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Sunday, May 10, 2026

Two YouTube Examples Of The West African Highlife Song "Sweet Mother" (with information & lyrics)




Sweet Mother

Prince Nico Mbarga - Topic, Nov 16, 2016

Provided to YouTube by TuneCore

 ℗ 2010 ROGERS ALL STARS NIG LTD

https://www.youtube.com/watch?v=7QJe_R9MrFA

Click for information about Prince Nico Mbarga

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Edited by Azizi Powell

This pancocojams post showcases two YouTube examples of the 1970s Cameroonian and Nigerian song "Sweet Mother" (also known as "Sweet Mother I No Forget You".).  


This post presents information about "Sweet Mother".  The lyrics for this song are also included in this pancocojams post.

The Addendum to this post presents some information about West African Highlife music. 

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to  Prince Nico Mbarga, Tilda, and The Rocafil Jazz International for their musical and cultural legacies. Thanks also to all those who are quoted in this post and thanks to the producers and publishers of these examples on YouTube. 
-snip-
Happy Mother's Day!

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SHOWCASE VIDEO #2: TILDA - sweet mother i no go forget you

Rogers All Stars Records, Jul 17, 2014  Tilda and the Rocafill Jazz

https://www.youtube.com/watch?v=mkp3WnUu_WQ

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INFORMATION ABOUT THIS SONG
Source #1
From https://en.wikipedia.org/wiki/Sweet_Mother
" "Sweet Mother" is a highlife song by the Cameroonian and Nigerian singer Prince Nico Mbarga and his band Rocafil Jazz, released in 1976.

The demo tape of "Sweet Mother" was turned down by EMI in 1974, citing the song's "childish appeal". "Sweet Mother" was later also rejected by Decca and Philips Records, before it was eventually released in December 1976, by Rogers All Stars, a Nigerian recording company based in Onitsha.[1][2]

The song is a celebration of motherhood, sung in Nigerian Pidgin English. The music is West African highlife, with Congolese soukous-style guitar finger-picking.[citation needed]

"Sweet Mother" went on to become one of the most popular hits in Africa, selling between 3 and 13 million copies.[3][4] Sometimes called "Africa's anthem", it was voted the continent's favourite song by BBC readers and listeners in 2004, coming before Brenda Fassie's "Vuli Ndlela", Fela Kuti's "Lady", Franco's "Mario", and Miriam Makeba's version of "Malaika".[5]"

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Source #2
From https://www.youtube.com/watch?v=mkp3WnUu_WQ [from the summary of the Tilda video that is embedded in this pancocojams post.]  
"Tilda Sweet Mother I no go forget you Formally sung by the late Prince Nico Mbarga and Rocafill jazz ...enjoy Tilda as Rogers All Stars Rejuvenated the sound

Tilda, a Cameroonian singer, and dancer who was one of the original Rocafil Jazz band members released an updated version of the Sweet Mother album on Rogers All Stars in 2010.

Some people felt the new version of the song was better than the original, while others found it a bit different.

Originally Sweet Mother" is a highlife song by the Cameroonian and Nigerian singer Prince Nico Mbarga and his band Rocafill Jazz. Released in 1976, it remains one of the most popular songs in Africa. The music is West African highlife, with Congolese Soukous-style guitar.

Sweet Mother" went on to become one of the most popular hits in Africa, selling over 13 million copies...

This Music is a Copyright of Rogers All Stars Nig Ltd"...

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LYRICS- SWEET MOTHER I NO FORGET YOU

(written by Prince Nico Mbarga) 

[Intro]

[?]

Rocafil Jazz presenting you

Sweet Mother

 

[Chorus]

Sweet mother, I no go forget you

For the suffer wey you suffer for me yeah

Sweet mother, I no go forget you

For the suffer wey you suffer for me yeah

 

[Verse 1]

When I dey cry, my mother go carry me

She go say my pikin, wetin you dey cry yeah yeah

Stop stop, stop stop, stop stop

Make you no cry again ooh

 

When I wan' sleep, my mother go pet me

She go lie me well-well for bed oh

She cover me cloth, say make you sleep

Sleep sleep, my pikin ooh

 

When I dey hungry, my mother go run up and down

She dey find me something wey I go chop ooh

Sweet mother ah-ah

Sweet mother oh eh-oh

 

[Interlude]

Son of a sweet mother

 

When I dey sick, my mother go cry cry cry

She go say instead wey I go die make she die oh

She go beg God, God help me, God help me, my pikin ooh

 

If I no sleep, my mother no go sleep

If I no chop, my mother no go chop

She not dey tire aah, sweet mother

I no go forget the suffer wey you suffer for me yeah yeah

Sweet mother eh-eh

Sweet mother oh eh-eh

 

[Interlude]

Oh, sweet mother, I never forget you

For the suffer wey you suffer for me

And, if I should forget you

Therefore I forget my life, the air I breathe

Eh

[?]

And then on to you men, on earth, daring and forget their mother

For if you forget your mother, you've lost your life

 

[Chorus]

Sweet mother, I no go forget you

For the suffer wey you suffer for me yeah

Sweet mother, I no go forget you

For the suffer wey you suffer for me yeah

[Verse 2]

When I dey cry, my mother go carry me

She go say my pikin, wetin you dey cry yeah yeah

Stop stop, stop stop, stop stop

Make you no cry again ooh

 

[Interlude]

Oh, my mother, oh sorry

 

When I wan' sleep, my mother go pet me

She go lie me well-well for bed oh

She cover me cloth, say make you sleep

Sleep sleep, my pikin ooh

 

When I dey hungry, my mother go run up and down

She dey find me something wey I go chop ooh

Sweet mother eh-eh-eh-eh

Sweet mother oh eh-eh

 

When I dey sick, my mother go cry cry cry

She go say instead wey I go die make she die oh

She go beg God, God help me, God help me, my pikin ooh

 

If I no sleep, my mother no go sleep

If I no chop, my mother no go chop

She not dey tire aah, sweet mother

I no go forget the suffer wey you suffer for me yeah yeah

Sweet mother eh-eh-ehh

Sweet mother oh eh-eh

[Interlude]

Oh, sweet mother

[?]

And I always keep that in mind

[?]

One time I [?]. She came for me. Tell me what I want to hear

[?]

I sick mother

[?]

My sweet mother, I no go forget you

My sweet mother will suffer for me

When I get cry

My mother go cry

She no know where to go do

You know well

No wantin' to worry my pikin

Ooh

You fit get another wife

You fit get another husband

But you fit get another mother (Mother)? No

[?]

 

[Verse 3]

When I get hungry, my mother go run up and down

She get find me something when I go chop ooh

Sweet mother, sweet mother yeah

[?]

When I get sick my mother go cry cry cry

She go say instead when I go die make she die

She go beg God, God help me, God help me, my pikin oo

If I no sleep, my mother no go sleep

If I no chop, my mother no go chop

She not get tire ahh

Sweet mother, I no go forget dey suffer wey you suffer for me, yeah yeah

Sweet mother

Sweet mother

Sweet mother

Sweet mother

https://genius.com/Prince-nico-mbarga-and-rocafil-jazz-sweet-mother-lyrics
-snip-
"If I no chop, my mother no go chop" = (English translation)"If I don't eat, my mother doesn't eat" 
-snip-
The lyrics for Tilda's version of "Sweet Mother" is given in the summary for the video that is embedded in this post.

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ADDENDUM- INFORMATION ABOUT WEST AFRICAN HIGHLIFE MUSIC
From https://en.wikipedia.org/wiki/Highlife
"Highlife is a Ghanaian music genre that originated along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas. It encompasses multiple local fusions of African metre and western jazz melodies.[1] It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy horns and guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Since the late 2010s, particularly from 2018 onward, it has acquired an uptempo, synth-driven sound.[2][3]

Highlife gained popularity and the genre spread throughout West African regions. Pioneers like Cardinal Rex Lawson, E.T. Mensah, Victor Uwaifo, all perfected this sound by infusing traditional Africa drums and western "Native Blues".[1] After the Second World War, its popularity came within the Igbo people of Nigeria, as they were influenced to form Igbo highlife which became their country's most popular music genre in the 1960s.[4]

Highlife has remained a part of popular music for Ghanaians and their diaspora globally through its integration with religious institutions and the positive effect it had on immigrating Ghanaians leaving their homeland.[5] In 2025, it was recognized as intangible cultural heritage by UNESCO.[6]"...

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Visitor comments are welcome.

Saturday, May 9, 2026

Children's Recreational Rhymes & Verses That Mention Mothers And / Or Grandmothers

Edited by Azizi Powell

This pancocojams post presents a collection of some English languages children's recreational rhymes and verses from recreational rhymes that mention mothers, and/or grandmothers.

The content of this post is presented for folkloric and recreational purposes.

All copyrights remain with their owners.

Thanks to all those who contributed examples to this collection.

Happy Mothers' Day!

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PANCOCOJAMS EDITOR'S NOTE
This post may depart from this pancocojams blog's mission of showcasing the music, dances, language practices, & customs of African Americans and of other people of Black descent throughout the world. That is because some of these rhymes weren't originally composed by Black people and some of these versions may not have been chanted in the past or now by Black children.

l 'm sharing these examples of recreational rhymes in this pancocojams blog because 
I like this genre of folk culture. Also, I like learning about the history of songs and rhymes andI like  discovering how some elements of old songs and rhymes are retained in or are presented in different forms in new songs and rhymes.

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DISCLAIMER
This post isn't meant to present a comprehensive collection of this sub-set of English language children's recreational rhymes or verses of those rhymes that mention mothers, grandmothers, sisters, and/or aunts.

This also doesn't mean that the versions of rhymes or verses that are given in this collection are the original versions, or the standard versions, or the most widely found versions of that particular rhyme or verse from certain rhymes. 

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PANCOCOJAMS' COLLECTION OF RHYMES THAT MENTION MOTHERS AND / OR GRANDMOTHERS 
These examples are given in relative alphabetical order based on the first letter in their title, or  the first  letter in the first line that is given in that example or in that verse (in the case of rhyme verses and not the complete version.)  

I haven't added any citations for the verses that are given in this collection. However, I've added at least one title of a children's recreational rhyme that often includes that verse. (These verses may be "floaters" that appear in more than one "family" of children's recreational rhymes.)

A, B

"
abc, easy as 123,
my momma takes care of me,
my daddy watches mtv,"
-from "Ooh Aah, I Wanna Piece Of Pie" rhymes

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BLUEBELLS COCKLE SHELLS
"Bluebells, cockle shells,/ Eevie, ivy, over;
I like coffee, I like tea;
I like the boys, and the boys like me.
Tell your mother to hold her tongue;
She had a fellow when she was young.
Tell your father to do the same;
He had a girl and he changed her name."
http://www.homeschool.co.uk/resource/skipping-rope-jump-rope-hopscotch-songs.html, (assessed 5/23/2010)

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BRICK WALL WATERFALL
"That’s the way uh huh uh huh I like it uh huh uh huh You got yours, i got mine so peace punch captain crunch Brick wall waterfall. Boys think they know it all But they don’t, girls do. So poof with the attitude No wait, come back. I think you need a tictac Not one, not two, but the whole six pack Your mama your daddy your bald headed granny She 99 she think she fine. Shes goin out with Frankenstein Go granny go granny Go go Go granny"
-Oldpplication2936,2022
 https://www.reddit.com/r/nostalgia/comments/160nmk0/who_remembers_brick_wall_waterfall

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C,D

DOWN DOWN BABY (fragment)
..."Grandma, Grandma sick in bed.
Called the doctor and the doctor said,
Let's get the rhythm of the head.
Ding dong.
Let's get the rhythm of the hands
Clap, clap.
Let's get the rhythm of the feet
Stomp, stomp.
Let's get the rhythm of the Hot Dog.
Put it all together and what do you get?
Ding-dong, clap, clap. Stomp, stomp. Hot Dog.
Say it all backwards and what do you get?
Hot Dog. Stomp, stomp. Clap, clap. Ding dong!
-Sesame Street 1980s segment https://www.youtube.com/watch?v=5K-FpmUUc7U&t=4s , published on YouTube by Sesame Street, Mar 27, 2009 -snip-
This version of "Down Down Baby" was showcased in a 1980s segment of Sesame Street that featured a group of young Black girls at a park teaching a circle hand clap version of this rhyme & its movements to a younger Black girl.

The Sesame Street version of "Down Down Baby"has become so popular that it has basically become the "standard", iconic version of "Down Down Baby". So widely known has this version become that some people in the United States and elsewhere think that it is the only way that "Down Down Baby" can be chanted and performed."...

Click https://cocojams2.blogspot.com/2014/10/test_28.html for that complete version as well as a continuation of my comments about "the Sesame Street" version of  "Down Down Baby".

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DOWN DOWN BABY I KNOW KARATE (Version #1)
"
Down down baby
Elmo do karate
Down down baby
Elmo call his mommy
Down down baby
Elmo shake his body
Down down baby
Elmo eat salomi
Down down baby
Oops Elmo sorry.
-pokenone1, Sep 1, 2007, https://www.youtube.com/watch?v=44qLwfFEJ7w
-snip-
There are lots of versions of this rhyme without the reference to the Sesame Street character Elmo. Versions of this rhyme have the title "Down Down Baby I Know Karate" title and or with other titles such as "Chitty Chitty Bang Bang" "Shimmy Shimmy China".  This Elmo's World version probably is a purposely edited version of children's recreational rhymes in which hand clap rhyme partners try to be the first to push the other person or poke the other person in the forehead.

**
DOWN DOWN BABY I KNOW KARATE (Version #2)
"down down baby, i can do karate

down down baby, i can call my mommy

down down baby, i can shake my body

down down baby, Oops I'm sorry!


in the last hand motion you push them. (not hard of course!)

or atleast thats how i learned it!"
-Ihaveaquestion, 2014, https://www.youtube.com/watch?v=fi8LcuceQf4&feature=emb_logo&ab_channel=LuciBel "Down down baby I can do karate" [This video is no longer available]

**
E,F

EYE SHOE ANNA
"I met a little dustbin girl
Called Eye-Shoe-Anna
All the boys in the football team
Said Eye-Shoe-Anna

How is your mother?
Alright
Died in the fish shop last night
What did she die of?
Raw fish
How did she die?
Like this".
-Mark, 1/25/97, https://groups.google.com/g/alt.culture.us.1970s/c/25GUvi8yqqo?pli=1
-snip-
Click https://pancocojams.blogspot.com/2022/04/examples-of-united-kingdom-playground.html for  similar rhymes

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G, H

GRANDMA GRANDMA SICK IN BED
"Grandma, Grandma sick in bed
Called for the doctor and the doctor said
Grandma, Grandma, you ain't sick
All you need is a hickory stick."
-From Yo Mama!: New Raps, Toasts, Dozens, Jokes, and Children's Rhymes from Urban Black America by Onwuchekwa Jemie (Temple University Press, 2003; page 104
-snip-
The examples in this book were "Collected primarily in metropolitan New York and Philadelphia during the classic era of black street poetry (i.e., during the late 1960s and early 1970s)" [Google book review]

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GRANDMA MOSES
Grandma Moses 
Called the doctor and the doctor said
Get up grandma
You ain't sick
All you need is a peppermint stick!"
-https://www.bethsnotesplus.com/2018/02/grandma-moses.html
-snip-
Click https://pancocojams.blogspot.com/2017/05/get-up-grandma-you-aint-sick-all-you.html  for more examples of and information about that rhyme and the earlier "Ole Aunt Dinah" rhyme.

The "Old Aunt Dinah" rhyme has the words "All you need is a hickory stick"
 instead of "All you need is a peppermint stick". The fact that these rhymes originated when Black people were enslaved in the United States south and the "doctor" telling the grandmother that she isn't sick and all she needs is [a beating with] a  "hickory stick" [for her to get back to work] conveys a far different image than the "peppermint stick" words or the "walking stick" words that are sometimes found in these rhymes.

"Grandma Moses" (and before that "Ole Aunt Dinah") evolved into the very familiar "Grandma Grandma sick in bed/Call for the doctor and the doctor said" verse. 

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I, J

..."I know I know my ma
I know I know my pa,
I know I know my sister
with the 80 meter bra.
My mother is Godzilla,
my father is King Kong.
My sister is the idiot
who made up this dumb song.
My mother gave me a nickle,
my father gave me a dime
My sister gave me a boyfriend,
his name was Frankenstein.
He made me do the dishes,
he made me wash the floor
He made we wash his underpants
and I kicked him out the door!
I kicked him over London,
I kicked him over France,
I kicked him over Hollywoood
and he lost his underpants."...

-This is a fragment of a long version of "Miss Susie Had A Steamboat" from Elle F., Cocojams.com, 11/18/2006
-snip-
cocojams.com was the name of my cultural website that was online from 2001-2014.

**
I MADE YOU LOOK
"I made you look
You dirty crook
You stole your mother's pocketbook
You turned it in
Your turned it out
You turned it in to a sauerkraut"
--from Azizi Powell's memory of childhood jump rope rhymes (Atlantic City, New Jersey, 1950s)

**
JOHNNY OVER THE OCEAN
"Johnny over the ocean,
Johnny over the sea,
Johnny broke a bottle and blamed it on me.
I told Ma,
Ma told Pa,
Johnny got a beating
Ha Ha Ha"
-from Azizi Powell's memory of childhood jump rope rhymes (Atlantic City, New Jersey, 1950s)

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K ,L

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M,N

ME MOTHER HAS GONE TO CHURCH 
Ahem! Ahem!
Me mother is gone to church.
She told me not to play with you
Because you're in the dirt.
It isn't because you're dirty,
It isn't because you're clean,
It's because you have the whoopin' cough
And eat margarine!
http://www.mamalisa.com/?p=422&t=es&c=68
-snip-
This rhyme is listed as an "Irish kids' chant" on that website.

**

MISS SUE FROM ALABAMA (Version #1)
"I grew up in and around New Orleans. The first time I remember this was second grade, 1973. It was a hand game song. Each person's right hand hits down while left hand hits up. Then each person's right hand hits up while left hand hits down. Then each person's hands hit in front of them. (Additional hand moves in parentheses.)

All of this while singing:

Miss Sue, Miss Sue, Miss Sue from Alabama.
Hey little girl with the dippity doo,
Your momma's got the measles and your poppa does too.
They've got the A B C D E F G (make a circle around your right temple like signalling that they are crazy)
They've got the H I J K LMN OP (make a circle around your left temple like signalling that they are crazy)
They've got a booster shot... (Soft Karate chop for each syllable on bent arm alternating above and below elbow)
They've got a booster shot... (Soft Karate chop for each syllable on bent arm alternating above and below elbow)
They've got a booster shot... (Soft Karate chop for each syllable on bent arm alternating above and below elbow)
And FREEZE. Both kids freeze first one to move loses. The winning kid might karate chop or might punch the bicept the losing kids arm. My friends and I usually just had bragging rights, ah, you moved, I won.

So that's our version. I spent all of second grade in Terrytown Elementary School.
- Lawyer Assistant, December 21, 2019, http://pancocojams.blogspot.com/2013/11/folk-processing-childrens-rhyme-miss.html "Some Folk Processed Versions Of The Children's Rhyme "Miss Sue From Alabama" [comment]

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MISS SUE FROM ALABAMA (Version #2)
"Miss Sue
Miss Sue from Alabama
Hey you,
scooby do
your Mama's got the measles
Your papa's got the flu
magic measles
magic flu
Take an a b c d e f g
Take an h i j k l.m.n.o.p.
Take a smooth shot
Take a smooth shot
and now freeze."
-Eleanor Fulton, Pat Smith- "Let's Slice The Ice", (Magnamusic-Baton, 1978; St. Louis, Mo.; p. 16)

**
MOMMA MOMMA CAN'T YOU SEE
"Momma momma can't you see
What the army's done to me
Took away my MTV
Now I got to watch Barney
Tic Tac Toe
Three in a row
Barney got killed
By GI Joe.
Don't stop till your hands get hot
Don't stop till your hands get red"

(After this line, partners do a series of fast hand claps; the first person who moves her or his hand away so that the hand won't be hit, loses)
-African American girls and boys; around 8-10 years old; Duquesne, Pennsylvania, collected by Azizi Powell, 7/1999

**
MY MOM GAVE ME A NICKEL (also known as"Bazooka Zooka Bubble Gum") 
"My mom gave me a nickel
She said to buy a pickle
But I didn't buy no pickle
Instead, I bought BUBBLE GUM
BAZOOKA, ZOOKA BUBBLE GUM

My mom gave me a dime

She said to buy a lime
But I didn't buy no lime
Instead , I bought BUBBLE GUM
BAZOOKA, ZOOKA BUBBLE GUM

My mom gave me a quarter

She said to buy some water
But I didn't buy no water
Instead, I bought BUBBLE GUM
BAZOOKA, ZOOKA BUBBLE GUM

My mom gave me a dollar

She said to buy a collar
But I didn't buy no collar
Instead, I bought BUBBLE GUM
BAZOOKA, ZOOKA BUBBLE GUM

My mom gave me a five

She said to stay alive
But I didn't stay alive
Instead, I choked on BUBBLE GUM
BAZOOKA, ZOOKA BUBBLE GUM

i learned that one in elementary school... not sure how i remembered it! have fun... whoever needs this
-i know hand games! ; http://blog.oftheoctopuses.com/; 12/22/2005 [website no longer accessible]

**
"My mother said, I never should
Play with the gypsies in the wood.
If I did, she would say;
'Naughty girl to disobey!"
-This is a verse of a British rhyme/song "My Mother Said I Never Should" . Click 
https://www.mamalisa.com/?t=es&p=3566 for an example of a longer version of this song/rhyme. 

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O,P

"oooo Shalida, walking down the street,
ten times a week
I meant it. I said it.
I stole my mama's credit.
I'm cool. I'm hot.
Sock you in the stomach three more times."
-This verse is quoted in multiple forms from the movie Big's "The Space Goes" (or The Spades Go" rhyme. This version was part of an example that I found in 
http://www.ice-cream-freaks.com/ice-cream-song-big.html

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S,T,

****
U, V

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W, X

WHEN SUZI WAS A BABY
"When Suzi was a baby

A baby Suzi was and she went

Wah! Wah! Wah wah wah!

Wah wah wah wah wah wah wah!

When Suzi was a schoolgirl

A schoolgirl Suzi was and she went

Miss! Miss! I can’t do this!

I got my knickers in a terrible twist.

When Suzi was a teenager

A teenager she was and she went

Ooh! Ah! I lost my bra!

I must have left it in my boyfriend’s car!

When Suzi was a mother

A mother Suzi was and she went

Brush your teeth! Comb your hair!

Don’t forget your underwear!

When Suzi was a granny

A granny Suzi was and she went

Knit! Knit! Knit knit knit!

Knit knit knit knit knit knit knit!

When Suzi wa-as de- ead

De-ead Suzi was and she went…

(Silence)"
-simonrcarter (from his daughter Ros, 19 years old),  November 5, 2018, Mo
https://brandonrobshaw.wordpress.com/2018/11/05/playground-rhymes/ "Playground rhymes" [United Kingdom]

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Y, Z,

YO MAMA DON'T WEAR NO DRAWERS 
"Yo mama don't wear no drawers.
I saw her when she took em off.
She threw them in the air...
Superman said "I declare!"

(We had a whole lot of sayings that came after the second line like...She threw them on the track and the train jumped 50 miles back).
-Optimistic1 (African American female; Illinois); http://www.greekchat.com/gcforums/showthread.php?t=4123&page=2 "Childhood chants and games......", 12-29-2000
-snip-
"Yo" is a shortened way of saying or writing "Your". This example of this chant doesn't reflect the group's call and response chanting of "ding dong ding ding dong"  (or similar words in different examples) after every line".

**
YOUR MAMA MY DADDY
your mama

my daddy
your bald headed granny
she 99
she think she fine
she break it down like frankinstin.
go frankie
go frankie
go, go, go frankie,
go frankie
go frankie
go, go, go frankie.

my mama
my mama short and fine
she got a butt like mine
and when she walk the street
all cars go beep,beep beep
and when she go down low
she does a rollie o
and when she com up high
she does the butterfly.
stop. drop.
bring it to the top
pop pop
shake skake
vibrate vibrate"
-erika, cocojams.com, 10/26/2006

**
YO MAMA YO DADDY

"Yo mama

yo daddy

yo greasy stank granny

she got holes in her panties

she got a big behind

like Frankenstein

your mama got a big oh butt"
-CinciDiva on Feb 13, 2011, https://www.youtube.com/watch?v=lMtZXXIHLwY "Yo Mama -- Yo Daddy -- Yo greasy stank granny! LOL!"

**

YO MAMA YO GREASY GREASY GRAND MAMMY
"I am 25 now and learned this when I was in KG, i'm from North Carolina.

yo mamma
yo, mamma,
yo greasy greasy grand mammy,
she got a big behind like frankinstine,
it goes beat beat beat like sesame street."
-Erica, cocojams.com, 1/3/2008
-snip-
"KG" = kindergarten

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Visitor comments are welcome.

Friday, May 8, 2026

Six Videos Of Black American Female Singers Wearing A Headwrap

 

Nina Simone - Feeling Good

M M P F, Dec 31, 2019

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Edited by Azizi Powell

This is Part II of a two part pancocojams series about Black American women wearing a  headwrap. 

This pancocojams post showcases six YouTube videos of five contemporary (1960 to date) Black American singers wearing headwraps.

The Nigerian Yoruba term "gele" (pronounced gay-lay) or the French term "tignon" (pronounced "tee-yohn" may be used to refer to these headwraps (head coverings).

Click https://pancocojams.blogspot.com/2026/05/when-it-was-against-law-for-black-women.html for Part I of this pancocojams series. That post showcases three YouTube videos and presents information from Wikipedia about Louisiana's Tignon Laws (1786-1803). 

Information about the origin and meaning of the word "tignon" is also given in this pancocojams post.

The content of this post is presented for historical and socio-cultural purposes.

All copyrights remain with their owners.

Thanks to the musical legacy and the role modeling of the women who are showcased in this pancocojams post. Thanks to the producers and publishers of the videos that are showcased in this pancocojams post.

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ADDITIONAL SHOWCASED VIDEOS

These videos are given in no particular order and are numbered for referencing purposes only.

SHOWCASE VIDEO #2 - Erykah Badu - Tyrone (Live


Erykah Badu, Jun 16, 2009

Music video by Erykah Badu performing Tyrone. (C) 1997 Kedar Entertainment / Universal Records Inc.

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SHOWCASE VIDEO #3 -
Roberta Flack - Killing Me Softly With His Song (Official Video)

RHINO, Aug 16, 2023

Roberta Flack performs her 1973 #1 hit Killing Me Softly With HIs Song from her album Killing Me Softly "Killing Me Softly With His Song" earned Roberta Flack the GRAMMY for Record of The Year in 1974

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SHOWCASE VIDEO #4 -  Brown Skin - 1000 Greatest Songs of All Time



@TheVelvetClassics, November 13, 2024@TheVelvetClassics

"Brown Skin" is the second single by American soul and R&B singer-songwriter India.Arie from her debut studio album Acoustic Soul in 2001. The single failed to chart on the Billboard Hot 100, but it became her highest charting single in the United Kingdom, peaking at number 29. #velvet #favoritesongs #classics #indiaarie

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SHOWCASE VIDEO #5 - BLACK IS KING, a film by Beyoncé | Now Streaming | Disney+


Disney,  Aug 10, 2020  #BLACKISKING

Experience a new visual album inspired by The Lion King: The Gift. Black Is King, a film by Beyoncé, is now streaming exclusively on Disney+.

Black Is King, based on the music of “The Lion King: The Gift,” will premiere two weeks after the one-year anniversary of the theatrical release of Disney’s global phenomenon, “The Lion King.” The film reimagines the lessons from the 2019 blockbuster for today’s young kings and queens in search of their own crowns.

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ADDENDUM 

Here's a bonus video of Erykah Badu wearing other types of headwraps. The tall headwrap that is shown in this video is now considered to be an iconic image of Erykah Badu..

Window Seat | Erykah Badu



@1DjDMoney, April 14, 2026

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This concludes Part II of this pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.

When It Was Against The Law For Black Women In Louisiana To Wear Their Hair Uncovered - The Tignon Laws (1786-1803)

 

Hidden Black History Tignon Law Forces #Black Women to cover their Hair #WomensHistory #Reels #beauty

@MichelleDuffieTV, Mar 25, 2026

Hidden Black History - Now You Know!

In 1786, Louisiana’s Tignon Law forced Black women—especially free women of color—to cover their hair to suppress their beauty and status. Instead of erasing them, it sparked a cultural rebellion. Women transformed tignons into bold, elegant fashion statements with vibrant fabrics and intricate wraps. What was meant to diminish became distinction. Racism tried to hide beauty—Black women made it shine louder.

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Edited by Azizi Powell

This is Part I of a two part pancocojams series about Black American women wearing   headwraps. 

This pancocojams post showcases three YouTube videos and presents information from Wikipedia about Louisiana's Tignon Laws (1786-1803). 

Information about the origin and meaning of the word "tignon" is also given in this pancocojams post.

Click https://pancocojams.blogspot.com/2026/05/six-videos-of-black-american-female.html  for Part II of this pancocojams series.That post showcases six YouTube videos of five Black American singers wearing headwraps. 

The content of this post is presented for historical and socio-cultural purposes.

All copyrights remain with their owners.

Thanks to the courage, determination, and creativity of Louisiana's women who challenged the Tignon Laws. Thanks to all those who are quoted in this post and thanks to the producers and publishers of these YouTube videos that are showcased in this pancocojams post.    

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SHOWCASE VIDEO #2- The Tignon Law — When They Tried to Regulate Black Beauty -
Part 1



@hotepcreations, May 5, 2026

In 1786, Spanish colonial law forced free Black women in New Orleans to cover their hair as a sign of the slave class. What they did next — no one saw coming. Six styles. One message. You cannot legislate away a crown.

🎓 Free educational videos and lesson plans: https://hotepcreations.com/pages/short-lessons-history-culture-innovation

 🛒 Shop Hotep Creations: https://hotepcreations.com/

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SHOWCASE VIDEO #3- The Tignon Law — When They Tried to Regulate Black Beauty -
Part 2

@HotepCreations, May 5, 2026

Black women in New Orleans wrapped their tignons in silk, satin, jewels, and feathers — and turned a law meant to oppress them into the most iconic crown in the room. Then Empress Josephine copied it and erased where it came from. And today, Black women's hair is still being policed. The Tignon Law never really ended.
-snip-
Here's some information about Empress Josephine
from https://en.wikipedia.org/wiki/Jos%C3%A9phine_de_Beauharnais
"Joséphine Bonaparte (French: ...born Marie Josèphe Rose Tascher de La Pagerie; 23 June 1763 – 29 May 1814) was the first wife of Emperor Napoleon I and as such Empress of the French from 18 May 1804 until their marriage was annulled on 10 January 1810. As Napoleon's consort, she was also Queen of Italy from 26 May 1805 until the 1810 annulment. She is widely known as Joséphine de Beauharnais (French: [ʒozefin də boaʁnɛ]) or Empress Joséphine."...

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WHAT IS A TIGNON?
From AI Overview [results from May 8, 2026]

"A tignon (pronounced ti-yohn) is a Louisiana French term for a head covering, specifically a scarf or handkerchief wrapped around the hair, which originated in the late 18th century. It stems from the French word tignon, an older synonym for a chignon (a bun or coil of hair), which itself shares roots with tignasse (a head of hair).

Key Etymological and Historical Facts:

French Origins: The word is derived from the French tignon, often used to refer to a knot or coil of hair at the back of the neck, likely referencing the bundled nature of the headwrap."...

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WIKIPEDIA PAGE ABOUT TIGNONS
From  https://en.wikipedia.org/wiki/Tignon
"A tignon (also spelled and pronounced tiyon) is a type of headcovering—a large piece of material tied or wrapped around the head to form a kind of turban that somewhat resembles the West African gele. It was worn by Creole women of African descent in Louisiana beginning in the Spanish colonial period, continuing to a lesser extent to the present day.

Tignon law

This headdress was the result of sumptuary laws passed in 1786 under the administration of Governor Esteban Rodriguez Miró. Called the tignon laws, they prescribed and enforced oppressive public dress for female gens de couleur in colonial society.

Historian Virginia M. Gould notes that Miró hoped the law would control women "who had become too light skinned or who dressed too elegantly, or who, in reality, competed too freely with white women for status and thus threatened the social order."[2]

Afro-Créole protest

Miró's intent of having the tignon mark inferiority had a somewhat different effect, according to historian Carolyn Long who noted: "Instead of being considered a badge of dishonor, the tignon ... became a fashion statement. The bright reds, blues, and yellows of the scarves, and the imaginative wrapping techniques employed by their wearers, are said to have enhanced the beauty of the women of color."[3]

The women who were targets of this decree were inventive and imaginative. They decorated tignons with their jewels and ribbons, and used the finest available materials to wrap their hair. In other words, "[t]hey effectively re-interpreted the law without technically breaking the law"[4]—and they continued to be pursued by men.

The tignon law remained in place into the Antebellum era and while the original desire of the law was to create racial differences, the adoption of the tignon by Empress Josephine made it stylish for white women, as well as women of color, to wear their hair "in the Creole style" with a tignon wrap. In the early 19th century, the tignon was associated with French fashion, which appropriated styles from a variety of cultures, and with a sense of "Frenchness."[5]

Tignons past and present

The tignon can be wrapped in many ways, and it was and is worn in a different way by every woman. Madras was a popular fabric for tignons among both free and enslaved populations, and has become iconic. Tignons were often created out of mis-matched scraps of undyed fabric given to slaves by their masters. The patchwork of material was made to appear festive. Tignons worn by free women of color or enslaved women in Haiti, Martinique, Guadeloupe, Saint Lucia and Dominica, were made from Madras fabric, and even had hidden messages.[6]

The tignon is experiencing a revival in Louisiana. It is found particularly in Creole-themed weddings. Celebrities such as Erykah Badu and Jill Scott continue to wear headdresses, as a celebration of Afro-American culture.

Law

Miró added an item to a decree that he was already going to issue.[4] The June 2, 1786,[5] decree, formally titled the bando de buen gobierno or "proclamation of good government,"[6] stated that women of color had to wear a scarf or handkerchief over their hair as a visible sign of belonging to the slave class, whether they were enslaved or not;[7] specifying that "the Negras Mulatas, y quarteronas can no longer have feathers nor jewelry in their hair. [Instead, they] must wear [their hair] plain (Ilanos) or wear panuelos, if they are of higher status, as they have been accustomed to."[4] Their style provoked anxiety among white elites, who sought to control racial distinctions through apparel laws. [8] Black women were demanded to submit to the law while they were working. This tactic was enacted to obtain control to prevent the free black community from being too powerful and putting a halt to exposure of one of their most attractive features, hair.[2]

Effect

During the 18th century, laws restricting what black people could wear were not uncommon.[4][6] Miró hoped that the law would halt plaçage unions[3] and tie freed black women to those who were enslaved. While white women in New Orleans initially stopped wearing their hair in the style, Empress Joséphine of France eventually adopted the headpiece, and it became considered haute couture in the early 19th century before decreasing in popularity in the 1830s.[9][10]

Virginia Gould writes that the true purpose of the law was to control women "who had become too light skinned or who dressed too elegantly, or who, in reality competed too freely with white women for status and thus threatened the social order."[5] She also notes that there is no evidence it was ever enforced and the women who followed the law turned the headdress into a "mark of distinction".[2] This law was used as a political tool disguised as morality regulation, intended to “remind black women their social standing” in colonial society. [11]

In popular culture

Systemically, white media has weaponized images of Black women in headscarves - like the Aunt Jemima stereotype - to sell the narrative that they are unattractive, servile, and submissive, reinforcing gender and racial hierarchies through caricatures and control. [12]

The laws used to prohibit Black women’s hair exposure as a symbol of oppression turned into a symbol of self-expression and empowerment. Within the 1960s and 1970s, Nina Simone and Angela Davis were known for wearing headwraps as a statement of resistance against racial discrimination and injustice and as a reclamation of black beauty, pride, and culture. [3] During the 1990s and early 2000s, artists such as Lauryn Hill, India Arie, and Erykah Badu to name a few showcased the reclamation of the headscarf as a beauty and cultural symbol.[13] From fashion designers, celebrities, to media influencers, they have displayed the versatility of the once law-abiding tool now stylish accessory that can be worn in various ways to accentuate an outfit and assisting with protection while sleeping. [4]

Publications such as Essence and Vice have discussed the law and its effects"
-snip-
This is the complete content of that Wikipedia page except for references. 
-snip-
Here's information in English about two of the non-English words that are found in that write-up:

*panuelos- English translation of that Spanish word = "scarves"

**plaçage - "Plaçage was a recognized extralegal system in French slave colonies of North America (including the Caribbean) by which ethnic European men entered into civil unions with non-Europeans of African, Native American and mixed-race descent. The term comes from the French placer meaning "to place with". The women were not legally recognized as wives but were known as placées; their relationships were recognized among the free people of color as mariages de la main gauche or left-handed marriages. They became institutionalized with contracts or negotiations that settled property on the woman and her children and, in some cases, gave them freedom if they were enslaved. The system flourished throughout the French period, reaching its zenith during the latter, between 1769 and 1803.

The system may have been most widely practiced in New Orleans, where planter society had created enough wealth to support the system.[1] It also took place in the Latin-influenced cities of Natchez and Biloxi, Mississippi; Mobile, Alabama; St. Augustine and Pensacola, Florida;[2] as well as Saint-Domingue (now the Republic of Haiti). Plaçage became associated with New Orleans as part of its cosmopolitan society."...
source-https://en.wikipedia.org/wiki/Pla%C3%A7age

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This concludes Part I of this pancocojams series.

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