Translate

Showing posts with label Gospel. Show all posts
Showing posts with label Gospel. Show all posts

Wednesday, March 27, 2024

The Double Clap (information & examples from Gospel, R&B, & Pop Music)



patel, Feb 19, 2018 [first released in 1976]

****
Edited by Azizi Powell

This pancocojams post presents information about and examples of the double clap that is found in numerous music genres.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.
 
All copyrights remain with their owners.

Thanks to all those who are featured in these videos and thanks to the producers and publishers of these videos on YouTube. Thanks also to all those who are quoted in this post.
-snip-
Click https://pancocojams.blogspot.com/2024/03/the-low-country-clap-also-known-as.html for the closely related pancocojams post entitled "The Double Clap (information & examples from Gospel, R&B, & Pop Music)."

****
INFORMATION ABOUT "THE DOUBLE CLAP" (ALSO KNOWN AS "THE SOUL CLAP") 
Online Excerpt #1
From https://overland.org.au/2019/11/clap-back-pop-musics-love-affair-with-the-double-clap/  "Clap back: pop music’s love affair with the double clap" published by Aimee Knight, 12 November 2019
..."In the 1960s, girl groups and solo starlets began using double claps to evoke the schoolyard sassiness that bubbles in The Angels’ ‘My Boyfriend’s Back’, as well as dance-songs like Little Eva’s ‘The Loco-Motion’ and Shirley Ellis’ ‘The Clapping Song’. The latter, with its pat-a-cake-style instructions, seems deliberately designed to infantilise its 36-year-old singer. Surprising, then, that it only took a few years for the double clap to come of age, thanks to its virulent use in 1970s soul, funk and R&B jams.

From the speculative history of Boney M’s ‘Rasputin’ to the barometric fantasy of ‘It’s Raining Men’ by The Weather Girls, double claps – when performed and recorded by real, live musicians – infused disco’s synthesiser hits with the primal slap of humanity. The snappy flourishes of Kool & the Gang’s ‘Ladies’ Night’ are a dry yet fanciful siren’s call. Meanwhile, the hand claps in George Benson’s ‘Give Me the Night’ reverberate with such fervour that they were surely recorded in a cavernous, abandoned roller-rink. Either way, it’s party time, and everyone’s invited.

[...]

In the 1980s, chart toppers like Madonna’s ‘Holiday’, The Clash’s ‘Rock the Casbah’, and Kim Carnes’ ‘Bette Davis Eyes’ featured digital double claps created on nifty units like the Simmons’ Claptrap. Moreover, care of the era’s predilection for electronic drum machines and gated reverb, double snare hits are often misremembered as double claps, especially when performers flagrantly clapped along in the accompanying music videos. See: Prince in ‘Little Red Corvette’, Hall & Oates in ‘Private Eyes’.

Synthesised and recorded double claps persisted into the nineties, staple to all manner of hip-hop tracks, from the visceral ‘Got Your Money’ by Ol’ Dirty Bastard ft. Kelis, to Will Smith’s fantastically plastic ‘Men in Black’ theme (itself a corporate rework of the aforementioned Patrice Rushen song).

Double claps have pepped up other film and TV themes, too. In 1983, a carefree double clap welcomed folks to Fraggle Rock....

A paean to pop trends and cultural memory, Queen’s chart-topping single 
Radio Ga Ga’ is fuelled by an iconic clap-along hook. Viewers watching the music video today may be surprised to see that singer Freddie Mercury only incites the crowd to clap during the first chorus, but not on subsequent rounds – notable, since the impulse now feels inseparable from the song. When Queen performed it at Live Aid in 1985, some 72,000 people joined in, perhaps resulting in the largest ever en-masse double clap. In fact, crowd shots reveal that many of the London punters didn’t want (or couldn’t tell when) to stop.

Double claps didn’t feed the world that day, and they’ve likely had their finest hour, but they’re powerful and unpredictable contagions, all the same. Someone has to love them."

****
Online Excerpt #2
From https://www.theguardian.com/film/2023/jul/31/double-clap-infectious-disco-rhythm-barbie-kylie "Clap clap! The infectious disco rhythm heard from Barbie to Kylie", published by Hugh Morris, 31 July 2023

The double handclap – most powerfully deployed in Patrice Rushen’s Forget Me Nots – is now a staple of pop thanks to Dua Lipa and more. Its practitioners explain why it’s still so catchy
..."Dua Lipa’s Dance the Night...provides the Barbies’ slick choreography with a gesture that’s very familiar to pop music fans: the disco double clap.

Like the disco string sound, gated reverb or the orchestra stab, it is traceable through generations of pop.

Made up of two quick claps and usually found at the end of a repeating four- or eight-bar phrase, the motif’s musical function is to gather the energy of the bars before it, and release it into the next. But the double clap feels cheeky, silly and faintly magical – the musical equivalent of waving a magic wand with a big shiny star on the end and watching the next phase of the song appear from nowhere.

[…]

Johnson points to Patrice Rushen’s 1982 song Forget Me Nots as the classic double clap track…. A sleeper hit deemed a flop by her label executives, Forget Me Nots earned Rushen a Grammy nomination for best female R&B performer, and the track has been revisited by successive generations: in the late 80s, with the trampoline scene in the Tom Hanks movie Big; the 90s, as the title track of Will Smith’s Men in Black; and the 2020s, in a TikTok dance where participants would freestyle for a few bars before gravitating back to the rhythmic hook. Every generation that revisits the track focuses on the clap, although as Rushen the opening is “actually snap clap – everybody makes this mistake”. (It changes to two claps later on in the track.)

In turn, Rushen points to its presence in Motown and gospel, and in moments such as the intro to Car Wash, originally released by Rose Royce in 1976. The double clap is “part of the legacy and history of American dance music,” she says, “whether you think of the Latin clave, or pop music, all of it leads back to Africa. Its derivatives, where and how it’s placed – in music that’s particularly for the purpose of movement – that’s where you’ll find the double clap used.” Musically speaking, she adds: “It gives a certain kind of rhythmic pull.” The double clap in Forget Me Nots really pops “because it’s in the clear”, fitting especially well within funk’s sparse rhythmic architecture…..

For younger producers reviving the language of previous pop generations but undaunted by – or actively seeking – cliche, there is a new function for the double clap. “It’s almost like a call and response thing” between audiences and performers, says producer Lucy Tun. (She uses a relation of the double-clap motif in the rhythmic stabs on her 2020 track Another Week).”…

****
SHOWCASE VIDEO #1
Rose Royce's hit R&B song "Car Wash" was first released in 1976. This video is found at the top of this post.

****
SHOWCASE VIDEO #2 - EXPLAINED || Hand Clapping: The Rhythm of The Black Church


Black Music Archive, Sep 10, 2023  EXPLAINED || Technique Episodes

The Voice: EXPLAINED is a music education docu-series created by award-winning multi-disciplinary artist Milik Kashad, designed to educate listeners and viewers on the science and history of music and singing in an easy-to-understand and engaging way!

This episode focuses on the rhythms of hand clapping incorporated in traditional Black Gospel music.
-snip-
Also, click https://www.youtube.com/watch?v=4mIPenJXF8Q&t=21s for a YouTube video entitled "I miss double clap church songs". That video shows a young Black man seated in his car singing "old school" Gospel songs.  

****
SHOWCASE VIDEO #3-The Double Clap!!



Redinex, Nov. 28, 2021
-snip-
Here are a few comments from this short video's discussion thread with numbers added for referencing purposes only) 
1. @shawtyblackatl, 2022
"Baby…… if you from the lowcountry of South Carolina this is how we get down"

**
Reply
2. @donjuan1942, 2022
"I knew this was South Carolina this the upstate churchin too especially off in the backwoods  this got me missing home"

**
Reply
3. @talvistunechi8873, 2022
"North Carolina too"

**
Reply
4. @cedfri, 2023
"We grew double clapping and foot stomping in Mississippi, common in the south"

****
SHOWCASE VIDEO #4 -Eddie Floyd Performs "Knock On Wood" at In Performance at the White House: Memphis Soul accompanied by the White House band.

infomisa, Aug 26, 2013

Eddie Floyd Performs "Knock On Wood" at In Performance at the White House: Memphis Soul accompanied by the White House band.
 -snip-
Notice at 1:37 to around 1:51 in that video Eddy Floyd says "Everybody put your hands together. Gimme a little soul clap". On those words the former President Obama, his wife Michelle, his daughters, and the rest of the audience do a fast double clap.

****
SHOWCASE VIDEO #5 - Patrice Rushen - Forget Me Nots (Official Video)



Strut Records,  July 11, 2019 [This R&B record was first released 1982]

****
SHOWCASE VIDEO #6 - Fraggle Rock | Opening Theme | The Jim Henson Company


The Jim Henson Company, Apr 22, 2013  #FraggleRock #JimHenson

Fraggle Rock opening title sequence.

The Jim Henson Company has remained an established leader in family entertainment for over 50 years and is recognized worldwide as an innovator in puppetry, animatronics and digital animation. This channel features popular children's shows including Fraggle Rock, Pajanimals, Dinosaur Train, Sid the Science Kid and more!

****
SHOWCASE VIDEO #7 - Barbie - Dance The Night Scene | HD


Soundtrackfind, Sep 12, 2023

Barbie Dance The Night scene full HD dance scene. Song by Dua Lipa. Best movie in the 2023. All rights goes to Warner.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Thursday, October 10, 2013

Elder Curry - Memphis Flu (lyrics & comments)

Edited by Azizi Powell

This pancocojams post showcases the 1930 song "Memphis Flu" by Elder Curry, Elder Charles Beck, and Jo Ann Williams.

General information about the 1929 influenza epidemic is included in this post.

The content of this post is presented for historical, religious, and aesthetic purposes.

All copyrights remain with their owners

Thanks to the singers of this song and thanks to the publisher of this sound file on YouTube.

****
INFORMATION ABOUT THE 1929 INFLUENZA EPIDEMIC & THE SONG "MEMPHIS FLU"
Paraphrased from http://www.earlygospel.com/eg-singers-c.htm
This Gospel recording was performed by Elder Curry (guitar),
Elder Charles Beck (piano), and Jo Ann Williams & congregation (vocals). Recorded in December 16 & 18th 1930, the lyrics describe the influenza epidemic that spread through Memphis Tennesee in the years following the first World War & killed some 700,000 Americans.

"Memphis Flu" is sometimes considered to be the first Rock & Roll record ever recorded."
-snip-
According to that earlygospel article, both Elder Curry and Elder Beck were members of the Church Of God In Christ, a Christian denomination whose name is often informally given now COGIC. http://en.wikipedia.org/wiki/Elder_(Christianity)#Churches_of_Christ indicates that "In the Church of God in Christ, an elder is an ordained clergy person. This person may serve as a pastor or assistant pastor. Also, if the pastor or bishop finds them worthy, after a few years of being their assistant, the pastor (or bishop) will allow them to be the pastor of their own church and leader of their own congregation."
-snip-
Here's a comment about the 1929 Influenza epidemic that was posted by Bob the Postman, May 14, 2007 in http://mudcat.org/thread.cfm?threadid=101524 "Lyr Req: Memphis Flu (Elder Curry):
..."the flu season of 1929 was the worst since 1919. The 1929 epidemic killed one out of every 200 cases; the 1919 epidemic killed 3 out of every 200 cases. Death rates were much higher in some districts, particularly the southern part of the Mississippi/Missouri watershed where Memphis is located."
-snip-
That same Mudcat post also has very similar lyrics to those found below of the original recording by Elder Curry. Those 1939 lyrics were sung by Ace Johnson, Clemens state farm, Brazoria, Texas, April 16, 1939. ["state farm" - state prison]

****
SHOWCASE EXAMPLE: Elder Curry - Memphis Flu

https://www.youtube.com/watch?v=mp5kY8RoCCA&ab_channel=blindleroygarnett

Blind Leroy Garnett, May 13, 2010

The real roots of rock & roll!?
-snip-

LYRICS: MEMPHIS "FLU"

[The lyrics below are from sub-titles in the sound file which was originally featured in this post but is no longer available.]

Nineteen Hundred and twenty nine
men and woman are sure are dying
From a drug many doctors called the flu.
People died everywhere in Memphis
creeping through the air
What’s become of the big USA

It is God's mighty hand
He is judging this old land
North and South
East and West can be seen.
Yes, He killed the rich and He killed the poor
And He is going to kill more!
If you won’t turn away from your shame!

On the land and on the sea
Doctors said soon would be,
A few days Influenza will be controlled
But God showed He was head
When he sent the doctors to bed
And the nurses broke down with the same.

It is God's mighty hand
He is judging this old land
North and South
East and West can be seen.
Yes, He killed the rich and He killed the poor
And He is going to kill more!
If you won’t turn away from your shame!
Influenza is a disease
Making weak in your knees
Terrible fever everybody
do do dread!
Putting a pain in your bones
A few days you are gone
To a place in the ground called the grave

It is God's mighty hand
He is judging this old land
North and South
East and West can be seen.
Yes, He killed the rich and He killed the poor
And He is going to kill more!
If you won’t turn away from your shame!

****
Thanks to Elder Curry, Elder Charles Beck, and Jo Ann Williams for their musical legacy. Thanks also to those who are quoted in this post and thanks to the publishers of these examples on YouTube.

Thank you for visiting pancocojams.

Visitor comments are welcome.

Sunday, March 31, 2013

He 'Rose (Spiritual Examples & Lyrics)

Edited by Azizi Powell

This post presents three examples of and lyrics to the African American Spiritual "He 'Rose".

The content of this post is presented for religious and aesthetic purposes.

All copyrights remain with their owners.

Editor's note:
The African American Spiritual "He 'Rose" is a standard Easter church song that is sung by many young African American children because of its simple, repeating lyrics. This is the first song that I remember singing as part of a young children's "choir" when I was about five or six years old. My sisters & I and other members of that group sang "He 'Rose in front of the church congregation on Easter Sunday in a very similar manner as that shown in Video #. However, in contrast to the rendition performed in that video, I distinctly remember singing "He 'Rose" and not "He Arose". It was some time until I realized that the word "'rose" was a shortened form of the word "arose" (as in Christ has arisen from the dead). Furthermore, I don't recall singing verse #2 of that song as given in the Lyrics section below.
-snip-
"He 'rose" = He arose.

****
LYRICS TO "HE 'ROSE"

Chorus:
He ‘rose. (He ‘rose.) He ‘rose. (He ‘rose.)
He ‘rose from the dead.
He ‘rose. (He ‘rose.) He ‘rose. (He ‘rose.)
He ‘rose from the dead.
He ‘rose. (He ‘rose.) He ‘rose. (He ‘rose.)
He ‘rose from the dead,
And the Lord shall bear my spirit home.

Verse 1
They crucified my Savior and nailed Him to the cross.
They crucified my Savior and nailed Him to the cross.
They crucified my Savior and nailed Him to the cross,
And the Lord will bear my spirit home.

Verse 2
And Joseph begged His body and laid it in the tomb.
And Joseph begged His body and laid it in the tomb.
And Joseph begged His body and laid it in the tomb,
And the Lord will bear my spirit home.

Chorus

Verse 3
Sister Mary, she came running, a-looking for my Lord.
Sister Mary, she came running, a-looking for my Lord.
Sister Mary, she came running, a-looking for my Lord,
And the Lord will bear my spirit home.

Verse 4
An angel came from heaven and rolled the stone away.
An angel came from heaven and rolled the stone away.
An angel came from heaven and rolled the stone away,
And the Lord will bear my spirit home.

Chorus (END)
-snip-
http://home.comcast.net/~cabernethy/Lyrics/HeArose1.htm
-snip-
Other lyrics for "He 'Rose" are found after the Blind Lemon Jefferson sound file which is given as Example #1 of this song.

****
FEATURED EXAMPLES OF "HE 'ROSE"VIDEOS
(These videos are presented in chronological order based on the date of their YouTube posting, with the oldest dated videos posted first.)

Example #1: blind lemon jefferson he arose from the dead



commarx, Uploaded on Apr 12, 2007
from black snake blues [sound file recorded in 1927]
-snip-
Here is the lyrics as sung by the highly regarded Bluesman, Blind Lemon Jefferson:

He rose, He rose from the dead [3x]
And the Lord shall bear my spirit home.

One angel came from heaven
and rolled away his tomb
[repeat both these lines 3x]
And de Lord shall bear my spirit home.

Chorus

Oh tella my disciples,
Meet me in Galilee
[repeat both these lines 3x]
And the Lord shall bear my spirit home.

Chorus

Oh tella my disciples,
Go feed me tender lambs
[repeat both these lines 3x]
And the Lord shall bear my spirit home.

Chorus

One angel came from heaven etc

Chorus

****
Example #2: He Arose

.

trityl11, Uploaded on Mar 26, 2008

He Arose from the Dead

****
Example #3: He Arose-New Hope Mass Choir/Bishop Scott



REALBMcCoyShow, Uploaded on May 20, 2008


My church choir, New Hope Baptist Church Mass Choir (BIRMINGHAM, ALABAMA)... From BISHOP L. SCOTT Hymns & Church Songs; Live from Alabama album. Belinda George-Peoples, lead. Produced by Prince Yelder. Arrangement by Lawerence Sneed.

-snip-
This is a gospelized arrangement of the African American Spiritual.
****

RELATED LINK
Here's a sound file to the Gospel song "He Rose" by
Youthful Praise feat. Kerry Brown: http://www.youtube.com/watch?v=0vTFrS2b77M

****
ACKNOWLEDGEMENT AND THANKS
Thanks to the unknown composer/s of this song, and thanks to the vocalists and musicians who are featured in this sound file and these videos. My thanks also to the producers of and publishers of this sound file and these videos.

Thanks for visiting pancocojams.

Visitor comments are welcome.

Tuesday, February 12, 2013

Donald Byrd - Cristo Rendito & Black Byrd (sound files, reviews, information)

Edited by Azizi Powell

This post showcases the Jazz-Gospel track "Cristo Rendito" which is featured in Donald Byrd's 1963 album "A New Perspective". This post also showcases the Jazz composition "Black Byrd" that is featured in Donald Byrd's 1973 album of that name.

The content of this post is presented for historical, inspirational, and aesthetic purposes.

All copyrights remain with their owners.

INFORMATION ABOUT DONALD BYRD
From http://en.wikipedia.org/wiki/Donald_Byrd
"Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013)[1] was an American jazz and rhythm and blues trumpeter"....
-snip-
Click http://en.wikipedia.org/wiki/Toussaint_Louverture for information about the leader of the Haitian Revolution who was Donald Byrd's namesake
-snip-
From http://www.allmusic.com/artist/donald-byrd-mn0000149946
"Donald Byrd was considered one of the finest hard bop trumpeters of the post-Clifford Brown era. He recorded prolifically as both a leader and sideman from the mid-'50s into the mid-'60s, most often for Blue Note, where he established a reputation as a solid stylist with a clean tone, clear articulation, and a knack for melodicism. Toward the end of the '60s, Byrd became fascinated with Miles Davis' move into fusion, and started recording his own forays into the field. In the early '70s, with the help of brothers Larry and Fonce Mizell, Byrd perfected a bright, breezy, commercially potent take on fusion that was distinct from Davis, incorporating tighter arrangements and more of a smooth soul influence. Opinions on this phase of Byrd's career diverge wildly -- jazz purists utterly despised it, branding Byrd a sellout and the records a betrayal of talent, but enraptured jazz-funk fans regard it as some of the most innovative, enduring work of its kind. In fact, proportionately speaking, Byrd was held in even higher esteem by that audience than by straight-ahead jazz fans who enjoyed his hard bop output.

Donaldson Toussaint L'Ouverture Byrd II was born in Detroit, Michigan, on December 9, 1932. His father, a Methodist minister, was an amateur musician, and Byrd was already an accomplished trumpeter by the time he finished high school, having performed with Lionel Hampton. Byrd served a stint in the Air Force, during which time he played in a military band, and subsequently completed his bachelor's degree in music at Wayne State University in 1954. He moved to New York in 1955 to get his master's at the Manhattan School of Music, and soon began performing with pianist George Wallington's group. In December of that year, he was invited to join Art Blakey's Jazz Messengers, filling a chair once held by his idol, Clifford Brown, and Kenny Dorham. Byrd also began his recording career during this period, leading several sessions (mostly for Savoy) and working often as a sideman, particularly at the Prestige label. He left the Jazz Messengers in 1956 and joined up with Max Roach; he went on to play with the likes of John Coltrane, Sonny Rollins, and Red Garland, and also co-founded the Jazz Lab Quintet with altoist Gigi Gryce in 1957".
-snip-
Continue reading the biography of this great Jazz trumpeter & composer on the page whose link is given above.

FEATURED SOUND FILE - CRISTO RENDITO

Donald Byrd - Cristo Redentor


bystandersmusic, Uploaded on Dec 10, 2007
-snip-
Donald Byrd's biography is also included in the summary of that sound file at http://www.youtube.com/watch?v=w2KvM2T40RQ
-snip-
INFORMATION ABOUT CRISTO RENDITO
"Cristo Rendito" is Portuguese for "Christ the Redeemer". This Jazz-Gospel track was composed by "Duke" Pearson, Jr and is included in Donald Byrd's 1963 album "A New Perspective". "Christo Rendito" was inspired by the statue of Jesus that has that name in Rio de Janeiro, Brazil. Click http://en.wikipedia.org/wiki/Cristo_Redentor_(statue) for information about that famous statue.
-snip-
From http://en.wikipedia.org/wiki/Duke_Pearsonhttp://en.wikipedia.org/wiki/Duke_Pearson
"Columbus Calvin "Duke" Pearson, Jr (Atlanta, Georgia, August 17, 1932 – Atlanta, August 4, 1980) was an American jazz pianist and composer. Allmusic notes him as being a "big part in shaping the Blue Note label's hard bop direction in the 1960s as a producer."[1]...

On the 1963 [Donald] Byrd album A New Perspective, Pearson arranged four tracks, including "Cristo Redentor", which became a big hit. The song, Pearson later commented, was inspired by a trip he took to Brazil while touring with [Nancy] Wilson.

****
From http://en.wikipedia.org/wiki/A_New_Perspective
"A New Perspective is a 1963 album by jazz trumpeter Donald Byrd released on the Blue Note label as BLP 4124 and BST 84124. The performances are mainly in a hard bop style, but the recording also features a gospel choir.

About the project, Byrd said: "I mean this album seriously. Because of my own background, I've always wanted to write an entire album of spiritual-like pieces. The most accurate way I can describe what we were all trying to do is that this is a modern hymnal. In an earlier period, the New Orleans jazzmen would often play religious music for exactly what it was - but with their own jazz textures and techniques added. Now, as modern jazzmen, we're also approaching this tradition with respect and great pleasure."[2]"...

****
FEATURED SOUND FILE - BLACK BYRD

Donald Byrd - Black Byrd



aquarianrealm, Uploaded on Aug 13, 2011

"Review by Steve Huey: Purists howled with indignation when Donald Byrd released Black Byrd, a full-fledged foray into R&B that erupted into a popular phenomenon. Byrd was branded a sellout and a traitor to his hard bop credentials, especially after Black Byrd became the biggest-selling album in Blue Note history. What the elitists missed, though, was that Black Byrd was the moment when Byrd's brand of fusion finally stepped out from under the shadow of his chief influence, Miles Davis, and found a distinctive voice of its own. Never before had a jazz musician embraced the celebratory sound and style of contemporary funk as fully as Byrd did here -- not even Davis, whose dark, chaotic jungle-funk stood in sharp contrast to the bright, breezy, danceable music on Black Byrd. Byrd gives free rein to producer/arranger/composer Larry Mizell, who crafts a series of tightly focused, melodic pieces often indebted to the lengthier orchestrations of Isaac Hayes and Curtis Mayfield. They're built on the most straightforward funk rhythms Byrd had yet tackled, and if the structures aren't as loose or complex as his earlier fusion material...

Byrd's solos are mostly melodic and in-the-pocket, but that allows the funk to take center stage. Sure, maybe the electric piano, sound effects, and Roger Glenn's ubiquitous flute date the music somewhat, but that's really part of its charm. Black Byrd was state-of-the-art for its time, and it set a new standard for all future jazz/R&B/funk fusions -- of which there were many. Byrd would continue to refine this sound on equally essential albums like Street Lady and the fantastic Places and Spaces, but Black Byrd stands as his groundbreaking signature statement."

-snip-

ANOTHER REVIEW OF "BLACK BYRD"
"From http://www.amazon.com/Blackbyrd-Donald-Byrd/dp/B000005HDT
"Dr. Donald Byrd's deeply rooted jazz background never stopped him from constantly pushing jazz forward, opening the minds of his listeners in the process. Produced by Larry Mizell in 1973, Black Byrd is filled with beautiful music that captures his passion for sound. The sophisticated, uptempo instrumentals are funky and danceable, but also extremely smooth. Byrd's impeccable trumpet meshes perfectly with the African-influenced beats and rhythms. Jazz purists may want to look into earlier Blue Note recordings such as Royal Flush and Byrd in Flight." --Shane Hunt

****
ACKNOWLEDGEMENT AND THANKS
Thanks to Donald Byrd for his music legacies. RIP. RIP also to Duke Pearson Jr for his musical legacy.

Thanks also to all of the musicians and vocalists in these featured sound files. My thanks also to the authors of the articles that are quoted in this post, and the uploaders of these featured sound files.

Also, thank you for visiting pancocojams.

Viewer comments are welcome.

Wednesday, December 19, 2012

Examples of "Oh What A Pretty Little Baby" (with lyrics)

Edited by Azizi Powell

This post showcases various arrangements & lyrics for the African American Christmas Gospel song "Oh What A Pretty Little Baby".

The content of this post is presented for historical, religious, and aesthetic purposes.

All copyrights remain with their owners.

****
WHO WAS THE ORIGINAL COMPOSER OF "OH WHAT A PRETTY LITTLE BABY"?
The earliest recording date & the first recording artist that I've found for "Oh What A Pretty Little Baby" is "Rev. James Cleveland & Choir (1968). Maybe Rev. Cleveland is the original composer of that song. Or perhaps Rev. Cleveland, Rev. Timothy Wright, and other lyricists & arrangers "gospelized" a Spiritual that was composed by someone who will forever be unknown. If so, "Oh What A Pretty Little Baby" is a "gospelized Spiritual". By "gospelized", I mean a song whose tempo, arrangement, and possibly also the words are modified to conform with an African American Gospel music style.

If any readers have information about the origins of "Oh What A Pretty Little Baby", please share them with me and visitors of this blog by writing a comment or contacting me at cocojams17@yahoo.com. Thanks in advance!

SOUND FILE & LYRICS: OH WHAT A PRETTY LITTLE BABY
Example #1: "Pretty Little Baby" (1968)- James Cleveland, Cleveland Singers, Angelic Choir



JayEm86, Uploaded on Nov 30, 2008

Rev. Cleveland with both the Cleveland Singers and the Angelic Choir.
**
Lyrics: What A Pretty Little Baby
(as sung by Rev. James Cleveland & Choir)

What a pretty little baby
Pretty little baby
Born in a manger
Oh what, a pretty little baby
Jesus is His name

And the government shall be upon His shoulder
Be upon his shoulder
And his name shall be Wonderful
Oh what, a pretty little baby
Jesus is His name

Oh, oh, oh, come let us adore Him
Come let us adore Him
Born the King of angels
Oh what, a pretty little baby
Jesus is his name

Jesus, (Hallelujah)Jesus, (Hallelujah) Jesus
Jesus, (Hallelujah Hallelujah Hallelujah, Ha-lle-lu-jah)

Oh what a pretty little baby
Jesus is His name
Name (Hallelujah), Name (Hallelujah) Hallelujah, Ha-lle-lu-jah)

Oh what a pretty little baby
Jesus is His name

http://www.elyrics.net/read/j/james-cleveland-lyrics/pretty-little-baby-lyrics.html ; these lyrics are submitted by kaan

****
Example #2: Luther Barnes & RBGC-Oh What A Pretty Little Baby



StyleNManm, Uploaded on Apr 5, 2010

Soloist Luther Barnes.
-snip-
Recording date 1989

Lyrics: Oh What A Pretty Little Baby
(as sung by Luther Barnes & Red Budd Gospel Choir)*

Chorus
Oh what a pretty little baby,
a pretty little baby born in a manger.
Oh what a pretty little baby,
(Jesus is, Jesus is His name).

[repeat]

Verse #1: Soloist
Jesus is the sweetest name I know
That's why I love Him so
And I'll praise Him for what He's done for me.
And I'm gonna take Him everywhere I go.

Chorus

Verse #2: Soloist
He's the one who came to set me free.
He's the one that I adore.
No greater love than the love He gives to me
And I'm gonna praise Him more and more.

Chorus

Vamp

Soloist: Listen! Tell me who was that little boy
who was born in Bethleham -
What was His name?
Choir: Jesus!
Soloist: A Savior that was born to help the humble man [?]
What was His name?
Choir: Jesus!
Soloist: Here's what He did. Well He healed the sick and He raised the dead.
All of the souls He fed
Who did it, y'all?
Choir: Jesus!
Soloist: Then He did on the cross so that
sin could rein no more. [?]
What was His name, y'all?
Choir: Jesus!
Soloist: Gimme a J!
Choir: J!
Soloist: Gimme a E!
Choir: E!
Soloist: Gimme a S!
Choir: S!
Soloist: Gimme a U!
Choir: U!
Soloist: Gimme another S!
Choir: S!
Soloist: What was His name?
Choir: Jesus!
Soloist: What was His name?
Choir: Jesus!
Soloist: [?]
Choir: Jesus!
Soloist: Who can set me free?
Choir: Jesus!
[ends with additional call & response in the same pattern]
-snip-
*These lyrics are transcribed by Azizi Powell from the sound file with just the basic words and not the soloist's/choir's call & response. The question mark in brackets indicates that I'm not sure about the accuracy of that transcription. Additions and corrections are welcome.

***
Example #3 - Timothy Wright-Oh What A Pretty Little Baby



StyleNMan,Uploaded on Oct 18, 2010

Great classic throwdown by The Late Reverend Timothy Wright
-snip-
Recording date - 1993
**
Lyrics: Oh What A Pretty Little Baby
(as arranged by Timothy Wright)

Verse 1
Oh what a pretty little baby,
a pretty little baby born in a manger.
Oh what a pretty little baby,
(Jesus, Jesus, Jesus is His name).

Verse 2
Come let, come let us adore Him,
come let us adore Him, born the King of angels,
come let, come let us adore Him,
(Jesus, Jesus, Jesus is His name).

Vamp
Hallelujah, hallelujah,
hallelujah, hallelujah

http://www.lyrics007.com/Timothy%20Wright%20Lyrics/Oh%20What%20A%20Pretty%20Little%20Baby%20Lyrics.html

****
Example #4: Mississippi Mass Choir - Oh What A Pretty Little Baby



TjmMinistries,
-snip-
*The title of this video credits this rendition to the Geogia Mass Choir. However, two commenters indicated that the choir singing is actually the Mississippi Mass Choir.

The choir's rendition of this song is based on Rev. Timothy Wright's arrangement. I don't know the recording date for this performance.

****
Lorraine & Laurel-Oh What A Pretty Little Baby



abolts2020, Uploaded on Dec 23, 2010

Lyrics: Oh What A Pretty Little Baby
(as sung by Lorraine & Laurel and church choir)*
Verse #1
Soloist #1: Oh what a pretty little baby,
a pretty little baby born in a manger.
Oh what a pretty little baby,
Choir - Jesus
Soloist: Talkin 'bout
Choir - Jesus
Soloists & Choir - Jesus is His name.

[repeat]

Verse #2
Soloist #2: Come let's, come let us adore Him.
Come let us adore Him.
Born in a manger.
Come let's, come let us adore Him.
Choir: Jesus!
Soloist #2: What's His name?
Choir: Jesus!
Soloists & Choir: Jesus is His name.

[repeat]

Vamp
Hallelujah, hallelujah,
hallelujah, hallelujah

*The choir's rendition of this song is based on Rev. Timothy Wright's arrangement. These lyrics are transcribed by Azizi Powell from the sound file. The last names of the soloist, this church's name, and the date of this performance weren't given. If anyone has that information, please share it by posting a comment or emailing me at cocojams17@yahoo.com. Thanks!

ACKNOWLEDGEMENT AND THANKS
Thanks to the composer, arrangers, and performers of this song. Also, thanks to those who transcribed this song, and those who uploaded the sound files & videos that are featured in this post.

Finally, thank you for visiting pancocojams.

Viewer comments are welcome.

Sunday, January 1, 2012

Telephone Central Songs From Gospel & Blues Traditions

Edited by Azizi Powell

Once upon a time there were no cordless phones, and no cell phones. And if people wanted to talk to anyone else over the telephone they had to call the operator to connect them. The operator's number was called "Central" or "The Mainline".

For more information about the history of telephones, visit http://www.historiayleyenda.com/old_wires/telegraph_and_telephone4.htm

Here's a version of the lyrics and a YouTube sound file of one song from African American Gospel tradition which refers to being "on the Mainline".

Note that this transcription of "Jesus Is On The Mainline" is from the video that is embedded below. This transcription is given without the addition of interjections such as "Oh!" and "Ah!". This transcription is also given without repeated verses. In the Gospel tradition, songs are open ended, meaning other verses using the same pattern can be added or substitute for verses besides the core [first] verse. Also, some verses, particularly the core verse may be and usually are repeated. As is the case with this song, the rendition usually ends with the core verse.

"Jesus Is On The Mainline" - Willie Neal Johnson & The Gospel Keynotes



malacomg, Uploaded on Jan 28, 2011

"Jesus Is On The Mainline" - Willie Neal Johnson & The Gospel Keynotes

JESUS IS ON THE MAINLINE
[unknown composer/s]

Jesus [is] on the mainline.
tell Him what you want.
Jesus [is] on the mainline.
tell Him what you want.
Jesus[is] on the mainline.
tell Him what you want.
Call Him up and tell Him what you want.

The line is never busy.
Tell Him what you want.
The line is never busy
Tell Him what you want.
The line is never busy.
Tell Him what you want.
Call Him up and tell Him what you want.

If you want to live right.
Tell Him what you want.
If you want to live right.
Tell Him what you want.
If you want to live right.
Tell Him what you want.
Call Him up and tell Him what you want.

If you sick and can’t get well.
Tell Him what you want.
If you sick and can’t get well.
Tell Him what you want.
If you sick and can’t get well.
Tell Him what you want.
Call Him up and tell him what you want.

He will come in a hurry.
Tell Him what you want.
He will come in a hurry.
Tell Him what you want.
He will come in a hurry
Tell Him what you want.
Call Him up and tell him what you want.

Jesus [is] on the mainline.
tell Him what you want.
Jesus [is] on the mainline.
tell Him what you want.
Jesus[is] on the mainline.
tell Him what you want.
Call Him up and tell Him what you want.

-snip-

Here's another version of "Jesus Is On The Mainline":
Pastor Jackson Sings "Jesus Is On The Mainline"



Uploaded by ldyjcj2 on Dec 5, 2008

Pastor Jerome Jackson singing before sermon
This church is located at:
2801 State Street in East St. Louis, IL

Lyrics:
Jesus is on the Mainline, tell him what you want.
Jesus is on the Mainline, tell him what you want.
Jesus is on the Mainline, tell him what you want.
You just call Him up and tell Him what you want.

Additional versions:
If you want your sins forgiven...
If you want the Holy Ghost...
If you want more power...
Why don't you call Him, call Him...
If you sick and you can't get well

-snip-
Click
http://pancocojams.blogspot.com/2012/06/rev-timothy-flemming-jesus-is-on.html
for a rendition of "Jesus Is On The Mainline" by Rev. Timothy Flemming.

For additional versions of "Jesus Is On The Mainline", including the one sung by Bluesman Mississippi Fred McDowell, click http://mudcat.org/thread.cfm?threadid=50343

A blogger on that site indicates that the earliest documentation of this song was from African Americans in 1937.

-snip-

Here's a version of the lyrics and a YouTube sound file of one song from African American Blues tradition which refer to calling "Central":

Lightnin' Hopkins - "Give Me 209 (Hello Central)"



3006khz, Uploaded on Nov 9, 2010

GIVE ME 209 (HELLO CENTRAL)
[Lightnin' Hopkins]

Hello Central, Please give me 209.
Hello hello Central, will you please give me 209.
Yes, you know I wanna talk to my baby.
Woh Lord and she’s way down the line.

Seem like the buses done stop runnin.
And the trains don’t ‘llow me to ride no mor’.
Seem like the buses done stop runnin.
Train don’t ‘llow me to ride no mor’.
Ticket agent said my ticket played out.
He’ll see that I don’t ride for sure.

I turned around from the telephone.
went walkin straight back home.
Mmmmm-mmm turned around from the telephone.
I went walkin straight back home.
I was praying in my heart.
askin Jesus “Oh Lord now
what wrong have I done.”

-snip-
According to http://www.allmusic.com/album/hello-central-the-best-of-lightnin-hopkins-r692126, Lightnin Hopkins first recorded "Hello Central" was in either 1950 or 1951.

Click http://en.wikipedia.org/wiki/Lightnin'_Hopkins for information about Lightnin Hopkins.

****
RELATED LINK
http://pancocojams.blogspot.com/2012/06/rev-timothy-flemming-jesus-is-on.html Rev. Timothy Flemming - Jesus Is On The Mainline (Video, Lyrics, & Introduction Transcription)

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Sunday, November 6, 2011

Marching For Jesus - Black Church Processions Part II

Edited by Azizi Powell

Sunday Morning Baptist Church Choir Processional



Uploaded by tdavidray on Aug 20, 2008

****
This is Part II of a four part post on Black Church Processions. Part II features videos of African American & Canadian church processionals at the beginning of the worship service and during the church offering portion of the service.

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-black-church.html for Part 1 of this series (Commentary about Black church processionals).

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-church-ushers-nurses.html for Part III of this series (Processional of Church nurses, ushers, and other church groups).

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-black-church_6.html for Part IV of this series (African church processionals).

These videos are showcased for their historical, sociological, aesthetic, and/or spiritual values. I selected these particular videos because they appealed to me and/or because I consider them to be representative of a certain style of Black processional.

PART II - FEATURED VIDEOS
[These videos are posted in no particular order.]

Video #1: Sunday Morning Baptist Church Choir Processional

This video is found at the top of this page.

Here's the video uploader's comment:
"A traditional baptist church standard: the choir procession. This is the Second Free Mission Baptist Church Mass Choir in 1994 in New Orleans, LA."

****
Video #2: Friendship AME Church Choir Processional -"Have Your Way, Lord"



ACTS27 | June 08, 2009

"This church is located in Columbia, SC (South Carolina) . Check out our webpage @ http://friendshipamecolumbia.org

****
Video #3: It's Time" CBC Male Choir


uploaded by Grebon007 on Jul 8, 2007

The Cornerstone Baptist Church male choir of Williamston,North Carolina marching in for service.

****
Video #4: Choir Entrance



Uploaded by garyholmz on Oct 9, 2007

Price AME 60th Anniversary Service

-snip-
Editor: "AME" = African Methodist Episcopal. I'm not sure where this church is located.
Here are two comments from that YouTube video's viewer comment thread:

they dont do it like this anymore! Go yawl!!!! I love it!
-CrazEPraze; 2008
**
I agree.I was just thinking about how it's changed ALOT!!. I haven't seen this in megachurches either. I'm sure that there are some churches that still keeping it going!
-destined4mo; 2008

****
Video #5: FUTC Mass Choir Marching



Uploaded by futc425 on Jan 20, 2008

FUTC Mass Choir marching for Offering. The choir is well known for their march!

-snip-
Editor: This Apostolic church is the First United Tabernacle of Jesus Christ in Orange, New Jersey

****
Video #6: FUTC Mass Choir Marching (part 2)



Uploaded by futc425 on Jan 20, 2008

The FUTC Mass Choir marching during offering. The choir is well known for their march.
-snip-
Editor: Here's a link to the third video in this series in which the choir sings the same song that they have marched to: http://www.youtube.com/watch?v=Y3GRmVhJM3s&feature=related

****
Video #7: Offering time @ Abiezer (View the choir in action) [Canada]



Uploaded by 1baw2009 on Apr 13, 2009

Abiezer Pentecostal Church: 96 Milvan Drive Toronto, Canada--It's offering time @ Abiezer (This is how we do it every Sunday.)
-snip-
Editor:
Note that several viewers on this video's viewer comment thread indicated that this is the way that their apostolic church choirs in Jamaica marched for offerings. One viewer also mentioned that this is also the way her choir in England marched for the offering and another viewer wrote that this is the way choirs sing and march in Africa:

...This reminds me sooooooo much of old time church in Jamaica. I miss that sound and the choir marching in. The anointing that used to proceed the marching of the choir was phenomenal.
-Jamaicanchocolate34; 2011
**
The choir marches very similar to Bishop Allison's church in Jamaica (Oakland Road) - love it
-yetp; 2010
**
"I need words." PLEASE This is awesome! They dance like this is Africa when they give. Maybe if we do this in our Church the people will look forward to giving time.
csneed02; 2010
**
Now this is what u call chrch. I grew up in Bethal Apostolic dis brings bak memories
-Pitb0l ; 2009
**
Bethel Apostolic in Jamaica,if so,which branch??
-MsRae19; 2009
**
No in England Bishop Dunns church
-Pitb0l; 2009

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Marching For Jesus - Black Church Processions Part I

Edited by Azizi Powell

Latest revision: September 10, 2024

This is Part I of a four part post on Black church processions. This post provides general information about this tradition in the United States.

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-black-church_84.html for Part II of this series (African American & Canadian beginning church service processionals and during offerings).

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-church-ushers-nurses.html for Part III of this series (Processional of Church nurses, ushers, and other church groups).

Click http://pancocojams.blogspot.com/2011/11/marching-for-jesus-black-church_6.html for Part IV of this series (African church processionals).

Brief editorial comments, and a few video viewers' comments are included in each of these posts.

This series is not meant to be a comprehensive overview of Black Church Processions. This series is also not meant to imply that processions aren't a practice in the church services of other races and ethnicities.

****
PART I - COMMENTS ABOUT BLACK CHURCH PROCESSIONALS

Marching into the church sanctuary is an old tradition among African Americans and some other Black people. However, judging from my experiences, and the comments that have been added to a number YouTube videos on this subject, church processions are viewed as an "old school" tradition that is done by fewer and fewer Black churches, partly because some churches have replaced formal choirs with praise & worship groups, partly because some churches consider processions to be irreligious, or for other reasons.

A number of persons commenting on discussion threads of YouTube videos of Black church note that processions help set the tone of the worship service. Processions add energy to the service. They are a way to praise God and "make a joyful noise to the Lord".

Marching for Jesus adds to the dramatic nature of religious worship. Group marches also adds to the drama-and the entertaiment of celebratory group events such as anniversaries and conventions. Choir marches into the church's santuary mark the beginning of church service. Processions of choirs, ushers, nurses, or other groups that march into their anniversary program or their convention events enhance the celebratory nature of those programs & events. But processions are more than ways for groups to make a grand entrance. Processions signify that the service or program is special, since processions are outside the norm of everyday occurrences.

Traditionally, during church services, members of the congregation who are able to stand do so to welcome the procession of choirs. The congregation stands in acknowledgement of and out of respect for the choirs' responsibility to help bring forth manifestations of the Holy Spirit through their spirited singing. That is a religious reason for processions. But choirs marching at the beginning of church services, and marching during the offering portion of church services also add to the enjoyment of the church service. Furthermore, I think that it's no coincidence that some Black churches have the tradition, choirs march down from their choir stands to give their offering (money to the church). In many Black churches at least one offerings occurs immediately before the minister's sermon. Knowing that the choir is going to march to an up tempo song helps gets the congregation "hyped" and further sets the stage for a spirit filled sermon. Getting the audience hyped (excited) is also part of the reason for marches of ushers, nurses, and other church groups during those group's anniversary programs and conventions. The celebratory, special occasion nature of those events is sometimes reflected in the fancier attire and the corsages that group members wear to those events. And the celebratory, special occasion nature of those anniversary/convention marches is evidenced by the audience holding up their cameras to take photos & videos, and giving verbal shout outs to the group or its individual members -neither actions are usually done during formal church services.

Along with other leadership positions in the church (ministers, elders, bishops, deacons, trustees; church clerk/secretary), being a member of church choirs, usher boards, nurses guilds, and other church groups, and especially being an officer of these groups confers status within that church and within the community. Status giving positions are particularly important to Black people because of the low status that we have had and largely continue to have in our employment, and in other aspects of our lives as judged by mainstream society.

Black processionals as performed by church choirs, ushers, nurses, and other church groups combine elements of drum major parades, military drill teams, step team, and - dare I say it? - secular dance movements. These marches are done for the glory of God and, for reasons I have articulated, also for the glory of the group, and its individual members. However, I think that the reason why so many people, including me, love to experience these Black church processions is that they are the embodiment of much of the music and movement aesthetics that we love.

WHEN DO PROCESSIONS OCCUR
Church processions usually occur
1. at the beginning of a Sunday church service

2. towards the end of a church offering after the members of the congregation have given their offering (either by walking to the alter or after putting their offering in the plates that the ushers carried to the church pews); this type of procession may occur during Sunday church services or during the group's anniversary service

and

3. at the beginning of a special church program, particularly during the anniversary of that church group or during a convention of that church group

-snip-

The choirs might also march out of the sanctuary at the end of a church service. However, in my experience, and judging from the lack of YouTube videos, this is done less often and with less pagentry than that which occurs during processionals.

Click http://mudcat.org/thread.cfm?threadid=117785#2539581 "Black Church Services" for my description of how the minister, choirs, and some deacons, deaconesses (particularly the head deacon and deaconess of my Baptist church (in Atlantic City, New Jersey) march at the end of the Sunday morning church service.

DESCRIPTION OF MARCHES
In Black church traditions, members of choirs and other church groups move into the church sanctuary in a choreographed manner. By "choreographed" I mean that instead of each person "doing his or her own thing", the groups move in a coordinated, rehearsed manner. Choirs are usually the only church processional group which might sing. Ushers boards, nurses, and other marching church groups don't sing. However, all choirs that march don't sing while they are marching. Often they just move to the beat of the music. When the entire group is standing in the standing in the choir stand, the choir usually sings the song that they have marched to.

During the procession, the choir or other groups move in single file or in pairs down the center aisle of the church sanctuary. Usually, marching choirs and other church groups make a distinctive sharp turn when they reach the front of the church before they move up to the choir stand or to their seats in the congregation.

Black church ushers have a distinctive way of holding their right hand behind their back while they move in a procession. Ushers hold their right hand that same way while they perform their role during actual church services and church events. Although I've never been a church usher and haven't read this explanation anywhere, I believe that the traditional Black usher's stance of placing their right hand behind their back signifies submission to God and service to others.

For the record, I have only experienced choirs marching in person. Although I am African American, I had no knowledge of processions of church ushers, nurses, or other groups until I saw YouTube videos of those marches.

CONGREGATIONAL BEHAVIOR
Traditionally, the congregation stands when the choir or other processional group is announced (either verbally by a deacon, the pastor, or another church leader, or by the sound of the music playing). The congregation doesn't need to face forward while the procession moves down the aisle-usually members of the congregation turn while standing to view the procession. If the choir is singing, members of the church may also sing along. Church members may also clap their hands as accompaniment even if the choir isn't clapping their hands while they march into the sanctuary. Members of the congregation may also play their tamborines while the choir proceeds into the sanctuary-although in some Black churches its also rare to see people playing tambourines.) If the choir or church group is marching into the sanctuary without singing, the congregation rarely sings or claps their hands. Unlike New Orleans second line parades, no member of the congregation outside of those groups designated to march in the processional, would ever join the processional.

Audience decorum during anniversary services is much less formal than during Sunday church services. As some of the featured videos in this series demonstrate, during some anniversary processions, audience members may hold their cell phone or other cameras and take photos or videos of the procession. It's also acceptable during group anniversary events at some churches-though not all-for audience members to shout out exclamations of encouragement and support for the group or for specific individuals in the group. This audience behavior may occur most often during anniversary events in which members are individually introduced by the program host or hostess while they march down the center aisle of the church with other members of their group. "Giving a shout out" to the group or individuals in the group is the same behavior or very similar behavior that occurs during many non-religious Black music or dance events.

ATTIRE
Traditionally, Black church choirs wear the exact same color and style robes, or clothes in the same color combination clothes (for instance, black skirts for women and black pants for men, and white shirt). Particularly during their anniversary services, Black church ushers may wear the exact same outfits or they may wear outfits with the same color combination. These outfits are often quite stylish during their special event programs. Note that it's not traditional for Black females to wear pants in church. However, many Black churches have relaxed the rule that prohibits females wearing pants in church.

Members of the nurses guild in Black churches are almost always female. Nurses provide first aid, and otherwise see to the health needs of the congregation and pastors. In so doing, they pass out hand held fans (which are traditionally contain a religious painting on one side and an ad for a funeral home on the other side), hand out tissues to people who are crying, and help those persons who are overcome with the holy spirit. Church nurses usually wear the same type of attire during processions that they wear for church- white nurses dresses with a white nurse's cap. Male ushers wear black suits and white shirts and female ushers usually wear white shirts and black suits or wear white dresses during church and processions. Female ushers can usually be distinguished from church nurses because they wear a pin on their dress, they wear white gloves, and they don't wear a nurses cap.

For those Black churches which still adhere to the tradition that females should always have their hair covered in church, outfits for female ushers, and for female choir members will include hats. Note that males weren't part of that head covering tradition. However, it's been a very long time since I've seen all but a very few members of my Baptist church congregation wearing hats - and that includes female or male choir members wearing their distinctive hats with a single tassel.

-snip-

The substitution by many African American churches of praise & worship quartets or groups for church Gospel choirs has resulted in far fewer churches upholding the tradition of processions/marches. This tradition may have been dying out before the 1990s when praise & worship music became popular in an increased number of African American churches. However, judging from the comments of viewers on YouTube videos of processionals, processions are now considered "old school", usually warmly remembered, but experienced in person by fewer and fewer church going people. However, marching for Jesus is still done in certain Black churches, as YouTube videos will attest. The remaining posts in this series showcase some of those videos.

****
RELATED LINK
Click http://pancocojams.blogspot.com/2012/06/sources-art-and-purposes-of-black.html for an essay with video samples on "The Sources, Art, And Purposes Of Black Church Processionals" written by Azizi Powell 6/9/2012

****
Thanks for visiting pancocojams.

Visitor comments are welcome.