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Showing posts with label . African American Spirituals. Show all posts
Showing posts with label . African American Spirituals. Show all posts

Thursday, February 12, 2026

Historically Black Greek Letter Fraternities Or Sororities Songs & Chants That Are Adaptations Of Spirituals Or Black Gospel Songs

Edited by Azizi Powell

Latest revision - Feb 25, 2026 

This pancocojams post compiles text examples of some historically Black Greek letter fraternities or sororities songs and chants that are adaptations of an African American Spiritual or a Black Gospel song. By "adaptation" I mean that the tunes for these Black Greek letter organizations (BGLOs) songs and some of their lyrics come from an African American Spiritual or a Black Gospel song. These Black Gospel songs are almost always either of late 19th century or early 20th century origin.  

The content of this post is presented for folkloric and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who have composed, and/or performed the examples that are featured in this post. Thanks also to the publishers of these videos on YouTube.

Special thanks to Brian A. Jackson, a member of Alpha Phi Alpha Fraternity, Inc.(Beta Chapter, Howard University, Spring 1990).

Brian A Jackson shared a number of Alpha Phi Alpha Fraternity songs and chants with me (via my now inactive cocojams.com cultural website) and gave me permission to post examples of Alpha Phi Alpha songs & chants on Cocojams.com. (March 2010). At that time, Brian A. Jackson was the Vice President of the Xi Nu Lambda Grad Chapter in Baton Rouge, Louisiana and had been collecting Alpha Phi Alpha songs and chants over the last 20 years. Examples from this collection are indicated by the notation "Brian A. Jackson Alpha Phi Alpha collection".

-snip-
Most of the content of this pancocojams post was published in a 2016 pancocojams post entitled "Spirituals As Sources For Black Fraternity & Sororities Songs & Chants". That post had no comments and has been deleted and replaced with this post. 

Click https://pancocojams.blogspot.com/2015/03/examples-of-historically-black.html for Part I of a seven part pancocojams series of examples of historically Black Greek letter organization chants and songs.

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DISCLAIMER
This compilation isn't meant to be a comprehensive listing of all historically Black Greek letter  organization songs and chants that are adaptations of Spirituals or Gospel songs.

This compilation only includes examples that are relatively "family friendly". 

With the exception of the word "damn", any profanity that is found in these examples is given with amended spelling. 

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PANCOCOJAMS EDITOR'S NOTE
This post is part of my ongoing informal research to document and share examples of historically Black Greek letter fraternity and sorority culture. A significant portion of Black Greek letter organizations' (BGLO's) songs and chants are adaptations of Spirituals or Black Gospel songs.

Many BGLO songs and chants are composed to be performed by people who are in the process of becoming full members of a fraternity or a sorority. Those songs and chants extoll that organization and encourage people to push through until they reach their goal of becoming a full member. Most of those songs and chants also diss (insult) the other fraternities or sororities that are members of the National Pan-Hellenic Council (NPHC, colloquial known as "The Divine Nine").  

Click https://en.wikipedia.org/wiki/National_Pan-Hellenic_Council for a list of the sororities and fraternities that are members of the National Pan-Hellenic Council.

Also, click http://pancocojams.blogspot.com/2015/03/examples-of-historically-black.html for the first page of pancocojams' compilation entitled "Examples of Black fraternity and sorority songs and chants". That page includes links for six other pages in that compilation. Multiple example of a specific chant may be found on that page.

Additional pancocojams posts on Black fraternity and sororities songs and chants can be found by clicking the tags that are found at the end of this post.

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HISTORICALLY BLACK GREEK ORGANIZATION GUIDELINES ABOUT WHO SHOULD PERFORM THESE SONGS AND CHANTS
In accordance with historically Black Greek letter organizations' traditions and guidelines, only people associated with those specific organizations should sing, chant, and perform these compositions.

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A, B

ALPHA TRAIN (also known as "Traveling") - (Alpha Phi Alpha Fraternity, Inc.)

Spiritual source - African American Spirituals that refer to the Gospel train such as "Get On Board, Little Children" and I'm Going Home On The Morning Train".

R&B source : The Impressions, "Keep On Pushing", 1964

BGLO Example- ALPHA TRAIN (also known as "Traveling")
Alpha train is slowly coming
To keep on pushing,
If you hurry you might get on it;
Got to keep on pushing,
Got my ticket right in my hand;
Got to keep on pushing.
Soon we'll be in Alpha land;
Got to keep on pushing,
This train we're waiting for is black and gold.
We're in love with dear old Alpha
No time for looking back...
A Phi A
-Brian A. Jackson Alpha Phi Alpha collection, permission granted to post on Cocojams.com received on 3/20/2010

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C, D

DEEP IN MY HEART (Sigma Gamma Rho Sorority, Inc.)

Spiritual source for the lyrics "Deep in my heart" - the Spiritual (early African American Gospel song?) "Deep Down In My Heart"

Click http://www.authentichistory.com/1600-1859/3-spirituals/1926_Deep_Down_In_My_Heart-WM_Givens.html for a sound file of a 1926 rendition of this Spiritual (or early African American Gospel).
-snip-
"I don't know what you've been told/But the best of the colors are blue and gold" - is from the Spiritual floating verse "I don't know but I've been told/the streets of heaven are paved with gold" that is found in a number of Spirituals such as "Morning Train” (also known as “I’m Goin Home On The Morning train”) and "Ride On King Jesus".

BGLO Example: DEEP IN MY HEART
I've got Sigma to the left of me
Gamma to the right of me
Rho to the back of me

S-I-G-M-A
G-A-M-M-A
R-H-O

I don't know what you've been told
But the best of the colors are blue and gold

Deep in my heart
I love SG...Rho
Deep in my heart
I love SG...Rho
Deep in my heart
I love SG...Rho
Deep in my heart
I love SG...Rho
I love, love, love, love SGRho.

[repeat entire song]
-Black Greek Soundz CD; my transcription from a 1990-1999 Black Greek Soundz CD as found in the Jack Horntip Collection, used with permission.

This is probably four independent songs/chants that are performed by this sorority.

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E, F

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G, H

GIVE ME THAT OLD ALPHA SPIRIT (Alpha Phi Alpha Fraternity, Inc.)

Spiritual source - "Give Me That Old Time Religion".


BGLO Example: GIVE ME THAT OLD ALPHA SPIRIT
Give me that Old Alpha Spirit
Give me that Old Alpha Spirit
Give me that oooooooold Alpha Spirit.
It's good enough for me.

It was good for Brother [insert Jewel last name]
It was good for Brother [insert Jewel last name]
It was gooooood for Brother [insert Jewel last name]
It's good enough for me.
-Brian A Jackson; Alpha Phi Alpha collection; permission granted to post on Cocojams.com 3/20/2010

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GO DOWN (Alpha Phi Alpha Fraternity, Inc.)

Spiritual source- "Go Down Moses)

BGLO Example- GO DOWN
Go Down, Brother
Way down to Egypt Land

Tell the people
The light has come.

(Back in 06)
Back in 06
Many years ago

7 Black men
Couldn't take no more

They professed to have seen the light
The Light Of The World

They journeyed to
The motherland

Where they crossed
Those burning sands

Marching onward
They had to see

Just what
The end would bring
(What the end would bring)
-Brian A. Jackson Alpha Phi Alpha collection, permission granted to post on Cocojams.com, 3/20/2010

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HUSH HUSH SOMEBODY'S CALLIN YOUR NAME (Alpha Kappa Alpha Sorority, Inc.)
Spiritual source: "Hush Hush Somebody's Callin My Name"

BGLO Example: AKA "Sweet" Mu Pi Chapter Fall 2K10 Probate



James Francis, Published on Nov 25, 2010
AKA Probate

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I, J

i DON'T KNOW WHAT YOU'VE BEEN TOLD  (Sigma Gamma Rho Sorority, Inc. song] Example #1

Spiritual source- floating verse "I don't know but I've been told/The streets of heaven are paved with gold"

BGLO Example: i don't know
what you've been told
but the REAL pretty girls
wear the blue and gold

EE-YIP
-
RHOyal-Silence (Augusta, Georgia), 2/22/2001,  https://greekchat.com/gcforums/showthread.php?t=6876 "Chants"

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i DON'T KNOW WHAT YOU'VE BEEN TOLD  (Sigma Gamma Rho Sorority, Inc. song] Example #2

Spiritual source- floating verse "I don't know but I've been told/The streets of heaven are paved with gold"

BGLO Example -I don't know what you been told

But the streets of heaven are rhoyal blue and gold.

And if you get to heaven and can't get in

That's because Peter and Paul are Kappa men.

Sigma Love

I love my S.

I love my S.

I love my S G Rho!

EE-YIP, EE-YIP, EE-YIP!

(repeat)
-mpsgr22 (Richton Park, Illinois), 
3/12/2001,  https://greekchat.com/gcforums/showthread.php?t=6876 "Chants"
-snip-
Members of Sigma Gamma Rho Sorority, Inc. and members of Kappa Alpha Psi Fraternity, Inc. have a special connection that is referred to as "Indiana love". That's because Sigma Gamma Rho was founded on the Butler University campus in Indianapolis, Indiana and Kappa Alpha Psi was founded at Indiana University in Bloomington, Indiana.

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I KNOW I'VE BEEN CHANGED 

Spiritual source for the four lines given below beginning with "I know I've been changed" - the Spiritual entitled "I Know I've Been Changed"

BGLO Example:
I KNOW I'VE BEEN CHANGED (video) [Zeta Phi Beta Sorority, Inc. song]

Zeta Phi Beta- Long Island Tribute



Uploaded on Dec 22, 2006

A tribute to my SOOO SWEEEEET Sorors of Zeta Phi Beta Sorority, Incorporated, Long Island Undergraduate Chapters. "I'm not just a Zeta, I'm a LONG ISLAND Zeta!"
-snip-
This sound file includes a series of Zeta Phi Beta Sorority, Inc. songs including that a version of that sorority's "I Know I've Been Changed" (at .19 - 1.20)

An adapted version of "I Know I've Been Changed" is often sung as part of a sorority's or fraternity's probate (program). In the context of fraternities and sororities a "probate" (noun) is a program in which new members of that organization are first introduced to other members of the organization and to the general public. Here's a comment from that Zeta Phi Beta sound file's viewer comment thread:

lover7gurl, 2011
"I Know I've Been Changed" is the song we came out on at my probate! I bleed blue and white!!! Z Phi to all of my sophisticated sorors!!!

Spr. 2010
Tre Club
Sigma Mu
Columbus, MS"

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I KNOW I'VE BEEN CHANGED  [Alpha Phi Alpha Fraternity, Inc. song]

Spiritual Source- "I Known I've Been Changed"

Alpha Phi Alpha Fraternity Example -I know I've been changed
I know I've been changed
I know I've been changed
The big brothers done changed my name.

On this Alpha train
On this Alpha train
I've been pledgin and I'll never be the same
Sons of Alpha are we
One in love and charity
Let our thought of sadness fly
For our own, our Alpha Phi.
Courage brothers banded we
All through life 'till eternity.
Let our hearts in* joyous praise
Sing of Alpha through endless days.

Way down in the jungle deep
Burning sands scorching my feet
Pyramids touching the sky
I'm pledgin' Alpha till the day I die
Been on line pledgin' for days
Put aside my selfish ways
Feel it deep down in my soul
My butt is burnin' and I want to be ice cold.
Own my life, and take my pride
Wood me up on my backside
Pledge me anyway you can
For when I cross I'll be an Alpha man.
-Brian A. Jackson Alpha Phi Alpha collection (Gamma Iota Chapter Traditional Song, Alpha Phi Alpha Fraternity, Inc.), 4/18/2010, used with permission and given as it was sent to me.
-snip-
Pancocojams' editor- This example from the Brian A. Jackson Alpha Phi Alpha collection probably combines more than one independent song/chant which may have been sung together.

I contacted Brian A. Jackson to ask him if the song posted above was actually three different songs that were sung one right after the other. Mr. Jackson responded to my email with the following comments:
"I have not heard it nor sung it, but I believe that is the full song. Its a song that is sung while they are Sphinxmen so "On this Alpha train" refers to them being on the way to Alpha...

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I KNOW I'VE BEEN CHANGED  [Zeta Phi beta Sorority Inc. song]

Spiritual Source- "I Known I've Been Changed"

Zeta Phi Beta Sorority version: I know I been changed
I know I've been changed
I know I've been changed
I know I been changed
Zeta Phi Beta done signed my name.
https://www.youtube.com/watch?v=wOqvDDhQnS4 "Zeta Phi Beta / Sigma Theta Zeta Grad Chapter of Zeta of East Chicago welcome SPR 23 Delta Class" posted by DEZTINNI, May 1, 2023

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I LOOKED OVER JORDAN [Kappa Alpha Psi Fraternity, Inc. chant]

Spiritual Source - "Swing Low, Sweet Chariot" (lyrics: "I looked over Jordan and what did I see")

BGLO Example - I LOOKED OVER JORDAN
I looked over Jordan, and what did I see
I saw Kappa Alpha Psi looking up at me
I said, "Tell me Nupe, what do you say?"
He said "Damn I shoulda pledged that A Phi A"
I looked over Jordan, and what did I see
I saw Omega Psi Phi looking up at me
I said tell me Que, to save your soul,
Why did you steal the PHI and Old Gold
I looked over Jordan, and what did I see
I saw Phi Beta Sigma looking up at me
I said "Tell me Blue, what do you see?"
"I see Alpha Phi Alpha shining brighter than me"
Cause we're the ICE COLD brothers of A Phi A
And pledging our frat is the only way!
-ColdFront06, http://www.stophazing.org/cgi-bin/ultimatebb.cgi?ubb=get_topic;f=7;t=000243, Frat/Soror Chants, 9/28/2005

Note: This blogger also posted this same example on http://onolympus.proboards.com/thread/1471, Feb 29, 2008

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IN THE BEGINNING [Sigma Gamma Rho Sorority, Inc. chant]

Spiritual Source:  "I don't know what you've been told/But the streets of heaven are rhoyal blue and gold" has its source in the floating verse "I don't know but I've been told/the streets of heaven are paved with gold". That verse is found in a number of Spirituals.

BGLO Example - IN THE BEGINNING
In the Beginning
Yes, in the beginning there were only two.
Yes, Eve was Delta and Yes Adam was a Que.
But they messed up and what do you know
To fix it-was KAPsi and SGRho.
I don't know what you been told
But the streets of heaven are rhoyal blue and gold.
And if you get to heaven and can't get in
That's because Peter and Paul are Kappa men.
http://ms_quiet.tripod.com/chants.html, retrieved 12/8/2012
-snip-
Click http://pancocojams.blogspot.com/2015/03/examples-of-historically-black_17.html for an Alpha Phi Alpha Fraternity version of this chant from Lawrence C. Ross, Jr., author of The Nine: The History of African American Fraternities and Sororities. That version doesn't include the "I don't know but I've been told..." verse. Adam and Eve are obviously the names of the first man and woman in the Christian Bible.

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K, L

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M. N

MAKE WAY THE QUE TRAIN IS COMING [Omega Psi Phi Fraternity, Inc. song]

Spiritual source/s - Spirituals about the Gospel train such as "Good News. Chariot Comin", 

BGLO Example -Make way the Q train is comin
Make way the Q train is comin
Make way the Q train is comin
And you don’t want to be left behind.
- words sung with chanted interjections; https://www.youtube.com/watch?v=Clo2cLue28o
-snip-
I also heard Ques sing this song in Pittsburgh, Pennsylvania step shows in the 1990s.
-snip-
Make Way...the Que train is coming.....BETA chapter 2013 entering the circle



Clyde Ashley Sherman, Published on Sep 15, 2013

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N, O

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P, Q

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R, S

SAID I WASN'T GOING TO TELL NOBODY [Alpha Phi Alpha Fraternity, Inc. chant]

Spiritual Source- "Said I Wasn't Gonna Tell Nobody"

BGLO Example -SAID I WASN'T GOING TO TELL NOBODY
Said I wasn't going to tell nobody
A Phi A A Phi A
But listen people I've got to shout it
A Phi A A Phi A

The Kappas and the Sigmas
They got some soul:
A Phi A A Phi A
But they just can't compare
with the black and gold.

So listen Q's you'd better step aside.
But a lot of Q's didn't and a lot of Q's died.
Oh, A Phi A A Phi A
(Repeat twice)
-Brian A. Jackson Alpha Phi Alpha collection, permission granted to post on Cocojams.com, 3/20/2010
-snip-
This is how that example was sent in to my no longer active cocojams.com website. It may be a combination of three songs/chants that were sung at the same time.

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T, U

THIS TRAIN (Alpha Kappa Alpha Sorority)

Spiritual or Early Gospel source song - "This Train Is Bound For Glory"
-snip-
This train don't carry no Zetas.
This train.
This train don't carry no Zetas
This train.
No.
This train just carries the Akas
The [name of chapter] of Alpha Kappa Alpha
This train.

This train don't carry no Sigmas.
[Sing same words as above but substitute the word "Sigmas".]

This train don't carry no Deltas.
[Sing same words as above but substitute the word "Sigmas".]
-online source https://www.wattpad.com/44876415-alpha-hard-greek-life-our-night
-snip-

BGLO Example: Alpha Chapter, Alpha Kappa Alpha Sorority, Incorporated 63 P.R.O.D.I.G.Y. AKA
Spring 2009-7



hudrmodel, Uploaded on Apr 16, 2009

Alpha Chapter, Alpha Kappa Alpha Sorority, Incorporated 63 P.R.O.D.I.G.Y. AKA Spring 2009
-snip-
Decledra Corbett, 2016
@jbbullard1992 : This train don't carry no sigmas this train. This train don't carry no zetas this train. This train don't carry no deltas this train. This train just cares* the alpha. The lovely alpha chapter of alpha kappa alpha. This train just carries the AKA** this train!!! This is the whole chant!!
-snip-
*"cares" is a typo for "carries"

**AKAs is pronounced "ah kahs" in this song.

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V, W

WADE IN THE WATER (Delta Sigma Theta Sorority song)

Spiritual source - "Wade In The Water"

BGLO Example - WADE IN THE WATER - DST100- Wade in the Water



Jami E, Jan 14, 2013 -snip-
Based on comments in this video's discussion thread, this chapter of Delta Sigma Theta Sorority, Inc. is from Clark Atlanta University.  The other YouTube examples of this song that I've found have also been from Clark Atlanta University.

I haven't found any lyrics to this song online and have only been able to transcript the chorus (that is consistent in each of the online YouTube examples that I've found.

Here are those lyrics (Additions and corrections are welcome.)
"Wade in the water
Wade in the water, sorors
Wading in the water
Wading in the water for DST".

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WALKING 'CROSS THE YARD (Sigma Gamma Rho Sorority song)

Spiritual Source: The line "I don't know, but I been told" etc. is a floating verse that is found in a number of Spirituals

BGLO Example: 
I was walking 'cross the yard
Just the other day;
I heard girl say in a funny way,
She said "I don't know, but I've been told,
That the baddest thing around is the blue and the gold."
So I tapped her on the shoulder and she turned around.
I said "Don't you utter another sound."
Let me tell you about the blue; let me tell you about the gold-
BLACK, BEAUTIFUL, and BOLD!
mpsgr22 (Richton Park, Illinois), 3/12/2001, https://greekchat.com/gcforums/showthread.php?t=6876 "Chants"

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WE ARE SORORS (Alpha Kappa Alpha Sorority)
Early Gospel song source - "We Are Soldiers"

BGLO Example: 
"We are Sorors and we’re striving
We have to work
Sometimes we have to cry (we have to cry)
We have to hold on to Alpha Kappa Alpha,
And we’ll keep holding on until we die."
-snip-

AKAs Setting up-HOWARD UNIVERSITY 2014



Adande Piggott, Published on Jan 15, 2014

-snip-
Here's a comment from another YouTube video of AKAs' neophytes (new members) singing this adapted religious song suggest that it was sung at least twenty years ago:

gotmypearls, 2014
https://www.youtube.com/watch?v=fVxOO7FkClI
"20 years later and this song still gives me chills..."

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WE LOVE OMEGA - [Omega Psi Phi Fraternity, Inc. song]
Spiritual source of the verses "so high you can't get over it...etc...You must go through the door- Spiritual "My Lord Is So High

BGLO Example:
WE LOVE OMEGA*
Lead – Well, we love
Group- We love Omega
Lead – Oh we love
Group- We love Omega
Lead- Ooh we love
Group- We love Omega
Lead and Group - Because it’s deep down in our heart
We said it’s deeper, deeper, deeper, deeper
down, down down ,down
Deep down in our hearts
We said it’s deeper, deeper, deeper, deeper
Down, down down down
Deep down in our hearts
Lead – Omega’s so high
Group- So high you can’t get over it
Lead- Omega’s so low
Group- so low you can’t get under it
Lead &Group- Omega’s so
Lead and Group – wide
Lead & Group -You must go through that door
-snip-
*I'm not sure if this is the actual title of this song.
Transcription by Azizi Powell from the video. Additions and corrections are welcome.
-snip-
Omega Psi Phi Songs - Terrible x3 Tau Lambda Lambda Chapter



KingJames432, Uploaded on Nov 17, 2009

Neos setting owt some songs on their initiation... and NO.. they will never wear that much 'nalia at the same time again lol. Their voices were a bit hoarse.
-snip-
This featured song is #2 in this video [begins at 1:46]

Click http://pancocojams.blogspot.com/2014/04/darling-omega-song-two-other-omega-psi.html for a pancocojams post that features this song and other Omega Psi Phi Fraternity songs.

Here's a partial statement from the summary of another video that is included in that post and is from that same event:"The '70s Bruhs would always woo the women with their vocal abilities... passing down the tradition"

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WHO'S THAT KNOCKING AT MY DOOR (Omega Psi Phi Fraternity, Inc chant)

Spiritual Source- "Somebody's Knockin At Your Door"

BGLO Example:
WHO'S THAT KNOCKIN AT THE DOOR
Who's that knockin at the door
Well it's the Ques.
We're gonna break it on down.

[Repeat several times.]
-posted by Azizi Powell, heard at various step shows in Pittsburgh, Pennsylvania 1990s

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X,Y,Z

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Visitor comments are welcome.

Thursday, October 30, 2025

How The African American Spiritual Or Early Gospel Song "Keep Your Hands On The Plow" ("Hold On") Became The 1960s Civil Rights Song "Hold On" (also known as "Keep Your Eyes On The Prize")

Mahalia Jackson - Keep Your Hand on the Plow

BrendudeUploaded on Jan 6, 2010

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Edited by Azizi Powell

This post pancocojams post provides videos of and information about the Spiritual* "Hold On" which was  adapted,  retitled, and sung during the American civil rights movement of the 1960s with the names "Hold On" and "Keep Your Eyes On The Prize"..

The content of this post is presented for historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to everyone in the past who stood up for freedom & justice and thanks to everyone now who are standing up for freedom and justice for all.

Thanks to all those who are quoted in this post and thanks to the publishers of these sound files on YouTube.
-snip-
*The song "Keep Your Hand On The Plow" may be more correctly categorized as an early African American Gospel song instead of an African American Spiritual. That is because the first documentation of this song is 1917 and the general rule is that African American religious compositions from 1900 on are Gospels and not Spirituals. 

**
Most of the content of this 2025 post is reprinted from my 2014 post "https://civilrightssongs.blogspot.com/2014/11/hold-on-keep-your-eyes-on-prize-civil.html"

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NFORMATION ABOUT THE CIVIL RIGHTS SONG "KEEP YOUR EYES ON THE PRIZE"
The African American civil rights song "Hold On" is an adaptation of the African American Spiritual "Keep Your Hand On The Plow", also known as "Hold On". Instead of  the Civil Rights song's lyrics "Keep your eye on the prize", the Spiritual's lyrics are "Keep your hand on the plow". 

The wordss "Keep your hand on the plow" and "keep your eye on the prize" both mean to remain steadfast in your determination. The words of that Spiritual referred to those who were determined to live a Christian life. When almost the same words were sung in the civil rights protest movement, they referred to being resolved to continue to be involved in protest marches and other forms of civil (societal) protests in spite of the possibility or the probability of very serious consequences.

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Here are some comments about the Spiritual "Keep your eyes on the prize" and its adaptation as a Civil Rights song from this online Mudcat folk music discussion thread: http://www.mudcat.org/thread.cfm?ThreadID=4136 

Numbers are added for referencing purposes only.

1.  Lyr Add: KEEP YOUR EYES ON THE PRIZE
From: RickyC
Date: 
24 Feb 98 - 06:17 PM

..."The song is in the book. The title is "Keep your Eyes on the Prize.” It is from and old religious song that used the words "keep your hand on the plow" and was rewritten by Alice Wine who was one of the first graduates of the voter education schools on Johns Island, South Carolina. These are the words:

Paul and Silas, bound in jail, had no money for to go their bail,
Keep your eyes on the prize, hold on, hold on.

Chorus: Hold on, Hold on,
Keep your eyes on the prize,
Hold on. Hold on.

Paul and Silas begin to shout,
The jail door opened and they walked on out.
Keep your eyes on the prize, hold on, hold on.

Freedom's name is mighty sweet,
Soon one day we're gonna meet.

Got my hand on the Gospel plow,
I wouldn't take nothing for my journey now.

The only chain that a man can stand,
Is that chain of hand in hand.

The only thing we did wrong,
Stayed in the wilderness a day too long.

But the one thing we did right,
Was the day we started to fight.

We're gonna board that big Greyhound,
Carryin’ love from town to town.

We're gonna ride for civil rights,
We’re gonna ride both black and white.

We've met jail and violence too,
But God's love has seen us through.

Haven't been to heaven but I've been told,
Streets up there are paved with gold.


Song copyright 1965, 1965, by Alice Wine

Source: Sing For Freedom: The Story of the Civil Rights Movement through its songs, Edited and compiled by Guy and Candie Carawan, 1963 (as "We Shall Overcome"). combined with "Freedom Is a Constant Struggle" (1968) and republished by Sing Out! with the new title.

**
2.RE: eyes on the prize lyrics?
From: Joe Offer
Date: 22 Feb 99 - 01:05 AM

..."Smithsonian Folkways has a companion CD to the songbook KickyC quoted from, Sing For Freedom: The Story Of The Civil Rights Movement Through Its Songs, and it's available from Amazon click for a sample) and the usual suppliers. The CD has recordings of "Eyes on the Prize" and also the original form of the song, "Keep Your Hand on the Plow." This is what the songbook says about the song:

This is a song that has been through every chapter of the civil rights movement. The words "keep your eyes on the prize" (replacing the more common "keep your hand on the plow") came from Alice Wine, one of the first proud products of voter education schools - on Johns Island, South Carolina in 1956.
The song had meaning for the sit-in students who were the first to be 'bound in jail' for long periods of time. It went with the Freedom Riders to Jackson and into Parchman, and on to Albany and all of the many other areas of struggle.

The original song is also known as "Hold On." Here's a quote about that song from a book called Ev'ry time I Feel the Spirit, by Gwendolyn Sims Warren:

Struggling with the tribulations and hardships of slave existence, believers needed the encouragement of others not to give up but to hold on. As a later gospel song says, "Hold to God's unchanging hand" - trust in His deliverance, keep pressing on. this exhortation is based on Luke 9:62, which says, "anyone who puts a hand to the plow and then looks back is not fit for the Kingdom of God." Aother scripture, 1 Corinthians 9:10, says that those who plow should do so in hope.
"Hold On" imaginatively uses its imagery to hearten, exhort, and teach the message of the scriptures...The song's chorus talks to the whole slave community, from brothers and mothers to deacons and preachers. All must watch their step and hold on to the great gospel plow. The plow and track are interesting images because they related not only to the scriptural passages at the heart of "Hold On," but also to ordinary, everyday activities.

St. Paul talks about working toward a prize in Philippians 3:14 and 1 Corinthians 9:24, so the substitution of "prize" for "plow" seems to fit into the scriptural imagery of the song. The verses are flexible, many the same as those found in many other spirituals, plugged in wherever they fit.
It sure is a beautiful song, isn't it?"

****
3. 
Lyr Add: KEEP YO' HAND ON THE GOSPEL PLOW
From: masato sakurai
Date: 14 Apr 02 

"Newman I. White recorded "Keep yo' hand on the gospel plow" in his American Negro Folk-Songs ((1928; reprint ed., [1964?], p. 115; no title is given; text only). It was "reported from Durham, N.C., 1925, MS. of N.I. White. From Creedmore, N.C., as sung by Ed Lloyd, who says there are several stanzas."

Keep yo' hand on the gospel plow,
Wouldn't take nothin' for my journey now, Holy Ghost.

Chorus
Keep yo' hand on the gospel plow,
Hold on, hold on,
Keep yo' hand on the gospel plow,
Hold on.

Didn't come here for to stay always,
Just come here to fill my place.

I got a mother in the promised land,
Never shall rest till I shake her hand.

Earlier, Cecil J. Sharp recorded a version, which was "sung by girls at Oneida School, Ky., Aug. 18, 1917." (English Folk Songs from the Southern Appalachians, 1932, vol. 2, p. 292; with music). Notes (by Karpeles?) say "This ... is a 'Holiness' hymn. It is evidently influenced by negro spiritulas." (p. 412)

HOLD ON

1. Some of these days about four o'clock,
This old world's going to reel and rock.
Keep your hand, keep your hand to the plough, hold on,
Hold on, hold on,
Keep your hand to the plough, hold on.

2. Some of these days, but I don't know when,
This old world's going to end.

3. Go away, satan, let me be,
You fooled my brother, but you can't fool me.

4. Satan wears a sinful shoe,
If you don't mind he'll slip it on you.

5. Some of these mornings at the rising sun,
O God's going to stop your lying tongue.

6. Hain't been to heaven, but I've been told
That the streets are pearl and the gates are gold.

7. When I get to heaven I'm going to sit down,
Wear a white robe and a starry crown.

8. I'm going to heaven and I hain't a-going to stop,
There hain't going to be no stumbling-block.

This song has been recorded by the Pilgrim Tavelers, Clara Ward Singers, Pete Seeger, Golden Gate Quartet, Mahalia Jackson, Sounds of Blackness. The title "Hold On" seems to be more common; another title is "The Gospel Plow" (by the Nashville Bluegrass Band).

~Masato"
-snip-
The referent "Negro" spelled with a lower case "n" is considered to offensive. Furthermore, Negro has been a socially unacceptable and outdated referent for Black Americans (African Americans) since the 1960s.

****
SHOWCASE VIDEO #2- Keep Your Eyes On The Prize

Songs for R.E.A.L Justice, Jan 13, 2015

Lyrics: Paul and Silas bound in jail Got no money for to go to their bail Keep your eyes on the prize Hold on, hold on (Refrain) Hold on, hold on! Keep you eyes on the prize, Hold on, hold on The only thing that we did right, Was the day we started to fight Keep your eyes on the prize Hold on, hold on (Refrain) The only thing that we did wrong Was stay in the wilderness too long Keep your eyes on the prize Hold on, hold on (Refrain)

-snip-

As is the case with all African American originated civil rights songs, the words to the song "Keep Your Eyes On The Prize" aren't fixed.

Thanks to Mama Kemba for sending in the third verse to this song to my cocojams.com website on February 26, 2008. That website is no longer active. 

Thanks, also, to bill allen for sending a message on 4/24/2009 to that website which noted that "Keep Your Eye On The Prize" is an urban version of the rural (farm or plantation) song "Hold On".

bill allen also included these verses in his message:]to the 2014 post about this song on Civil Rights blog: https://civilrightssongs.blogspot.com/2014/11/hold-on-keep-your-eyes-on-prize-civil.html
 

1. When you plow, don't lose your track, Can't plow straight and keep a-lookin' back.
Keep your hand on that plow, hold on (Keep your eyes on the prize, hold on.)

2. Wanna getta heav'n?, I'll tell you how, Keep your hand right on that plow. (Keep your eyes...)

3. When I thought I was lost, Dungeon shook and the chains fell off. (Keep your eyes...)

4. Got my hands on the gospel plow, Wouldn't take nothin' for my journey now. (Keep your eyes...)

5. The only chain we can stand, Is the chain of hand in hand (Keep your eyes...)

****
LYRICS #2 - HOLD ON [Civil Rights version]
(no composers identified)

Paul and Silas bound in jail
with no money to forgo their bail
Keep your eye on the prize
and hold on, hold on

Chorus:
Hold on
Hold on
Keep your eye on the prize
And hold on, hold on.

If religion was a thing that money could buy

The rich would live and the poor would die
Keep your eye on the prize
And hold on, hold on.

Chorus

One and one that makes two
Tell you what I'm-ma gonna do
Keep my eye on the prize
And hold on, hold on.

Chorus

Know the one thing we did wrong
Stayed in the wilderness far too long
Know the first thing we did right
Was the day we started to fight
Keep your eye on the prize hold on, hold on

****
A COMMENT FROM THE CIVIL RIGHTS BLOG'S POST ON THE  SONG "HOLD ON"
Unknown (Mama Edie )August 6, 2016,  https://civilrightssongs.blogspot.com/2014/11/hold-on-keep-your-eyes-on-prize-civil.html

"Thank you for your work in bringing forth this information over the years. Thanks also to Momma Kemba, from my home in Chicago, and to Bill Allen for their contributions as well. Doing final preparations for songs and chants that I'll be helping to lead today for the Dr. King Memorial commemorative march that we'll be doing shortly in Marquette Park, where Dr. King was struck with a rock, saying that Chicago had been his most hostile experience at that point, moreso than anything he had experienced in the south. That march in 1966 had special meaning for me as, at the age of 14, I was in it. Yesterday others who also had marched that day with Dr. King were invited to participate in the memorial ceremony unveiling the monument that now stands in Marquette Park, beautifully structured of stone and rock, a notable connection to the incident where Dr. King was struck. Today we prepare for the commemorative march, kicking off at 9am. A shorter distance this time around, and hopefully, with less hostility. In fact, many in the community of Marquette Park spearheaded these events, inspired by Brother Rami Nashashibi of IMAN (Inner-City Muslim Action Nertwork), blending Muslims, Jews, Protestants, Catholics, and people from across many cultures and nationalities. It was a wonderful sight to behold that, with blessings, will continue to manifest out into the world where we continue to encounter injustices on a daily basis. But we know that we must keep hope alive and "Keep Our Eyes on the Prize." We'll be in Philly in November of 2016 as the Nat'l Assoc of Black Storytellers. Hope to see you there. Peace and blessings. Mama Edie, Nat'l Memb Chair, Nat'l Assoc of Black Storytellers, Inc."

****
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Visitor comments are welcome.

Monday, December 23, 2024

The Early 20th Century Christmas Song "Behold the Star" (With Information About Its African American Composer Dr. Thomas W. Talley)



Khaleesi Newton, Feb 13, 2014

Creative Impressions in its 2013 Annual Behold the Star Concert singing its featured song "Behold the Star."

****
Edited by Azizi Powell

This pancocojams post showcases two YouTube videos of the Christmas song "Behold That Star". Information about that song is presented in this post along with the lyrics for that song.

This post also showcases a YouTube video of Dr. Thomas W. Talley, the composer of "Behold That Star" and presents the full reprint of Dr. Talley's Wikipedia page.

The content of this post is presented for historical, religious, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Dr. Thomas W. Talley for his creativity and for his cultural contributions.
Thanks to all those who are featured in these showcase videos and thanks to all those who are quoted in this post. Thanks also to the publishers of these videos on YouTube.

Merry Christmas and Happy Holidays. ðŸŽ„♥🎄♥🎄♥

****
INFORMATION ABOUT THE SONG "BEHOLD THAT STAR" (With the original song lyrics)
From https://www.cpdl.org/wiki/index.php/Behold_that_star_(Thomas_W._Talley)

..."General Information

Title: Behold That Star

Composer: Thomas W. Talley

Lyricist: Thomas W. Talley

Number of voices: 4vv   Voicing: SATB

Genre: Sacred, Spiritual

 

Language: English

Instruments: A cappella

First published: 1922

Description: Original melody, text and harmony composed by Thomas W. Talley in an unknown year in the early 20th century. First published in 1922 by YWCA New York in "Folk Songs of Many Peoples," Vol. II.

External websites:

Hymns & Carols of Christmas

Original text and translations

First published text (1922) English.png English text

Behold that star!

Behold that star up yonder!

Behold that star!

It is the star of Bethlehem.

 

There was no room found in the inn,

This is the star of Bethlehem,

For Him who was born free from sin.

This is the star of Bethlehem.

(Refrain)

 

The Wise Men came on from the East,

To worship Him, the Prince of Peace.

(Refrain)

 

A song broke forth upon the night,

From angel hosts all robed in white.

(Refrain)"....

****
SHOWCASE VIDEO #2 - 
Morehouse/Spelman Choirs - Behold The Star



mikep793, 
Dec 13, 2010

Christmas Concert

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SHOWCASE VIDEO #3 - Thomas Talley



Everyday Black History, Jul 17, 2018

This video is about Thomas Talley. One of the first Black Men to receive a Ph.D and very influential to many other Black American Men and Women in the science field. He also collected Black Folk Music that open peoples minds to Black American music and Verse.

REFERENCES. 

"Thomas W. Talley Collection Papers, 1891–1951" (PDF). Fisk University. Retrieved February 24, 2015."...

****
FULL REPRINT OF THE WIKIPEDIA PAGE FOR THOMAS W. TALLEY (without references/notes)
From https://en.wikipedia.org/wiki/Thomas_W._Talley [retrieved December 23, 2024]

"Thomas Washington Talley (October 9, 1868 – July 11, 1952) was a chemistry professor at Fisk University and a collector of African American folk songs.

Early life and education

Thomas Washington Talley was born on October 9, 1868, in Shelbyville, Tennessee. He was one of eight children born to former slaves, Charles Washington and Lucinda Talley.[1]

Talley attended public school for six years, followed by high school and college at Fisk University in Nashville, Tennessee, where he received an A.B. in 1890 and a master's degree in 1893. Starting in 1888 he participated in the Fisk music program, singing with the New Fisk Jubilee Singers and the Mozart Society, as well as the Fisk Union Church. He also conducted the Fisk choir for a number of seasons.[2]

Talley received a Doctor of Science degree from Walden University in 1899. After completing his doctorate, Talley went on to participate in post graduate programs at Harvard University in 1914 and 1916. He completed his dissertation at the University of Chicago years later in 1931, at the age of 61.[1] The title of his dissertation is Theories relating to the constitution of the boron hydrides.[3]

Interests

Chemistry

Talley held teaching positions at several black colleges: Alcorn A&M College in Lorman, Mississippi, in 1891; at Florida A&M in Tallahassee, Florida, in 1893; and Tuskegee Institute in Tuskegee, Alabama, in 1900.[2]

From 1903 to 1942, Talley taught chemistry and biology at Fisk University.[1] He also chaired the chemistry department at Fisk for 25 years.[2] Talley-Brady Hall on Fisk's campus is named for Thomas Talley and St. Elmo Brady, another Fisk alumnus and chemist who was a student of Talley's.[4]

Negro Folk Rhymes (Wise and Otherwise)

Talley began collecting rural black folk songs later in his life. Talley's first collection, published in 1922, Negro Folk Rhymes (Wise and Otherwise) contained 349 secular folksongs and spirituals. Already being well-known as the first such collection assembled by an African-American scholar,[2] the book was seen at the time as a "masterpiece of the field".[5] It was not only the first compilation of African-American secular folk songs, but also of folk songs of any kind from Tennessee.[2] An edited edition of Negro Folk Rhymes was re-released in 1991. Additional published works about music by Talley include The Origin of Negro Traditions and A Systematic Chronology of Creation.[1]

The publication of Negro Folk Rhymes marked a turning point in the study of African-American verse. Before its publication, little note had been taken of black secular traditions. Talley's book, along with a later collection by Howard Odum and Guy Johnson, called attention to these works.[6]

Personal life

Talley married Ellen Eunice Roberts on August 28, 1899. The couple had two daughters."
-snip-
This page makes no mention of Dr. Thomas W. Talley composing the Christmas song "Behold That Star".

Click https://www.gutenberg.org/files/27195/27195-h/27195-h.htm for the full ebook of Thomas W. Talley's 1922 book Negro Folk Rhymes (Wise and Otherwise).

****
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Visitor comments are welcome. 


Monday, December 5, 2022

The Meaning Behind The Lyrics To "Wade In The Water"



Ms.Fluzo, July 19, 2010

****
Edited by Azizi Powell

This pancocojams post presents some information about the African American Spiritual "Wade In The Water" and presents various theories about what that song means and how it was used by enslaved African Americans.

This post showcases the version of Wade In The Water that was recorded by Ella Jenkins and the the Goodwill Spiritual Choir of Chicago in 1960s. The lyrics to that version of "Wade In The Water" are found at https://genius.com/Ella-jenkins-wade-in-the-water-lyrics .

The content of this post is presented for historical, religious, and cultural purposes/

All copyrights remain with their owners.

Thanks to the unknown composers of "Wade In The Water". Thanks also to Ella Jenkins and the Goodwill Spiritual Choir of Chicago for their musical legacies. Thanks to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube.
-snip-
This post is part of an ongoing pancocojams series on the African American Spiritual "Wade  In Water" and songs that are based on that Spiritual. Google "Wade In The Water Pancocojams  or click the "Wade In The Water" tag below for other pancocojams posts in that series.
****
INFORMATION ABOUT THE AFRICAN AMERICAN SPIRITUAL "WADE IN THE WATER" 
Excerpt #1
From https://en.wikipedia.org/wiki/Wade_in_the_Water
"Wade in the Water" (Roud 5439) is an African American jubilee song, a spiritual—in reference to a genre of music "created and first sung by African Americans in slavery.

[...]

In his 1925 book, Crisis, W. E. B. Du Bois mentioned "Wade in the Water" as performed by the Norfolk Jubilee Quartet. DuBois wrote that "You'll never tire of the melodious rich blended voices of the Norfolk Jubilee Quartet, Sunset Four, and Harrod's Jubilee Singers."[18]: 155, 259 "...
-snip-
Read my comment in this post's discussion section about this meaning of the word "jubilee". 

**

Excerpt #2
From 
https://yonamariemusic.com/yona/blog/249/the-meanings-behind-wade-in-the-water The Meanings Behind Wade In The Water, by Yona Marie, March 16 2022
..."Wade In The Water's Official Publishing

This popular song likely has origins that date at least back to the 1870s. John Wesley Work Jr. spent three decades at the HBCU Fisk University, collecting a series of songs from the original Fisk Jubilee Singers.

The original Fisk Jubilee Singers were active in the 1870s, and John decided to revive their works with a new smaller group called The Sunset Four Jubilee Singers.

The lyrics to this song were first published in 1901 in New Jubilee Songs as Sung by the Fisk Jubilee Singers by John Wesley Work Jr. and his brother Frederick J. Work.

The first recording of it was performed by the Sunset Four Jubilee Singers and released by Paramount Records in 1925. "....

****
ONLINE EXCERPTS ABOUT THE MEANINGS OF THE SPIRITUAL "WADE IN THE WATER"
These excerpts are given in no particular order. and are numbered for referencing purposes only.

More than one of these viewpoints about the meaning of the Spiritual "Wade In The Water" can be true at the same time.    

I. THE "WADE IN THE WATER" SPIRITUAL REFER TO THE ISREALITES FLEEING EGYPT 
Excerpt 1
From https://en.wikipedia.org/wiki/Wade_in_the_Water

Interpretations of the lyrics

Many of the songs in the original Fisk Jubilee Singers songbooks dealt with themes from both the Old and New Testament. According to a 2002 article written by Dave Watermulder, J. Amber Hudlin, and Ellie Kaufman at George Washington University, the song reflects the Israelites' escape out of Egypt as found in Exodus.[29]"...

**
Excerpt #2
From https://artandtheology.org/2020/09/07/wade-in-the-water-artful-devotion/
..."Then Moses stretched out his hand over the sea, and the LORD drove the sea back by a strong east wind all night and made the sea dry land, and the waters were divided. And the people of Israel went into the midst of the sea on dry ground, the waters being a wall to them on their right hand and on their left. The Egyptians pursued and went in after them into the midst of the sea, all Pharaoh’s horses, his chariots, and his horsemen. And in the morning watch the LORD in the pillar of fire and of cloud looked down on the Egyptian forces and threw the Egyptian forces into a panic, clogging their chariot wheels so that they drove heavily. And the Egyptians said, “Let us flee from before Israel, for the LORD fights for them against the Egyptians.”....
—Exodus 14:19–31

****
II. THE "WADE IN THE WATER" LYRICS ARE CODED INSTRUCTIONS TO PEOPLE TRYING TO ESCAPE SLAVERY (THIS THEORY IS ASSOCIATED WITH HARRIET TUBMAN & THE UNDERGROUND RAILROAD) 

Excerpt #1
From https://en.wikipedia.org/wiki/Wade_in_the_Water
...."Songs of the Underground Railroad

According the PBS Newshour—while it "has not been proven, it is believed"—that "Wade in the Water" was one of the songs associated with the Underground Railroad—a network of secret routes and safe houses used by slaves in the United States to find freedom.[5]

It is believed that Harriet Tubman, who made thirteen trips to the South and helped free more than 70 people, used this song to warn slaves to get off the trail and into the water to prevent dogs—used by the slavers—from finding them.[5][7][6][30]: 18 

In 1993, Arthur C. Jones—a University of Denver Professor in the Musicology, Ethnomusicology and Theory Department, published the first edition of this book, Wade in the water: the wisdom of the spirituals.[7] Jones established "The Spirituals Project" in 1998 at the university's Lamont School of Music, to preserve and revitalize the "music and teachings of the sacred folk songs called spirituals"—"created and first sung by African Americans in slavery."[1] Jones referenced "Wade in the water" in describing how Harriet Tubman and others improvised on "already existing spirituals", employing them "clandestinely in the multilayered struggle for freedom."[7]: 51, 55 

In 2002, Maryland Public Television in collaboration with the Maryland Historical Society and Maryland State Archives, produced "Pathways to Freedom: Maryland and the Underground Railroad" as a teaching guide, which included a section on how songs that many slaves knew had "secret meanings" that they could be "used to signal many things." They cited the example of Harriet Tubman using "Wade in the Water" to "tell escaping slaves to get off the trail and into the water to make sure the dogs slavecatchers used couldn’t sniff out their trail. People walking through water did not leave a scent trail that dogs could follow."[31] Certain songs were believed to have contained explicit instructions to fugitive slaves on how to avoid capture and the route to take to successfully make their way to freedom.[32]"

**
Excerpt #2
From https://www.proz.com/kudoz/english/religion/739524-%22god%E2%80%99s-a-gonna-trouble-the-water%22.html WADE IN THE WATER ON THE UGRR by Calvin Earl |  posted in: African American History, Blog, Spirituals, Underground Railroad |  1, June 1, 2017
" “Wade In The Water is one of the spirituals that has many secret codes embedded within the song that was used to give guidance to the slave as he embarked on his journey to freedom on the Underground Railroad. The lyrics in this spiritual talk not only about the religious ceremony as it pertains to the Christian Church where the religious rite of sprinkling water onto a person’s forehead or of immersion in water, or as John the Baptist baptized people in the river symbolizing purification or regeneration and admission into life as a Christian. ‘Wade in the water, ‘God’s gonna trouble the water’ for the slaves trying to escape from slavery on the Underground Railroad, meant the first thing the slave master would do would be to send out the bloodhounds to track the slaves down. The bloodhounds could track the slaves easily on land, but the lyrics “God’s gonna trouble the water” tell the slave to actually find a body of water and then walk or wade in the water in that way the bloodhounds would lose the scent of the escaping slave and the slave would be safe from the dogs tracking them down.

Also in the lyrics ‘See that band all dressed in red, looks like the band that Moses led’ -It is thought that the lyrics reference Harriet Tubman whose nickname was ‘Moses of her people’. Many of the spirituals lyrics have dual meanings in the songs and in this song Moses and Harriet Tubman’s names are interchangeable because Harriet like the story in the Bible where Moses led the slaves to freedom, Harriet did the same for the slaves in the 1800’s in America.”…

****
Excerpt #3
From https://yonamariemusic.com/yona/blog/249/the-meanings-behind-wade-in-the-water The Meanings Behind Wade In The Water, by Yona Marie, March 16 2022
…”Wade In The Water And The Underground Railroad

Although it is not confirmed, it is widely taught that Harriet Tubman, who made several trips to the South and helped free more than 70 people in the mid-19th century, used this song as a part of the journey.

 While the lyrics generally have a more religious interpretation, this song was used as a code for the slaves to get off the trail and into the water. Slavers used dogs to find escaped slaves, and the water helped hide their scent.

It is important to note that spirituals like these were already popular in the black community even before Harriet Tubman took this journey.

She is said to have taken several spirituals that were well-known and could be used to signal many different messages. Since blacks were often known to sing, white people wouldn't be alarmed by hearing it."...

**
Excerpt #4
From https://www.youtube.com/watch?v=vg_8L96E3eU Wade In The Water- Ella Jenkins

[This is the link for the YouTube sound file of "Wade In The Water" that is embedded in this pancocojams post.]  

P La, 2017 [comment]
"This beautiful song help slaves escape to freedom by telling them to run to the river because the dogs can not pick up your scent once your in the water 😊 not only this song but many other songs slaves sung to help give them instructions to freedom so the master would not know what they were talking about bout think they were just singing a song 😊this is a very powerful message"

**
Excerpt #5
From https://artandtheology.org/2020/09/07/wade-in-the-water-artful-devotion/ "Wade in the Water (Artful Devotion)", Posted on September 7, 2020 by Victoria Emily Jones
..."According to oral lore, Harriet Tubman used the song “Wade in the Water” to communicate strategy to slaves traveling the Underground Railroad: its coded language alerted freedom seekers that bounty hunters were on their trail with bloodhounds and that they should jump into the river so that the dogs couldn’t track their scent. This popular myth about the song has not been confirmed, and the National Park Service, which preserves historical sites associated with the Underground Railroad and promotes research on the topic, suggests that it’s probably not true."...
-snip-
The hyperlinked words "probably not true" leads to the website https://www.nps.gov/hatu/planyourvisit/upload/MD_TubmanFactSheet_MythsFacts_2.pdf Myths & Facts About Harriet Tubman

****
III. 
THE "GOD'S GONNA TROUBLE THE WATER" LYRICS OF WADE IN THE WATER REFER THE BIBLE CHAPTER /VERSE JOHN 5: Verses 2-9 
Excerpt #1
From https://yonamariemusic.com/yona/blog/249/the-meanings-behind-wade-in-the-water The Meanings Behind Wade In The Water, by Yona Marie, March 16 2022

..."This song ["Wade In TheWater"] references the Israelites’ crossing of the Jordan River into the promised land. Deuteronomy 30 verses 11-16 is a message from Moses directly to those who were following him to freedom

[…]

The new testament also gives us more insight into what it means when God is going to trouble the water when you look at the King James version. John 5:4 explains these waters below:

"For an angel went down at a certain season into the pool, and troubled the water: whosoever then first after the troubling of the water stepped in was made whole of whatsoever disease he had."

**
Excerpt #2
From https://www.umcdiscipleship.org/resources/history-of-hymns-wade-in-the-water History of Hymns: "Wade in the Water" by C. Michael Hawn, Oct. 14, 2015
..."The refrain of “Wade in the Water” is based upon the narrative of John 5:2-9. It is the story of the pool by the Sheep Gate—Bethzatha in Hebrew. A portion of this passage follows: “Now there is at Jerusalem by the sheep market a pool, which is called in the Hebrew tongue Bethesda, having five porches. In these lay a great multitude of impotent folk, of blind, halt, withered, waiting for the moving of the water. For an angel went down at a certain season into the pool, and troubled the water: whosoever then first after the troubling of the water stepped in was made whole of whatsoever disease he had ”(John 5:2-4, KJV) Perhaps, among other possibilities, this is a reference of healing in body and soul."...

****
IV. THE "WADE IN THE WATER" SPIRITUAL HAS RELIGIOUS MEANINGS FOR PEOPLE'S EVERY DAY LIFE
Excerpt #1
From https://yonamariemusic.com/yona/blog/249/the-meanings-behind-wade-in-the-water The Meanings Behind Wade In The Water, by Yona Marie, March 16 2022

...."Deeper Religious Interpretation

The waters of the Jordan represent freedom from oppression, breakthrough, and deliverance that we all can relate to in some way. Howard Thurman, a well-known dean at HBCU Howard University, described the troubled waters in his book "The Negro Spiritual Speaks of Life and Death" as a huge moment of transformation.

Howard wrote, "The ‘troubled waters’ meant the ups and downs, the vicissitudes of life. Within the context of the ‘troubled’ waters of life, there are healing waters, because God is in the midst of the turmoil.” God is going to trouble the water, and you may be uncomfortable, but it's ultimately what will make you a better person on the other side.

[…]

Stirred or troubled waters may shake up your faith, but God calls us to wade in the water and go through the troubling with faith in Him in order to get to the other side, the Promise Land.”…

**
Excerpt #2
From https://blackhistory360.wordpress.com/2011/02/18/decoding-wade-in-the-water/ "DECODING WADE IN THE WATER" published by WALTER RHETT, 8 FEBRUARY 2011
….”People think the song is about Moses and Exodus, but the troubled waters the spiritual refers to are in a New Testament verse. The conventional wisdom of history contends the song sent a signal to runaway slaves: Use the river so the hounds can’t trace you. Tonight is the moment for flight; move swiftly; the reaction will be fierce.

[…]

You can’t imagine the joy of my surprise. When I found out what following that trouble meant.

[...]

The fourth verse of John 5 that describes how the angel stirs the waters of the pool is left out of several excellent bible manuscripts and a debate rages about whether it was actually in the original manuscript written by John. The word, “troubled” or “stirred,” in the original Greek refers to “an uncertain affinity.” In other words, the angel brings forth a power whose source was unknown by observation or direct sensory means.

But its results were consistent and clear. This affinity had the ability to heal afflictions and was transferred to the waters; its blessing received by the first one in. Christ transfers this blessing, by word and deed, to all who believe in faith. But like the healing at the Bethesda pool, often the benefits of god’s grace only come in certain seasons.

The spiritual, “Wade in the Water,” tells how to practice faith; and, like algebra, it re-orders the events. In the bible story, the water is troubled first. In the spiritual, those who will be blessed are urged to step into the waters first, before the angel of god comes. The song stresses meeting hardships with courage and “stiddy” faith; gather now and get ready, the healing is promised. Gather now, so that all will be among the first received and delivered by the gifts of grace that spring forth in dark times.

[…]

So in the legacy of “Wade in the Water,” we know, dramatic change can come to our lives. John, the youngest of the disciples, in just 22 days of his life, records the dramatic witness of Christ. The miracle John describes in Jerusalem at the Bethesda pool waters is not recorded in any of the other three gospels.

So “Wade in the Water” is more than instructions for running away, which only a small number of border state slaves were able to do. It is a song text of a dramatic story of god’s ability to restore and redeem. The African songs known as the spirituals are witness and memory. They are a text for the inner heart. They express its highest calling.”…

**
Excerpt
From  https://artandtheology.org/2020/09/07/wade-in-the-water-artful-devotion/ Wade In The Water ("Artful Devotion)" by Victoria Emily Jones, Sept. 7, 2020
..."In the documentary God’s Greatest Hits, pastor and gospel recording artist Wintley Phipps says, “‘Wade in the Water,’ to me, . . . means people who are afraid of moving forward, progressing, taking a step, and facing uncertainty—go ahead, wade in the water. Take that step. As terrifying as it may seem at that very moment, it’s gonna be alright, and the miracle we seek is gonna happen.”

[...]

“Wade in the Water” affirms that God is going to stir things up; he’s going to do something big. Just like he did when he brought Israel up out of Egypt."...

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Sunday, September 29, 2019

Early Published Versions Of The African American Spiritual "Soon I Will Be Done" (With The Trouble Of The World)

Edited by Azizi Powell

This is Part I of a two part pancococojams series on the African American religious song "Soon I Will Be Done" (with the troubles of the world").

Part I provides information about the early publication history of the Spiritual which is now known as "Soon I Will Be Done" (with the trouble of the world). Some text only examples of these early versions and a closely related Spiritual entitled "These All Our Father's Children" (Dese All My Fader's Children" are also included in this post. These comments and most of these lyric examples are quoted from a discussion thread for the Mudcat folk music forum.

Click https://pancocojams.blogspot.com/2019/09/eight-gospel-versions-of-soon-i-will-be.html for Part II of this series. Part II showcases eight YouTube renditions of "Soon I Will Be Done" (also given as "Trouble Of The World").

The content of this post is presented for religious, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of "Soon I Will Be Done" (with the troubles of the world). Thanks to all the early collectors and publishers of "Soon I Will Be Done" and other Spirituals and thanks to all those who are quoted in this post.

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PANCOCOJAMS EDITOR'S NOTE
These complete comments and comment excerpts are given in the chronological order that they were published on Mudcat, and not in the order of the earliest publication dates for versions of "Soon I Will Be Done" (with the trouble of the world) or songs that are related to and are probably sources for that song.

These comments are numbered for referencing purposes only. I've added notes to the first comment to provide the lyrics to what may be the oldest published source song for "Soon I Will Be Done" which is entitled "These Are My Father's Children"*, I also added a comment to #5 to clarify the meaning of the words "written by".

*I don't use "Negro dialect" for this title or elsewhere in this post except in quotes. Also, note that "Negro" is no longer used as a referent for African Americans.

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COMMENTS FROM MUDCAT DISCUSSION THREAD ABOUT THE EARLY PUBLICATION HISTORY AFRICAN AMERICAN SONG "SOON I WILL BE DONE"

1. Subject: TROUBLE OF THE WORLD
From: GUEST,alex molina (BigABronx@aol.com)
Date: 27 Sep 01 - 10:37 AM

"Hello,
Seems like we've been searching forever and have not been able to find the original Public Domain version of the song "Trouble(s) Of The World (Soon I Will Be Done[with])" - it's the old Negro spiritual, but NOT the one by the similar name found in Slave Songs Of The United States - rather it's the one commonly arranged from by not a few gospel singers, most notably Mahalia Jackson; PLEASE HELP US!!! (lol) Thank You."
-snip-
Here's information about the above mentioned "old Negro Spiritual":
from http://nationalhumanitiescenter.org/pds/maai/community/text3/religionslavesongs.pdf
"African American Songs documented in Florida and North Carolina, ca. 1865
Allan, Ware, and Garrison, eds., Slave Songs of the United States, 1867

Dese all my fader’s children,
Dese all my fader’s children,
Dese all my fader’s children,
Outshine de sun.

My fader’s done wid de trouble
o’ de world,wid de trouble o’ de world
Outshine de sun."
-snip-
Here's additional information about "Dese All My Fader's Children" (with the same lyrics) from Google books "Negro Slave Songs In The United States" by Miles Mark Fisher, originally published in 1953.
"Peculiar non-Christian Negro burial rites employed a trouble spiritual even in the early days of freedom. Possibly, in African custom, the members of the family of the deceased person would sing as they marched around the corpse in the order of age and relationship. The custom obtained in North Carolina, South Carolina, and elsewhere would be that the youngest child would then be passed over and under the coffin. Two strong men would afterwards run to the grave with the remains. The song that was sung was ..."
-snip-
The same lyrics to "Dese All My Fader's Children" as given above completes this excerpt.

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2. Subject: ADD: SOON A WILL BE DONE
From: wysiwyg
Date: 28 Sep 01 - 03:10 AM
..."The "song" may be in the public domain, but the arrangement of it-- that lets us see and hear it in our time-- is almost surely not. That is because anyone putting it in a book today either copyrights their arrangement of it or copyrights the book itself. (An exception is the CyberHymnal-- they make arrangements of their own in MIDI and do not copyright them. This song ain't in there though!

Determining if the origin of a particular version is authentically reproduced from slavery times (to establish age) is another problem. First, the variants in accepted usage at the time were numerous. Second, the ability of nearly-always-white collectors to capture the dialect was limited. Third, collectors' willingness to perpetuate the dialect they heard was slight in some cases, and got more slight as time passed and variants were handed down orally or in print. Fourth, when these were created (which would have started the public-domain-clock running), the singers made up verses on the spot more often than not, so no version is really "the" original, except the one the person sang when s/he was the first person to think of these words and this tune (whatever tune we are talking about).

The tunes also varied.

[...]

SOON A WILL BE DONE
Traditional Negro Spiritual

Soon-a will be done with the trouble of this world,
Soon-a will be done with the trouble of this world,
Soon-a will be done with the trouble of this world,
Going to live with God.

Come my brother and go with me
Come my brother and go with me
Come my brother and go with me
Let King Jesus make you free.

When I get to heav'n I will sing and tell
When I get to heav'n I will sing and tell
When I get to heav'n I will sing and tell
How I did shun both death and hell.

SOURCE: American Negro Songs, 230 Folk Songs and Spirituals, Religious and Secular. John W. Work, Dover Publications, Mineola, NY 1998. Orig. pub. Crown Publishers, NY, 1940. ISBN 0-486-40271-1."

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3. Subject: ADD: Soon-A Will Be Done / Soon I Will Be Done
From: Joe Offer
Date: 28 Sep 01 - 03:22 AM

[...]

"SOON A WILL BE DONE (second version)

CHORUS
Soon-a will be done with the troubles of the world,
Troubles of the world,
Troubles of the world,
Soon-a will be done with the troubles of the world,
Going home to live with God

1. No more weeping and a-wailing,
No more weeping and a-wailing,
No more weeping and a-wailing,
I'm going to live with God

2. I want t' meet my mother...(3 times)
I'm going to live with God

3. I want t' meet my Jesus...(3 times)
I'm going to live with God.

Source: John W. Work, "American Negro Folk Songs," 1940
There is an almost identical version called "Soon I Will Be Done" in "The Folk Songs of North America" (Alan Lomax, 1960)

Flash!
The UTK Song Index says "Soon-a will Be Done" is in a work called Folk Songs of the American Negro, published in 1907 by Frederick J. Work, with introduction by John W. Work, Jr."

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4. Subject: RE: Lyr/Chords Req: TROUBLE OF THE WORLD
From: masato sakurai
Date: 28 Sep 01 - 05:06 AM

"This spiritual seem to have been recorded much later than the slavery days. According to the Cleveland Public Library's Index to Negro Spirituals [of thirty popular collections published up to 1937] (1991), the only book containing "Soon I will be done" is R.N. Dett, Religious Folk-Songs of the Negro, As Sung at Hampton Institute (1927, p. 234). This is a revised and enlarged edition as a separate book of the appendix to M.F. Armstrong, et al.'s Hampton and Its Students (1874). I have the reprint of the 1920 "new edition," where this song is not contained. The Index doesn't mention other title variants, so very likely no other versions are recorded in those "thirty collections." There is, however, an earlier version (in Jack Snyder, American Negro Spirituals, 1926) in Erskine Peters, Lyrics of the Afro-American Spiritual (Garland, 1993). I don't have Work's Folk Songs of the American Negro. Horace Clarence Boyer, in his notes to the Mahalia Jackson CD (Gospels, Spirituals, & Hymns, Columbia/Legacy C2K 47083), says "TROUBLED OF THE WORLD: The popularity of this well-known spiritual was, due to, until 1959, to the concert choral arrangement by William Levi Dawson." Dawson's (b. 1899) arrangement was probably in 1930s, that is later than Dett. It is possible that this song had other titles or "floating verses" common to other spirituals."

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5. Subject: ADD: Soon-A-Will be Done
From: Joe Offer
Date: 05 Oct 01 - 02:35 AM

"Well, Alex, I found a copy of the 1915 book, Folk Song of the American Negro, at the library. This was written by John Wesley Work, 1871-1925. It's almost the same as what's in Work Jr.'s 1940 book, but with no musical notation.
-Joe Offer (e-mail sent)-

SOON-A-WILL BE DONE WITH THE TROUBLES OF THE WORLD

CHORUS
Soon-a-will be done-a-with the troubles of the world,
Troubles of the world,
Troubles of the world,
Soon-a-will be done-a-with the troubles of the world,
Going home to live with God

1. These are my Father's children,
These are my Father's children,
These are my Father's children,
All in-a-one band.

CHORUS

2. No more weeping and a-wailing,
No more weeping and a-wailing,
No more weeping and a-wailing,
All in-a-one band.

CHORUS
-snip-
[This book was] "written by" means it was "edited by" John Wesley Work, b. 1871-d. 1925 (also known as John Wesley Work, Jr. and John Wesley Work II). Read information about John Wesley Work II and John Wesley Work III in the Addendum to this post.)

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6. Subject: Lyr Add: THESE ARE MY FATHER'S CHILDREN
From: Jim Dixon
Date: 02 Oct 10 - 06:21 PM

"From The Story of the Jubilee Singers by J. B. T. Marsh (Boston: Houghton, Mifflin and Company, 1881), page 168:

THESE ARE MY FATHER'S CHILDREN

CHORUS: These are my Father's children,
These are my Father's children,
These are my Father's children,
All in one band.

1. And I soon shall be done with the troubles of the world,
Troubles of the world, troubles of the world,
And I soon shall be done with the troubles of the world.
Going home to live with God.

2. My brother's done with the troubles of the world, &c.

3. My sister's done with the troubles of the world, &c."

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ADDENDUM: INFORMATION ABOUT JOHN WESLEY WORK II & JOHN WESLEY WORK III
From https://en.wikipedia.org/wiki/John_Wesley_Work_Jr.
"John Wesley Work Jr. (August 6, 1871 – September 7, 1925) was the first African-American collector of folk songs and spirituals, and also a choral director, educationalist and songwriter. He is now sometimes known as John Wesley Work II, to distinguish him from his son, John Wesley Work III.

Early life
Work was born in Nashville, Tennessee, the son of Samuella and John Wesley Work,[1] who was director of a church choir, some of whose members were also in the original Fisk Jubilee Singers.[2] John Wesley Work Jr. attended Fisk University, where he organised singing groups and studied Latin and history, graduating in 1895. He also studied at Harvard University.

Career
Work then taught in Tullahoma, Tennessee and worked in the library at Fisk University, before taking an appointment as a Latin and history instructor at Fisk in 1904.[2][1]

With his wife and his brother, Frederick Jerome Work, Work began collecting slave songs and spirituals, publishing them as New Jubilee Songs as Sung by the Fisk Jubilee Singers (1901) and New Jubilee Songs and Folk Songs of the American Negro (1907). The latter book included the first publication of "Go Tell It on the Mountain", which he may have had a hand in composing.[2][1] His other songs included "Song of the Warrior", "If Only You Were Here", "Negro Lullaby", and "Negro Love Song". He also established the music publishing company, Work Brothers and Hart.[1]

As the director of the Fisk Jubilee Singers, he was responsible for taking them on tour each year. However, because of negative feelings toward black folk music at Fisk, he was forced to resign his post there in 1923. He then served as president of Roger Williams University in Nashville, until his death in 1925."...

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From https://en.wikipedia.org/wiki/John_Wesley_Work_III
"John Wesley Work III (July 15, 1901 – May 17, 1967) was a composer, educator, choral director, musicologist and scholar of African-American folklore and music.

Biography
He was born on July 15, 1901, in Tullahoma, Tennessee, to a family of professional musicians. His grandfather, John Wesley Work, was a church choir director in Nashville, where he wrote and arranged music for his choirs. Some of his choristers were members of the original Fisk Jubilee Singers. His father, John Wesley Work, Jr., was a singer, folksong collector and professor of music, Latin, and history at Fisk, and his mother, Agnes Haynes Work, was a singer who helped train the Fisk group. His uncle, Frederick Jerome Work, also collected and arranged folksongs, and his brother, Julian, became a professional musician and composer.

Work began his musical training at the Fisk University Laboratory School, moving on to the Fisk High School and then the university, where he received a B.A. degree in 1923. After graduation, he attended the Institute of Musical Art in New York City (now the Juilliard School of Music), where he studied with Gardner Lamson. He returned to Fisk and began teaching in 1927, spending summers in New York studying with Howard Talley and Samuel Gardner. In 1930 he received an M.A. degree from Columbia University with his thesis American Negro Songs and Spirituals. He was awarded two Julius Rosenwald Foundation Fellowships for the years 1931 to 1933 and, using these to take two years leave from Fisk, he obtained a B.Mus. degree from Yale University in 1933.

Work spent the remainder of his career at Fisk, until his retirement in 1966. He served in a variety of positions, notably as a teacher, chairman of the Fisk University Department of Music, and director of the Fisk Jubilee Singers from 1947 until 1956. He published articles in professional journals and dictionaries over a span of more than thirty years. His best known articles were "Plantation Meistersingers" in The Musical Quarterly (Jan. 1940), and "Changing Patterns in Negro Folksongs" in the Journal of American Folklore (Oct. 1940)."...

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This concludes Part I of this two part pancocojams series on "Soon I Will Be Done".

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