooks continued to circulate after he stopped composing great melodies."...

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Shelton Brooks - Hole in the Wall



Adamgswanson, Uploaded on Nov 26, 2009

Shelton Brooks, composer of "Some of These Days" and "Darktown Strutters' Ball," sings "Hole in the Wall." From a 1939 all-black film, Double Deal. The credits state Brooks also wrote another song for the movie, "Jitterbugs Cuttin' Rugs," but apparently it was cut from the film.

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