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Showing posts with label Jazz dances. Show all posts
Showing posts with label Jazz dances. Show all posts

Friday, October 4, 2024

The Multiple Meanings Of The African American Vernacular English Saying "Keep On Truckin' " & Where Did That Saying Originally Come From?

These online excerpts are given in no particular order and are numbered for referencing purposes only.

EXCERPT #1
From https://www.betteratenglish.com/keep-on-tracking-or-keep-on-trucking# "What does keep on trucking mean in English? published by blog, English Learning Tips, Vocabulary / by Lori (no publishing date given, retrieved October 4, 2024)
"First of all, if you found this page by searching for keep on tracking, chances are that you misheard. Keep on tracking isn’t really an expression in English. You’re probably looking for the meaning of keep on trucking. If so, read on!

Keep on trucking means to continue or persist doing something — usually something boring, uninteresting, or tedious. You can say it about yourself, to show that you plan to persist with the task. But Keep on trucking is often said to encourage someone else who is doing a boring or unpleasant task. Here are a couple of examples:

Example 1. About yourself

Speaker one: How is the Henderson report coming along, John?

Speaker two: I’m making progress. It’s a massive job, but I just keep on trucking. I should be done in time.

Speaker one: Hang in there!

Example 2 — Encouraging someone else

Speaker one: How is the Henderson report coming along, John?

Speaker two: I’m making progress, but it’s a massive job. I hope I’ll be done in time.

Speaker one: Well, I’m impressed with what you’ve shown me so far. Just keep on trucking and I’m sure you’ll make it.”…

****
EXCERPT #2
From https://www.quora.com/What-is-the-origin-of-the-sixties-phrase-Keep-On-Truckin-What-did-it-actually-mean "What is the origin of the sixties' phrase "Keep On Truckin'? What did it actually mean?"

1. Martin Reyto, 2019
retired English teacher
"It was made famous in the 1960s by underground comic legend R. Crumb, whose characters both said it and demonstrated it. Here’s one of them, truckin’:

[An illustration of that character is inserted here.]

As you can see, it’s a style of walking. Cheerful, loose-jointed, long stride, ready to dance. The expression generally means something like, “Stay happy, stay in the groove, and keep on doing your thing.” The expression probably pre-existed Crumb, but his work jacked it into the “counter-culture,” which then became the pop culture of the day."

**
2. Sam Spencer
News editor, native English speaker, American, 2019
"Originally Answered: What does the phrase "Keep on truckin' " mean, and when did it start?

There is lots of info on this on Wikipedia but I will give a very brief answer here: This was a cartoon by cartoonist Robert Crumb who in 1968 published a cartoon called Keep On Truckin with men with big feet moving across landscapes. The idea was a kind of optimism that the Hippie movement latched onto. Here is something Crumb is reported to have said about it: Big feet equals collective optimism. You're a walkin' boy! You're movin' on down the line! It's proletarian. It's populist.

Find out more at Wikipedia page for Keep On Truckin’ and I think it all looks pretty correct. I used to see the phrase and pictures of the men related to it on cars in the Washington, DC, area in the 1970s a lot. I was a teenager but it was slightly older people in their 20s who seemed to know and like what it was about at the time.

I have a positive feeling about it but I feel positive about the Hippy mindframe in many ways, too.

**
3. 
Jim Heaphy, 2019
"I am a native American English speaker, born and raised in Michigan, and a Californian since 1972.

The phrase was part of a blues song in the 1930s but entered into pop culture in 1968 when the underground comic artist R. Crumb drew a single panel comic strip. It showed various men striding forward boldly and confidently. I grew up in that era and associate the phrase with the Grateful Dead and the hippie counterculture. To me, the phrase implies a certain grubby style of hardworking self-confidence, determination and optimism.

Keep on Truckin' (comics) - Wikipedia 
https://en.wikipedia.org/wiki/Keep_On_Truckin%27_(comics) "

** 
4. Yochanan Ben Hernandez, 2019
Knows English
Originally Answered: What does the phrase "Keep on truckin' " mean, and when did it start?
"Although this expression was used as early as the 1930s and may have originated in jazz, “Keep on Truckin” is a phrase from the famous song "Trucking My Blues Away" by Blind Boy Fuller. It may also refer to: Keep on Truckin' (comics), a comic and visual motif of underground comix by Robert Crumb.

It became even more popular in the late 60s and early 70s, with the boom of the Hippie Movement, a countercultural movement that rejected the mores of mainstream American life. The movement originated on college campuses in the United States, although it spread to other countries, including Canada and Britain.

It is unclear exactly how this expression developed into its use of the day, but some sources speculate that it may be associated with the large trucks that drive for many hours to transport goods across states and across the country. It was indeed praised in movies of that time like “Smokey and the Bandit” about the life of truck drivers in America. They must drive for long stretches of time, and therefore are thought of as something that just keeps going.

This expression can be used either as encouragement or as a description."

**
5. 
Keith W., Udoologist, Pastafarian, 2020
Knows English
Originally Answered: What does "keep on truckin" mean?
"When I was much younger, this was a popular expression. Most of the time it roughly equated to “be cool" or “be good" or “stay out of trouble". Simply another way to say see you later or even good luck.

It can also be used as an encouragement in rough times. If someone is in a difficult period due to work issues or financial stress (or other), you might tell them to “keep on truckin' bro/sis" or “keep on keepin' on" as a friendly gesture of support."

** 
6. Doc, 2022
"Truckin'" was originally a dance move. There are several theories about where it came from, but the most likely is that it was invented in Harlem during the late 1920's. It was done to a shuffle rhythm and involved moving away from your partner while strutting and waggling your index finger.

It was popularized in the late sixties by cartoonist Robert Crumb. His "Keep on Truckin'" cartoon in Zap comics (1968), featuring a guy leaning way back with his index finger up and his foot thrust forward. It was a popular subject of poster art in the late sixties."

**
7. Assistant Bot, Aug 16, 2024
"The phrase "Keep On Truckin'" originated in the 1960s and is closely associated with the counterculture movement of that era. Its most notable popularization came from a 1965 comic strip by R. Crumb, which depicted a group of characters walking along a road with the caption "Keep on Truckin'." This imagery captured the spirit of perseverance, freedom, and the pursuit of one's own path, resonating with the youth of the time who were exploring new social, cultural, and political ideas.

"Keep on Truckin'." This imagery captured the spirit of perseverance, freedom, and the pursuit of one's own path, resonating with the youth of the time who were exploring new social, cultural, and political ideas.

The phrase itself means to continue moving forward or to keep going despite challenges or obstacles. It embodies a sense of resilience and determination, encouraging individuals to maintain their course and not give up. Over time, "Keep On Truckin'" became a motivational slogan, symbolizing the optimism and adventurous spirit of the 1960s counterculture, as well as the broader themes of the American road and lifestyle."

****
EXCERPT #3
https://en.wikipedia.org/wiki/Keep_On_Truckin%27_(comics)
" "Keep On Truckin' is a one-page cartoon by Robert Crumb, published in the first issue of Zap Comix in 1968. A visual burlesque of the lyrics of the Blind Boy Fuller song "Truckin' My Blues Away", it consists of an assortment of men, drawn in Crumb's distinctive style, strutting across various landscapes. The cartoon's images were imitated and much displayed during the hippie era.

[...]

Copyright and licensing issues

The image has been imitated often without permission, appearing on T-shirts, posters, belt buckles, mudflaps, and other items.

[...]

A.A. Sales claimed the work was in the public domain, because Crumb had not included the copyright symbol on the work, although he had done so in Zap #1 as a whole. The work was protected by the terms of the 1909 Copyright Act, and any omission of notice was considered to cause the work to be public domain. The drawing had also appeared on the business card of Crumb's publisher without the copyright symbol. Based on that, Wollenberg granted A.A. Sales' request for summary judgment, and Keep On Truckin' became public domain. In 1977, the U.S. Court of Appeals reversed that decision, and it returned to copyrighted.

[...]

Crumb's notions

Crumb used the cartoon as an example of what caused the discomfort he claims he felt with his sudden fame during the late 1960s, saying:

I became acutely self-conscious about what I was doing. Was I now a "spokesman" for the hippies or what? I had no idea how to handle my new position in society! ... Take Keep on Truckin... for example. Keep on Truckin'... is the curse of my life. This stupid little cartoon caught on hugely. There was a D.J. on the radio in the seventies who would yell out every ten minutes: "And don't forget to KEEP ON TR-R-RUCKIN'!" Boy, was that obnoxious! Big feet equals collective optimism. You're a walkin' boy! You're movin' on down the line! It's proletarian. It's populist. I was thrown off track! I didn't want to turn into a greeting card artist for the counter-culture! I didn't want to do 'shtick'—the thing Lenny Bruce warned against. That's when I started to let out all of my perverse sex fantasies. It was the only way out of being "America's Best Loved Hippy Cartoonist".[4]”…

****
SPECULATION ABOUT THE SOURCE FOR AN EARLY AFRICAN AMERICAN VERNACULAR ENGLISH MEANING OF 'TRUCKIN'
I believe that "The Ward Line" work song that was collected in the 1930s includes a meaning of the word "truck" that directly influenced the later African American Vernacular English word "truckin'" and the later African American Vernacular English saying "Keep on Truckin'".

"The Ward Line" is categorized as a sea shanty. However, instead of being sung by sailors, it was sung by the Black men who were laborers on land who loaded and emptied cargo in the holds of sailing vessels. The title "The Ward Line" refers to the route that that vessel followed or "The Ward Line" is the "brand name" for the ships that were owned and operated by the Ward family. [Correction welcomed]

The word "truck" in "The Ward Line" song refers to the "wheelbarrow" that the laborers pushed to load cargo into the ship's hold or to empty cargo from the ship's hold. The Black men who did this back breaking labor were referred to as "truckers". Those men had to "keep on truckin' " all those long hours until they completed that difficult work.

Here are two verses from that 1930s sea shanty "The Ward Line":  

https://www.judybwebdesign.com/handspikes/cast_off/coel_lyrics/ka03wardline.htm

"Get along there, Mose, your feet ain't stuck

Just hump your back and-a push that truck"

**

"Lake Superior is big and rough

And for this old trucker one trip's enough"


Here's an excerpt from that same online published source that provides information about the vernacular meaning of the word "truck" and "trucked" in the context of that 1930s sea shanty: 

"
NOTES:

Another cargo-loading shanty from the Great Lakes of America. I first heard this sung by the East Coast shanty group The Boarding Party. It was one of the songs collected by Ivan H. Walton and appears in the recently published book Windjammers: Songs of the Great Lakes Sailors. Lyrics used are taken out of dialect shown in the book to avoid some highly offensive language.

Notes from the book about this song:

There is mystery in this song – or at least in its recovery – and the mystery reveals the strange lives and turns these songs took. Throughout the Upper Great Lakes, sailors know the Ward Line and the work chantey of the black men who trucked the iron ore and copper pigs that filled the boats' holds.

[...]

Eber Brock Ward became Michigan's richest man with his ventures in steelmaking, glass making, real estate, and banking. Ward's wealth was rooted in shipping, the family business started by his uncle Sam at Marine City, Michigan, in 1820. Although E.B. Ward dropped dead on the streets of Detroit in 1875, his shipping business survived, as did this song about one of the most prominent Ward Line vessels, the Sam Ward. Nicknamed the "Old Black Sam" for its distinctive paint job, the side-wheeler steamed between Michigan's Lake Superior copper country and the ports of Detroit, Cleveland, and Buffalo. Captain Harvey Kendall of Marysville, Michigan, claimed to have served as mate for several seasons on the "Old Black Sam." The mystery is that the vessel was lost in 1861, making it unlikely that Kendall had ever served on it. And why should verses mention vessels that were not around while the Sam Ward sailed? The explanation might be that the song outlived its namesake, and grew with additions and embellishments.

Kendall said that the steamer would stop at Detroit on its upbound trip and ship a team of twenty or more black men to load the copper pigs waiting at the Keweenaw Peninsula on Lake Superior. The men would stay on until after they had unloaded the pigs at their destination, received their substandard wages (about fifty cents per day), and been put off at Detroit. The deckhands unloaded the "Old Black Sam" with hand trucks or wheelbarrows. Pushing their heavy loads in an endless loop between vessel and warehouse, the men worked continuously with only brief time-outs. It took two or three laborious days to load a cargo of copper this way. During the long, tedious work and for similar chores, the men sang. They preferred chanteys for their steady rhythm, improvisation, and group choruses."...
-snip-
It's easy for me to conjecture that the vernacular meaning of "Keep on truckin" (to persist in spite of difficulties) could have come from this history of laborers pushing trucks loaded with cargo to fill the holds of sailing vessels or to empty cargo from the holds of those sailing vessels. I can also imagine that that history was an early source of the "truckin" dance since we Black people sometimes have to find some enjoyment in the midst of bleak times, and  laugh to keep from crying. 

With regard to that 1930s sea shanty's meaning of the word "truck", recall that Blind Boy Fuller wrote and recorded hiss song "Truckin' My Blues Away" in 1936. However, that sea shanty probably was sung before the 1930s as it referred to a vessel that had stop sailing some time before that decade.

Click https://pancocojams.blogspot.com/2024/10/the-ward-line-african-american-sea.html  for more information about the sea shanty "The Ward Line", 

****
SOME NOTES ABOUT THE JAZZ DANCE "TRUCKIN"
There's documentation of the word "truckin'" being used for the name of a Harlem dance in 1927, but that doesn't mean that that term or that dance originated in Harlem (New York).

Here are two quotes about the Jazz dance "truckin"
Quote #1
From http://www.streetswing.com/histmain/z3truck.htm
“Truckin is considered a Harlem dance originating around 1927...It signifies the Strutting Walk done when one is happy or joyful...It’s mainly used in Lindy Hop today after separating from your partner to return later back together again. Truckin can be done as a couple or as a solo...

Truckin is the shoulders which fall and rise as the dancers move toward each other while the fore finger points up and wiggles back and forth like a windshield wiper.”

**
Quote #2
From http://www.barrypopik.com/index.php/new_york_city/entry/truckin_or_truck_on_down_1935/
"The Big Apple: Truckin
Entry from February 19, 2006
“Truckin‘“ or “Truck on Down” (1935)

The dance "Truckin" or "Truck on Down" was popularized in Harlem in 1935. Various Harlem spots and entertainers took credit for popularizing it."...   

Click https://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for the 2013 pancocojams post entitled "The Jazz Dance "Truckin" (Information & Video Examples)"

****
This concludes Part I of this four part pancocojams series.

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Visitor comments are welcome.

Thursday, December 2, 2021

The "Big Apple" Jazz Dance (information and two late 1930s film clips)



Vintage Swing Dance, June 14, 2015

From the movie: KEEP PUNCHING 1939 The Big Apple contest featuring Whitey's Lindy Hoppers.
**** Edited by Azizi Powell

This pancocojams post presents information about the "Big Apple".

This post also showcases two historical film clips of the "Big Apple" from the late 1930s (United
States).

The content of this post is presented for historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the unknown creators of this dance. Thanks also to the film makers,  all those who are featured in these film clips, and the publisher of these film clips on YouTube.  Thanks also to all those who are quoted in this post. 

****
SHOWCASE FILM CLIP #2: DANCING THE BIG APPLE:1937: African-Americans ignite a National Craze


DancetimePublication, Jul 27, 2010

….This innovative documentary, DANCING THE BIG APPLE 1937: African Americans Inspire a National Craze, explores the Big Apple dance in the context of American history.

Movie: Dancing the Big Apple 1937

****
INFORMATION ABOUT AND DESCRIPTIONS OF THE "BIG APPLE"
Excerpt #1
From https://www.streetswing.com/histmain/z3bigapl.htm
"The Big Apple is a group participation circle dance that uses swing dance for a host of steps. The Big Apple has some roots in the Ring Shout and Square Dance as well. Sometimes a solo or couple would perform in the center of the circle (like today's modern jams) as the rest of the dancers would dance in a circle around them.

Most people think of New York when they hear the name, but the Big Apple actually originated at the "Big Apple Night Club" in the Palmetto state of Columbia, South Carolina around 1936.

 The night club was actually a abandoned African-American church (originally the 'House of Peace Synagogue') converted into a nightclub. The club used a "Nickelodeon" for its music and had a balcony around the floor where dancers stood and watched. It's rumored that dancers got so excited one night that the Balcony collapsed!. The University of South Carolina students expanded it's popularity all the way to New York.

The Big Apple spread all over the states and soon the smaller taverns and dance halls were posting apologetic signs: "Sorry, No Big Apple. Not enough room". Some ballrooms who had balconies or dance floors on the second story collapsed due to the weight of the people doing the Big Apple. Many people where hurt in the collapse and some establishments refused to allow people to do the Big Apple due to insurance reasons and fear that someone might get hurt.

This dance is cued by a caller, dancers performed moves from the Lindy Hop, Shag, and Charleston, and popular jazz steps like Trucking and Pecking. Some of the names of steps were called "Spank The Baby, Praise Allah, Rusty Dusty, Charleston, Suzy-Q, Pose & A Peck, Boogie Back, Shorty George, Truckin, The Little Apple., The Little Peach"-- (Little Peach-Invented by Collage Kids in So. Carolina) and more, were all swing type fad dances of the time, these Fad or Novelty dances lasted only a couple years. Over time most of these steps have resurfaced as the same dance or a variation of the dance.

"Swing As Away Of Life" states : (book) 'The Big Apple started when the band leader (or any dancer) cried out, "Cut The Apple!" and dancers formed circles of 8 to 10 people each. At the callers cry of " Come on and swing," the dancers would break into the Charleston swing (Lindy Hop), a more violent version of the previous decades Charleston. Each dancer would step forward on his left foot and kick the right foot up, then step back on the right foot to the rear. Soon the whole circle would be a flurry of flying feet and counter-flying arms and elbows. When the caller yelled "Truck To the Right!", each dancer would face right, raise the admonitory index finger, step forward and pivot .. etc .' ...

 "Down Memory Lane" states : (book) " The Big Apple was a group participation dance that included all the earlier swing steps and required a caller. The dance started off with a march; as the couples formed into a ring, the caller would shout "Shine" and ask for one of the swing steps listed above. A single couple would take the initiative, step into the center of the ring, and perform the Jive gyrations. During the "Shine" episode the on-looking dancers remain in the circle, clapping hands, beating time, and shouting and catcalling in loud enthusiasm."... **** Excerpt #2 From https://en.wikipedia.org/wiki/Big_Apple_(dance) "The Big Apple is both a partner dance and a circle dance that originated in the Afro-American community of the United States in the beginning of the 20th century.

History

Origin (1860–1936)

The exact origin of the Big Apple is unclear but one author suggests that the dance originated from the "ring shout", a group dance associated with religious observances that was founded before 1860 by African Americans on plantations in South Carolina and Georgia.[1] The ring shout is described as a dance with "counterclockwise circling and high arm gestures" that resembled the Big Apple."

[...]

The dance that eventually became known as the Big Apple is speculated to have been created in the early 1930s by African-American youth dancing at the Big Apple Club, which was at the former House of Peace Synagogue on Park Street in Columbia, South Carolina.[3] The synagogue was converted into a black juke joint called the "Big Apple Night Club".[2][3][4][5][6]

[...] Related dances

The Big Apple has many commonalities with Afro-American vernacular partner dances of the early part of the century through the 1930s and '40s. Dances such as the CakewalkBlack BottomCharleston, and Lindy Hop share both similar elements and a common underlying improvisational spirit.

Moves

The moves are frequently used in Lindy Hop. This is also used as a warm up before Lindy Hop classes. Note that the moves are very 8-count centered, like tap dance. That is, they almost all start on count 8.

Susie Q Right: Both feet are placed together facing the center of the circle. Left hand clasps the right (think "synergy"), both heels scoot to the right, then both toes 4 slow, 8 quick. Typically "reverse" is then called and you go back the other way. 8 counts each way.

Susie Q left: this is the 'Susie Q' that most Lindy Hoppers know. Left foot starts over right hand should be 90 degrees (like a forklift), palms down, wrists may pull hands up arms swing left to right. Twist left heel while right foot steps out and to the left, repeat. "reverse" goes the other way. Same timing as Susie Q right (slow, slow, slow, slow, quick, quick, quick, quick, quick, quick, quick, quick).

Apple Jacks: With feet close together take tiny steps in place. When stepping with the right foot, let the right knee cross in front of the left knee, twisting hips to the left. With upper body bend down, with fingers pointed at the floor, twisting shoulders opposite hips. On the next step reverse the direction of knees, hips, shoulders. Each step is one count.

Break a Leg:

Break Step:

London Bridge:

Shout: Open arms wide.

Swivels: Swivels while walking.

Spank the Baby: Step out with left foot, bring right foot together, meanwhile raising the left arm in the air and making a spanking motion toward one's own behind with the right hand. Spank the baby is done while walking in a circle (not around the circle).

Tick Tock: Put heels together with weight on the back of one foot and the front of the other, then shift toes together and the heels apart and alternate the weight on the feet and repeat the actions to create a sideways travelling motion while at the same time the forearms move in front of the torso then out to the sides in time with the shifting of the feet.

Truckin: Truckin is a shuffle step variation popularized after the vaudeville era. The right hand is held up (as in a right turn signal) with the index finger extended and wagging. In Harlem Truckin the shoulder is set back. Feet are parallel at all times. With both feet together and facing slight left the right foot scoopes down and brushes the floor, the left foot is then gathered at the right ankle and the right heel twists (this should cause forward movement as the foot scoopes past the other foot). The action is repeated creating a "hearts in the snow" effect from the overlapping steps. At the same time the left hand is placed over the stomach (like a waiter holding a towel) and never really moves. The stomach twistes with the feet therefore, the "stomach rubs the hand". If truckin is being done around a circle the outside hand is always up.

Pose and Peck: Put hands on hips, and do pecking with head.

Scarecrow: First 4 counts are Charleston basic.

Second 4 counts, put upper arms straight out to side, and let forearms dangle loosely, and tilt head to side. Often the feet are slightly apart, with the knees drooping together.

Shorty George: Named for George Snowden. Walk a straight line using very small steps. Keep upper body upright while dramatically bending knees. With each step, let the opposite knee push toward the back of the knee of the leading foot, causing both knees to shift right when stepping with right foot and shift left when stepping with left foot.

Shoulders alternate, pushing down toward the leading foot, so that when the knees are pushed to the right, the right shoulder sinks downward and the left shoulder becomes raised. Each step is one count.

Little Peach: Touch the side of your nose twice, once with your left hand and once with your right.

Hitch Hike:

Boogie Back: Lean forward and bend knees. Clap hands on the even counts and hop backwards on the odd counts.

Boogie Forward: Straighten up and throw hands in the air. Each step starts from forward roll the hip, which then moves to the side and settles back as the step with the other foot begins. Each step is two counts.

Praises: The traditional ending the big apple.

Everyone runs to the center of the circle and shouts "Hallelujah" while throwing hands in the air from a bent over posture. It may also be called just "Hallelujah".

Rusty Dusty: Hold pant legs up and shake the dust out of them.

Charleston: See solo Charleston moves. This move is actually called "Big apple swing".

Fall Off the Log: Kick right leg to the side, then step behind with your right foot, out with your left foot, and in place with your right foot. Repeat this on the left side.

**** Thanks for visiting pancocojams. Visitor comments are welcome.

"Ballin' The Jack" Early 20th Century Jazz Dance (four film clips, information, & song lyrics)


Beats Exotiques, Nov 16, 2014

Fascinating dance film footage of swing dancers in a black club in the US in 1914. I found a silent version and overdubbed it with "Ballin 'the Jack" by Kid Ory, a jazz hit from 1913 which seems to work with the routine!

Jazz routines like the 'Big Apple' are still danced in circles in swing clubs today. Everyone is clearly having a great time. Love the men fanning their coat tails to the ladies!

Check out the snare played side drum style in this rare footage. Ory's band in New Orleans in the 1910s was hiring many of the great jazz musicians of the city including "King" Oliver and Louis Armstrong.
-snip-
I think that the portion of this film clip that begins at 1:32 to the end of the clip is the portion that features the "balling the Jack" dance and the early portion features the "Big Apple" dance. 

****
Edited by Azizi Powell

Latest Revision- April 15, 2022

This pancocojams post presents information about "Ballin' the Jack".

This post also showcases two film clips of "Ballin' the Jack" from the early 1900s as well as one film clip of that dance from 1986.

The content of this post is presented for historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the unknown creators of this dance. Thanks also to the film makers,  all those who are featured in these film clips, and the publisher of these film clips on YouTube.  Thanks also to all those who are quoted in this post. 

****
INFORMATION ABOUT AND DESCRIPTIONS OF THE "BALLIN THE JACK" DANCE
Excerpt #1
from Black Dance, by Lynne Fauley Emery (1973; second, revised edition, Princeton Horizons Book) This excerpt is from the chapter titled "From Minstrelsy to "Darktown Follies". (This excerpt is given as is, including ellipses "...", except for source citations. 
[page] 213 
"It was Darktown Follies, produced in Harlem's Lafayette Theatre in 1913 , which began the nightly procession of whites to Harlem for entertainment. It was also the Darktown Follies which introduced the second Negro dance to sweep the country. The dance was Ballin' the Jack, which appeared in the finale of the first act. Johnson siad this finale was 

[page] 214
...'one of those miraacles of originality which occasionally come to pass in the world of musical comedy...The whole company formed an endless chain that passed before the footlights and behind he scenes, round andround, singing and executing a movement from a dance called "ballin the jack", one of those Negro dances which periodically come along and sweep the country.'  

This serpentine,circular, shuffling dance could certainly have been related to the plantation Ring-Shout; undoubtedly it was of Negro origin. Parrish saw "Ball the Jack" in the Georgia Sea Islands and stated that "Snake Hip" would be a more appropriate name for the dance which kept the "head and shoulders stationary... but there [was] a flow of undulating rhythm from chest to heels, with afew rotations in the hip region... The Dictionary of Folklore described "Ball the Jack" as a dance accompanied by handclapping...the head and feet remaining still and the rest of the body undulating, with a rotation of the hips called 'snake hips".

Van Vechten was impressed with this circular dance of the Darktown Follies and wrote that it was done with spontaneity and joy in the doing. A ballet in ebony and ivory and rose....
They stepped about and clapped their hand and 'gre mad with their bodies'...

Besides Ballin' the Jack, Downtown Follies had a wide variety of dancing. There was some tap dance done by Toots Davis and Eddie Rector, a Cake-Walk finale, and a dance called the Texas Tommy/ Ethel Williams, one of the stars of Darktown, told Marshall Stearns that the Texas Tommy

...'was like the Lindy but there were two basic steps- a kick and hop three times on each foot, and then add whatever you want, turning, pulling, sliding. Your partner had to keep you from falling-I've slid into the orchestra pit more than once.' "   

****

Excerpt #2
From https://www.streetswing.com/histmain/z3balin.htm
"Ballin the Jack

Ballin' the Jack is basically just a sensual, gyration dance with bumps and grinds. Notorious in its day, it was done as a solo dance or along with swing dancing. It's first public appearance was in 1913 at the Lafayette Theater in Harlem, the play was called "The Darktown Follies" produced by Leubrie Hill in the first act called "At The Ball, That's All." Florence Ziegfeld loved it so much he purchased the rights and used it in his Follies of 1913.

In 1913 dancer and composer Chris Smith wrote the song titled "Ballin' The Jack," based on a Negro song that was becoming a dance fad across the nation with white America. Most people think of Ballin' the Jack as a swing variant such as the Big Apple and Truckin'. However in the early 1900's, it was a dance all in its own. When it merged with the Lindy Hop, it lost most of its original form and became just a sidekick to swing dance…

There are stories that 'Ballin' the Jack' was sung by the African-Americans while laying rail for the rail road companies in the 1890's. The "Jack" was a common name for a locomotive (the jackass carrying the load), and Ballin' was the trainmen's hand gestures to 'Highball it' or "High Balling" which means, "faster or to have fun."

a side note: The vintage 'Little Wonder Records' had the title of 'Ballin' The Jack' in 1909. The last patent date listed on the record is 11/30/1909.

Birth Place: USA

Creation Date: (song: 1909/1913) | (dance: c.1899)

Creator: African-Americans

Dance Type:  Swing”….

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Excerpt #3
From https://en.wikipedia.org/wiki/Ballin%27_the_Jack
"Ballin' the Jack" (or sometimes "Balling the Jack") is a popular song from 1913 written by Jim Burris with music by Chris Smith. It introduced a popular dance of the same name with "Folks in Georgia's 'bout to go insane." It became a ragtime, pop, and trad jazz standard, and has been recorded hundreds of times.[1]

Origin

The origins of the term are obscure. Around the same time the song came out, the expression "ballin' the jack" was used by railroad workers to mean "going at full speed." 'The 'Jack' was the slang name for a railroad locomotive, and balling meant going at high speed, itself derived from the ball type of railroad signal in which a high ball meant a clear line.[2]

The composer and entertainer Perry Bradford claimed to have seen the dance steps performed around 1909 [3][4] and they are similar to the shimmy which has black African origins.[5][6]

The dance moves were standardized in the Savoy Ballroom, and put to music by Smith and Burris in 1913. The tune became popular in the Ziegfeld Follies of 1913.[3]”…

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LYRICS: BALLIN THE JACK

Ballin’ the Jack (1913)

(w) Jim Burris (m) Chris Smith (I) Musical: The Passing Show of 1915 (P) Prince’s Orchestra (CR) Judy Garland and Gene Kelly

http://www.exelana.com/lyrics/BallinTheJack.html

Verse 1: Folks in Georgia’s ’bout to go insane
Since that new dance down in Georgia came.
I’m the only person who’s to blame.
I’m the party introduced it there. So!
Give me credit to know a thing or two.
Give me credit for springing something new.
I will show this little dance to you.
When I do, you’ll say that it’s a bear

Chorus: First you put your two knees close up tight.
Then you sway ’em to the left
Then you sway ’em to the right.
Step around the floor kind of nice and light.
Then you twis’ around and twis’ around with all your might.
Stretch your lovin’ arms straight out in space.
Then you do the Eagle Rock with style and grace.
Swing your foot way ’round then bring it back.
Now that’s what I call “Ballin’ the Jack.”

Verse 1: It’s being done at all the Cabarets.
All society now has got the craze.
It’s the best dance done in modern days.
That is why I rave about it so.
Play some good rag that will make you prance.
Old folks, young folks all try to do the dance.
Join right in now while you got the chance.
Once again the steps to you I’ll show.
-snip-
Here's another verse that was posted in the discussion thread for https://www.youtube.com/watch?v=ChOfnmsROCE&ab_channel=Yatanis "Ballin' The Jack" published by Yatanis, Mar 8, 2011

"M Tl, 2013

"2nd verse

Knees together knees together, Hold 'em tight
Spread out, Man ain't you a sight
Let's go struttin' for some barbeque
Twist it, Turn it,  Careful or you'll burn it
Dig it, Shake it, Careful not to break it
Bake it, Boil it, Yeah that aught to make it
1 2 3 4 5 6 7 Yeah
That's what I call
Ballin the Jack
-snip-
This verse may have been added to this song by another writer or writers. Please add information if you know more about this verse. 

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SHOWCASE VIDEO #2: 
Judy Garland & Gene Kelly - Ballin' the Jack


Ohujapaksu, Jun 26, 2013

This song & dance number is a great period piece from the golden age of Vaudeville just before World War I. The footage comes from For Me and My Gal (MGM, 1942), the first film Judy and Gene made together. The song was originally written in 1913 by Jim Burris (words) and Chris Smith (music).

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SHOWCASE VIDEO #3: BALLIN' THE JACK

Yatanis, March 8, 2011

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SHOWCASE VIDEO #4: : 
Ballin' the Jack - Haunted Honeymoon - No Montego Edit



zerosomeone, June 10, 2015

A shortened version of the dance scene from Haunted Honeymoon -snip- Click https://en.wikipedia.org/wiki/Haunted_Honeymoon for information about the 1986 comedy/horror American movie Haunted Honeymoon. **** Thanks for visiting pancocojams. Visitor comments are welcome.


Wednesday, December 1, 2021

The Texas Tommy, The First Jazz Swing Dance (information & three film clips from the early 1900s)


Richard Powers, Jan 11, 2015

An amateur film shot in San Francisco around 1910, showing the one-step in a dance hall, then the Texas Tommy in the street, then another couple doing the Texas Tommy in an indoor dance hall. The Texas Tommy was the earliest version of swing dancing. The most famous of the African American Texas Tommy dancers - Johnny Peters - traveled to New York (Harlem) in 1911, where the transplanted Texas Tommy became popular, mostly as a vaudeville act, then evolved into an easier social dance version at the Savoy Ballroom (1926), which then became the Lindy hop by 1928. Watch Shorty George Snowden and his Savoy Ballroom dancers dance the 1929 version in "After Seben" and the roots of the Texas Tommy are apparent.

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Edited by Azizi Powell

This pancocojams post presents information about the "Texas Tommy".

This post also showcases two historical film clips of that dance from the early 1900s.

The "Texas Tommy" is the first Jazz Swing dance.

The content of this post is presented for historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the unknown creators of this dance. Thanks also to the film makers,  all those who are featured in these film clips, and the publisher of these film clips on YouTube.  Thanks also to all those who are quoted in this post. 

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INFORMATION ABOUT THE TEXAS TOMMY
Excerpt #1
From https://en.wikipedia.org/wiki/Texas_Tommy_(dance)
"The Texas Tommy is a vigorous social dance for couples that originated in San Francisco in the early twentieth century.[1]

History

After the great 1906 San Francisco earthquake and fire, the Barbary Coast, the red-light district of the city, was rebuilt and given new life as a tourist attraction, a place of dance halls, theaters, shops, and restaurants. Dance exhibitions and variety shows designed to attract tourists replaced prostitution as the chief business of the area. Many of the dance crazes that swept America during the 1900s and 1910s originated in this section of San Francisco.[2] The Thalia, the largest and most popular dance hall on the Pacific coast,[3] was the birthplace of the Texas Tommy.[4] ("Tommy" was a slang term for prostitute.)

Around 1910, the Texas Tommy was a hit at a lowlife hot spot called Purcell's, a Negro cabaret, but it became respectable when it was danced at the upscale Fairmont Hotel, the most popular venue for ballroom dancing in San Francisco.[5] Who invented the Texas Tommy is obscure. Most likely the signature moves of the dance were being performed by patrons at Purcell's, and some innovative visitor adapted them for the ballroom floor. Some historians say that Johnny Peters, an African American, developed the Texas Tommy some time before 1910. In any event, after sheet music for "The Texas Tommy Swing" was published on 1 February 1911, the Fairmont's house band frequently played the song for its patrons. It was not long before the Texas Tommy was danced on Broadway, in Ziegfeld Follies of 1911, performed by Vera Maxwell, Harry Watson Jr., and the ensemble.[6] It was also included as a number in Darktown Follies, an all-black musical produced Off-Broadway in 1913.[7] Peters and Ethel Williams, who were masters of the dance, executed it on stage, as they had done regularly at the Fairmont.[8]"

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Excerpt #2
[Pancocojams Editor's Note: This is a small portion of an excerpt about the performance of various dances including Ballin' The Jack and the Texas Tommy in 1913 Black American off-Broadway production Darktown Follies. Click https://pancocojams.blogspot.com/2021/12/ballin-jack-jazz-dance-three-film-clips.html for a longer quote about Ballin the Jack from that book.]

from Black Dance, by Lynne Fauley Emery (1973; second, revised edition, Princeton Horizons Book) This excerpt is from the chapter titled "From Minstrelsy to "Darktown Follies". This excerpt is given as is, including ellipses "...", except for source citations. 
[page] 2014
...."Besides Ballin' the Jack, Downtown Follies had a wide variety of dancing. There was some tap dance done by Toots Davis and Eddie Rector, a Cake-Walk finale, and a dance called the Texas Tommy/ Ethel Williams, one of the stars of Darktown, told Marshall Stearns that the Texas Tommy

...'was like the Lindy but there were two basic steps- a kick and hop three times on each foot, and then add whatever you want, turning, pulling, sliding. Your partner had to keep you from falling-I've slid into the orchestra pit more than once.' "   
-snip-
Here's some information about "Darktown Follies" Off-Broadway musical that is mentioned in that Wikipedia article:
From  
https://www.rem.routledge.com/articles/darktown-follies-lafayette-theatre-harlem-1913 "Darktown Follies (Lafayette Theatre, Harlem, 1913)", by Melissa Templeton, 09/05/2016
"One of the earliest large-scale musical revues to be created and performed by an all-Black cast, Darktown Follies premiered in 1913 at the Lafayette Theatre in Harlem. Darktown Follies exhibited qualities common to minstrel shows of the period with its episodic musical numbers and large group finale. The plot, however, focussed on a romantic storyline between two Black characters, which was rarely seen in minstrel performances. Darktown Follies introduced dances, like Ballin’ the Jack (which would eventually become a popular dance on Broadway) and the Texas Tommy (a predecessor of the lindy hop) to the New York stage. Darktown Follies helped launch a trend of White artists traveling to Harlem in search of new material for their own productions. The show foreshadowed the development Black musicals like Shuffle Along (1921) and was an important precursor to the artistic renaissance that would define Black modernism in Harlem of the 1920s and 1930s."

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SHOWCASE FILM CLIP #2: Texas Tommy Swing Dance - 1914



 Objet D'Art, Sept. 19, 2017

Interior of a black dance hall with band and dancers (probably in San Francisco.) - Variations of the Texas Tommy Swing Dance and Ballin' the Jack

Prelinger Archives: [Gould Can 5423.4]
-snip-
Here's one comment from that YouTube video's discussion thread:
ragtimist, 2019
"That's Sid LeProtti's So Different Orchestra playing in the background. Though this looks like it was shot outdoors, it might have been shot at Purcell's Dancehall on Pacific St. in the Barbary Coast section of S.F." **** SHOWCASE FILM CLIP #3 Texas Tommy Swing Dance 1915 

mark kihara,  Apr 2, 2021

"The Texas Tommy Swing dance was only done to specific songs, the most famous song was King Chanticleer." - Peter Loggins, Dance Historian

Using the AI restored footage from GlamourDaze, I have added more period appropriate music.  This 1912 recording of "King Chanticleer" is by Prince's Band.

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Visitor comments are welcome.

Friday, November 26, 2021

Five Film Clips Of The "Black Bottom" Jazz Dance (with selected comments)




StephendelRoser, Jun 14, 2017

The dance craze of 1926-7, supposedly based on the movements of a cow stuck in deep mud! Silent film accompanied by a contemporary recording of the tune. How comic it is that this is danced by white people posing as upper-class! And how comic is the man's white make-up. Is this a fashion of the times, or due to Mr Pilcer's having a red complexion, which the film of the time would have rendered as almost black? And what does it tell us that this might have mattered? / La danse à la mode de 1926-7, accompagnée par en enregistrement contemporaine de la musique.

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Edited by Azizi Powell

Latest Update: Nov. 28, 2021

This is Part II of a three part pancocojams series on the Black Bottom, the title of a number of African American originated Jazz dances and songs that were very popular beginning aroun 1926.

This post showcases various 1920s film clips and later reenacment performances of the Black Bottom. Selected comments from four of the YouTube discussion threads for these film clips and videos are also included in this pancocojams post. 

Update: Nov. 28, 2021. I've added a 1929 film clip of Fredi Washington, an African American woman, and some other African American women doing  "Jazz dances". I think some of Fredi Washington's moves might be considered the Black Bottom, but I'm not sure about that.

.Click https://pancocojams.blogspot.com/2021/11/streetswingcom-excerpt-about-1919-1920s.html for Part I of this pancocojams series. Part I presents general information about the Black Bottom dances and songs from various online sources.

Click https://pancocojams.blogspot.com/2021/11/black-bottom-1926-and-black-bottom-dance.html for Part III of this pancocojams series. That post presents lyrics to three 1920s versions of the Black Bottom song. YouTube videos for two of these versions are also included in that post. 

The content of this post is presented for historical, cultural, entertainment, and educational purposes.

All copyrights remain with their owners.

Thanks to the composers and choreographers of  Black Bottom songs and dances. Thanks to all those who are featured in these clips and videos. Thanks also to all those who are are quoted in this post. Also, thanks to the publishers of these film clips/videos on YouTube.

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SELECTED FILM CLIPS/VIDEOS
These film clips/videos are given in no particular order and are numbered for referencing purposes only.

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SHOWCASE FILM CLIP #1
[embedded above]
-snip-
Here' are some comments from this video's discussion thread:
1. Hebneh, 2013
"Judy Garland sings this in the lengthy show business montage in "A Star Is Born".

I note one lyric change (to be less objectionable in the 1950s): Judy sings "Old fellows with lumbago, and young fellows, away they go..." Here, it's "Old fellows with lumbago, and high yellows, away they go..."

"High yellows" were black women who had light complexions, to the point that they might be able to "pass for white", as the saying was in those days."
-snip-
Here's a link to that brief Judy Garland clip:  https://www.youtube.com/watch?v=_dBlmQA7-Ac&ab_channel=Ohujapaksu  

The lyrics that are mentioned in this comment are found in Part III of this pancocojams series.

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2. . sunnydayzie 1, 2016
"The song references the black bottom of mud in the Swanee River and claims that Blacks have created a dance to imitate the shimmering ooze.  While there are references deemed offensive today "high yellows" and such, Ma Rainey poked fun at this song and dance when she sang her own version "Ma Rainey's Black Bottom".  She spun the race thing also, by referencing "Jew baby prances" in her version.  And so it was, in the world of music in the 1920's!  Rainey's version went:   "Now I'm gonna show y'all my black bottom; They stay to see that dance  Wait until you see me do my big black bottom; I'll put you in a trance" "

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3.UkuleleOgee, 2020 
"Very Interesting film clip of an early era. The white makeup of the male dancer was probably a technical  and/or an artistic consideration. Makeup was used, necessary in early black and white film/TV. The male dance was a comic presentation  "Long Hair'. Burlesque, stage performers used makeup to make comic/dramatic expressions more visible. Howard Lanin and His Orch. was one of the best "White" Jazz bands through the 1920s."
-snip-
The quotation marks around the word "White" may have been used because Howard Lanin was Jewish. Click https://en.wikipedia.org/wiki/Howard_Lanin for information about American band leader Howard Lanin (July 15, 1897 – April 26, 1991) .

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SHOWCASE FILM CLIP #2: The Black Bottom



Wax Whirler, March 29, 2007 

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SHOWCASE FILM CLIP #3: The Black Bottom 1942



Vintage Swing Dance, Jun 2, 2015

From the movie: ROXIE HART  1942

Not exactly a classic Black Bottom but a lot of fun.
-snip-
Here are some comments from that YouTube video's discussion thread:

1. cmn94cba, 2019
"Why is it so hard to find Afroamerican people dancing to Black Bottom?"

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Reply
2. Salim Majied, 2019
"It is hard. Being that African Americans Invented the dance."

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Reply
3. D W, 2020
"@cmn94cba : Because the deeply entrenched racism in the US meant that Black Americans were far less likely to be filmed -- they weren't stars in Hollywood, and their daily lives were considered less worthy of documenting."

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Reply
4. 
theshevirgo, 2021
"Right I just watched the Netflix movie was curious as to the dance and can’t find a single one with black folks and then all the clips of white folks doing it shows different dances"
-snip-
"The Netflix movie" that is referenced in this comment is probably Ma Rainey's Black Bottom.
Here's a link to a trailer of that movie:  https://www.youtube.com/watch?v=ord7gP151vk&ab_channel=Netflix

I found this 2018 YouTube video that featured a Black couple: https://www.youtube.com/watch?v=i_iA57YoEoI&ab_channel=CBC "How to Dance the Black Bottom". However, most of the commenters panned that video, writing that the dance the dancers performed wasn't the Black Bottom.

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SHOWCASE FILM CLIP # The Real "Black Bottom" Dance (1927)



British Pathé, Apr 13, 2014

Miss Mildred Melrose, a well known dancer at the Piccadilly Cabaret demonstrates the "real" Black Bottom dance. 

Mildred wears a fringed outfit comprising very short shorts and a little bikini top.  She does some wild dancing, shaking her money maker and every other part of her body. The dance incorporates pointing her fingers, kicking her legs from side to side, patting her own bottom and generally enjoying herself.  "Now we know just where the Charleston challenger steps spring from!" reads an intertitle. 

Was originally an item in Eve's Film Review issue number 301.

Note: good nutty, flapper, Charleston, 1920s chick dancing footage.  Could be Muriel Melrose.

Costume designed by Dolly Tree
-snip-
Here's a comment from that film clip's discussion thread:

Mondial, 2016
"The Dirty Dancing of the 1920s"

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SHOWCASE FILM CLIP #5:  The Black Bottom 1956 (Sheree North)



Vintage Swing Dance, 

From the movie: THE BEST THINGS IN LIFE ARE FREE  1956

Sheree North and the chorus do a great job of bringing us back to the "Roaring Twenty's". Good stuff.
-snip-
Here are some comments from this film clip's YouTube discussion thread:
1. john alt, 2019
"STILL NOT AS GOOD AS THE ORIGINAL 1920'S BLACK BOTTON DANCE BY MILDRED MELROSE."

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Reply
2. Double Ghod, 2019
"I saw the Melrose version and didn't think much of it. Possibly because there was no sound....also, it seemed like a completely different number than the one above"

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3. Steve Little, 2020
"There's a bit of the Charleston in there and a few invented moves but this is mostly original Black Bottom moves! The choreographer did his homework."

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4. Morgan Lowe, 2021
"Black Bottom means the mud at the bottom of the river. They made different versions on this dance all around the world. So there's a few different versions as to where it came from. But this one seems more likely."

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5. Kamala Mi Dun Talk Wright, 2021
"MA Rainey the original Black Bottom Queen. They always stealing ish."

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UPDATE: 
1920's Jazz Dance 1929 (Duke Ellington)

Vintage Swing Dance, March 16, 2016

From the short:  BLACK AND TAN  1929

This is a two part number. Leading off is Fredi Washington who was an actress with some dance experience. It has been said of Fredi Washington that for the sake of her career she could of and should of been willing to pass for white. To her credit she refused to do so. The second part of this number beginning at about the 1:20 mark is a classic example of a so called "Jungle Dance". These demeaning but energetic dances were hugely popular with the white patrons of the Cotton Club and other Harlem night spots in the 1920's.
-snip-
Would someone please identify the names of the Jazz dances Fredi Washington is doing? Is the movement around .41 when she puts her hand on her hip part of the Black Bottom?

Here are some comments from this video's discussion thread (Numbers added for referencing purposes only)

1.rose eunoia, 2018
"Wait why the girl pass out?"

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Reply
2. Vintage Swing Dance, 2018
"She was supposed to be very sick and she died at the end of the short."

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Reply
3. Vintage Swing Dance, 2020
"No, in fact "Fredi" Washington lived to age 90."
-snip-
The question that Vintage Swing Dance responded to doesn't appear to be in that discussion thread any longer, but one can guess that the question was something like "Was this scene real?" 

**
Reply
4. Richard Wesley, 2021
"@Vintage Swing Dance  Ms. Washington was about 25 years old when she performed in this short."

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This concludes Part II of this three part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.