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Showing posts with label Black influences on Elvis Presley's singing. Show all posts
Showing posts with label Black influences on Elvis Presley's singing. Show all posts

Monday, April 18, 2022

Did Elvis Presley Actually Say That He Only Wanted Black People To Buy His records & Shine His Shoes?



King Rose Archives, Jan 7, 2009

Many people have thought that Elvis was racist because of a quote that he was reported to have said.  Professor Michael Bertrand debunks the myths and tells us how he tracked down its source.
-snip-
Michael Bertrand is the author of the 2005 book Race, Rock, and Elvis: Early rock music and changing race relations in the South. Click https://www.press.uillinois.edu/books/?id=p072703 for a summary of that book.

****
Edited by Azizi Powell

This pancocojams post showcases two videos and presents a Wikipedia page excerpt, an online article excerpt, and some comments that questions the belief that Elvis Presley was racist against Black people, and particularly debunks the long lasting urban legend that Elvis Presleysaid that the only thing that "Negroes" can do for him is to buy his record and sign his shoes.

The content of this post is presented for historical and socio-cultural purposes.

All copyrights remain with their owners.

Thanks to Elvis Presley for his cultural legacy. Thanks to all the researchers who are quoted in this post and thanks to all others who are quoted in this post. Thanks also to the publishers of these videos on YouTube.

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SHOWCASE VIDEO #2: 
Elvis was not Racist | Real facts about Elvis Presley



Vali Greceanu, [no publishing date given,probably February or March 2022 based on the earliest dates for these comments] 

Elvis was not Racist | Real facts about Elvis Presley Elvis demonstrated his desire for racial reconciliation in the musicians he chose, and in the treatment they received. When he made his first appearance in texas at the Astrodome, according to Myrna Smith, Elvis was told, 'Well, you can leave the black girls home. You don't have to bring them'. Myna Smith: Elvis responded with, 'Well if they don't come, I don't come'. But he was really upset about it. There was one person in particular who had sent the message. So when we got there, we were greeted by this little blonde in a convertible and she had to drive us around and she was his daughter. So Elvis always made sure he got even. I'm sure he said, 'And I want your daughter to drive them'. The Sweet Inspirations met him when they arrived for the first rehearsals for the '69 engagement. The 'Sweets' worked with Elvis in Vegas, on his national concert tours and on recordings from 1969 to 1977. Myrna Smith also backed Elvis up during his 1976 Graceland recordings, both in February of that year and in the October/November sessions, resulting in two albums. 

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WIKIPEDIA PAGE EXCERPT
From https://en.wikipedia.org/wiki/Elvis_Presley
"
Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977) was an American singer and actor. Dubbed the "King of Rock and Roll", he is regarded as one of the most significant cultural icons of the 20th century. His energized interpretations of songs and sexually provocative performance style, combined with a singularly potent mix of influences across color lines during a transformative era in race relations, led him to both great success and initial controversy.

[...] Relationship with the African-American community

When Dewey Phillips first aired "That's All Right" on Memphis' WHBQ, many listeners who contacted the station by phone and telegram to ask for it again assumed that its singer was black.[58] From the beginning of his national fame, Presley expressed respect for African-American performers and their music, and disregard for the norms of segregation and racial prejudice then prevalent in the South. Interviewed in 1956, he recalled how in his childhood he would listen to blues musician Arthur Crudup—the originator of "That's All Right"—"bang his box the way I do now, and I said if I ever got to the place where I could feel all old Arthur felt, I'd be a music man like nobody ever saw."[42] The Memphis World, an African-American newspaper, reported that Presley, "the rock 'n' roll phenomenon", "cracked Memphis' segregation laws" by attending the local amusement park on what was designated as its "colored night".[42] Such statements and actions led Presley to be generally hailed in the black community during the early days of his stardom.[42] In contrast, many white adults, according to Billboard's Arnold Shaw, "did not like him, and condemned him as depraved. Anti-negro prejudice doubtless figured in adult antagonism. Regardless of whether parents were aware of the Negro sexual origins of the phrase 'rock 'n' roll', Presley impressed them as the visual and aural embodiment of sex."[376]

Despite the largely positive view of Presley held by African Americans, a rumor spread in mid-1957 that he had at some point announced, "The only thing Negroes can do for me is buy my records and shine my shoes." A journalist with the national African-American weekly Jet, Louie Robinson, pursued the story. On the set of Jailhouse Rock, Presley granted Robinson an interview, though he was no longer dealing with the mainstream press. He denied making such a statement: "I never said anything like that, and people who know me know that I wouldn't have said it. ... A lot of people seem to think I started this business. But rock 'n' roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let's face it: I can't sing like Fats Domino can. I know that."[377] Robinson found no evidence that the remark had ever been made, and on the contrary elicited testimony from many individuals indicating that Presley was anything but racist.[42][378] Blues singer Ivory Joe Hunter, who had heard the rumor before he visited Graceland one evening, reported of Presley, "He showed me every courtesy, and I think he's one of the greatest."[379] Though the rumored remark was discredited, it was still being used against Presley decades later.[380] The identification of Presley with racism—either personally or symbolically—was expressed in the lyrics of the 1989 rap hit "Fight the Power", by Public Enemy: "Elvis was a hero to most / But he never meant sh&t* to me / Straight-up racist that sucker was / Simple and plain/ Motherf**k him and John Wayne".[381]

The persistence of such attitudes was fueled by resentment over the fact that Presley, whose musical and visual performance idiom owed much to African-American sources, achieved the cultural acknowledgement and commercial success largely denied his black peers.[378] Into the 21st century, the notion that Presley had "stolen" black music still found adherents.[example needed][380][381] Notable among African-American entertainers expressly rejecting this view was Jackie Wilson, who argued, "A lot of people have accused Elvis of stealing the black man's music, when in fact, almost every black solo entertainer copied his stage mannerisms from Elvis."[382] Moreover, Presley also acknowledged his debt to African-American musicians throughout his career. Addressing his '68 Comeback Special audience, he said, "Rock 'n' roll music is basically gospel or rhythm and blues, or it sprang from that. People have been adding to it, adding instruments to it, experimenting with it, but it all boils down to [that]."[383] Nine years earlier, he had said, "Rock 'n' roll has been around for many years. It used to be called rhythm and blues."[384]"...
-snip-
*These words are fully spelled out in the "Fight The Power" lyrics and in that Wikipedia page. 

**** ONLINE ARTICLE EXCERPT From https://www.ferris.edu/HTMLS/news/jimcrow/question/2006/march.htm Elvis Presley And Racism- March 2006
"Question

When I was a child in the 1970s I used to hear that Elvis Presley said, "The only thing a Black woman can do for me is buy my records and shine my shoes." Elvis Presley lived off Black music. If it is true that he said that then it is a shame.
-- Ryan Duffett, Libertyville, Illinois

Answer

[about] Elvis

Sociologists define rumors as widely circulating stories with questionable accuracy. This is certainly the case with the story you mention. That rumor apparently started in the late 1950s, but it was alive in the 1960s and 1970s in many African American communities, including Mobile, Alabama, where I was reared. There are at least three variations of the rumor. One has Elvis Presley responding to the question of dating a Black woman; another version has him dismissing friendships with Black men, and finally, there is the version where he crudely belittles all Blacks. In all versions the wording is similar: "The only thing a Black woman/Black man/a Ni&&er* can do for me is buy my records and shine my shoes." Although the rumor was widely held to be true -- and continues to be believed by some Presley detractors -- there is no factual basis to the rumor.

In 1957 Jet, a Black magazine, sent one of its reporters, Louie Robinson, to interview Presley (on the set of Jailhouse Rock) and Black entertainers who worked with him. … Robinson meant to get to the truth. Presley told the reporter, "I never said anything like that, and people who know me know I wouldn't have said it."

After his investigation, Robinson concluded, "To Elvis people are people, regardless of race, color or creed." Black performers from the time who knew him reject the rumor. "I would never think that Elvis Presley was a racist," said Rhythm and Blues singer Darlene Love, who sang background for him as part of the Blossoms. Pianist Dudley Brooks said that Presley "faces everybody as a man." Dr. W.A. Zuber, an African American physician in Tupelo, Mississippi (where Presley was reared) recounted how Presley used to "go 'round to Negro sanctified meetings." This last comment gives insight into the persistence of the rumor.

[…]

While talented Black entertainers labored in smaller venues -- sometimes in relative obscurity -- Presley became a wealthy and famous international star. So, some Blacks resented his success (and him), and this made a story about him using a racist remark believable. Many Whites in the 1950s, including celebrities, had used anti-Black rhetoric. It was easy to believe that Presley, the Mississippi-born, once-working class, former truck driver had ungratefully lambasted Blacks. There is no evidence that it happened. Moreover, there is evidence that Presley donated money to the National Association for the Advancement of Colored People (NAACP) and other civil rights organizations; he publicly lauded Black musicians; and, treated the Blacks he encountered with respect.

March 2006 response by David Pilgrim

Curator -Jim Crow Museum"

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SELECTED COMMENTS FROM THE DISCUSSION THREAD #1

https://www.youtube.com/watch?v=34LrCW2djCk

(This is the first showcase video that is embedded in this pancoocjams post.]

Numbers are added for referencing purposes only.

1. Jim Palmer, 2009 "I was raised in East Tupelo like Elvis & I taught at G.W. Carver High School. I personally know black people who were close friends of Elvis & every single person who knew him emphatically states: "there was not a racist bone in his body". This is info first hand from people who knew him. Where do all the detractors get their information? Consider the source! Great video - again!"

**
2. dan hawthorne, 2009
"Sam Bell, an African American, recalls how he and Elvis were inseparable as children, even in the racially segregated American South. Sam and Elvis would go in separate entrances for blacks and white in the cinema.

As soon as the lights went out, Elvis climbed over the railing to sit by me. Elvis would carry around a broom and play like it was a guitar, Bell remembers with a laugh. This is from a newspaper artical."

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3. bronson1921, 2010
"@waianapagirlThe extent of Elvis' appeal & popularity with black audiences, which has never  been given proper credit & recognition, particularly for the period from the 50s right through upto near the mid 60s, can be illustrated by the Billboard black music R & B chart statistics; in 1957 Elvis had 3 No. Ones ; he was the 2nd most successful chart act after Fats Domino during  the 50s decade & he is the most successful white chart act ever in the history of the R & B charts even to this day."

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Reply
4. bronson1921, 2010
"
@bronson1921 By Legitimizing it , he also Popularized it and did far more for the resurgence of rhythm and blues than anyone else had ever done .

** 5. bronson1921, 2010
"...and then here in Memphis the rumour got out that I didn't like colored people and God knows I never said that I didn't like anybody - It's just that rumours like that get started and there is nothing I can do about it. I dont want anybody thinking I said things like that when I never even thought about it. I got a lucky break in life and I am thankful for it but there are few people who want to take shots at me."
-ELVIS PRESLEY..1957...commenting on the infamous, misattributed quote."

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6. Kifly95, 2011
"thumbs up if your here because of Public Enemy's fight the power!"

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Reply
7. bronson1921, 2011
"@DLcKxFTR I, too like the song "fight the power"...its a classic rap song.. but it doesnt mean one has to agree and identify with the entire message in the song. lol"

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Reply
8. bronson1921, 2011
"@DLcKxFTR This "quote" from Chuck D's "anthem" apparently has been retracted by Chuck D...The Chuck D of today is not the same angry Chuck D of 1989 as far as his perspective & understanding on Elvis goes -which makes this "quote" out of date and even obsolete.Chuck D has explained  that  he was "attacking" essentially the iconic image of Elvis - NOT the man and he has found that there is no truth in this urban myth/legend.The truth YOU choose to believe makes it your just OWN personal reality."

** 9. King Rose Archives, 2013
"While you're correct that it's nearly impossible to prove the negative, from all the research it appears that this was a pure fabrication of the magazine writer."

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10. MzTJones80, 2013
"Growing up, I had always heard Elvis made the comment, "Negores can shine my shoes and buy my records, etc.,"  Now, just because it can't be proven he said it, does not mean he didn't say it.  BUT, I will say shame on those who made this up if he truly did NOT say those things.  For years he's had people hating him for that comment. I, at one point believed he said it too, but I've searched and searched and can't find anything PROVING conclusively that said it."

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Reply
11. Brazilian Atlantis, 2020
"The racist quote was made up by Sepia magazine, a white-owned magazine for black readers. They made sure to say "allegedly" to cover their butts. He was supposed to have said it in Boston, they said -- and at the time he had never set foot in Boston. Black-owned Jet magazine investigated the story and defended Elvis."

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Reply
12. Randy Harris, 2022
"HE didn't say it period end of subject"

** 13. MMAFighter38, 2018
"Elvis would never have made an ignorant remark. Despite being raised in Mississippi and Tennessee during the days of segregation & Jim Crow, elvis always respected the black race and sympathized with their plight. He also admired Dr King and wanted to meet him when he came to Memphis in 1966. Col Parker encouraged elvis not to meet with him because he was afraid it might alienate some of his fans from the south who were prejudice. Any black person or artist who knew Elvis personally always spoke very highly of him."


**
Reply
14. King Rose Archives, 2018
"That's what my research found.  The article that smeared him was completely false.  But people still believe it."

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SELECTED COMMENTS FROM THE DISCUSSION THREAD #2

https://www.youtube.com/watch?v=OuRgH2GhQyc


(This is the second showcase video that is embedded in this pancoocjams post.]

Numbers are added for referencing purposes only. All of these comments are from 2022

1. Claude Garcia
""I wasn't just a fan, I was his brother. He said I was good and I said he was good; we never argued about that. Elvis was a hard worker, dedicated, and God loved him ... I love him and hope to see him in heaven. There'll never be another like that soul brother."

- JAMES BROWN"

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2. Angela Goodwin
"My theory is that because he was a southern white man, people assumed it was true. But we now have recorded proof that it was a lie. If people still believe that ugly rumor, they are ignorant. All they need to do is listen to the testimonies of black people who actually knew him. Estelle Brown, one of his back-up singers said he was an angel. James Brown referred to him as a soul brother. Muhammad Ali said Elvis was one of the sweetest people you could know. The list goes on. I am black and I believe the people who knew him personally. He loved everyone."

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3. Richard Eidemiller
"I'm not even sure why this continues to be something that needs to be proven and defended. Are people really that easy to plant propaganda into? No wonder the world is what it is if people are nothing more than sheep who blindly follow others and believe whatever trash is fed to them. Look at a man's deeds and how he lived his life, that's the truth of who they are. Vicki"

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4. AJ Porter
"Dumbest thing to talk about. 

Shouldn’t even waste time discussing that he wasn’t."

**
Reply
5. I Spy
"The reason it's not dumb to talk about....Is because the new young black.and white  generation  needs  to know  he wasn't  racist....For  his legacy...it's  important  the truth be told.  My mom  worked for Elvis until his death...He was not racist...he was a good loving person to all."

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6. Thomas P Green
"The Ernest Withers's pictures of the 1956 and 1957 WDIA Goodwill Revue, as well as the 56 Tri-state fair  pictures of "Rock and roll phenomenon cracked Memphis's segregation laws." (Memphis World News, 1956).  Louie Robinson's 1957 interview with Elvis (which should have been on the cover) "The truth about that Elvis Presley rumor." (Jet Magazine August 1957), Charlotte Observer interview talking about Arthur big boy Crudup, the Vancouver Press interview where he talked about his first love of music colored spirituals (old south, or it could have been a message on those signs)   etc."
-snip-
From https://en.wikipedia.org/wiki/Arthur_Crudup
"Arthur William "Big Boy" Crudup (August 24, 1905 – March 28, 1974)[1] was an American  Delta blues singer, songwriter and guitarist. He is best known, outside blues circles, for his songs "That's All Right" (1946),[2] "My Baby Left Me" and "So Glad You're Mine", later recorded by Elvis Presley and other artists."...
-snip-
Arthur "Big Boy" Crudup was African American.


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7. Lesa Burnette
"Only. Black. Ppl thought. He was.   I don't. Know. Why they thought. That.   But. They all did.       Smh."

**
Reply
8. Angela Goodwin
"Not all black people. I'm black and I never took it seriously."

**
Reply
9. Lesa Burnette
"All the ones on here.  That are. First time. Hearing him.       They. Say. I. Never. Listen to. Elvis. Cause.  My.  Grandma. Or. Mom or. Uncle.   Told me. He was. Racist.      I've. Sat here and watched them.   Watch. Elvis and the black. Community.         And was.  Surprised. To. Find. Out. They was. Wrong.      I'm. 60. Years.  Old. And.   Been a. Fan of  Elvis.     And still am.      But they.  Made him out to. Be. Something. He never was       so. Yeah.     Everyone. One of them.  Thought. He was.      And. Why.  Just  listen to.   White.  Singers.  Why. Not. Just. Listen to.  All. Singers.      No matter. What. Color. They. Are.      It. Makes. Me. Sick"

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Reply
10. Angela Goodwin
"When I said I never took it seriously, I meant I never believed that rumor of him being racist."

**
Reply
11, Lesa Burnette
"@Angela Goodwin   that's. Good. Because. He wasn't.  Thank you.  For understanding. The. Way I. Feel.       It's. Not.  Right.  To not. Like. Someone.     Or. Judge. A. Person.    From. Just what you have. Heard.       They. Had no clue bas. To. Just. How.   Awesome.   Elvis was.  And.  A beautiful. Person.       He loved. People.  Everyone.        Sorry. If I. Seem a.  Lil.  Rude.   But. To. Be honest.  I'm really. Tired. Of.  The.  B rumors. About. Elvis.      They had no idea. The. Talent. Elvis. Had.   Or the. Heartache.  He lived with"

**
12. Anja Krames
"The King of the Blues, B.B. King, said in 2010: "With Elvis, there was not a single drop of racism in that man. And when I say that, believe me I should know"."

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Sunday, May 17, 2015

Thomas A. Dorsey, The REAL Composer Of "Peace In The Valley" (with eight YouTube examples of that song)

Edited by Azizi Powell

This post corrects mistatements found online that indicate that the composer of the religious song "Peace In The Valley" was Elvis Presly or Rosanne Cash. The REAL composer of that song was African American Blues/Gospel musician & composer Thomas A. Dorsey.

This post provides information about Thomas A. Dorsey, song lyrics for "Peace In The Valley", and eight YouTube examples of that song. The majority of these examples are by African American Gospel singers (Thomas A. Dorsey with R.H. Harris, Clara Ward, Little Richard, Mahalia Jackson, andSister Rosetta Tharpe. One example is by White American country singer Red Foley, one is by White American Rock & Roll, Gospel, Country singer Elvis Presley, and one is by the integrated vocal group, Gaither Vocal Band.

The content of this post is presented for cultural, religious, and aesthetic reasons.

All copyrights remain with their owners.

Thanks to Thomas Dorsey and all other featured vocalists for their musical legacy. Thanks to all those who are quoted in this post and thanks to the publishers of these examples on YouTube.

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INFORMATION ABOUT THOMAS A. DORSEY, THE COMPOSER OF "PEACE IN THE VALLEY"
From http://en.wikipedia.org/wiki/Thomas_A._Dorsey
"Thomas Andrew Dorsey (July 1, 1899 – January 23, 1993) was known as "the father of black gospel music" and was at one time so closely associated with the field that songs written in the new style were sometimes known as "dorseys."[2] Earlier in his life he was a leading blues pianist known as Georgia Tom. As formulated by Dorsey, gospel music combines Christian praise with the rhythms of jazz and the blues. His conception also deviates from what had been, to that time, standard hymnal practice by referring explicitly to the self, and the self's relation to faith and God, rather than the individual subsumed into the group via belief...

As Georgia Tom, he teamed up with Tampa Red (Hudson Whittaker) with whom he recorded the raunchy 1928 hit record "Tight Like That", a sensation, eventually selling seven million copies.[3] In all, he is credited with more than 400 blues and jazz songs. Dorsey began recording gospel music alongside blues in the mid-1920s. This led to his performing at the National Baptist Convention in 1930, and becoming the bandleader of two churches in the early 1930s.[4]

His first wife, Nettie... died in childbirth in 1932. Two days later the child, a son, also died. In his grief, he wrote his most famous song, one of the most famous of all gospel songs, "Precious Lord, Take My Hand".[5] Unhappy with the treatment received at the hands of established publishers, Dorsey opened the first black gospel music publishing company, Dorsey House of Music. He also founded his own gospel choir and was a founder and first president of the National Convention of Gospel Choirs and Choruses...

Dorsey wrote "Peace in the Valley" for Mahalia Jackson in 1937, which also became a gospel standard. He was the first African American elected to the Nashville Songwriters Hall of Fame and also the first in the Gospel Music Association's Living Hall of Fame."...

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From http://en.wikipedia.org/wiki/Peace_in_the_Valley
"Peace in the Valley" is a 1937 song written by Thomas A. Dorsey, originally for Mahalia Jackson.[1] The song became a hit in 1951 for Red Foley and the Sunshine Boys, reaching No. 7 on the Country & Western Best Seller chart.[2] It was among the first gospel recordings to sell one million copies. Foley's version was a 2006 entry into the Library of Congress' National Recording Registry.[3]

After the success of Red Foley's interpretation, Jo Stafford recorded the song for her 1954 gospel album Garden of Prayer. Because of the rendition by Elvis Presley (with backing by the Jordanaires on his first Christmas album) in 1957 the song forever became a country-pop favorite."...

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LYRICS: PEACE IN THE VALLEY
(Thomas A. Dorsey)

Oh well, I'm tired and so weary
But I must go alone
Till the lord comes and calls, calls me away, oh yes
Well the morning's so bright
And the lamp is alight
And the night, night is as black as the sea, oh yes


There will be peace in the valley for me, some day
There will be peace in the valley for me, oh Lord I pray
There'll be no sadness, no sorrow
No trouble, trouble I see
There will be peace in the valley for me, for me


Well the bear will be gentle
And the wolves will be tame
And the lion shall lay down by the lamb, oh yes
And the beasts from the wild
Shall be lit by a child
And I'll be changed, changed from this creature that I am, oh yes


There will be peace in the valley for me, some day
There will be peace in the valley for me, oh Lord I pray
There'll be no sadness, no sorrow
No trouble, trouble I see
There will be peace in the valley for me, for me

Source: Google Lyrics: Peace In The Valley

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FEATURED EXAMPLES
These examples are presented in chronological order based on their publishing date, with the oldest dated example given first.

Example #1: Red Foley - Peace In The Valley



spellerine, Uploaded on Jul 4, 2009

Sacred song later recorded by Elvis Presley. On listening to this version, I believe this was the recording that Elvis based his own on. They are very similar sounding, right down to the phrasings and background singers!

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Example #2: Peace In The Valley - Sister Rosetta Tharpe, "The Great Gospel Women"



Pannellctp Traditional Gospel Music, Uploaded on Nov 14, 2011

Original Release Date: June 30, 1993. Recorded between 1948 and 1991.

The Great Gospel Women, Shanachie 6004 (USA).
-snip-
Selected comment:
MrTheOneAndOnly83, 2013
"The Anita Kerr singers are the backing vocals."

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Example #3: Little Richard - Peace in the Valley.mpg



ThomShelford Published on Mar 17, 2012

Little Richard in great vocal mode - an updated video with more suitable photos!

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Example #4: Peace In The Valley-Clara Ward



tinascaravans, Published on Sep 22, 2012

Gospel classics are songs that are special, they've been around for a long time. We all know them word for word, love them; they have a special meaning in our lives, and they will never be forgotten.
-snip-
Commenters in this sound file’s discussion thread wrote that this song was recorded in the 1970s, “in Clara Ward’s heyday” [when her popularity was at its highest point].

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Example #5: Originals and inspirations of Elvis' songs-Vol.9-(There'll Be)Peace In The Valley (For Me)



Pueni66, Published on Dec 21, 2012

Mahalia Jackson-(There'll Be)Peace In The Valley(For Me)-1937
Although this is the original version the 1951 version of Red Foley probably was the inspiration for Elvis

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Example #6: (There'll Be) Peace In The Valley - Thomas A. Dorsey with R.H. Harris



Pannellctp Traditional Gospel Music, Published on Jan 7, 2013
-snip-
According to a commenter on this sound file's discussion thread, this rendition of "Peace In The Valley" was recorded in 1973.

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Example #7: Vintage Performance of Elvis Presley Singing Gospel Peace in the Valley



flash91214 Published on Jan 23, 2014

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Example #8: Gaither Vocal Band - Peace In The Valley (Live)



GaitherVEVO Published on Mar 17, 2015
-snip-
According to a commenter on this video's discussion thread, the soloist's name is Todd Suttles.

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Visitor comments are welcome.

Sunday, April 26, 2015

"Swing Down Sweet Chariot" - by The Golden Gate Quartet and by Elvis Presley, Part II (Elvis Presley)

Edited by Azizi Powell

This is Part II of a two part series about The Golden Gate Quartet (GGQ) and Elvis Presley, with particular focus on that African American quartet's influence on Elvis Presley's renditions of the African American Gospel song "Swing Down Sweet Chariot" ("Swing Down Sweet Chariot, Lord And Let Me Ride").

Part II provides information about Elvis Presley, and his meeting with GGQ in Europe in 1960s. Part II also features two YouTube examples of Elvis's rendition of "Swing Down Sweet Chariot" (1960, 1968/1969), and includes selected quotes from those examples' discussion threads. One of those comments provides Elvis Presley's adapted lyrics to this song.

Click http://pancocojams.blogspot.com/2015/04/swing-down-sweet-chariot-by-golden-gate.html for Part I of this series. That post provides information about The Golden Gate Quartet, including information about Elvis Presley's impromptu meeting with that group in Europe in 1960. Part I also features two YouTube examples of the GGQ's rendition of "Swing Down Sweet Chariot" (1946, 1967), and includes selected quotes from those examples' discussion threads.

The content of this post is presented for cultural, religious, and aesthetic reasons.

All copyrights remain with their owners.

Thanks to Elvis Presley for his musical legacy. Thanks also to all those who are quoted in this post, and thanks to the publishers of these examples on YouTube.

Click http://pancocojams.blogspot.com/2014/09/five-examples-of-swing-down-sweet.html for information about and early lyrics for songs that became "Swing Down Sweet Chariot" as well as lyrics for that song that were sung by the Golden Gate Quartet and other Gospel quartets . Here's a brief excerpt of that post:
""Swing Low, Sweet Chariot" and "Swing Down Sweet Chariot Lord And Let Me Ride" aren't the same song. However, it's very likely that "Swing Down Sweet Chariot" was inspired by the traditional "Swing Low" Spiritual.

..."Swing Down Chariot And Let Me Ride" is referred to as a hymn, a camp meeting song, a Spiritual, and/or an early Gospel song. This song might be an African American Spiritual - since its likely that only a small number of Spirituals that were sung in the 19th century were collected. However, the way this song was first recorded in the 1940s probably wasn't the way it was sung in the 19th century.

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INFORMATION ABOUT ELVIS PRESLEY
From http://en.wikipedia.org/wiki/Elvis_Presley
"Elvis Aaron Presley[a] (January 8, 1935 – August 16, 1977) was an American singer and actor. Regarded as one of the most significant cultural icons of the 20th century, he is often referred to as "the King of Rock and Roll", or simply, "the King".

Presley was born in Tupelo, Mississippi, and when he was 13 years old, he and his family relocated to Memphis, Tennessee...

Presley is one of the most celebrated and influential musicians of the 20th century. Commercially successful in many genres, including pop, blues and gospel, he is the best-selling solo artist in the history of recorded music,[5][6][7][8] with estimated record sales of around 600 million units worldwide...

Influences
Presley's earliest musical influence came from gospel. His mother recalled that from the age of two, at the Assembly of God church in Tupelo attended by the family, "he would slide down off my lap, run into the aisle and scramble up to the platform. There he would stand looking at the choir and trying to sing with them."[318] In Memphis, Presley frequently attended all-night gospel singings at the Ellis Auditorium, where groups such as the Statesmen Quartet led the music in a style that, Guralnick suggests, sowed the seeds of Presley's future stage act:

The Statesmen were an electric combination ... featuring some of the most thrillingly emotive singing and daringly unconventional showmanship in the entertainment world ... dressed in suits that might have come out of the window of Lansky's. ... Bass singer Jim Wetherington, known universally as the Big Chief, maintained a steady bottom, ceaselessly jiggling first his left leg, then his right, with the material of the pants leg ballooning out and shimmering. "He went about as far as you could go in gospel music," said Jake Hess. "The women would jump up, just like they do for the pop shows." Preachers frequently objected to the lewd movements ... but audiences reacted with screams and swoons.[319]

As a teenager, Presley's musical interests were wide-ranging, and he was deeply informed about African American musical idioms as well as white ones (see "Teenage life in Memphis"). Though he never had any formal training, he was blessed with a remarkable memory, and his musical knowledge was already considerable by the time he made his first professional recordings in 1954 at the age of 19. When Jerry Leiber and Mike Stoller met him two years later, they were astonished at his encyclopedic understanding of the blues.[320]"...
-snip-
Click http://en.wikipedia.org/wiki/The_Statesmen_Quartet for information the [White American] Southern Gospel Quartet, the Statesmen.

Also, click http://en.wikipedia.org/wiki/The_Jordanaires for information about the [White American] vocal group, the Jordanaires. That group started as a Southern Gospel quartet but later sang backup for Elvis Presley from 1956 to 1972 and also for other singers. Here's one excerpt from that page:
"The quartet became well known in the southern gospel realm, and what made them stand out from other quartets of that time was how they would bring spirituals (such as "Dry Bones") to a predominantly white audience. While continuing to turn out gospel albums of their own, the group become better known for the signature background harmonies they have provided on dozens of secular records.[3]"

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FEATURED EXAMPLES
Example #1: Elvis Presley - Swing Down Sweet Chariot [1960]



anna8elvis, Uploaded on Oct 12, 2007
50's candids! [candid photographs]
-snip-
"candids" = candid photographs of Elvis Presley

Selected comments from this video's discussion thread:
estelle715, 2008
"Elvis was raised in an Assembly of GOD CHURCH and that's where he 1st learned to sing,and he never forgot his roots. I saw him in concert in 1972! Just an amazing God-given voice.Thanks!"

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Phil Silverman, 2009
"Wonderful rendition. Vocally not as strong as the '68 version. Interesting live version from '61 out there someplace."

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195477, 2009
"Go to teh Tofu Hut website and type in The Golden gate quartet there is a nice artical about their meetings with Elvis in Paris 60."
-snip-
Thanks to that comment, an excerpt of that article is included in Part I of this series.

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Phil Silverman, 2013
in reply to Aere Perenius
"wrong? why? You can bet RCA paid the rights. Elvis loved African-American artists and sought to include them in his recordings. Elvis loved blues and Gospel and and millions of listeners got to actually hear lesser-known classics. Some white teenager from Indiana was exposed to maginificent music. Usually Presley's version was very unique."
-snip-
The comment from Aere Perenius appear to have been deleted. However, from the response it's likely that that commenter wrote that Elvis Presley was wrong to sing Spirituals and that the recording company didn't pay for the rights [to the Golden Gate Quartet?} for that song's use.

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Example #2: Elvis Presley - "Swing Down, Sweet Chariot" (1968/69) [HD]



TimothySideburns, Published on Sep 28, 2012

This scene is special in a way since it presents Elvis on stage accompanied by real musicians. Only very few of his movie performances featured real musicians. In fact the last one to do so was "Viva Las Vegas" five years earlier. And you'd has to go seven more years more back in time to see him perform with Scotty Moore, Bill Black, DJ Fontana and The Jordanaires in 1957's "Loving You" and "Jailhouse Rock" respectively. In "Trouble With Girls" it's The Mellomen who act as "The Bible Singers", a part of the travelling Chautaqua troupe managed by Elvis-character Walter Hale. Elvis actually recorded a few times with the Mellomen during the 1960ies.

Movie: The Trouble With Girls [1969]
-snip-
Selected comments from this video's discussion thread:
mysteriousyoungman, 2012
"The bass singer to the far right is the wonderful Thurl Ravenscroft. Thurl's voice is heard throughout Disneyland, Disney World, Disney's animated films, singing with Bing Crosby and Rosemary Clooney, and let us not forget.............he was the voice for Tony the Tiger until his passing. Thurl was "Grrrrrrrrrrreat!""

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LeCommedieDellArte, 2013
"Swing Down, Sweet Chariot"

(Arranged and adapted by Elvis Presley)

Why don't you swing down sweet chariot
Stop and let me ride
Swing down chariot
Stop and let me ride
Rock me lord, rock me lord
Calm and easy
Well I’ve got a home on the other side

Why don't you swing down sweet chariot
Stop and let me ride
Swing down chariot
Stop and let me ride
Rock me lord, rock me lord
Calm and easy
Well I’ve got a home on the other side

Well, well, well, well, well, well

Ezekial went down in the middle of a field
He saw an angel workin' on a chariot wheel
Wasn't so particular 'bout the chariot wheel
Just wanted to see how a chariot feel

Why don't you swing down sweet chariot
Stop and let me ride
Swing down chariot
Stop and let me ride
Rock me lord, rock me lord
Calm and easy
Well I’ve got a home on the other side

Well, well, well Ezekial went down and he got on board
Chariot went a bumpin' on down the road
Zeke wasn't so particular 'bout the bumpin' of the road
Just wanted to lay down his heavy load

Why don't you swing down sweet chariot
Stop and let me ride
Swing down chariot
Stop and let me ride
Rock me lord, rock me lord
Calm and easy
Well I’ve got a home on the other side

Well I got a father in the promised land
Ain't no more stoppin' till I shake his hand
Rock me lord, rock me lord
Calm and easy
I've got a home on the other side

Why don't you swing down sweet chariot
Stop and let me ride
Swing down chariot
Stop and let me ride
Rock me lord, rock me lord
Calm and easy
Well I’ve got a home on the other side

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Shad Rack, 2014
"Here is a link to what I believe is the earliest recording of this arrangement, by the Golden Gate Quartet, in the early 1940s.

http://youtu.be/qpnCJcyfGBE

Elvis always acknowledged the Golden Gates as a big influence in his life; in fact, his vocal delivery is uncannily similar to the Gates lead singer Willie Johnson.
This version was Elvis' second recorded version and the only one that was videotaped for film. The Mellomen are the quartet, with Thurl singing bass. Elvis' 1960 recording used the Jordanaires, with JD on bass. Both of Elvis' versions are almost exact copies of the Gates' version, minus the slow intro. They are all in the key of F major.
For a different take, check out the Fairfield Fours' live version on YouTube; personally, I prefer their recorded version from their 1992 album Standing in the Safety Zone, which I couldn't locate on YouTube.
-snip-
That link is to another example of the Golden Gates Quartet's 1946 rendition of this song that I've featured in Part I of this series.

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This completes Part II of this series.

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