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Saturday, July 18, 2026

African American Gospel song "I Am Determined To Walk With Jesus" (2012 YouTube video with lyrics)



FBC Mass Choir... I Am Determined To Walk With Jesus

FairfieldBC, Mar 7, 2012 (Lithonia, Georgia)
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"mass choir"= a combination of members of all of the choirs in a particular church or organization)

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Edited by Azizi Powell

This pancocojams post showcases a 2012 YouTube video of Fairfield Baptist Church  mass choir singing the Gospel song "I Am Determined To Walk With Jesus".

The lyrics for that song are included in this post.

The content of this post is presented for religious, historical, and inspirational purposes.

All copyrights remain with their owners.

Thanks to the unknown composer/s of this Gospel song. Thanks to the choir and all those who are featured in this video, and thanks to the publisher of this video on YouTube. Thanks also to the website editor who shared these lyrics online.  

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LYRICS- I'M DETERMINED TO WALK WITH JESUS

(African American Traditional)

I'm determined to walk with Jesus, yes, I am.

I'm determined to walk with Jesus, yes, I am.

Through all trials, tribulations, persecution,

I'm determined.

I'm determined to walk with Jesus, yes, I am.

I'm determined to walk with Jesus, yes, I am.

I'm determined to walk with Jesus, yes, I am.

Through all trials, tribulations, persecution,

I'm determined.

I'm determined to walk with Jesus, yes, I am.

I'm gonna walk with Jesus.

I'm gonna walk with Jesus.


 Source: Zion still Sings #175

Online source:  https://hymnary.org/text/im_determined_to_walk_with_jesus

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Visitor comments are welcome.

Friday, July 17, 2026

The History & Meaning Of The African American Red, Black, And Green Flag (2026 Reprint)

Red, Black, and green flag that carries every black soul

@IconicFacts818, October 11, 2025
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Notice the yellow (gold) color in this photograph. 
The color yellow (gold) is often included in these red, black, and green color schemes that African Americans use to denote Black heritage and pride. The official flags of many African nations have the green, yellow, and red color scheme. The Rastafarian flag also has that color scheme. The color "black" is often combined with those pan-African colors. 

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Edited by Azizi Powell

This pancocojams post provides information about the history and cultural significance for African Americans of the red, black, and green flag and of that color combination in decorations, greeting cards, and other usages.

YouTube examples of the use of red, black, and green by African Americans as a short cut reference to Black culture and Black pride are also included in this post.

The Addendum of this post presents information about and YouTube examples of flags and color schemes that are associated with Juneteenth, including the red, white, and blue "official" Juneteenth flag and at least two different red, black, and green flags.    

*Click http://pancocojams.blogspot.com/2014/01/the-history-significance-of-pan-african.html for the related post on the history and significance of the Pan African colors of red, gold, and green. These colors are sometimes accompanied by the color black.

The content of this post is provided for historical, cultural, and educational purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post. Thanks to those who published the YouTube videos that are included in this post.
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This 2026 post is a re-print of a pancocojams post that was originally published in 2014 and has been revised several times, including on July 17, 2026. .https://pancocojams.blogspot.com/2014/01/the-history-meaning-of-red-black-and.html 

 That post is still available in this blog and has ten comments (as of July 17, 2026).
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Click https://pancocojams.blogspot.com/2014/01/the-history-significance-of-pan-african.html for the 2014 pancocojams post entitled "The History & Significance Of The Pan-African Red, Gold, And Green Flags". That post doesn't have any comments as of July 17, 2026.and for closely related pancocojams posts 

Also, click https://pancocojams.blogspot.com/2026/07/why-so-many-african-nations-have-colors.html for the closely related 2026 pancocojams post entitled "Why So Many African Nations Have The Colors "Red, Green, & Yellow" In Their Flags."

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THE HISTORY & SIGNIFICANCE OF THE RED, BLACK, AND GREEN FLAG
From http://en.wikipedia.org/wiki/Pan-African_flag [updated quote retrieved January 3, 2020]
"The Pan-African flag—also known as the UNIA flag, Afro-American flag, Black Liberation flag, and various other names—is a tri-color flag consisting of three equal horizontal bands of (from top down) red, black and green. The Universal Negro Improvement Association and African Communities League (UNIA-ACL) formally adopted it on August 13, 1920 in Article 39 of the Declaration of the Rights of the Negro Peoples of the World, during its month-long convention at Madison Square Garden in New York City.[1][2] Variations of the flag can and have been used in various countries and territories in the Americas to represent Garveyist ideologies.

History

The flag was created in 1920 by members of UNIA in response to the enormously popular 1900 coon song "Every Race Has a Flag but the Coon".[3] which has been cited as one of the three songs that "firmly established the term coon in the American vocabulary". In a 1927 report of a 1921 speech appearing in the Negro World weekly newspaper, Marcus Garvey was quoted as saying:[4]

Show me the race or the nation without a flag, and I will show you a race of people without any pride. Aye! In song and mimicry they have said, "Every race has a flag but the coon." How true! Aye! But that was said of us four years ago. They can't say it now.
[...]

According to the UNIA more recently, the three colors on the Black Nationalist flag represent:

red: the blood that unites all people of Black African ancestry, and shed for liberation;
black: black people whose existence as a nation, though not a nation-state, is affirmed by the existence of the flag; and
green: the abundant natural wealth of Africa.[7]

The flag later became a Black Nationalist symbol for the worldwide liberation of Black people. As an emblem of Black pride, the flag became popular during the Black Liberation movement of the 1960s."...
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Click http://www.pbs.org/wgbh/amex/garvey/peopleevents/e_unia.html for information about the UNIA (Universal Negro Improvement Association). Here's an excerpt from that article:
"On July 20, 1914, Marcus Garvey, at the age of twenty-eight, founded the Universal Negro Improvement Association. His co-founder was Amy Ashwood, who would later become his first wife. The U.N.I.A. was originally conceived as a benevolent or fraternal reform association dedicated to racial uplift and the establishment of educational and industrial opportunities for blacks, taking Booker T. Washington's Tuskegee Institute as a model.

The U.N.I.A. floundered in Jamaica. But shortly after Garvey's relocation to Harlem in 1916, New York became the headquarters of the movement. The Harlem branch started with 17 members meeting in a dingy basement. But by the spring of 1918, Garvey's strong advocacy of black economic and political independence had taken hold, and U.N.I.A. branches and divisions were springing up in cities and towns across the country, and then in different parts of the world. By 1920 Garvey claimed nearly a thousand local divisions in the United States, the Caribbean, Central America, Canada and Africa. "...http://www.pbs.org/wgbh/amex/garvey/peopleevents/e_unia.html [I reformatted this quote to increase its readability.] 

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Update: Section added on February 25, 2017: "The African American Experience in Vietnam: Brothers in Arms" by James E. Westheider
[Google books]
page 76
...African Americans who remained in the armed services often reacted to racism by seeking comfort and safety in racial solidarity and by establishing their own sub-culture within the military. They called each other “brother”, “soul brother”, or “bloods”, and they were proud of being black. Two popular methods of greeting fellow black soldiers and demonstrating racial solidarity were the black power salute, a clenched fist in the air, and the “dab”, which developed in Vietnam, probably among inmates of the notorious Long Binh stockade. Dap is a corruption of the word “dep” Vietnamese slang for something beautiful.

The dap, also known as “checking in”, was an intricate ritualized handshake, involving numerous gestures and movements. There was no standard dap, but there were many common gestures. There were countless variations of dap, and some of the more common greetings could go on for five or more minutes. Each move had a specific meaning: Pounding on the heart with a clenched fist, for example, symbolized brotherly love and solidarity; clenching fingers together and then touching the backside of the hand meant “My brother, I’m with you”. Most of the gestures signified solidarity, respect, and pride, but a few had darker meanings. A slicing movement across the throat symbolized cutting the throats of white MPs, never a favorite group among black recruits.

Many of the men also started carrying visible symbols of black power and racial pride, such as black power canes, made of ebony, an African wood. Others wore “slave bracelets”, woven from extremely long army bootlaces, and in off-duty hours they wore dashikis. Black power flags, displaying the colors black, green, and red, often flew over all-black barracks, or “hootches” in the field.

Marcus Garvey inspired the design, but black marines stationed at Danang modified the flag into a meaningful symbol for black warriors. It was red to symbolize the blood shed by African Americans in the war, with a black foreground representing black culture. In the middle of the flag were two crossed spears superimposed on a shield, surrounded by a wreath, signifying “violence when necessary”, but “peace, if possible”. Many of the flags carried slogans in Swahili such as “I will stand by you, my brother, if you want my help” or a warning to one’s enemies “My fear is for you”. The black power flag spread from Vietnam throughout the American military establishment, and variations of it flew at military installations from West Germany to South Korea.
”...
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*Italics added to highlight that portion of that excerpt.
I reformatted this quote to increase its readability. 
 
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SHOWCASE VIDEOS OF THE  RED, BLACK, AND GREEN FLAG BY AFRICAN AMERICANS

SHOWCASE VIDEO #1 - African Liberation Day in Pittsburgh [Pennsylvania] 2013. On May 25th, 201 Part 2



T.U.T AMENDMEDIA Published on May 30, 2013

National Black United Front (NBUF) will host an African Liberation Day (ALD) Parade and Celebration Saturday, May 25th, 2013. The parade will begin at 11 am at Crescent Elementary School, 8080 Bennett St. and end at the intersection of Frankston Ave and N. Homewood. Kofi Taharka, NBUF National Chairperson, will be one of the key speakers during the celebration. An integral part of the day's activities will be the NBUF Feed the Hood Project. The Feed the Hood Project assists members of the Homewood Community who are striving to meet their basic needs for food, personal hygiene products, medical supplies and clothing. Throughout the day there will be live performances and cultural presentations. NBUF is inviting all community organizations and committed individuals to stand together in solidarity towards building a better Pittsburgh.

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SHOWCASE VIDEO #2: Happy Kwanzaa - Teddy Pendergrass



rapidvibrationz, Uploaded on Nov 25, 2010

RIP Teddy Pendergrass & much thanks for creating this beautiful song. Much thanks for Dr. Maulana Karenga for organizing this tradition for the people. Happy Kwanzaa to all and have a bless and prosperous New Year. Peace
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Click http://pancocojams.blogspot.com/2012/12/teddy-pendergrass-happy-kwanzaa-video.html for the lyrics to this song.
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Red, black, and green are the colors of Kwanzaa, the African American created holiday that a small number of African Americans celebrate annually from December 26th-January 1st. 

Some African Americans who celebrate both Christmas and Kwanza blend ornaments for both of those holidays, since red & green are also the colors most associated with Christmas. In addition, red, black, and/or green colored ornaments and other decorations in one of those colors can also be combined with Kente cloth designed ornaments and decorations, since red, green, gold, and orange are the colors that are most commonly found in Ghanaian Kente cloth designs in the United States.

Click http://www.kentecloth.net/kente-cloth-designs-and-meanings/ for information about the meaning of certain Kente cloth colors and designs.

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THE OFFENSIVE SONG WHICH WAS THE IMPETUS FOR THE CREATION OF THE AFRICAN AMERICAN FLAG

"Every Race Has A Flag But The Coon" (Popular Song From 1900)



Tim Roseborough Uploaded on Jan 31, 2012
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http://en.wikipedia.org/wiki/Every_Race_Has_a_Flag_but_the_Coon
" "Every Race Has a Flag but the Coon" was a song written by Will A. Heelan, and J. Fred Helf that was popular in the United States and Britain"...

Source:
http://historymatters.gmu.edu/mse/songs/question1.html

That page also includes lyrics to the song “All Coons Look Alike to Me”
Ernest Hogan, 1896. That song, which used to be popular among non-Black Americans, was composed by a Black American.

When that offensive coon song was composed there actually were at least three flags that could have been used to represent Black Americans: the Caribbean nation of Haiti's blue and red flag which was adopted in 1806, the West African nation of Liberia's red & white strip flag which was adopted in 1847, and the East African nation of Ethiopia, whose red, green and yellow colored flag was adopted in 1897.

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ADDENDUM-JUNETEENTH

INFORMATION ABOUT JUNETEENTH
From https://en.wikipedia.org/wiki/Juneteenth
"
Juneteenth, officially Juneteenth National Independence Day, is a federal holiday in the United States. It is celebrated annually on June 19 to commemorate the end of slavery in the United States. The holiday's name, first used in the 1890s, is a portmanteau of June and nineteenth, referring to June 19, 1865, the day when Major General Gordon Granger ordered the final enforcement of the Emancipation Proclamation in Texas at the end of the American Civil War.[8][9]"...

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THE JUNETEENTH FLAG



@Flagandbanner, June 19, 2024

Thank you for watching!

Did you know Juneteenth has its own official flag? It was designed in 1997 by Ben Haith and is full of symbolism

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INFORMATION AND DESCRIPTION OF THE OFFICIAL JUNETEENTH FLAG
From AI Overview (July 17, 2026 results)

"The official Juneteenth flag was designed by activist Ben Haith in 1997 to give the historic holiday a unifying symbol. Its red, white, and blue colors emphasize that Black Americans are integral to the American narrative. The flag is filled with deep symbolism

The Central Star: Represents Texas (the Lone Star State) where enslaved people were finally emancipated on June 19, 1865.

The Burst: The expanding outline around the star symbolizes a nova, representing a new beginning and fresh opportunities for Black Americans.

The Arc: The curved horizon across the flag represents a new horizon of possibilities, hope, and the future after emancipation. 

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THREE YOUTUBE VIDEO EXAMPLES OF RED, BLACK, GREEN (AND SOMETIMES ALSO YELLOW) BEING FAVORED BY BLACK AMERICANS CELEBRATING JUNETEENTH INSTEAD OF THAT HOLIDAY'S RED, WHITE, AND BLUE FLAG AND COLOR SCHEME

SHOWCASE VIDEO #1: Philadelphia, Pennsylvania Juneteenth parade and festival celebrates unity and freedom

CBS Philadelphia, Jun 16, 2024

Mayor Cherelle Parker led the Juneteenth parade in West Philadelphia. Neighbors said the celebration represents solidarity, freedom and hope.

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SHOWCASE VIDEO #2-
41st Juneteenth celebration in Port Arthur [Texas] honor history and community spirit


KFDM YouTube, 4,038 views  Jun 20, 2025
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SHOWCASE VIDEO #3 - Second Line Parade | Class of 2026 Program Recap



Miss Juneteenth America, July 14, 2026 [New Orleans, Louisiana]

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Why So Many African Nations Have The Colors "Red, Yellow, And Green" In Their Flags



Why Many African Flags Use Red, Yellow, and Green — The Powerful Truth Behind the Colors #fyp

BiBi Ola, Jul 4, 2025  LAGOS

Why do so many African countries use red, yellow, and green in their flags?

It’s not a coincidence — these colors have a deep meaning that goes back to Ethiopia’s victory at the Battle of Adwa and the rise of African freedom.

From Ethiopia to Ghana, Senegal, Mali, and Cameroon, many African nations chose these colors to stand for unity, hope, and freedom from colonial rule.

In this video, BiBi Ola TV tells the story behind the red, yellow, and green — and why they became symbols of Pan-African pride.

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Edited by Azizi Powell 

This pancocojams post showcases two YouTube videos about African nations that have red, green, and yellow (gold) in the official flag representing their nation. 

These videos presents information about the meanings of the colors red, green, and yellow (gold) in the flags of those African nations.

The content of this post is presented for historical, cultural, and educational purposes.

All copyrights remain with their owners.

Thanks to the producers and publishers of these videos and thanks to all those who are quoted in this post.

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SHOWCASE VIDEO #2 - Why Do West African Countries Have Such Similar Flags?

General Knowledge, May 19, 2023

[...]

In this video I talk about the fact that many West African countries have flags with similar colors: Red, Green and Yellow/Gold. I explain how these colors come from the original flag of Ethiopia, most likely due to the fact that this country was not colonized by Europeans in the same way as the rest of the continent, thus becoming an inspiration for other African nations at the time of their independence. Many of them did not choose the colors based on Ethiopia's flag directly, but rather through regional influence of other countries around them that did so, with Ghana being a strong influence in this regard, while Ethiopia remains as the indirect influence. Some of these countries are Benin, Burkina Faso, Cameroon, the Central African Republic, Chad, Congo, Ghana, Guinea, Guinea-Bissau, Mali, Senegal, São Tomé e Príncipe and Togo. These also share an historical connection, given that many of them were colonized by France, save some exceptions where the colonizer was the United Kingdom or Portugal. We learn how each of the countries adopted the current colours, what the direct influence is, when it happened, what the flags previously used were, as well as the possible connections between them. I also briefly mention the other set of colors that are sometimes known as 'Pan-African' - red, black and green - although these are mostly used by nations in East Africa.

TIMESTAMPS: 00:00 Intro 00:55 The Pan African Colours 03:03 Ethiopia - The Origin of the Colours 04:42 Shortform 05:46 Benin 06:57 Burkina Faso 07:50 Cameroon 08:41 Central African Republic 09:30 Chad 10:20 Congo 10:55 Ghana 12:43 Guinea 13:02 Guinea-Bissau 13:35 Mali 14:12 Senegal 14:46 São Tomé e Príncipe 15:16 Togo 15:58 Summary

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ALPHABETICAL LIST OF AFRICAN NATIONS THAT HAVE RED, GREEN, & YELLOW IN THEIR FLAGS

Benin
Burkina Faso
Cameroon
Central African Republic
Chad
Ethiopia
Ghana
Guinea
Guinea-Bissau
Mali
Republic of the Congo (also known as "Congo Brazzaville")*
Senegal
São Tomé e Príncipe
Togo
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The flag for the larger and more well known nation the Democratic Republic of the Congo (also known as "DRC" or "Congo Kinshasa") doesn't have these colors.

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NON-AFRICAN NATIONS WHOSE FLAG HAVE THE COLORS, RED, YELLOW, AND GREEN

From AI Overview

"Several non-African nations feature red, yellow (or gold), and green in their flags, including: 

Bolivia: A horizontal tricolor of red, yellow, and green.

Grenada: A flag featuring a red border with two yellow and two green triangles, a central star, and a nutmeg symbol.

Guyana: A green flag with a red triangle, a yellow arrowhead, and black and white borders.

Lithuania: A horizontal tricolor of yellow, green, and red.

Myanmar: A horizontal tricolor of yellow, green, and red with a large white star in the center."
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Particularly in these nations that don't have a majority population of people of Black African descent, the meanings of these colors may vary from the meanings that the colors have for the flags of the African nations.

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Wednesday, July 15, 2026

The Detroit Mass Choir - African American Gospel Song "The Storm Is Passing Over" (Part I - video, information, & lyrics)

 Marcel West, Feb. 16, 2009

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Edited by Azizi Powell

This is Part I of a two part pancocojams series that showcases a 2009 YouTube video of the Detroit Mass Choir's  gospelized* rendition of the 1905 hymn "The Storm Is Passing Over" by African American composer Rev. Dr. Charles Albert Tindley (July 7, 1851 – July 26, 1933).

This post presents information about Charles Albert Tindley is included in this post along with the
original lyrics for "The Storm Is Passing Over" .

Donald Vail's contemporary lyrics for "The Storm Is Passing Over" are included in this post The Detroit Mass Choir uses Donald Vail's 1976 gospelized arrangement of that Charles Albert Tindley's 1905 hymn.

Click https://pancocojams.blogspot.com/2022/01/detroit-mass-choir-storm-is-passing.html for Part II of this pancocojams series. presents selected comments from this video's discussion thread. I'm particularly interested in comments about the song, the choir compared to contemporary church praise groups". I'm also interested in comments about the choir director and other musicians/singers, and the commenters' use of African American Vernacular English. 

The content of this post is presented for religious, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Dr. Charles Albert Tinley for composing numerous hymns including "The Storm Is Passing Over". Thanks also to Donald Vails for his 1976 arrangement of the hymn "The Storm Is Passing Over". Thanks also to all those who are quoted in this post. Thanks to the Detroit Mass Choir and to all those who were associated with that video. Also, thanks to the publisher of this video on YouTube.
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This is a complete reprint of a 2022 pancocojams post. That post and Part II of that pancocojams series are still found on this blog. As of July 15, 2026, Part I has no comments and Part I has one comment.
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* "Gospelized hymn" is a term I coined for hymns that are performed in a (usually) African American Gospel style.

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PANCOCOJAMS EDITOR'S NOTE
The choir in this embeded video was under the direction of Jimmy Dowell from St. James Missionary Baptist Church, Detroit, Michigan. The singers and musicians for this "mass choir" were from choirs belonging various Detroit Michigan Baptist churches. This is probably part of a concert and not at a Sunday morning church service.  

Jimmy Dowell passed in December 2004. A commenter in this video's discussion thread wrote that this video was a "throw back to 1988". Another commenter wrote that ithis singing was "from the 1980s."

The hair styles and clothing styles lend evidence to this video being from the late 1980s or early 1990s. Note for example that at least one of the male singers has dread locks, but the women members in this mass choir don't wear their hair in any natural hair styles (including long extension braids/weaves)

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INFORMATION ABOUT CHARLES ALBERT TINDLEY
From
https://anglicancompass.com/the-story-of-our-hymns-the-storm-is-passing-over/ Every Hymn Has a Story:  The Story of Our Hymns: The Storm Is Passing Over
By Keisha Valentina|August 3rd, 2020
"Charles Albert Tindley was born in Berlin, Maryland, on July 7, 1851, to Charles and Hester Tindley. His father was enslaved, and his mother free. Hester died when Charles was very young and he was taken in by his aunt in order to keep his freedom. He worked as a hired hand wherever his father could place him to help the family. He received no formal schooling, but had such an interest in learning he taught himself to read by gathering scraps of newspaper he found alongside the road or in trash bins.

One Sunday he snuck into a nearby church to hear the preaching. When the minister invited all the children to sit up front, he bravely took his place among them despite the shock and discouragement of white parishioners. He was so compelled by the preaching and singing that he began to study even more.

When Charles was seventeen he married Daisy Henry. They had eight children, some of whom would later assist him with the publication of his hymns. In 1875 he and Daisy moved to Philadelphia where Charles’ continued love of learning and for the church led him to take correspondence courses toward becoming a Methodist minister. He began attending school at night and served as a janitor for the East Bainbridge Street Church where he and his wife were also faithful parishioners.

He was a hard worker and passionate about his studies asking friends to tutor him on various subjects. He studied Hebrew and Greek through a local correspondence course with high academic scores despite no college degree. He later said, “I made a rule to learn at least one new thing — a thing I did not know the day before — each day.” In taking his final exams to qualify for ordination, he was among the highest scores.

His first parish was in Cape May, New Jersey where he and his family arrived in the middle of a blizzard. They moved into their house with only a bit of bread to share between them for the evening meal. As they were praying, a knock came at the door and there stood a welcoming committee from the church with much-needed provisions. Charles was inspired to write the hymn “God Will Provide For Me” after this experience.

Methodist ministers who are newly ordained often get moved every few years. Charles presided over several churches before eventually moving back to Philadelphia in 1904 to pastor the very church where he started as a janitor. His return to the congregation as pastor was met with mixed emotions. Yet the 150th-anniversary journal of the congregation states that

“All were pleasantly surprised, for as Tindley mounted the rostrum, wearing a Prince Albert Coat—then the garb of many African American Protestant preachers—he had the dignified bearing acquired during his previous appointments. They were further surprised when Tindley delivered a masterful, soul gripping sermon that brought loud Amens and praise God exclamations from his listeners.”

Tindley often introduced original hymns alongside his sermons. His influence and passion drew people of multiple races and denominations. The congregation of about 130 members grew rapidly under his leadership to more than ten thousand attendees, the largest congregation in his region.

Alongside his preaching duties, Tindley was a community leader unafraid to take on the issues of the day. He led a protest against the silent film “Birth Of A Nation” which had caused racial unrest across the country. Tindley and other clergy marched through the city and were met with an angry white mob that violently attacked them. Charles knew that protest alone would not further his cause so he built good relationships with influential people among the white political and business hierarchy of Philadelphia. He raised money to help the needy, opening one of the city’s first soup kitchens giving away over 500 meals every evening allowing the homeless to get hot baths and clothes from the church basement. He and his parishioners also created a savings and loan to help African Americans buy their own homes.

The church continued to grow at such a rate that they outgrew their existing building and moved a few blocks away to a bigger sanctuary. His wife Daisy died the day they moved into the new church. He eventually remarried and the church continued to grow under his leadership until his death in 1933. The church was renamed Tindley Temple in his honor and is still active to this day.

He is buried in Philadelphia with a large memorial engraved with the words “Beams Of Heaven As I Go” from one of his most beloved hymns.

[...]

Often called the “Grandfather of black gospel music,” Tindley’s hymns focus on Christ’s saving promises amid life’s troubling storms. Two of his most well-known hymns are “We’ll Understand It Better By and By” and “Stand By Me.” His hymn “I’ll Overcome Someday” was the inspiration for the protest and Civil Rights anthem “We Shall Overcome.”"...

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ORIGINAL LYRICS FOR "THE STORM IS PASSING OVER"


1 Courage, my soul, and let us journey on,
Tho’ the night is dark it won’t be very long.
Thanks be to God, the morning light appears,
And the storm is passing over, Hallelujah!

Refrain:

Hallelujah! Hallelujah!
The storm is passing over,
Hallelujah!

2 Billows rolling high, and thunder shakes the ground,
Lightning's flash and tempest all around,
Jesus walks the sea and calms the angry waves,
And the storm is passing over, Hallelujah! [Refrain]

3 The stars have disappeared, and distant lights are dim,
My soul is filled with fears, the seas are breaking in.
I hear the Master cry, "Be not afraid, ’tis I,"
And the storm will soon be over, Hallelujah! [Refrain]

4 Soon we shall reach the distant shining shore,
Free from all the storms we’ll rest forevermore.
Safe within the veil, we’ll furl the riven sail,
And the storms will all be over, Hallelujah! [Refrain]

Source: Songs of Zion #58

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INFORMATION ABOUT "THE STORM IS PASSING OVER" INCLUDING INFORMATION ABOUT DONALD VAIL'S ARRANGEMENT OF THAT HYMN
From https://www.hymnologyarchive.com/storm-is-passing-over 
..."Origins. This hymn by Charles Albert Tindley (1851–1933) was first published in his collection Soul Echoes (1905). Like many classic hymns, including Tindley’s “We’ll understand it better by and by” or Horatio Spafford’s “It is well with my soul,” this text draws on the imagery of storm and sea, especially the biblical account of Jesus calming the sea in Matthew 8:23-27. The musical arrangement in the original printing was by one of Tindley’s close collaborators, Francis A. Clark, otherwise known at the time as Professor F.A. Clark. The fourth stanza appeals to a heavenly rest from all storms.

Adaptation. This hymn is known to modern worshipers in a very different form, an adaptation by Donald Vails for the Donald Vails Choraleers, published on his album In Deep Water (Savoy Records SL-14421, 1976 ). The song was also included on his album Yesterday, Today, and Forever (Sound of Gospel, 1985). For his arrangement, Vails only used the words of the first stanza and the refrain, and he rewrote the melody. This is the version of the hymn which is most often performed by choirs and appears in modern hymnals, such as the African American Heritage Hymnal (2001). "

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CONTEMPORARY LYRICS FOR THE DONALD VAILS ARRANGEMENT OF "THE STORM IS PASSING OVER"

Encourage my soul 
and let us jouney on.
For the night is dark,
and I am far from home.
Thanks be to God
The morning light appears.

The storm is passing over.
The storm is passing over.
The storm is passing over,
Hallelu….

Halelujah
Ha-le-lu-jah
The storm is passing over
Hallelu…
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The words "O courage my soul" or "Have courage my soul" are sometimes used instead of "Encourage my soul". 

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This concludes Part I of this two part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.