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Showing posts with label American pop songs. Show all posts
Showing posts with label American pop songs. Show all posts

Wednesday, March 27, 2024

The Double Clap (information & examples from Gospel, R&B, & Pop Music)



patel, Feb 19, 2018 [first released in 1976]

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Edited by Azizi Powell

This pancocojams post presents information about and examples of the double clap that is found in numerous music genres.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.
 
All copyrights remain with their owners.

Thanks to all those who are featured in these videos and thanks to the producers and publishers of these videos on YouTube. Thanks also to all those who are quoted in this post.
-snip-
Click https://pancocojams.blogspot.com/2024/03/the-low-country-clap-also-known-as.html for the closely related pancocojams post entitled "The Double Clap (information & examples from Gospel, R&B, & Pop Music)."

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INFORMATION ABOUT "THE DOUBLE CLAP" (ALSO KNOWN AS "THE SOUL CLAP") 
Online Excerpt #1
From https://overland.org.au/2019/11/clap-back-pop-musics-love-affair-with-the-double-clap/  "Clap back: pop music’s love affair with the double clap" published by Aimee Knight, 12 November 2019
..."In the 1960s, girl groups and solo starlets began using double claps to evoke the schoolyard sassiness that bubbles in The Angels’ ‘My Boyfriend’s Back’, as well as dance-songs like Little Eva’s ‘The Loco-Motion’ and Shirley Ellis’ ‘The Clapping Song’. The latter, with its pat-a-cake-style instructions, seems deliberately designed to infantilise its 36-year-old singer. Surprising, then, that it only took a few years for the double clap to come of age, thanks to its virulent use in 1970s soul, funk and R&B jams.

From the speculative history of Boney M’s ‘Rasputin’ to the barometric fantasy of ‘It’s Raining Men’ by The Weather Girls, double claps – when performed and recorded by real, live musicians – infused disco’s synthesiser hits with the primal slap of humanity. The snappy flourishes of Kool & the Gang’s ‘Ladies’ Night’ are a dry yet fanciful siren’s call. Meanwhile, the hand claps in George Benson’s ‘Give Me the Night’ reverberate with such fervour that they were surely recorded in a cavernous, abandoned roller-rink. Either way, it’s party time, and everyone’s invited.

[...]

In the 1980s, chart toppers like Madonna’s ‘Holiday’, The Clash’s ‘Rock the Casbah’, and Kim Carnes’ ‘Bette Davis Eyes’ featured digital double claps created on nifty units like the Simmons’ Claptrap. Moreover, care of the era’s predilection for electronic drum machines and gated reverb, double snare hits are often misremembered as double claps, especially when performers flagrantly clapped along in the accompanying music videos. See: Prince in ‘Little Red Corvette’, Hall & Oates in ‘Private Eyes’.

Synthesised and recorded double claps persisted into the nineties, staple to all manner of hip-hop tracks, from the visceral ‘Got Your Money’ by Ol’ Dirty Bastard ft. Kelis, to Will Smith’s fantastically plastic ‘Men in Black’ theme (itself a corporate rework of the aforementioned Patrice Rushen song).

Double claps have pepped up other film and TV themes, too. In 1983, a carefree double clap welcomed folks to Fraggle Rock....

A paean to pop trends and cultural memory, Queen’s chart-topping single 
Radio Ga Ga’ is fuelled by an iconic clap-along hook. Viewers watching the music video today may be surprised to see that singer Freddie Mercury only incites the crowd to clap during the first chorus, but not on subsequent rounds – notable, since the impulse now feels inseparable from the song. When Queen performed it at Live Aid in 1985, some 72,000 people joined in, perhaps resulting in the largest ever en-masse double clap. In fact, crowd shots reveal that many of the London punters didn’t want (or couldn’t tell when) to stop.

Double claps didn’t feed the world that day, and they’ve likely had their finest hour, but they’re powerful and unpredictable contagions, all the same. Someone has to love them."

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Online Excerpt #2
From https://www.theguardian.com/film/2023/jul/31/double-clap-infectious-disco-rhythm-barbie-kylie "Clap clap! The infectious disco rhythm heard from Barbie to Kylie", published by Hugh Morris, 31 July 2023

The double handclap – most powerfully deployed in Patrice Rushen’s Forget Me Nots – is now a staple of pop thanks to Dua Lipa and more. Its practitioners explain why it’s still so catchy
..."Dua Lipa’s Dance the Night...provides the Barbies’ slick choreography with a gesture that’s very familiar to pop music fans: the disco double clap.

Like the disco string sound, gated reverb or the orchestra stab, it is traceable through generations of pop.

Made up of two quick claps and usually found at the end of a repeating four- or eight-bar phrase, the motif’s musical function is to gather the energy of the bars before it, and release it into the next. But the double clap feels cheeky, silly and faintly magical – the musical equivalent of waving a magic wand with a big shiny star on the end and watching the next phase of the song appear from nowhere.

[…]

Johnson points to Patrice Rushen’s 1982 song Forget Me Nots as the classic double clap track…. A sleeper hit deemed a flop by her label executives, Forget Me Nots earned Rushen a Grammy nomination for best female R&B performer, and the track has been revisited by successive generations: in the late 80s, with the trampoline scene in the Tom Hanks movie Big; the 90s, as the title track of Will Smith’s Men in Black; and the 2020s, in a TikTok dance where participants would freestyle for a few bars before gravitating back to the rhythmic hook. Every generation that revisits the track focuses on the clap, although as Rushen the opening is “actually snap clap – everybody makes this mistake”. (It changes to two claps later on in the track.)

In turn, Rushen points to its presence in Motown and gospel, and in moments such as the intro to Car Wash, originally released by Rose Royce in 1976. The double clap is “part of the legacy and history of American dance music,” she says, “whether you think of the Latin clave, or pop music, all of it leads back to Africa. Its derivatives, where and how it’s placed – in music that’s particularly for the purpose of movement – that’s where you’ll find the double clap used.” Musically speaking, she adds: “It gives a certain kind of rhythmic pull.” The double clap in Forget Me Nots really pops “because it’s in the clear”, fitting especially well within funk’s sparse rhythmic architecture…..

For younger producers reviving the language of previous pop generations but undaunted by – or actively seeking – cliche, there is a new function for the double clap. “It’s almost like a call and response thing” between audiences and performers, says producer Lucy Tun. (She uses a relation of the double-clap motif in the rhythmic stabs on her 2020 track Another Week).”…

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SHOWCASE VIDEO #1
Rose Royce's hit R&B song "Car Wash" was first released in 1976. This video is found at the top of this post.

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SHOWCASE VIDEO #2 - EXPLAINED || Hand Clapping: The Rhythm of The Black Church


Black Music Archive, Sep 10, 2023  EXPLAINED || Technique Episodes

The Voice: EXPLAINED is a music education docu-series created by award-winning multi-disciplinary artist Milik Kashad, designed to educate listeners and viewers on the science and history of music and singing in an easy-to-understand and engaging way!

This episode focuses on the rhythms of hand clapping incorporated in traditional Black Gospel music.
-snip-
Also, click https://www.youtube.com/watch?v=4mIPenJXF8Q&t=21s for a YouTube video entitled "I miss double clap church songs". That video shows a young Black man seated in his car singing "old school" Gospel songs.  

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SHOWCASE VIDEO #3-The Double Clap!!



Redinex, Nov. 28, 2021
-snip-
Here are a few comments from this short video's discussion thread with numbers added for referencing purposes only) 
1. @shawtyblackatl, 2022
"Baby…… if you from the lowcountry of South Carolina this is how we get down"

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Reply
2. @donjuan1942, 2022
"I knew this was South Carolina this the upstate churchin too especially off in the backwoods  this got me missing home"

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Reply
3. @talvistunechi8873, 2022
"North Carolina too"

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Reply
4. @cedfri, 2023
"We grew double clapping and foot stomping in Mississippi, common in the south"

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SHOWCASE VIDEO #4 -Eddie Floyd Performs "Knock On Wood" at In Performance at the White House: Memphis Soul accompanied by the White House band.

infomisa, Aug 26, 2013

Eddie Floyd Performs "Knock On Wood" at In Performance at the White House: Memphis Soul accompanied by the White House band.
 -snip-
Notice at 1:37 to around 1:51 in that video Eddy Floyd says "Everybody put your hands together. Gimme a little soul clap". On those words the former President Obama, his wife Michelle, his daughters, and the rest of the audience do a fast double clap.

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SHOWCASE VIDEO #5 - Patrice Rushen - Forget Me Nots (Official Video)



Strut Records,  July 11, 2019 [This R&B record was first released 1982]

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SHOWCASE VIDEO #6 - Fraggle Rock | Opening Theme | The Jim Henson Company


The Jim Henson Company, Apr 22, 2013  #FraggleRock #JimHenson

Fraggle Rock opening title sequence.

The Jim Henson Company has remained an established leader in family entertainment for over 50 years and is recognized worldwide as an innovator in puppetry, animatronics and digital animation. This channel features popular children's shows including Fraggle Rock, Pajanimals, Dinosaur Train, Sid the Science Kid and more!

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SHOWCASE VIDEO #7 - Barbie - Dance The Night Scene | HD


Soundtrackfind, Sep 12, 2023

Barbie Dance The Night scene full HD dance scene. Song by Dua Lipa. Best movie in the 2023. All rights goes to Warner.

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Sunday, November 22, 2020

Irene Cara - "Out Here on My Own" (from the 1980s Movie "Fame" video, information, & lyrics)


pablo machado, Dec 12, 2009

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This pancocojams post showcases the 1980 song "Out Here On My Own" as sung by Irene Cara in the movie Fame.

A YouTube video of this song is featured in this post along with information about this song and its lyrics.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.


Thanks to Lesley Gore and Michael Gore for writing and composing the music for this song. Thanks to Irene Cara for singing this song and thanks to all those associated with the movie Fame. Thanks also to all those quoted in this post and thanks to the publisher of this video on YouTube. 
 
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INFORMATION ABOUT THIS SONG
From https://en.wikipedia.org/wiki/Out_Here_on_My_Own
" "Out Here on My Own" is a ballad from the 1980 musical film Fame, performed by Irene Cara. It was written by sibling songwriting duo Lesley Gore (lyricist) and Michael Gore (composer).[1] The song was produced by Michael Gore, and published by MGM BMI/Variety ASCAP.[2] Cara performed the song at the 1981 Academy Awards, where it was nominated for Best Original Song.[3] The song was released on the soundtrack to the 1980 film Fame, which also contains an instrumental version of the track.[4]

[…]

Dance Magazine wrote "The lyrics to “Fame”, “Out Here on My Own" and “I Sing the Body Electric” became anthems for young p Awards and nominations

[…]

The song was nominated for the Academy Award for Best Original Song. This was the first time two songs from the same film had both been nominated in this category. Fame went on to win the prize over Out Here on My Own, though both became hit singles of 1980.erformers following their passions"….

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LYRICS- "OUT HERE ON MY OWN"

[Verse 1]

Sometimes I wonder where I've been

Who I am

Do I fit in?

Make believing is hard alone

Out here on my own

 

[Verse 2]

We're always proving who we are

Always reaching for that rising star

To guide me far

And shine me home

Out here on my own

 

[Chorus]

When I'm down and feeling blue

I close my eyes so I can be with you

Oh, baby, be strong for me

Baby, belong to me

Help me through

Help me need you

 

[Verse 3]

Until the morning sun appears

Making light of all my fears

I dry the tears

I've never shown

Out here on my own

 

[Chorus]

But when I'm down and feeling blue

I close my eyes so I can be with you

Oh, baby, be strong for me

Baby, belong to me

Help me through

Help me need you

 

[Verse 1]

Sometimes I wonder

Where I've been

Who I am

Do I fit in?

I may not win

But I can't be thrown

Out here on my own

[Outro]

Out here on my own

 

Out Here On My Own was sung by Irene Cara, who portrayed Coco Hernandez in “Fame.”

The song peaked at #19 on the Billboard Hot 100 and also peaked at #20 on Billboard’s Adult Contemporary chart.

From https://genius.com/Irene-cara-out-here-on-my-own-lyrics

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Saturday, January 5, 2019

Fifth Harmony - BO$$ (song with the lyrics: "Boss Michelle Obama / Purse so heavy gettin' Oprah dollas")

Edited by Azizi Powell

This pancocojams post showcases the R&B/Hip Hop song "BO$$ (BOSS)" by Fifth Harmony. That song includes the lyrics "Boss Michelle Obama/Purse so heavy gettin' Oprah dollas".

The content of this post is presented for cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.

Thanks to Fifth Harmony for this song and thanks to the composers of this song. Thanks also to all those who are quoted in this post and thanks to the publisher of this video on YouTube.

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INFORMATION ABOUT FIFTH HARMONY
From https://en.wikipedia.org/wiki/Fifth_Harmony
"Fifth Harmony is an American girl group based in Miami, composed of Ally Brooke, Normani Kordei, Dinah Jane, Lauren Jauregui, and previously Camila Cabello until her departure from the group in December 2016.[2][3] The group signed a joint record deal with Simon Cowell's label Syco Records and L.A. Reid's label Epic Records after forming and finishing third in the second season of the American singing competition series The X Factor in 2012. Rising to prominence by social media, the group's debut extended play and their three studio albums all charted within the top ten of the Billboard 200 in the United States.

... The group released their debut studio album Reflection in 2015, also receiving a gold certification in the country.[5] The album included the singles "Boss", "Sledgehammer" and "Worth It". The latter achieved triple platinum certification in the United States and reached the top-ten in thirteen countries. The following year, "Work from Home", the lead single from their second album 7/27, became the group's first top-ten single on the Billboard Hot 100[6] and the first top-five by a girl group in a decade on that chart.[7] They released their self-titled third album in 2017.

...The group went on hiatus in May 2018, allowing the members to pursue solo projects.[9]...

Genres: Pop R&B
Years active 2012–2018 (on indefinite hiatus)

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INFORMATION ABOUT THE SONG
From https://en.wikipedia.org/wiki/Boss_(Fifth_Harmony_song)
"Boss" (stylized as "BO$$") is a song recorded by American girl group Fifth Harmony, released as the lead single from the group's debut studio album, Reflection (2015)

[...]

Musically, "Boss" is a dance-pop song with additional instrumentation including trumpets, handclaps, horns and heavy bass that create a rhythmic militaristic sound. Lyrically, the song focuses on themes of feminism, female empowerment, confidence and reversed gender roles. Critics drew comparisons to the works of previous girl groups such as Destiny's Child.

[...]

The song was certified platinum by the Recording Industry Association of America.

An accompanying music video for the song, choreographed and directed by Fatima Robinson, was released on the band's Vevo page that showed the group performing with chairs and interacting at a photo shoot and an arm wrestling contest.

[...]

Composition

...the song features a militaristic drumline that lyrically revolves around a theme of empowerment.[9][10][11] During the chorus the group sings repeatedly the phrase "Michelle Obama, purse so heavy, getting Oprah dollars."[12]

"Boss" is a dance-pop, hip hop and R&B song.[13] It features trumpets, handclaps and heavy bass,[10] creating a rhythmic militaristic sound.[11] The lyrics features several cultural references. For example, the first verse refers to the hip hop dance move called the Nae Nae... Christina Garibaldi from MTV commented that the group "proudly sing about the fact they don't need a man as they "pledge allegiance to my independent girls in here."[10] In an interview with Garibaldi, the group stated that "the whole point of this song is for girls who are our age to turn it on and feel confident and empowered because at this age being insecure is such a common occurrence. So we think when you turn that song on, you feel sexy and feel good about yourself."[10]
-snip-
"Michelle Obama" was the First Lady of the United States when this song was released and "Oprah dollars" refers to the wealth and power of entrepreneur Oprah Winfrey.

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SHOWCASE VIDEO: Fifth Harmony - BO$$ (BOSS)



Fifth Harmony, Published on Jul 8, 2014

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LYRICS: BO$$
(written by Gamal Lewis, Jacob Kasher and Taylor Parks as recorded by Fifth Harmony)

Everyday is pay day
Swipe my card, then I do the nae nae
You're talking to a lady
I want a Kanye-ye not a Ray J
So that's a no no
I'm a Maybach and you's a Volvo
This convo beat like Dre
I already know whatchu tryna say

You say that you a baller
And I see you tryna holla
But that ain't how I was brought up
Next
Working for my money
'Cause that's what my momma taught me
So yo ass betta show me some respect

Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas

C-O-N-F-I-D-E-N-T
That's me, I'm confident
Don't want yo complimments
Use common sense
I'm on my Michelle Obama
Shhhh Shut your mouth
Boy I think you know who run this house
I ain't thirsty for no bae cuz I already know watchu tryna say


You say that you a baller
And I see you tryna holla
But that ain't how I was brought up
Next
Working for my money
'Cause that's what my momma taught me
So yo ass betta show me some respect

Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas

I pledge allegiance to my independent girls in here
Ooh Baby
So if you're with us, come on let me hear you say
Yeah, yeah, yeah, yeah

You say that you a baller
And I see you tryna holla
But that ain't how I was brought up
Next

Working for my money
'Cause that's what my momma taught me
So yo ass betta show me some respect

Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas
Boss Michelle Obama
Purse so heavy gettin' Oprah dollas

Source: http://www.metrolyrics.com/boss-lyrics-fifth-harmony.html

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SELECTED COMMENTS FROM THE EMBEDDED VIDEO'S DISCUSSION THREAD
(with numbers added for referencing purposes only)

1. Haleigh Abeyta the Little club fan club girl, 2018
"Yes we can be anything"

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2. Haleigh Abeyta the Little club fan club girl, 2018
"Ik I'm confident they inspire me thank you 5th harmony"

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3. Gacha Saneka, 2018
"GIRL POWER!!!💖💖💖"

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4. Hilary Molina, 2018
"i feel so confident every time I hear this song"

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5. Camila Is Love, 2018
"I wonder if Michelle Obama watched this video"

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REPLY
6. Gilberto Gil, 2018
"she did it was in an interview"

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REPLY
7. Mallorie Wheat
"she did, she said she worked out to it lol"

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8. Aryhanna Brown
"Girl power run this world"

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