Edited by Azizi Powell
Latest revision - November 6, 2026 at 8:14 PM
This is a complete reprint of an updated version of a 2021 pancocojams post with the same title. That 2021 post remains on this pancocojams blog and has no comments as of the date of this 2026 publication.
Visitor comments are welcome for both of these posts.
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This pancocojams post presents the reasons why I believe that it is important to document and cite racial/ethnic* demographics when collecting and/or sharing examples of children's recreational rhymes, cheers, singing games, etc.
The Addendum to this pancocojams post presents hyperlinks to pancocojams posts that provide examples of contemporary children's rhymes & cheers which include a racial/ethnic* referent or racial/ethnic referents.
The content of this post is presented for socio-cultural purposes.
All copyrights remain with their owners.
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* "Ethnic" in this post refers to Latino/a (Hispanic) as it is used in the United States. People who are Latino/a (Hispanic) can be of any race.
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MY OVERARCHING REASON FOR INCLUDING RACIAL DEMOGRAPHICS
A person collecting and/or sharing children's rhymes and cheers should document as much demographics as possible just as she/he would do when collecting other folkloric material. Demographic information includes the race/ethnicity of the person or people who are chanting/performing the example, the gender, geograhic location, and the date the example was collected as well as information about when and how the person first learned that example. The collector should also document any accompanying performance activity that was performed while chanting this example.
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WHY I BELIEVE IT'S IMPORTANT TO INCLUDE RACIAL/ETHNIC DEMOGRAPHICS WHEN COLLECTING AND/OR SHARING EXAMPLES OF CHILDREN'S RHYMES AND CHEERS
(These reasons are given in no particular order.)
I believe that including racial demographics when documenting children's recreational rhymes
1. helps document/demonstrate that racial group’s creativity.
(Children's rhymes/cheers are legitimate examples of a population's cultural expression as are other genres of music and oral or written compositions that are created by and for adults.)
2. helps document/demonstrate the chanter’s attitudes and/or some of that racial group’s attitudes & opinions about their race/ethnicity
3. helps document/demonstrate the chanter’s attitude & opinions and/or some of that racial group’s attitude about other people’s race/ethnicity
4. helps document/demonstrate the chanter’s attitude & opinions and and/or some of that racial group’s attitude about other things in their world (i.e. gender, parents, romantic relationships etc.)
5. helps document/demonstrate what slang and other things were/are interesting to specific populations during that time period
6. helps explain the meaning of certain slang words and saying which are found in certain rhymes and/or identify a particular person who is mentioned in rhyme
For instance, the word "jive" has had a number of slang meanings over time. However, in some examples of "Hula Hula" cheers that I've come across in the early to mid 2000s, "don't take no jive" means that the person is not going to let anyone "mess over" her (i.e. say or do anything foolish to her or problematic with or for her.
And the line "hangin out with Genuwine" in at least one of those same cheers means "spending time relaxing with the rapper whose stage name is Genuwine.
7. helps document/demonstrate how certain types of rhymes are preferred by certain populations during that time period and how those preferences' might have changed over time
8. helps document/demonstrate the same or different preferences for certain types of rhymes among different populations within the same nation in the same time period
For instance, it seems to me that gross out rhymes such as "Great green gobs of greasy grimey gopher guts" aren't as well known among African Americans as they are among White Americans.
9. helps document/demonstrate how certain performance activities are preferred by certain populations during that time period
For instance, it appears to me that most Black children's hand clapping rhymes are percussive and usually include accompanying syncopated performance activities such as hand clapping and/or foot stomping
10. helps document how specific rhymes are found in various cities, states, and/or regions of a nation and/or in various nations of the world.
Besides having that information for the historical/cultural record, this information is useful for comparing and contrasting geographical locations and/or documenting what makes a specific location distinctive in a particular time.
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ADDENDUM: SOME PANCOCOJAMS POSTS THAT INCLUDE OF CHILDREN'S RHYMES/CHEERS THAT INCLUDE EXAMPLES OF RACE
Here are some pancocojams posts on children's recreational rhymes and cheers that include my comments about the influence of race/ethnicity on the composition/meanings of those rhymes/cheers and other points about the influence of race/ethnicity on how these examples are performed and more:
Conceptualizing, Collecting, & Sharing Contemporary Black Children's Rhymes
http://pancocojams.blogspot.com/2017/06/conceptualizing-collecting-sharing.html
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Race Mentioned In Contemporary Children's Recreational Rhymes
http://pancocojams.blogspot.com/2021/04/childrens-recreational-rhymes-that.html
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Selected Examples Of Referents For Black People In Children's Rhymes
http://pancocojams.blogspot.com/2017/06/selected-examples-of-referents-for.html
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The REAL Origin Of The Word "Ungawa" & Various Ways That Word Has Been Used In The USA
http://pancocojams.blogspot.com/2015/08/the-real-origins-of-word-ungawa-various.html
Racialized Versions Of "I Like Coffee I Like Tea"
http://pancocojams.blogspot.com/2012/01/racialized-versions-of-i-like-coffee-i.html
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Examples Of & Comments About The Children's Rhyme "I Like Coffee, I Like Tea, I Like Sitting On A Black Man's Knee"
http://pancocojams.blogspot.com/2018/01/examples-of-comments-about-childrens.html
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The REAL Meanings Of "The Spades Go" & "The Space Go" In Playground Rhymes
http://pancocojams.blogspot.com/2012/11/the-real-meaning-of-spades-go-space-go.html
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