Edited by Azizi Powell
This post features eight videos of the Dancing Dolls majorette/dance group of Jackson, Mississippi (2011-July 2014). That group is featured on the American television show Bring It!.
The content of this post is presented for cultural, entertainment, and aesthetic purposes.
As a community folklorist, in addition to watching this majorette group's marching and dance scenes, I'm particularly interested in the group's use of the chant/slogan "DD4L".
All copyrights remain with their owners.
Thank to Diane Williams and the members of the Dancing Dolls majorette group for helping to raise awareness about this majorette performance art style. Thanks also to also to the publishers of these videos on YouTube.
DISCLAIMER: I'm not affiliated in any way with this majorette group or of the Bring It television show that features this group.
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RELATED LINKS
http://pancocojams.blogspot.com/2014/04/stand-battles-changing-meaning-of.html "Stand Battles & The Changing Meaning Of Majorettes In African American Culture"
http://pancocojams.blogspot.com/2014/04/dance-stand-routines-from-hbcu-dance.html
"Stand Routines From Historically Black Colleges & Universities Dance Line Auditions"
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INFORMATION ABOUT THE DANCING DOLLS (of Jackson, Mississippi)
From https://www.facebook.com/pages/Dancing-Dolls/116220078408472?sk=info
"Dancing Dolls was founded August 20, 2001 in Jackson, MS. Dancing Dolls has become one of the most popular dance teams in the Southern Region. Dolls have won numerous dance championships and performed at countless event with JSU*.
-snip-
*JSU= Jackson State University, a historically Black university (HBCU) in Jackson, Mississippi.
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DD4L CHANT
"DD4L" (Dancing Dolls For Life) is a chant/slogan of the Dancing Dolls of Jackson, Mississippi. This unity & enthusiasm raising chant is performed in a call & response pattern, but with the response being the same words and pronunciation as the call. That slogan is also prominately featured in that group's t-shirts and other paraphernalia.
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FEATURED VIDEOS
These examples are presented in chronological order based on their posting date on YouTube with the oldest dated posts presented first.
Example #1: Dancing Dolls of Jackson, Ms
TJSU06, Uploaded on Oct 12, 2011
JSU Homecoming Parade 2011
[Jackson State University]
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Example #2: BUCK OR DIE... PARADES !...DD4L
pooh bear Published on Aug 26, 2012
-snip-
"Bucking" is a very old African based dance movement that is made by performing rapid, rhythmic pelvic thrusts. Coach D's definition of "bucking" is found in the video given as Example #5 below.
The Dancing Dolls' Facebook page whose link is given above includes an April 28th 2014 post announcing “The DD4L "BUCK OR DIE" Majorette Tour 2014 tours. ... a 3 day camp that teaches the art of Majorette dance. Buck or Die Majorette camp teaches the following: Marching Techniques, Struts, Basic agility skills, stretching technique, core building exercises, team building exercises, 3 parade routines, 5-10 regular stands, 3 Battle counts, 1 major field show, how to put together field shows, battle counts, etc. "...
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Example #3: DD4L Highlight Reel
oneyouluvtohate, Published on Jul 28, 2013
Dancing Dolls of Jackson Highlight Reel.. A few performances from the season. Thanks for watching!!
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Example #4: 'Bring It' Two-Min Sneak Peek - Premieres Wednesday on Lifetime
PilgrimStudios, Published on Mar 3, 2014
Get an exclusive 2 minute sneak peek of new series, Bring It! Premieres Wednesday (March 5) at 10/9c on Lifetime.
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Example #5: Bring It - Miss D's Dance Dictionary "Dance Styles"
PilgrimStudios, Published on Mar 13, 2014
Catch 'Bring It' Wednesdays at 10/9c on Lifetime!
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Example #6: Dd4l
nookie3784, Published on Mar 31, 2014
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Example #7: Stand battle @ the Chicago dd4l camp
alexis wright, Published on Jul 4, 2014
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Example #8: Bring it! 2014 summer premiere Teaser
MZ Jourdyne, Published on Jul 17, 2014
july 23rd is the summer premiere of the lifetime show Bring it!
DD4L!!!!!!
courtesy of pilgrim studios
miss d notable quotes
"show em the blacks of your gums"
"tears do not soften my heart"
-snip-
The beginning scene in this video was of the Bring It's cast appearance at the 2014 Essence Festival.
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Visitors' comments are welcome.
Showing posts with label majorettes. Show all posts
Showing posts with label majorettes. Show all posts
Monday, July 28, 2014
Friday, April 11, 2014
Stand Battles & The Changing Meaning Of "Majorettes" In African American Culture
Edited by Azizi Powell
[latest revision: October 24, 2018]
This post provides definitions for "stand battles" and provides video examples of stand routines (battle stands) that are performed by community based groups such as Jackson, Mississippi's "Dancing Dolls", Jackson, Mississippi's "Purple Diamonds, and Memphis, Tennessee's "Prancing Tigerettes".
The Addendum to this post provides examples of Southern University's "Dancing Dolls", Alcorn State University's "Golden Girls", and Jackson State University's "Prancing J-Settes", three of the historically Black colleges & universities (HBCU) marching band affiliated dance lines whose performance styles have greatly influenced the (Jackson, Mississippi) "Dancing Dolls" and other community based dance groups (majorettes) who are featured on the American television series Bring It!. Note that the names of the Jackson, Mississippi "Dancing Dolls" group and their competitors the Memphis, Tennessee group "The Prancing Tigerettes" (and other competitors) were influenced by the names of historically Black colleges and universities' marching band affiliated dance lines.
The Addendum to this post also provides information about how the female groups that are auxiliaries of historically Black universities' marching bands changed their referent from "majorettes" to "dance lines". That excerpt also documents changes in the performance styles of those groups.
The content of this post is posted for historical, cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
Thanks to all those who are featured in these videos. Thanks also to the publishers of these videos on YouTube and thanks to all those who are quoted in this post.
RELATED LINKS
http://pancocojams.blogspot.com/2015/04/j-setting-jsus-prancing-j-settes-and.html
"J-Setting, JSU's Prancing J-Settes, And Black Gay J-Setters"
http://pancocojams.blogspot.com/2014/04/dance-stand-routines-from-hbcu-dance.html
"Stand Routines From Historically Black Colleges & Universities Dance Line Auditions"
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DIFFERENT MEANINGS OF "MAJORETTE"
Drum & Bugle Corp Majorettes
The older meaning of "majorette" (also known as "drum majorette") is "a young woman or girl who wears a uniform and makes a pattern of movements with a baton (= stick) by turning it and throwing it into the air, as part of a group of girls who do this or as the leader of a musical group" http://dictionary.cambridge.org/us/dictionary/british/majorette
-snip-
While there are some YouTube videos of African American drum majorettes, it appears that there are fewer of this type of majorette group among African Americans than there has ever been.
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Hip Hop Majorettes
At present, Hip Hop majorettes are [usually] entirely African American female groups from the Southern states. The groups refer to themselves as "majorettes"* and battle (compete) with other groups in majorette tours. One such group is Jackson, Mississippi's Dancing Dolls who are featured on the American television series "Bring It!". This post includes videos of "the Dancing Dolls" and "the Prancing Tigerettes" prior to these groups being showcased on the television series "Bring It!"
*In the "Bring It" series edition that aired on September 10, 2014, the coach of the showcased group the "Dancing Dolls" referred to that group's performance style as "Hip Hop majorettes". Here's the definition of "majorettes" that is given by Jackson Mississippi "Dancing Dolls" Coach Miss D (Diana Williams) in the video:
"'Majorette' is a form of dance that incorporates hip-hop, ballet, jazz, and a mixture of lyrical dance all together. It’s high energy, high paced. It’s fun, energetic, and it’s entertaining. https://www.youtube.com/watch?v=j_k7UfFcoQA
"Miss D's Dance Dictionary "Dance Styles" [.14-.26]
-snip-
The Jackson, Mississippi "Dancing Dolls" and other majorette groups that they compete with perform choreographed, synchronized movements to percussive music. However, that music is recorded, not played by live drummers. Also, those new style majorette groups don't twirl and catch any batons or sticks.
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HIP HOP MAJORETTE TERMS
Stand Battles
From http://www.mylifetime.com/shows/bring-it/dance-dictionary “Bring It! [television show]
"Stand Battle: The stand battle works like a single elimination bracket tournament. The teams draw numbers and are randomly paired together. Each pair take turns trying to out dance each other. The teams go back and forth until the judges determine that one team wins. This is the most intense of all the categories because while the dance sequences are choreographed, when they are used is decided on the fly. The Captain must decide when to use what sequence based on the opposing team's sequence."
-snip-
From https://www.youtube.com/watch?v=Xrio6Fp6bHw [quote beginning at 1:24 of that video]
" “What is a stand battle?”
“A stand battle is when two teams take the dance floor at the same time. They take turns throwing eight counts back and forth until the judges declare a winner. “An eight count” is known as a stand.
Exchanging an eight count is like two boxers in the ring throwing punches back and forth with each team trying to land a killer combination. In war it’s back and forth shootin at each other. It’s the same thing. The only difference is that we don’t do that-we throw stands."
-Miss D (Diane Williams), Founder & Instructor/Coach - The Dancing Dolls (Jackson, Mississippi)
-snip-
This video is embedded as Example #6 below and features a definition of "bucking" and other definitions.
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Bucking
One of the dance movements that Hip Hop majorettes perform is "bucking". "Bucking" -as performed by some African American majorette groups, particularly in the South- consists of performing rhythmic pelvic thrusts (pops) as part of a dance routine.
The term "bucking" is probably a new name for this very old African originated dance movement. The Houston, Texas group X-Treme Motion was the first to popularize "bucking" on television. That group competed on the 2010 television show "America's Best Dance Crew. Here's a link to a January 4, 2010 video of dance crew from a historically Black university in Houston, Texas whose summary statement mentions "bucking": https://www.youtube.com/watch?v=apu78i3-K1s. Here's the summary statement from the publisher's Trecia KneCole Fan Page's summary statement:
"X-Treme Motion Dance Crew is a Houston Based Crew from "The Motion of the Ocean" Majorettes at Texas Southern University. They specialize in Hip-Hop, Jazz, Ballet, Funky Jazz, and Modern. But, Showcasing and bring their own dance style called "Bucking" to the forefront"
-snip-
(Majorette) bucking isn't the same as a 19th century American term "buck dancing" which refers to clogging/tap dancing ("buck and wing"). Nor is "majorette bucking" the same as "buck jumping", a very old style of dancing and processional marching that members of New Orleans Social Aid & Pleasure Clubs & New Orleans second line paraders do.
Click http://pancocojams.blogspot.com/2013/05/the-pigeon-wing-buck-wing-and-buck.html for information and video examples of both of these types of dancing.
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Death drop- Read the comments under Example #5: "Stand Battle 2013" below.
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FEATURED VIDEOS
These examples are presented in chronological order based on their posting dates with the oldest dated examples given first.
WARNING: A number of comments on some of these videos’ viewer comment threads contain profanity, racist language, and other objectionable content.
Example #1: The Dancing Dolls of Jackson...AKA "MINI J-SETTES"
oneyouluvtohate, Uploaded on Oct 30, 2009
-snip-
"aka" means "also known as". Information about & a video of the "Jackson State University J-Settes" are found in the Addendum to this post.
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Example #2: DIP IT DOWN LOW BATTLE PURPLE DIAMONDS
dixie2176, Uploaded on Aug 16, 2011
THIS BATTLE WAS W I L D... YOU BE THE JUDGE!!!!! LOVE THIS PERFORMANCE... THESE GIRLS ARE ALL REALLY GOOD...YET PURPLE DIAMONDS TOOK THE WIN... video by D & M PRODUCTION Of Djamale's Dancingdivas
-snip-
Given the comments in the summary statement, I think the dance (majorette?) team "battling" the Purple Diamonds is the Dancing Divas.
I'm particularly interested in this video because it documents stand battles taking place on stages (as opposed to the floor of a gymnasium). I'm also interested in the way that the audience in this video reacts to the performances ("battles"), and the way that the dance captains shook hands when the result of the competition was announced.
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Example #3: PURPLE DIAMONDS VS DANCING DOLLS
TDABEST2011, Published on Aug 11, 2012
STAND BATTLE...DIP IT LOW 8/11/2012 THE MOST CRUNKEST STAND BATTLE I HAVE SEEN WITH MY OWN EYES TAKE 1..
-snip-
This 2012 video example of two Jackson, Mississippi pre-university dance groups feature “The Dancing Dolls” before they were showcased on the American television series “Bring It!”. These dance teams refer to themselves as “majorettes”.* This style of majorette performance is a distinct change from the “old style” of majorette performances.**
*http://www.dollhousedancefactory.com/ http://www.dollhousedancefactory.com/. The Dancing Dolls (Jackson, Mississippi)'s home page includes “pre-majorette, majorette I and majorette II” in the list of dance classes that are offered. Also, https://www.facebook.com/pages/Dancing-Dolls/116220078408472
Comment posted by “Dancing Dolls” March 28 [2014] “Majorette Tour is underway!!!”
**Here's a comment that I wrote on the pancocojams post http://pancocojams.blogspot.com/2014/01/african-american-south-african-batons.html
"...it appears that many (if not most) contemporary African American marching bands and African American drill teams have changed the definition of majorettes from "female baton twirlers" to "females who perform certain styles of dancing and/or marching/step movements to certain types of music", which rarely includes snare drums.
It's very difficult to find any video of a HBCU (historically Black college and university) or an African American high school unit (or predominately African American high school unit) that features baton twirling. However, three examples of that majorette style are included in that 2014 pancocojams post.
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Example #4: Memphis elite battles tigerettes
pimp1908, Published on Jun 9, 2013
-snip-
Notice that the Memphis Elite is a male group who are performing in a Hip-Hop/breakdancestyle and not the same style as the "Prancing Tigerette" or other "majorette" dance group. However, to date, I've only found one video of a stand battle that includes a high school group that included two males with its female members. That video is given as Example #2 in the Bonus video section below.
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Example #5: Stand Battle 2013
BayAreaThuggn, Published on Aug 18, 2013
Dynamic Dancing Dollz vs. Purple Diamonds
Buck or Die 2013
Jackson, MS
-snip-
Notice that the Dancing Dolls performed a death drop. "Death drops" came from voguing, a performance style that originated in New York City gay ballroom scenes.
From http://en.wikipedia.org/wiki/Vogue_(dance)
Vogue, or voguing, is a highly stylized, modern house dance that evolved out of the Harlem [gay] ballroom scene in the 1980s...
"The dip is the fall, drop, or descent backward onto one's back with one's leg folded underneath. Mainstream dance forms popularized the dip, which is occasionally called the "death drop" when done in dramatics style. Due to popular media, the dip is sometimes incorrectly termed the "5000", "shablam", and "shabam"; such misnomers likely stem from older commentators chanting the word "shawam" when a voguer successfully completed a dip."
-snip-
I don't think that this definition of the death drop has anything to do with the use of the phrase "dip it low" in the video title of Example #2 and the summary statement of Example #3.
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Example #6: Bring It!: Buzzwords
Lifetime Published on Mar 6, 2014
Check out a dictionary of the different dance routines that the Dancing Dolls participate in, in this Bring It! video extra.
-snip-
Here's a comment from that video's viewer comment thread
Book Multimedia, 2014
"This show is an accurate display of how many dance teams function. and it would be no different without the cameras. i believe those kids and their sponsors are doing a great job. they train those girls with basic to advanced collegiate & Professional dance technique. if you were a fan of the marching band culture in the south. you would understand.. this is how Many dance teams function. i see influence from the A few teams in the SWAC on display."
-snip-
Two examples of SWAC dance teams are presented in the Addendum to this post
-snip-
BONUS VIDEOS
I've just come across a number of videos of dance battles whose performances are very similar to the performances shown above. However, those performance styles differ from those previously showcased groups n that the dance teams represent specific high schools AND the dance teams perform to the beat of live (snare) drums & cymbals. Unfortunately, no location is given for these events, but I've identified one of the groups as "the Dancing Diamonds" from Lovejoy High School in Lucas, Texas. It's likely that the other competing dance groups are also from Texas, if not from that Texas city. If you have any information about these groups, please add it in the comment section below. Thanks!
Bonus Example #1: Battle Of The Dance Lines 2012 - (Stands Competition Group -1)
atlbattle, Published on Jan 13, 2013
high school band
-snip-
One of these competing groups include two males.
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Bonus Example #2: Battle Of The Dance Lines 2012 - ( Stands Competition Group - 4 )
atlbattle, Published on Jan 13, 2013
high school band
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ADDENDUM - INFORMATION ABOUT HISTORICALLY BLACK COLLEGES AND UNIVERSITIES MARCHING BAND AFFILIATED DANCE LINES
[Revised October 24, 2018]
From http://websites.one.jsums.edu/sonicboom/?page_id=522" The Prancing J-Settes, Jackson State University Auxiliary Dancers: “Origin and Development of the Prancing J-Settes”
" “Prancing J-Settes” is the official name of the Jackson State University dance line, an auxiliary group of the Jackson State University Marching Band, “The Sonic Boom of the South.” ...
In 1971, Shirley Middleton, a former majorette, initiated the concept of the majorettes abandoning their batons and dancing to popular musical selections. As the majorette sponsor, Shirley Middleton and the majorettes met with Dr. John A. Peoples, the University’s sixth president, and requested that they be permitted to “put down their batons.”
Dr. Peoples agreed and thus legends were born. In 1970, Middleton assembled 18 majorettes, and their notoriety immediately began to soar in rapid proportions...
The group was initially named the “Prancing Jaycettes.” The group’s name became official in 1971. However, in 1982, the Prancing Jaycette organization officially changed its name to Prancing J-Settes, because of a name conflict with a local organization known as the Jackson Jaycees/Jaycettes.
Shirley Middleton served as sponsor of the J-Settes from 1970-1975. In 1975, Narah Oatis was appointed the sponsor of the J-Settes. Under her leadership, the Prancing J-Settes became nationally renowned. During her reign, J-Sette marching technics such as the “Salt and Pepper,” “J-Sette Walk,” “Strut,” and “Tip Toe” were perfected. The J-Settes consisted of lines of 12-16 young ladies who marched in rows affectionately named “Short and Sassy,” “Magnificent Middle,” or a “Tall and Tough.” ...
end of quote
The marching band affiliated dance lines at many historically Black colleges & university in the Southern region of the United States have greatly influenced the creation of pre-university Hip Hop majorette dance lines. That said, the performance styles of those university affiliated dance lines differ considerably from Hip Hop majorette dance lines such as Jackson, Mississippi's Dancing Doll community group that is featured on the United States' television series Bring It! which debuted March 5, 2014 and began its fifth season in March 2018. . Notice that the "Dancing Doll" name of that Jackson, Mississippi Hip Hop majorette grou is the same name as Baton Rouge, Louisiana's Southern University's marching band affiliated dance line. And the name of Jackson, Mississippi "Dancing Dolls"'s competitor's "The Prancing Tigerettes" (from Memphis, Tennessee) is modeled after the name of the Jackson State University's "The Prancing J-Settes". Indeed, "The Tigerettes" was another name for the Prancing J-Settes "back in the day":
*from https://www.youtube.com/watch?v=sHz8GK1Y2Uk The Prancing Jsettes I go to Work, published by ChicagoMarchingBands in Apr 24, 2008
karamalebro, 2008
"The J-Settes are always known as the J-Settes-the Prancing J-Settes to be exact. Under the supervision of Ms. Oatis, however, the J-Settes went under the pseudonym-the TIGERETTES-whenever they put on those tiger print uniforms. Remember I stated, "Back in the day."
Thanks for enligtening all on the name of the uniform.
JSU Alumni, 1996."
-snip-
The fact that the Prancing J-Settes' signature moves have greatly influenced the Jackson, Mississippi Dancing Dolls and other majorette groups is documented by the content of this announcement for auditions on the (Jackson, Miss.) Dancing Doll's website http://www.dollhousedancefactory.com/DWilliams_Dance_Company_2_3.html
"Dancing Dolls Dance Team 2015 Tryouts are February 2015 at the Dollhouse Dance Factory....
Dancing Dolls is for girls ages 10-17. Dancing Dolls FINAL tryouts for the 2013 season will be held February 2015 at the Dollhouse Dance Factory. There is a $20 fee per dancer. Troyout Camp times are as follows...
Dancing Dolls require the following: Marching (Salt N Pepper & Swing), Struts (J-Sette Walk & Prancing), Splits, Kicks (both legs), Rollovers (front and Back), Cartwheel, Toe Touch, Back bend and Deathdrop. All moves are taught during camp sessions. A group dance will be taught consisting of 9-12 eight counts..."
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TWO VIDEOS OF UNIVERSITY MARCHING BAND AFFILIATED DANCE LINES
Example #1: SU Dancing Dolls at SWAC Championship 2013
HBCUBANDS.COM, Published on Dec 9, 2013
SU Dancing Dolls at SWAC Championship 2013
-snip-
Southern University is a historically Black university that is located in Baton Rouge, Louisiana. "Dancing Dolls" is the name of that university band's dance line.
"HBCU" = Historically Black Colleges & Universities
The Southwestern Athletic Conference (SWAC) is a collegiate athletic conference headquartered in Birmingham, Alabama, which is made up of historically black universities in the Southern United States. http://en.wikipedia.org/wiki/Southwestern_Athletic_Conference
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Example #2: The Golden Girls vs The Prancing J-Settes Both Dancing to Bad Girls @ The SWAC Championship
HBCUBANDS.COM, Published on Dec 12, 2013
Which Squad had the Better Routine?...
-snip-
The Golden Girls is the name of the dance team that is an auxiliary of the Alcorn State University (Lorman, Mississippi) marching band.
"
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Thanks for visiting pancocojams.
Visitor comments are welcome.
[latest revision: October 24, 2018]
This post provides definitions for "stand battles" and provides video examples of stand routines (battle stands) that are performed by community based groups such as Jackson, Mississippi's "Dancing Dolls", Jackson, Mississippi's "Purple Diamonds, and Memphis, Tennessee's "Prancing Tigerettes".
The Addendum to this post provides examples of Southern University's "Dancing Dolls", Alcorn State University's "Golden Girls", and Jackson State University's "Prancing J-Settes", three of the historically Black colleges & universities (HBCU) marching band affiliated dance lines whose performance styles have greatly influenced the (Jackson, Mississippi) "Dancing Dolls" and other community based dance groups (majorettes) who are featured on the American television series Bring It!. Note that the names of the Jackson, Mississippi "Dancing Dolls" group and their competitors the Memphis, Tennessee group "The Prancing Tigerettes" (and other competitors) were influenced by the names of historically Black colleges and universities' marching band affiliated dance lines.
The Addendum to this post also provides information about how the female groups that are auxiliaries of historically Black universities' marching bands changed their referent from "majorettes" to "dance lines". That excerpt also documents changes in the performance styles of those groups.
The content of this post is posted for historical, cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
Thanks to all those who are featured in these videos. Thanks also to the publishers of these videos on YouTube and thanks to all those who are quoted in this post.
RELATED LINKS
http://pancocojams.blogspot.com/2015/04/j-setting-jsus-prancing-j-settes-and.html
"J-Setting, JSU's Prancing J-Settes, And Black Gay J-Setters"
http://pancocojams.blogspot.com/2014/04/dance-stand-routines-from-hbcu-dance.html
"Stand Routines From Historically Black Colleges & Universities Dance Line Auditions"
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DIFFERENT MEANINGS OF "MAJORETTE"
Drum & Bugle Corp Majorettes
The older meaning of "majorette" (also known as "drum majorette") is "a young woman or girl who wears a uniform and makes a pattern of movements with a baton (= stick) by turning it and throwing it into the air, as part of a group of girls who do this or as the leader of a musical group" http://dictionary.cambridge.org/us/dictionary/british/majorette
-snip-
While there are some YouTube videos of African American drum majorettes, it appears that there are fewer of this type of majorette group among African Americans than there has ever been.
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Hip Hop Majorettes
At present, Hip Hop majorettes are [usually] entirely African American female groups from the Southern states. The groups refer to themselves as "majorettes"* and battle (compete) with other groups in majorette tours. One such group is Jackson, Mississippi's Dancing Dolls who are featured on the American television series "Bring It!". This post includes videos of "the Dancing Dolls" and "the Prancing Tigerettes" prior to these groups being showcased on the television series "Bring It!"
*In the "Bring It" series edition that aired on September 10, 2014, the coach of the showcased group the "Dancing Dolls" referred to that group's performance style as "Hip Hop majorettes". Here's the definition of "majorettes" that is given by Jackson Mississippi "Dancing Dolls" Coach Miss D (Diana Williams) in the video:
"'Majorette' is a form of dance that incorporates hip-hop, ballet, jazz, and a mixture of lyrical dance all together. It’s high energy, high paced. It’s fun, energetic, and it’s entertaining. https://www.youtube.com/watch?v=j_k7UfFcoQA
"Miss D's Dance Dictionary "Dance Styles" [.14-.26]
-snip-
The Jackson, Mississippi "Dancing Dolls" and other majorette groups that they compete with perform choreographed, synchronized movements to percussive music. However, that music is recorded, not played by live drummers. Also, those new style majorette groups don't twirl and catch any batons or sticks.
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HIP HOP MAJORETTE TERMS
Stand Battles
From http://www.mylifetime.com/shows/bring-it/dance-dictionary “Bring It! [television show]
"Stand Battle: The stand battle works like a single elimination bracket tournament. The teams draw numbers and are randomly paired together. Each pair take turns trying to out dance each other. The teams go back and forth until the judges determine that one team wins. This is the most intense of all the categories because while the dance sequences are choreographed, when they are used is decided on the fly. The Captain must decide when to use what sequence based on the opposing team's sequence."
-snip-
From https://www.youtube.com/watch?v=Xrio6Fp6bHw [quote beginning at 1:24 of that video]
" “What is a stand battle?”
“A stand battle is when two teams take the dance floor at the same time. They take turns throwing eight counts back and forth until the judges declare a winner. “An eight count” is known as a stand.
Exchanging an eight count is like two boxers in the ring throwing punches back and forth with each team trying to land a killer combination. In war it’s back and forth shootin at each other. It’s the same thing. The only difference is that we don’t do that-we throw stands."
-Miss D (Diane Williams), Founder & Instructor/Coach - The Dancing Dolls (Jackson, Mississippi)
-snip-
This video is embedded as Example #6 below and features a definition of "bucking" and other definitions.
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Bucking
One of the dance movements that Hip Hop majorettes perform is "bucking". "Bucking" -as performed by some African American majorette groups, particularly in the South- consists of performing rhythmic pelvic thrusts (pops) as part of a dance routine.
The term "bucking" is probably a new name for this very old African originated dance movement. The Houston, Texas group X-Treme Motion was the first to popularize "bucking" on television. That group competed on the 2010 television show "America's Best Dance Crew. Here's a link to a January 4, 2010 video of dance crew from a historically Black university in Houston, Texas whose summary statement mentions "bucking": https://www.youtube.com/watch?v=apu78i3-K1s. Here's the summary statement from the publisher's Trecia KneCole Fan Page's summary statement:
"X-Treme Motion Dance Crew is a Houston Based Crew from "The Motion of the Ocean" Majorettes at Texas Southern University. They specialize in Hip-Hop, Jazz, Ballet, Funky Jazz, and Modern. But, Showcasing and bring their own dance style called "Bucking" to the forefront"
-snip-
(Majorette) bucking isn't the same as a 19th century American term "buck dancing" which refers to clogging/tap dancing ("buck and wing"). Nor is "majorette bucking" the same as "buck jumping", a very old style of dancing and processional marching that members of New Orleans Social Aid & Pleasure Clubs & New Orleans second line paraders do.
Click http://pancocojams.blogspot.com/2013/05/the-pigeon-wing-buck-wing-and-buck.html for information and video examples of both of these types of dancing.
****
Death drop- Read the comments under Example #5: "Stand Battle 2013" below.
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FEATURED VIDEOS
These examples are presented in chronological order based on their posting dates with the oldest dated examples given first.
WARNING: A number of comments on some of these videos’ viewer comment threads contain profanity, racist language, and other objectionable content.
Example #1: The Dancing Dolls of Jackson...AKA "MINI J-SETTES"
oneyouluvtohate, Uploaded on Oct 30, 2009
-snip-
"aka" means "also known as". Information about & a video of the "Jackson State University J-Settes" are found in the Addendum to this post.
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Example #2: DIP IT DOWN LOW BATTLE PURPLE DIAMONDS
dixie2176, Uploaded on Aug 16, 2011
THIS BATTLE WAS W I L D... YOU BE THE JUDGE!!!!! LOVE THIS PERFORMANCE... THESE GIRLS ARE ALL REALLY GOOD...YET PURPLE DIAMONDS TOOK THE WIN... video by D & M PRODUCTION Of Djamale's Dancingdivas
-snip-
Given the comments in the summary statement, I think the dance (majorette?) team "battling" the Purple Diamonds is the Dancing Divas.
I'm particularly interested in this video because it documents stand battles taking place on stages (as opposed to the floor of a gymnasium). I'm also interested in the way that the audience in this video reacts to the performances ("battles"), and the way that the dance captains shook hands when the result of the competition was announced.
****
Example #3: PURPLE DIAMONDS VS DANCING DOLLS
TDABEST2011, Published on Aug 11, 2012
STAND BATTLE...DIP IT LOW 8/11/2012 THE MOST CRUNKEST STAND BATTLE I HAVE SEEN WITH MY OWN EYES TAKE 1..
-snip-
This 2012 video example of two Jackson, Mississippi pre-university dance groups feature “The Dancing Dolls” before they were showcased on the American television series “Bring It!”. These dance teams refer to themselves as “majorettes”.* This style of majorette performance is a distinct change from the “old style” of majorette performances.**
*http://www.dollhousedancefactory.com/ http://www.dollhousedancefactory.com/. The Dancing Dolls (Jackson, Mississippi)'s home page includes “pre-majorette, majorette I and majorette II” in the list of dance classes that are offered. Also, https://www.facebook.com/pages/Dancing-Dolls/116220078408472
Comment posted by “Dancing Dolls” March 28 [2014] “Majorette Tour is underway!!!”
**Here's a comment that I wrote on the pancocojams post http://pancocojams.blogspot.com/2014/01/african-american-south-african-batons.html
"...it appears that many (if not most) contemporary African American marching bands and African American drill teams have changed the definition of majorettes from "female baton twirlers" to "females who perform certain styles of dancing and/or marching/step movements to certain types of music", which rarely includes snare drums.
It's very difficult to find any video of a HBCU (historically Black college and university) or an African American high school unit (or predominately African American high school unit) that features baton twirling. However, three examples of that majorette style are included in that 2014 pancocojams post.
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Example #4: Memphis elite battles tigerettes
pimp1908, Published on Jun 9, 2013
-snip-
Notice that the Memphis Elite is a male group who are performing in a Hip-Hop/breakdancestyle and not the same style as the "Prancing Tigerette" or other "majorette" dance group. However, to date, I've only found one video of a stand battle that includes a high school group that included two males with its female members. That video is given as Example #2 in the Bonus video section below.
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Example #5: Stand Battle 2013
BayAreaThuggn, Published on Aug 18, 2013
Dynamic Dancing Dollz vs. Purple Diamonds
Buck or Die 2013
Jackson, MS
-snip-
Notice that the Dancing Dolls performed a death drop. "Death drops" came from voguing, a performance style that originated in New York City gay ballroom scenes.
From http://en.wikipedia.org/wiki/Vogue_(dance)
Vogue, or voguing, is a highly stylized, modern house dance that evolved out of the Harlem [gay] ballroom scene in the 1980s...
"The dip is the fall, drop, or descent backward onto one's back with one's leg folded underneath. Mainstream dance forms popularized the dip, which is occasionally called the "death drop" when done in dramatics style. Due to popular media, the dip is sometimes incorrectly termed the "5000", "shablam", and "shabam"; such misnomers likely stem from older commentators chanting the word "shawam" when a voguer successfully completed a dip."
-snip-
I don't think that this definition of the death drop has anything to do with the use of the phrase "dip it low" in the video title of Example #2 and the summary statement of Example #3.
****
Example #6: Bring It!: Buzzwords
Lifetime Published on Mar 6, 2014
Check out a dictionary of the different dance routines that the Dancing Dolls participate in, in this Bring It! video extra.
-snip-
Here's a comment from that video's viewer comment thread
Book Multimedia, 2014
"This show is an accurate display of how many dance teams function. and it would be no different without the cameras. i believe those kids and their sponsors are doing a great job. they train those girls with basic to advanced collegiate & Professional dance technique. if you were a fan of the marching band culture in the south. you would understand.. this is how Many dance teams function. i see influence from the A few teams in the SWAC on display."
-snip-
Two examples of SWAC dance teams are presented in the Addendum to this post
-snip-
BONUS VIDEOS
I've just come across a number of videos of dance battles whose performances are very similar to the performances shown above. However, those performance styles differ from those previously showcased groups n that the dance teams represent specific high schools AND the dance teams perform to the beat of live (snare) drums & cymbals. Unfortunately, no location is given for these events, but I've identified one of the groups as "the Dancing Diamonds" from Lovejoy High School in Lucas, Texas. It's likely that the other competing dance groups are also from Texas, if not from that Texas city. If you have any information about these groups, please add it in the comment section below. Thanks!
Bonus Example #1: Battle Of The Dance Lines 2012 - (Stands Competition Group -1)
atlbattle, Published on Jan 13, 2013
high school band
-snip-
One of these competing groups include two males.
****
Bonus Example #2: Battle Of The Dance Lines 2012 - ( Stands Competition Group - 4 )
atlbattle, Published on Jan 13, 2013
high school band
****
ADDENDUM - INFORMATION ABOUT HISTORICALLY BLACK COLLEGES AND UNIVERSITIES MARCHING BAND AFFILIATED DANCE LINES
[Revised October 24, 2018]
From http://websites.one.jsums.edu/sonicboom/?page_id=522" The Prancing J-Settes, Jackson State University Auxiliary Dancers: “Origin and Development of the Prancing J-Settes”
" “Prancing J-Settes” is the official name of the Jackson State University dance line, an auxiliary group of the Jackson State University Marching Band, “The Sonic Boom of the South.” ...
In 1971, Shirley Middleton, a former majorette, initiated the concept of the majorettes abandoning their batons and dancing to popular musical selections. As the majorette sponsor, Shirley Middleton and the majorettes met with Dr. John A. Peoples, the University’s sixth president, and requested that they be permitted to “put down their batons.”
Dr. Peoples agreed and thus legends were born. In 1970, Middleton assembled 18 majorettes, and their notoriety immediately began to soar in rapid proportions...
The group was initially named the “Prancing Jaycettes.” The group’s name became official in 1971. However, in 1982, the Prancing Jaycette organization officially changed its name to Prancing J-Settes, because of a name conflict with a local organization known as the Jackson Jaycees/Jaycettes.
Shirley Middleton served as sponsor of the J-Settes from 1970-1975. In 1975, Narah Oatis was appointed the sponsor of the J-Settes. Under her leadership, the Prancing J-Settes became nationally renowned. During her reign, J-Sette marching technics such as the “Salt and Pepper,” “J-Sette Walk,” “Strut,” and “Tip Toe” were perfected. The J-Settes consisted of lines of 12-16 young ladies who marched in rows affectionately named “Short and Sassy,” “Magnificent Middle,” or a “Tall and Tough.” ...
end of quote
The marching band affiliated dance lines at many historically Black colleges & university in the Southern region of the United States have greatly influenced the creation of pre-university Hip Hop majorette dance lines. That said, the performance styles of those university affiliated dance lines differ considerably from Hip Hop majorette dance lines such as Jackson, Mississippi's Dancing Doll community group that is featured on the United States' television series Bring It! which debuted March 5, 2014 and began its fifth season in March 2018. . Notice that the "Dancing Doll" name of that Jackson, Mississippi Hip Hop majorette grou is the same name as Baton Rouge, Louisiana's Southern University's marching band affiliated dance line. And the name of Jackson, Mississippi "Dancing Dolls"'s competitor's "The Prancing Tigerettes" (from Memphis, Tennessee) is modeled after the name of the Jackson State University's "The Prancing J-Settes". Indeed, "The Tigerettes" was another name for the Prancing J-Settes "back in the day":
*from https://www.youtube.com/watch?v=sHz8GK1Y2Uk The Prancing Jsettes I go to Work, published by ChicagoMarchingBands in Apr 24, 2008
karamalebro, 2008
"The J-Settes are always known as the J-Settes-the Prancing J-Settes to be exact. Under the supervision of Ms. Oatis, however, the J-Settes went under the pseudonym-the TIGERETTES-whenever they put on those tiger print uniforms. Remember I stated, "Back in the day."
Thanks for enligtening all on the name of the uniform.
JSU Alumni, 1996."
-snip-
The fact that the Prancing J-Settes' signature moves have greatly influenced the Jackson, Mississippi Dancing Dolls and other majorette groups is documented by the content of this announcement for auditions on the (Jackson, Miss.) Dancing Doll's website http://www.dollhousedancefactory.com/DWilliams_Dance_Company_2_3.html
"Dancing Dolls Dance Team 2015 Tryouts are February 2015 at the Dollhouse Dance Factory....
Dancing Dolls is for girls ages 10-17. Dancing Dolls FINAL tryouts for the 2013 season will be held February 2015 at the Dollhouse Dance Factory. There is a $20 fee per dancer. Troyout Camp times are as follows...
Dancing Dolls require the following: Marching (Salt N Pepper & Swing), Struts (J-Sette Walk & Prancing), Splits, Kicks (both legs), Rollovers (front and Back), Cartwheel, Toe Touch, Back bend and Deathdrop. All moves are taught during camp sessions. A group dance will be taught consisting of 9-12 eight counts..."
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TWO VIDEOS OF UNIVERSITY MARCHING BAND AFFILIATED DANCE LINES
Example #1: SU Dancing Dolls at SWAC Championship 2013
HBCUBANDS.COM, Published on Dec 9, 2013
SU Dancing Dolls at SWAC Championship 2013
-snip-
Southern University is a historically Black university that is located in Baton Rouge, Louisiana. "Dancing Dolls" is the name of that university band's dance line.
"HBCU" = Historically Black Colleges & Universities
The Southwestern Athletic Conference (SWAC) is a collegiate athletic conference headquartered in Birmingham, Alabama, which is made up of historically black universities in the Southern United States. http://en.wikipedia.org/wiki/Southwestern_Athletic_Conference
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Example #2: The Golden Girls vs The Prancing J-Settes Both Dancing to Bad Girls @ The SWAC Championship
HBCUBANDS.COM, Published on Dec 12, 2013
Which Squad had the Better Routine?...
-snip-
The Golden Girls is the name of the dance team that is an auxiliary of the Alcorn State University (Lorman, Mississippi) marching band.
"
****
Thanks for visiting pancocojams.
Visitor comments are welcome.
Thursday, January 9, 2014
African American & South African Batons, Flags, and Other Twirling Videos
Edited by Azizi Powell
This post showcases videos of African American & South African baton, drum major maces, flags, and rifles, and hoops twirling (spinning).
Two brief excerpts about the Kongo roots of baton twirling and a brief excerpt about African American juggling as a source of American baton twirling are also included in this post.
The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
Thanks to all those who are quoted in this post. Thanks also to all those who are featured in these videos and thanks to the publishers of these videos on YouTube.
****
THE KONGO POSE AND BATON TWIRLING
From https://books.google.com/books?isbn=0253217490 Africanisms in American Culture edited by Dr. Joseph E. Halloway pp. 12-13
"Robert Farris Thompson's essay (chapter 10) contributes to our understanding of Africanisms found in African American aesthestics, revealing that the majority of African retentions in African American folk art are Bantu in origin. Thompson shows that the impact of the Kongo on African American culture contributed to the foundation of black American aesthetics and musical culture in the New World. The Kongo influence contributed to the rise of the national music of Brazil (the samba) and to one of the most sophisticated music forms in the United States (jazz).
Thompson demonstrates that Kongo influences are widespread.
...The African Haitian ritual dancing based on a dance form found in northern Kongo was adopted by the baton-twirling "major jonc" called rara. Its members twirl batons and strike a Kongo pose when confronting a rival group. it is hypothesized that in Mississippi. where many Kongo slaves resided, such groups had a major impact. Mississippi has become a world baton-twirling center".
****
From http://www.asarimhotep.com/index.php/articles/18-posture-and-meaning-interpreting-egyptian-art-through-a-kongo-cultural-lens publisher Asar, 27 January 2012
"The book Africanisms in American Culture edited by Dr. Joseph E. Halloway documents some of the Africanisms that have survived in the Americas during and after the enslavement period. A good number of the surviving Africanisms that have survived are in the form of poses...
Telema
The most dramatic incursion of a Kongo gesture in Haiti is the reemergent biika mambu stance. This stance is frequently called telama lwimbanganga in Northern Kongo. This pose is identifiable as the left hand on the hip and the right hand forward. This became the drum majorette pose that gave way to baton twirling in the United States.
In Kongo, placing the left hand on the hip is believed to press down all evil, while the extended right hand acts to “vibrate” the future in a positive manner. Important women used this pose at dawn to “vibrate positively” the future of town warriors. Advocates used its power to block or end a lawsuit (Halloway 2005: 298). One will notice that this is the pose for the famous Supremes song, “Stop in the name of love.”
.... The telema stance has to do with power and mediating force (power grasped and evil contained).
****
THE PROBABLE INFLUENCE OF EARLY 20TH CENTURY JUGGLING BY BLACK PERFORMERS ON AMERICAN BATON TWIRLING
From http://www.juggling.org/jw/87/2/joetaylor.html
Juggler's World: Vol. 39, No. 2 "Joe Taylor And Other Early Black Jugglers"
"With the [Negro League baseball team the] Indianapolis Clowns, he [Joe Taylor] was the pitcher, tossing balls, clubs and dinner plates around the diamond and rolling a baseball around his body.
The tradition of the minstrel show, performed by people without the need of burnt cork makeup, digs deep into the roots of American family entertainment. Though black jugglers remain a rarity, it is important to remember the solid influence that blacks have played in the field.
The Harlem Globetrotters certainly represent the oldest continuous object manipulation troupe in the world. The statistics on their travels and audiences read like world census reports - their impact on the world's acceptance of tom-foolery juggling, to say nothing of blacks and serious basketball technique, is immeasurable.
He [Joe Taylor] toured for two years with the New York Broadway Clowns basketball club before being drafted and serving in postwar Germany. On his return, he played with the Harlem Magicians Basketball Show and later the Indianapolis Clowns Baseball Team. With the Indianapolis Clowns, he was the pitcher, tossing balls, clubs and dinner plates around the diamond and rolling a baseball around his body.
As he matured, he stayed in touch with other jugglers. He visited Montandon when he passed through Oklahoma and wrote a piece on comedy ball rolling for Montandon's "Juggler's Bulletin Annual." While in Germany, he met with Max Koch and sent back an interview with this human Mecca of the juggling world for readers of the "Newsletter."
And that's about all we know of Taylor, the IJA's first black member. The "Bulletin" and "Newsletter" can take a little pride in the fact that they publicized him. And Taylor can take pride in having left Wellington Street to take a run at having his skills, rather than his color, recognized by the world.
A Sampling of Early Black Jugglers
George Rowland: Probably the best known, most successful black juggler, and one of the earliest; he was one of the first "dressed up" tramp jugglers, playing the circuits in the early decades of this century.
Thatcher, Primrose, and West: included baton twirling in their act.
"The Great English:" Hoop roller, popular around 1910.
The Billy Kersard Colored Minstrels: employed a juggler of balls, hats, cigars, and plates.
Will Cook: toured with the Black Patti Colored Musical Comedy Co.
Albert Drew: juggler and wire walker with the A.G. Allen Colored Minstrels.
Arthur Prince: Club and hoop juggler with the Huntington Colored Minstrels.
Coy Herndon and Silas Greer: With the New Orleans Colored Musical Comedy troupe. Herndon was reported to be one of the best hoop rollers ever"...
****
FEATURED VIDEOS - CONTEMPORARY BATON TWIRLING IN THE UNITED STATES AND SOUTH AFRICA
Example #1: Saint Dominics High School Drum Majorettes 2005 LARGE DRILL [South Africa]
Quepeedoo Uploaded on Aug 14, 2010
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Example #2: SOUTH SHORE DRILL TEAM - Bud Billiken Parade 2010 [United States]
South Shore Drill Team, Uploaded on Mar 2, 2011
South Shore Drill Team doing it at the Bud in 2010!
-snip-
The Bud Billiken Parade is an annual Chicago, Illinois parade commemorating the beginning of the school year for children and youth.
From my YouTube video searching it appears that this South Shore Drill Team [from Chicago, Illinois] and the other Chicago, Illinois drill team showcased in Example #4 are rare examples of African American drill teams that do rifle [and other types of] twirling routines. Click http://pancocojams.blogspot.com/2011/09/in-praise-of-south-shore-drill-team.html for a pancocojams post of the South Shore drill team that includes a video of that unit of that group doing flag and other types of twirls routines.
View Video #6 & Video #7 [added January 9, 2014] for videos of a predominately African American troupe of baton twirlers.
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Example #3: 2013 Mokete Wa Leru [South Africa]
Ngedwani Mgcina Published on Apr 23, 2013
Majeremane (Selemo se secha)
Mehlomakhulu 2013
-snip-
Hat tip to slam2011 who shared the information that "Selemo se secha" means "Happy New Year" in Lesotho, a South African language on this pancocojams post- http://pancocojams.blogspot.com/2014/01/videos-of-south-african-gospel-brass.html
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Example #4: GOLDEN KNIGHTS DRILL TEAM 2013 [United States]
Ronnell Johnson, Published on Aug 11, 2013
2013 BUD BILLIKEN PARADE
-snip-
Click http://www.youtube.com/watch?v=OIi8BViWnZM http://www.youtube.com/watch?v=OIi8BViWnZM for a brief video of toddler in this group's uniform practicing twirling a rifle.
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Example #5: NC A&T - Halftime (Post-Game) 9.7.2013 [United States]
Thomas L. Jones, Jr. Published on Sep 8, 2013
The Aggie band salutes legendary artists Madonna and Lady Gaga during the post-game festivities against Appalachian State University in Boone, NC. I'd also like to point out that all songs are in their original keys: "Edge of Glory" - A Major, "Borderline" - D Major, Express Yourself/Born This Way" - G Major, "Crazy for You" - E Major, "Poker Face" - Ab Minor...
-snip-
NC A&T = North Carolina Agricultural & Technical University, Greensboro, North Carolina.
****
ADDED VIDEOS [January 10, 2014]
EDITOR'S COMMENT:
From searching YouTube, it appears that many (if not most) contemporary African American marching bands and African American drill teams have changed the definition of majorettes from "female baton twirlers" to "females who perform certain styles of dancing and/or marching/step movements to certain types of music", which rarely includes snare drums.
It's very difficult to find any video of a HBCU (historically Black college and university) or an African American high school unit (or predominately African American high school unit) that features baton twirling. Here are three such videos that I found:
Example #6: Intro the KSU Majorettes [United States]
ksumajorette. Uploaded on Sep 5, 2010
Kentucky State University added the auxiliary twirling group to the Marching Thorobreds in January 2009 thanks to the efforts of Sophia Marie Thompson [captain of that group].
-snip-
"KU" = Kentucky State University, a historically Black university. From the comment section, this unit was just started in January 2009. Other commenters indicated that these were basic baton twirling techniques.
****
Example #7: Mcd 35 Majorettes 2008-2009 [United States]
msgee351 Published on Oct 23, 2012
An Old video from 35 vs a school in Alexandria I think. I cant remember. Missing our first co-captain this night Monique!!!
-snip-
"Mcd" = McDonogh. I think this is a high school in Baton Rouge, Louisiana. But I'm not sure of that.
There is also a 2012 video of this group performing baton twirls.
****
Example 8: McMain Majorettes 2012 [United States]
tayariane, Published on Nov 11, 2012
Homecoming 2012
-snip-
I think that this video is of a high school in Baton Rouge, Louisiana. But I'm not sure of that.
-snip-
Click http://www.youtube.com/watch?v=tWlbtt3njyQ, and http://www.youtube.com/watch?v=zmx2JF1es8Y for two videos of African American troupes with the word "majorette" in the group's name who didn't perform any baton twirling in those videos. The first video, from 2011, is entitled "Lovely Lavish Ladies, Majorettes of MTSU *Game 1*" "MTSU" is Middle Tennessee State University. It is a non-historically Black university.
The summary of the second video, published in 2013, indicates that "Bellevue Middle School Majorettes take it back to the old school with a drumline, while all the other majorettes at the jamboree used CD's."
****
RELATED LINK
Cane twirling is another form of twirling that is performed by certain historically Black Greek lettered organizations. Click http://pancocojams.blogspot.com/2012/11/cane-performances-in-black-fraternities.html for videos of cane twirling.
****
Thanks to all those who are featured in these videos or who have been quoted in this post. Thanks also to the publishers of these videos on YouTube.
Thank you for visiting pancocojams.
Visitor comments are welcome.
This post showcases videos of African American & South African baton, drum major maces, flags, and rifles, and hoops twirling (spinning).
Two brief excerpts about the Kongo roots of baton twirling and a brief excerpt about African American juggling as a source of American baton twirling are also included in this post.
The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
Thanks to all those who are quoted in this post. Thanks also to all those who are featured in these videos and thanks to the publishers of these videos on YouTube.
****
THE KONGO POSE AND BATON TWIRLING
From https://books.google.com/books?isbn=0253217490 Africanisms in American Culture edited by Dr. Joseph E. Halloway pp. 12-13
"Robert Farris Thompson's essay (chapter 10) contributes to our understanding of Africanisms found in African American aesthestics, revealing that the majority of African retentions in African American folk art are Bantu in origin. Thompson shows that the impact of the Kongo on African American culture contributed to the foundation of black American aesthetics and musical culture in the New World. The Kongo influence contributed to the rise of the national music of Brazil (the samba) and to one of the most sophisticated music forms in the United States (jazz).
Thompson demonstrates that Kongo influences are widespread.
...The African Haitian ritual dancing based on a dance form found in northern Kongo was adopted by the baton-twirling "major jonc" called rara. Its members twirl batons and strike a Kongo pose when confronting a rival group. it is hypothesized that in Mississippi. where many Kongo slaves resided, such groups had a major impact. Mississippi has become a world baton-twirling center".
****
From http://www.asarimhotep.com/index.php/articles/18-posture-and-meaning-interpreting-egyptian-art-through-a-kongo-cultural-lens publisher Asar, 27 January 2012
"The book Africanisms in American Culture edited by Dr. Joseph E. Halloway documents some of the Africanisms that have survived in the Americas during and after the enslavement period. A good number of the surviving Africanisms that have survived are in the form of poses...
Telema
The most dramatic incursion of a Kongo gesture in Haiti is the reemergent biika mambu stance. This stance is frequently called telama lwimbanganga in Northern Kongo. This pose is identifiable as the left hand on the hip and the right hand forward. This became the drum majorette pose that gave way to baton twirling in the United States.
In Kongo, placing the left hand on the hip is believed to press down all evil, while the extended right hand acts to “vibrate” the future in a positive manner. Important women used this pose at dawn to “vibrate positively” the future of town warriors. Advocates used its power to block or end a lawsuit (Halloway 2005: 298). One will notice that this is the pose for the famous Supremes song, “Stop in the name of love.”
.... The telema stance has to do with power and mediating force (power grasped and evil contained).
****
THE PROBABLE INFLUENCE OF EARLY 20TH CENTURY JUGGLING BY BLACK PERFORMERS ON AMERICAN BATON TWIRLING
From http://www.juggling.org/jw/87/2/joetaylor.html
Juggler's World: Vol. 39, No. 2 "Joe Taylor And Other Early Black Jugglers"
"With the [Negro League baseball team the] Indianapolis Clowns, he [Joe Taylor] was the pitcher, tossing balls, clubs and dinner plates around the diamond and rolling a baseball around his body.
The tradition of the minstrel show, performed by people without the need of burnt cork makeup, digs deep into the roots of American family entertainment. Though black jugglers remain a rarity, it is important to remember the solid influence that blacks have played in the field.
The Harlem Globetrotters certainly represent the oldest continuous object manipulation troupe in the world. The statistics on their travels and audiences read like world census reports - their impact on the world's acceptance of tom-foolery juggling, to say nothing of blacks and serious basketball technique, is immeasurable.
He [Joe Taylor] toured for two years with the New York Broadway Clowns basketball club before being drafted and serving in postwar Germany. On his return, he played with the Harlem Magicians Basketball Show and later the Indianapolis Clowns Baseball Team. With the Indianapolis Clowns, he was the pitcher, tossing balls, clubs and dinner plates around the diamond and rolling a baseball around his body.
As he matured, he stayed in touch with other jugglers. He visited Montandon when he passed through Oklahoma and wrote a piece on comedy ball rolling for Montandon's "Juggler's Bulletin Annual." While in Germany, he met with Max Koch and sent back an interview with this human Mecca of the juggling world for readers of the "Newsletter."
And that's about all we know of Taylor, the IJA's first black member. The "Bulletin" and "Newsletter" can take a little pride in the fact that they publicized him. And Taylor can take pride in having left Wellington Street to take a run at having his skills, rather than his color, recognized by the world.
A Sampling of Early Black Jugglers
George Rowland: Probably the best known, most successful black juggler, and one of the earliest; he was one of the first "dressed up" tramp jugglers, playing the circuits in the early decades of this century.
Thatcher, Primrose, and West: included baton twirling in their act.
"The Great English:" Hoop roller, popular around 1910.
The Billy Kersard Colored Minstrels: employed a juggler of balls, hats, cigars, and plates.
Will Cook: toured with the Black Patti Colored Musical Comedy Co.
Albert Drew: juggler and wire walker with the A.G. Allen Colored Minstrels.
Arthur Prince: Club and hoop juggler with the Huntington Colored Minstrels.
Coy Herndon and Silas Greer: With the New Orleans Colored Musical Comedy troupe. Herndon was reported to be one of the best hoop rollers ever"...
****
FEATURED VIDEOS - CONTEMPORARY BATON TWIRLING IN THE UNITED STATES AND SOUTH AFRICA
Example #1: Saint Dominics High School Drum Majorettes 2005 LARGE DRILL [South Africa]
Quepeedoo Uploaded on Aug 14, 2010
****
Example #2: SOUTH SHORE DRILL TEAM - Bud Billiken Parade 2010 [United States]
South Shore Drill Team, Uploaded on Mar 2, 2011
South Shore Drill Team doing it at the Bud in 2010!
-snip-
The Bud Billiken Parade is an annual Chicago, Illinois parade commemorating the beginning of the school year for children and youth.
From my YouTube video searching it appears that this South Shore Drill Team [from Chicago, Illinois] and the other Chicago, Illinois drill team showcased in Example #4 are rare examples of African American drill teams that do rifle [and other types of] twirling routines. Click http://pancocojams.blogspot.com/2011/09/in-praise-of-south-shore-drill-team.html for a pancocojams post of the South Shore drill team that includes a video of that unit of that group doing flag and other types of twirls routines.
View Video #6 & Video #7 [added January 9, 2014] for videos of a predominately African American troupe of baton twirlers.
****
Example #3: 2013 Mokete Wa Leru [South Africa]
Ngedwani Mgcina Published on Apr 23, 2013
Majeremane (Selemo se secha)
Mehlomakhulu 2013
-snip-
Hat tip to slam2011 who shared the information that "Selemo se secha" means "Happy New Year" in Lesotho, a South African language on this pancocojams post- http://pancocojams.blogspot.com/2014/01/videos-of-south-african-gospel-brass.html
****
Example #4: GOLDEN KNIGHTS DRILL TEAM 2013 [United States]
Ronnell Johnson, Published on Aug 11, 2013
2013 BUD BILLIKEN PARADE
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Click http://www.youtube.com/watch?v=OIi8BViWnZM http://www.youtube.com/watch?v=OIi8BViWnZM for a brief video of toddler in this group's uniform practicing twirling a rifle.
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Example #5: NC A&T - Halftime (Post-Game) 9.7.2013 [United States]
Thomas L. Jones, Jr. Published on Sep 8, 2013
The Aggie band salutes legendary artists Madonna and Lady Gaga during the post-game festivities against Appalachian State University in Boone, NC. I'd also like to point out that all songs are in their original keys: "Edge of Glory" - A Major, "Borderline" - D Major, Express Yourself/Born This Way" - G Major, "Crazy for You" - E Major, "Poker Face" - Ab Minor...
-snip-
NC A&T = North Carolina Agricultural & Technical University, Greensboro, North Carolina.
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ADDED VIDEOS [January 10, 2014]
EDITOR'S COMMENT:
From searching YouTube, it appears that many (if not most) contemporary African American marching bands and African American drill teams have changed the definition of majorettes from "female baton twirlers" to "females who perform certain styles of dancing and/or marching/step movements to certain types of music", which rarely includes snare drums.
It's very difficult to find any video of a HBCU (historically Black college and university) or an African American high school unit (or predominately African American high school unit) that features baton twirling. Here are three such videos that I found:
Example #6: Intro the KSU Majorettes [United States]
ksumajorette. Uploaded on Sep 5, 2010
Kentucky State University added the auxiliary twirling group to the Marching Thorobreds in January 2009 thanks to the efforts of Sophia Marie Thompson [captain of that group].
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"KU" = Kentucky State University, a historically Black university. From the comment section, this unit was just started in January 2009. Other commenters indicated that these were basic baton twirling techniques.
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Example #7: Mcd 35 Majorettes 2008-2009 [United States]
msgee351 Published on Oct 23, 2012
An Old video from 35 vs a school in Alexandria I think. I cant remember. Missing our first co-captain this night Monique!!!
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"Mcd" = McDonogh. I think this is a high school in Baton Rouge, Louisiana. But I'm not sure of that.
There is also a 2012 video of this group performing baton twirls.
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Example 8: McMain Majorettes 2012 [United States]
tayariane, Published on Nov 11, 2012
Homecoming 2012
-snip-
I think that this video is of a high school in Baton Rouge, Louisiana. But I'm not sure of that.
-snip-
Click http://www.youtube.com/watch?v=tWlbtt3njyQ, and http://www.youtube.com/watch?v=zmx2JF1es8Y for two videos of African American troupes with the word "majorette" in the group's name who didn't perform any baton twirling in those videos. The first video, from 2011, is entitled "Lovely Lavish Ladies, Majorettes of MTSU *Game 1*" "MTSU" is Middle Tennessee State University. It is a non-historically Black university.
The summary of the second video, published in 2013, indicates that "Bellevue Middle School Majorettes take it back to the old school with a drumline, while all the other majorettes at the jamboree used CD's."
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RELATED LINK
Cane twirling is another form of twirling that is performed by certain historically Black Greek lettered organizations. Click http://pancocojams.blogspot.com/2012/11/cane-performances-in-black-fraternities.html for videos of cane twirling.
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Thanks to all those who are featured in these videos or who have been quoted in this post. Thanks also to the publishers of these videos on YouTube.
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