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Showing posts with label pump it up. Show all posts
Showing posts with label pump it up. Show all posts

Saturday, November 28, 2020

Crediting "Pump Up The Jam" 1989 Hip Hop/House Record As The Direct Source Of "Pump It Up" Cheerleader Cheers


jackyabody0091, Apr 3, 2009

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Edited by Azizi Powell

Latest revision: November 29, 2020

This pancocojams post presents information about Technotronic Feat Ya Kid K's 1989 record "Pump Up The Jam" and considers that record's influence on the large family of "Pump It Up" cheerleader cheers. Some of these cheers were (are?) are composed and performed as foot stomping cheers.*

A video of "Technotronic Feat Ya Kid K performing "Pump Up The Jam" is included in this post along with an excerpt from that song's lyrics.

Four examples of "Pump It Up" cheers are included in this post.

The content of this post is presented for cultural, entertainment, recreational, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Manuela Kamosi and Thomas   for composing this song and thanks to  for performing it. Thanks to all those who are quoted in this post and thanks to the publisher of this video on YouTube.
-snip-
"Foot stomping cheers" is a sub-set of children's cheerleader cheers that have distinctive textual structures and distinctive performance styles. These cheers were (are?) usually performed by two or more African American girls ages around six years to twelve years who stand in lines  (usually horizontal lines), or in semi-circles, or in a circle with the soloist in the middle.  

The cheers have a distinctive call & response pattern that I refer to as "group/consecutive soloists". This call & response pattern differs from other cheers which usually are chanted with the group responding to a lead person or are usually chanted in unison. In contrast, the composition and performing pattern for foot stomping cheers consist of the group speaking  (often without the first soloist) first. The soloist then responds to the group. This pattern continues, and usually the soloist then has a short solo portion. The group may or may not chant again before the cheer begins again from the beginning with a new soloist. This pattern continues until every member of the group has had one equal (same amount of time) turn as the soloist. My experience is that the order of soloist is determined before the cheer begins, often with girls trying to be the first to call out "first", "second", "third" etc.

Probably the most widely known example of "foot stomping cheers" is "Shabooya Roll Call" from the "Bring It On All Or Nothing" movie.  However, that depiction is a rather exaggerated version of those cheers.  Here's a link to that scene:  https://www.youtube.com/watch?v=naw2tty2yic&ab_channel=iluzyoo

Based on my research, I believe that group of girls performed* what I refer to as "foot stomping cheers" in imitation of "real" cheerleading squads. Foot stomping cheer performances were informal though practiced performances that usually occurred without any audiences except other children (or pre-teens) in the playground or on the sidewalks where the girls happened to be. 

Because the structure of foot stomping cheers dictates that each member of the group had to have one equal length turn as the soloist for every cheer that was performed, these cheers weren't compatible with the time limitations that real cheerleaders face. For that reason, the two styles of cheers that traditional cheerleaders and stomp and shake cheerleaders perform short cheers that have a leader/group pattern or unison cheers.
-snip-

*I use past tense for performances of foot stomping cheers as I believe that these forms of cheers are rarely if ever performed since about the 2010. If that is true, it may be because of the increased interest in and opportunities for African American girls to perform "steps" (percussive routines that are very similar to historically Black Greek letter sororities and fraternities "steppin".  Another reason that these types of cheers may be rarely if ever performed is that the existence of stomp and shake cheerleading squads or modified stomp and shake cheerleading squads in certain American middle and high schools and community organizations. These squads as well as "traditional cheerleading squads" provide girls with opportunities to actually be cheerleaders rather than pretending to be cheerleaders when they perform stomp and shake cheers.

Click http://pancocojams.blogspot.com/2016/09/foot-stomping-cheers-alphabetical-list_22.html for text (word only) examples of foot stomping cheers. Also, click the foot stomping cheer tag that is found below for additional examples of foot stomping cheers.

Also, click https://pancocojams.blogspot.com/2020/11/1993-stomp-and-shake-cheerleading-video.html for the closely related pancocojams post entitled "1993 Stomp And Shake Cheerleading Video (CIAA Exhibition Showcasing WSSU, VSU, & Four Other HBCU University Cheerleading Squads)". In that video three of those stomp and shake cheerleading squads performed a version of "Pump It Up".

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INFORMATION ABOUT MANUELA KAMOSI (ALSO KNOWN AS YA KID K)
From https://en.wikipedia.org/wiki/Ya_Kid_K
'
Ya Kid K (born Manuela Barbara Kamosi Moaso Djogi,[1] 26 January 1972) is a Congolese–Belgian hip hop recording artist. Ya Kid K, besides being a solo artist, is also known for her works for the dance/house act Technotronic….

Biography

At the age of 11, she moved to Belgium, later moving to Chicago (where she explored hip-hop, and the emerging sounds of house music), and later moved to Dallas, Texas. After moving back to Belgium from the US, she helped form a hip hop label called Fresh Beat Productions. She was part of the dance project Technotronic, [2] which debuted with a major worldwide hit in 1989, "Pump Up the Jam". Although she did not appear in the video, she was finally credited as vocalist on the track on the US reissue of the group's debut album.[3]

Singles

Although she wrote the lyrics and sang vocals on "Pump Up the Jam",[4] Technotronic had the fashion model Felly Kilingi perform in the video, without Ya Kid K's consent. The second single "Get Up! (Before the Night Is Over)" was Ya Kid K's debut music video with Technotronic. In 1992, Technotronic and Ya Kid K had a hit with "Move This," another single from 1989's Pump Up the Jam: The Album.”…

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INFORMATION ABOUT THE SONG "PUMP UP THE JAM"
from https://genius.com/Technotronic-pump-up-the-jam-lyrics
"Pump Up The Jam" [was] "Written by [Congolese–Belgian hip hop recording artist] Manuela Kamosi (aliased as Ya Kid K) and Thomas De Quincey (aka Jo Bogaert), “Pump Up the Jam” was Technotronic’s debut single. Its music is heavily based on a track named “Technotronic” that De Quincey had released earlier in the year under the name Pro 24’s.

“Pump Up the Jam” peaked at #2 in the UK in late 1989, then also reached #2 in the US in early 1990."...

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EXCERPT FROM THE SONG "PUMP UP THE JAM"
..."
[Bridge]
Yo! Pump up the jam
Pump it up
Pump it up
Yo! Pump it!
Pump up the jam
Pump it up
Pump it up
Yo! Pump it
Pump up the jam
Pump it up
Pump it up
Yo! Pump it
Pump up the jam
Pump it"

From https://genius.com/Technotronic-pump-up-the-jam-lyrics

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TWO EXAMPLES OF FOOT STOMPING CHEER FORMS OF "PUMP IT UP"
 
[These versions are given in no particular order. Numbers are added for referencing purposes only.] 

Version #1:
PUMP IT UP
(Everybody says) -Pump it up go 'head, go 'head. Pump it up go 'head. Pump it up go 'head, go 'head. Pump it up go 'head Tasha, go 'head, go 'head. Tasha, go 'head. Tasha, go 'head, go 'head. Tasha, go 'head *

Tasha or the name of the lead person does some kind of dance while she shouts this next part) YOU GOTS TO PUUMP ITT UPPP! Pump it up! Pump Pump it up!

Everybody does the same dance that the leader did while they say the same thing) YOU GOTS TO PUUMP ITT UPPP Pump it up Pump Pump it up

Then you repeat the whole cheer with the next leader who gives her name or her nickname.
Everybody has a turn as the leader. The next leader can do the same dance, but when they really want to impress people, they do their own dance.


*I forgot to say that people do foot stomps during this part. It's hard to write it out but the foot stomps go like this (left foot stomps and then clap once; right foot stomps & you clap once, and then the left foot stomps two time and then you clap. Right foot stomps & you clap once). Go back to the beginning and keep doing this until the leader says her part. Then you stop doing the steps. Nobody says anything or moves while the leader is saying her part. They are all watching her. 

After she finishes doing her dance, everybody tries to the same dance that she did while they say YOU GOTS TO PUUMP ITT UPPP Pump it up Pump Pump it up. And then you go back to the beginning of the whole cheer. 

I hope you like it.
-Tazi M. Powell (coach); Fort Pitt Cheerleaders; Garfield neighborhood; Pittsburgh, Pennsylvania, 8/10/2007

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Version #2
PUMP IT UP 
Words -------------------------------------------------Basic Motion
Pump pump pump pump pump it up-------------  tap palms around the circle to start
Pump pump pump it up ---------------------------- step clap rock clap [2x]
Well, my name is [player’s name] ----------------- step clap rock clap
Pump it up ------------------------------------------- step clap rock clap
That’s what they call me ---------------------------- tap clap rock clap
Pump it up -------------------------------------------[repeat]
My sign is [astrological sign]
Pump it up
And I can work that body oddy oddy --------------shake and improvise
Make sure you don’t hurt that body
Pump pump pump pump
Pump it up
(1992)
From Recess Battles: Playing Fighting, and Storytelling by Anna R. Beresin (University Press of Mississippi, Jackson, 2010, page 104-105, in the section of that book whose sub-title is "Steps"), African American girls, Philadelphia, Pennsylvania
-snip-
This is how that example was written in that book. 
 
Here's the introductory comments to this example:
"In 1991, I saw four African American girls doing what looked like a dance step. “Is that a step?” I asked. I wonder whether the dance was choreographed or if they were improvising. “No, no, this is a step”. Step, clap, rock, clap, step, clap, rock, clap, They rocked gently back and forth, clapping their hands lightly on the off beat. At first they sang quietly, but it built into a roar."

[After that example. the book's author wrote]
"The phase pump it up appears in several recordings, including "Pump Up The Jam" by M. Kamosi and T. De Quincy from 1989. Each girl gets a chance to say her name and her astrological sign and work her body."

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ONE EXAMPLE OF TRADITIONAL CHEERLEADING CHEERS FORMS OF FORMS OF "PUMP IT UP"
 
 PUMP PUMP PUMP IT UP 
Pump, pump, pump it up! (leader sounds)
Pump, pump, pump it up! (team)
Pump that [Team Name] spirit up! (leader sounds)
Pump that [Team Name] spirit up! (team)

Keep, keep, keep it up! (leader sounds)
Keep, keep, keep it up! (team)
Keep that [Team Name] spirit up! (leader sounds)
Keep that [Team Name] spirit up! (team)
- https://howtheyplay.com/team-sports/20-Best-Team-Cheers-and-Chants "Top 20 Cheers for Cheerleading, Sports Teams, and Team Captains" [This example is given as #3 in that list.]

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ONE EXAMPLE OF STOMP AND SHAKE CHEERLEADING FORMS OF FORMS OF "PUMP IT UP"
[One squad member says "Ready. "Hit it!


[The entire squad says the rest of these words at the same time.]

Hey Trojans
Yeah
Hey Trojans
Yeah
Hey Trojans
Yeah
Let's pump pump pump it up.
Pump pump pump it up.
The Trojans are ready to 
Pump pump pump it up
The Trojans are ready to 
Pump pump pump it up

[The second line of the squad]
The Trojans
Pump, pump, pump it up
[The first line of the squad]
The Trojans
Pump pump, pump it up
[The entire squad]
The Trojans
Pump, pump, pump it up.
Pump Ooh!
The Trojans
Pump pump, pump it up
The Trojans
Pump, pump, pump 
Pump it up.
Pump Pump Pump It Up
The Trojans are ready 
To pump it up.
Pump Pump Pump It Up
The Trojans are ready 
To pump it up.
-
 Virginia State University Woo Woos https://www.youtube.com/watch?v=k4tdFVI6NWU&feature=emb_logo&ab_channel=CheerPhi93 (1:46 to 2:25 in that video)
transcription by Azizi Powell (additions and corrections are welcome)

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LINKS TO TWO ADDITIONAL VIDEOS OF THE "PUMP IT UP" CHEER   

Example #1
https://www.youtube.com/watch?v=GneUNvr4PUM&ab_channel=StompNShakeCheer
"Cheer: Pump It Up (P-U-M-P-I-T-U-P)" published by 
Stomp N Shake Cheer, published on Oct. 21, 2020
-snip-
This cheer is performed in a stomp and shake style by a high school student.

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Example #2
https://www.youtube.com/watch?v=4umnc9_QsvM&ab_channel=SMSCheer1
"
Pump, pump, pump it up!", published on Dec. 9, 2016
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This is a mostly Black high school cheerleading squad which is performing in a slightly modified traditional cheerleading style (The modification occurs when the cheerleaders say the words "pump it up").  Notice that compared to stomp and shake cheerleading, there's no hip shaking, the legs aren't lifted from the floor, and the stomps aren't as bass sounding.

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Visitor comments are welcome.

Saturday, June 18, 2016

Trouble Funk - "Pump Me Up" (Funk/Go Go song information, videos, lyrics, & explanatory lyric notes)

Edited by Azizi Powell

This pancocojams post showcases two examples of the 1982 Go Go music record "Pump Me Up" by Trouble Funk. Information about the band "Trouble Funk" and its hit record "Pump Me Up" is also included in this post along with that song's lyrics and some explanatory notes about those lyrics.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Trouble Funk for their musical legacy. Thanks to all those who are quoted in this post and Thanks to the publishers of these examples on YouTube.

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INFORMATION ABOUT GO GO MUSIC AND THE BAND "TROUBLE FUNK"
From https://en.wikipedia.org/wiki/Go-go
"Go-go is a popular music subgenre associated with funk that originated in the Washington, D.C., area during the mid-1960s to late-1970s. It remains primarily popular in the area as a uniquely regional music style. A great number of bands contributed to the early evolution of the genre, but the Young Senators, Black Heat, and singer-guitarist Chuck Brown and the Soul Searchers are credited with having developed most of the hallmarks of the style.[1]

Inspired by artists such as the groups mentioned above, go-go is a blend of funk, rhythm and blues, and early hip-hop, with a focus on lo-fi percussion instruments and funk-style jamming in place of dance tracks, although some sampling is used. As such, it is primarily a dance hall music with an emphasis on live audience call and response. Go-go rhythms are also incorporated into street percussion...

In the mid-1960s, "go-go" was the word for a music club in the local African American community, as in the common phrase at the time going to a go-go popularized by a million-selling hit of the same name by The Miracles . Dancers could expect to hear the latest top 40 hits, as many as 20 at a time, performed by local funk, rhythm and blues bands, including Chuck Brown. In 1965 The Young Senators, later known as "The Emperors of Go-go", were formed and there began a fierce competition with Chuck Brown and Black Heat on the local club circuit, they later became known for their hit "Jungle".[5][6][7]...

Trouble Funk had its roots in an early 1970s Top-40 cover band called Trouble Band, then fronted by drummer, Emmett Nixon. With the inclusion of Robert 'Dyke' Reed (keyboards, guitar, vocals), Taylor Reed (trumpet, vocals), James Avery (keyboards, vocals), Teebone David (percussion), and Tony Fisher (bass, vocals), the band changed its name, and, in the late 1970s, after seeing the light at a gig they played with Chuck Brown, they, too, adopted the go-go beat. The band was signed to the Sugar Hill Records label in 1982 and recorded with Kurtis Blow. Trouble Funk recorded the go-go anthem "Hey, Fellas.""

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From https://en.wikipedia.org/wiki/Trouble_Funk
"Trouble Funk is an American R&B and funk band from Washington, DC. It helped to popularize that area's local funk subgenre known as go-go. Among the band's well-known songs are the go-go anthem "Hey, Fellas." They released several studio albums including Drop the Bomb, In Times of Trouble, Live, and Trouble Over Here, Trouble Over There (UK #54[1]), and two live albums, Trouble Funk - Straight Up Go-Go Style and Saturday Night Live. In 1982, they released a single "So Early In The Morning" on D.E.T.T Records, later reissued on diverse labels as 2.13.61 & Tuff City. Trouble Funk sometimes shared the stage with hardcore punk bands of the day such as Minor Threat and the Big Boys.

Trouble Funk's song "Pump Me Up" was sampled by many other artists, for example Dimple D's one-hit wonder "Sucker DJ," which went to #1 in Australia, Public Enemy's Fight The Power, Kurtis Blow If I Ruled The World and M.A.R.R.S. Pump Up The Volume. The song is also featured in the film Style Wars and on the fictional R&B radio station Wild Style in the game Grand Theft Auto: Vice City."...
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A seldom acknowledged fact about Trouble Funk's 1982 song "Pump Me Up" is that it is probably the inspiration or one of the main inspirations for the children's cheerleader cheers entitled "Pump It Up" and other cheers and rhymes that include the saying "pump it up" as well as other sayings such as "pump up the volume". 

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SHOWCASE EXAMPLES
Example #1: Trouble Funk - Pump Me Up (1982)



veewee Uploaded on Dec 10, 2007

from their album "Drop The Bomb"

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Example #2: Trouble Funk at Strathmore Pump Me Up! 1 of 3



Chip Py, Published on Jul 25, 2013

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LYRICS- PUMP ME UP
(as recorded by Trouble Funk]

(Pump, pump, pump, pump me up)

(Pump, pump, pump, pump me up)

(Pump, pump, pump, pump me up)
Like the man with the super 'S' on his cape
We're gonna jump to the funk
like we got no weight.

I'm DJ Rock and I can pass the test
Uh to get down the wit' the rappers
From the East to West
This party pleased, that party pleased
I'll pump them all with the greatest of ease
This is DJ Rock with the master beat
The boogie-oogie sound that moves your feet
Somebody say (Get up, get up)
Somebody say (Get up, get up)
You party good, you throwin' down
You complement this funky sound
The funk is here so you can groove
We want to make your body move
And that brother there, his name is Dyke
He's gonna hit you with the rest so you can boogie tonight

I say downtown shoppin' with some flashes in mind
Just listen here closely while I tell you my line
I'm slick Dyke can be very naughty
I'm known by the name sporty shorty
And when checkin' out the others that dress so mean
They put me in the mind of a Mr. Cardin
But Calvin Kline seems to come through
Until Yves St Laurent walks up to GQ
But that's not it, they still want more
So I send them down to Studio 54
Say Jordache, Bon’jour, Cassini, Sassoon,
I've got the jeans that make the tunes
Can you smile, in your style
with you're mouth, without
be cusin' with a big, because what can I do now?

Now you exit the store,
acting just like a jerk
But all he wants to see is your body work
(Work your body, work your body, work your body. Work your body)
(Work your body, work your body, work your body. Go all the way!)
(Work your body, work your body, work your body)
(Work your body, work your body, work, Pump, pump, pump, pump me up)

(Pump, pump, pump, pump me up)
Like Perry Mason gonna solve the case
You just listen to the sound of the funky bass
Like Little Boy Blue, come blow your horn

You're gonna boogie on-a down 'til the break of dawn
Like a party over here, a party over there
We got a party all in this atmosphere
You get wiggle your neck and stomp your feet
and boogie on down to da' funky beat
Well they call me Dick and that's my name
And funkin' around, it is my game
So funker's here da' thing you've got to have what it takes
And if you can't funk then those are the breaks
So "L's" are for squares you'd better get live
'Cos everyone's tryin' to get Funk-matized
And this is what you need and that's a fact
And with this you don't need no mac*-attack
So if you're out for lunch, just take a hunch
And boogie on down with the rest of the bunch
You should be bumpin' your behind all in the air
All over the where, just everywhere
And if you're on the dance floor and if you can't hang
Just sit on down and let us shake our thing
And if you still sittin' down and can't shake your rump, holler
(Pump, pump, pump, pump me up)
(Shake that thing, shake that thing, you gotta shake that thing)
You gotta
(Shake that thing, shake that thing, you gotta shake that thing)
Everybody go
(Shake that thing, shake that thing, you gotta shake that thing)
Pump it on up, pump it on up
(Shake that thing, shake that thing, you gotta shake that thing)

I'm a put you on down on the one
So we can all get together and have some fun
I'm teller here, an' I'm teller there
I'm tellin', I'm tellin' I'm tellin' you now
Like Einstein the master mind,
All the women thought a dat he was shy
Like Dr Jekyll and Mr Hyde
Well they never miss a beat, they are right on time
Like Fat Albert when he wanna eat
It takes a lot of funky food ta' get him outta his seat
When the gang is down at the junkyard dump
Fat Albert is eatin' to the rythm of the bump.
Like Tarzan and Jane they're dancin' to the beat
And Boy, and Cheata, they're stompin' their feet
And if you still sittin' down and can't get up, holler
(Pump, pump, pump, pump me up)

(Pump, pump, pump, pump me up)

(Pump, pump, pump, pump me up)

Source: http://www.songlyrics.com/trouble-funk/pump-me-up-lyrics/
-snip-
*The word "mack" is given here. That may be a typo as "mack" makes no sense and "mac attack" was a familiar phrase for having an intense desire for a MacDonald (fast food) hamburger or cheeseburger.

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SOME EXPLANATORY NOTES ABOUT THE LYRICS TO "PUMP ME UP"
Notes about these lyrics:
1."the man with the super 'S' on his cape = refers to the fictional character "Superman"
2."'ll pump them all with the greatest of ease" = "pump people up" means to get them excited, get them energized ("hyped"); "Pump me up" means "Get me excited" ("Get me hyped") [in this record] by the way you dance. "Pump me up" here probably also has a sexual connotation for men.
3. "when checkin' out the others that dress so mean" = observing others who dress really well in the latest fashions
4. "Mr. Cardin (Pierre Cardin), Calvin Kline, Yves St Laurent, Jordache, Bon’jour, Cassini, Sassoon" = brand names of luxury, expensive clothing & products [The singer is bragging by "dropping" the names of luxury brands]
5. "GQ" = considers itself and is largely considered to be "the definitive magazine for men's fashion and style news"
6. "Studio 54" = a world famous New York nightclub
7. "Perry Mason" = a fictional American television lawyer who wins all of his cases
8. "Little Boy Blue" = a character from Mother Goose nursery rhymes
9. "boogie on down" = dance
10. "da" = the
11."bumpin" = doing the R&B dance called "the bump" which is done by rhythmically hitting (bumping) your butt (also referred to as "behind" and "rump" in this song) next to your partner's butt.
12. "if you can't funk" = if you can't get funky (be hip, lose your inhibitions and dance to the music any way you want to)
13. "then those are the breaks" = a line from one of the earliest hit 1980's Rap song (Kurtis Blow's "These Are The Breaks"; in the context of Trouble Funk's song means "that's just how it is".
14. "taking an L" = falling down [on the ground] (from the phrase "getting lifted") [as per my daughter who remembered that slang term and gave another definition "getting "jacked up" or "messing up"
15."squares" = people who aren't hip (up to date with the latest street culture
16. "you'd better get live"= get hip (liven yourself up)
17. "you don't need no mac-attack" = You don't need to crave a McDonald hamburger or cheeseburger
18. "So if you're out for lunch" = if you don't understand
19. "just take a hunch" = something like "here's a clue"
20. "you can't hang" = you can't keep up with the other dancers
21. "let us shake our thing" = let us dance
22. "Einstein the master mind" = theoretical physicist Albert Einstein who developed the general theory of relativity
22. "Dr Jekyll and Mr Hyde" = fictional characters in an 1886 novel by Robert Louis Stevenson; "Jekyll and Hyde" [has come to] o mean a person who is vastly different in moral character from one situation to the next." https://en.wikipedia.org/wiki/Strange_Case_of_Dr_Jekyll_and_Mr_Hyde.
23. Fat Albert = fictitious heavyset Black boy who was featured in comedian Bill Cosby's memories of his childhood in Philadelphia, Pennsylvania
24.Tarzan, Jane, Boy, and Cheata"= fictional characters developed by novelist Edgar Rice Burroughs and portrayed in movies and television

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