Afro-Peruvian Classic Song "Toro Mata" (videos)

Edited by Azizi Powell

This is Part II of a two part series on the Afro-Peruvian classic song "Toro Mata" ("The Bull Kills").

Part II of this series showcases seven videos of vocal, musical, and dance performances of "Toro Mata". Brief biographical quotes about most of the featured vocalists are also included in this post.

Click http://pancocojams.blogspot.com/2015/03/afro-peruvian-classic-song-toro-mata.html for Part I of this series.

Part I provides information and comments about the song "Toro Mata" as well as its dance. Part I also features one version of the song's Spanish lyrics and one version of the song's English lyrics.

The content of this post is provided for cultural, entertainment, and aesthetic reasons.

All copyrights remains with their owners.

Thanks to Caitro Soto for this composition, and thanks to all those who are featured in these videos. Thanks also to those who produced these videos and those who published them on YouTube. Thanks also to all those who are quoted in this post.

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FEATURED VIDEOS
With the exception of the video of Caito Soto, these videos are presented in chronological order based on their publishing dates on YouTube with the examples with the oldest dates presented first.

Example #1: Toro Mata [Caitro Soto]



Daniel Proleón, Uploaded on Apr 20, 2008

Chabuca me llamaba Hijo, contó Caitro Soto en una oportunidad, quien con su cajón acompañó a Chabuca Granda por muchos escenarios del Perú y el mundo. Su nombre completo era Pedro Carlos Soto de La Colina, pero todos lo conocían como Caitro Soto, gran compositor, músico y un virtuoso del cajón, tan peruano como él.

Vive eternamente Caitro Soto en el corazón de los peruanos!!!
-snip-
Google translation from Spanish to English
"Chabuca called me son, had an opportunity Caitro Soto, who with his drawer Chabuca Granda accompanied by many scenarios of Peru and the world. His full name was Pedro Carlos Soto La Colina, but everyone knew him as Caitro Soto, great composer, musician and virtuoso drawer, as Peruvian like him."

Soto Caitro live forever in the heart of the Peruvian !!!
-snip-
My guess is that the word "drawer” in this comment means “something which or someone who attracts a lot of attention", i.e. "hit song", "best selling song", very popular virtuoso.
-snip-
Information about Caitro Soto from http://en.wikipedia.org/wiki/Caitro_Soto
"Pedro Carlos Soto de la Colina (23 October 1934, Cañete Province, Peru – 19 July 2004, Lima, Peru), popularly known as Caitro Soto, was an Afro-Peruvian musician and composer.[1]
He was known for his version of the Peruvian folk song, "Toro Mata" and as part of the Afro-Peruvian artist's collective Peru Negro. Peru Negro, located in Lima, is one of the most important organizations dedicated to preserving Afro-Peruvian music, dance and culture."...

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Example #2: EVA AYLLON - TORO MATA



Javier Neciosup Uploaded on Mar 15, 2007

From Eva Ayllon's "Live From Hollywood" out on DVD

www.evaayllon.net
-snip-
Information about Eva Ayllon from http://en.wikipedia.org/wiki/Eva_Ayll%C3%B3n
"Eva Ayllón (born February 6, 1956 as María Angélica Ayllón Urbina), a composer and singer, is one of Peru's foremost Afro-Peruvian musicians, and one of the country's most enduring living legends."

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Example #3: Celia Cruz - Toro Mata



Jorge MeléndrezUploaded on Oct 12, 2007

Celia Cruz, La Reina de la Salsa, interpretando su tema Toro Matai del autor peruano Carlos Soto de la Colina, grabado por Celia Cruz con la Orquesta de Johnny Pacheco en 1974 bajo el sello Vaya Records, incluida en la produccion: "Celia & Johnny" (VS-31)
-snip-
Celia Cruz, Queen of Salsa, interpretes Peruvian composer Carlos Soto de la Colina's composition "Toro Mata", recorded by Celia Cruz in 1974 with the Johnny Pacheco Orchestra, Vaya Records, included in the album " "Celia & Johnny" (VS-31)"
-snip-
Information about Celia Cruz from http://en.wikipedia.org/wiki/Celia_Cruz
"Úrsula Hilaria Celia de la Caridad Cruz Alfonso also known by her stage name Celia Cruz (October 21, 1925 – July 16, 2003) was a Cuban-American salsa singer/performer... She was renowned internationally as the "Queen of Salsa", "La Guarachera de Cuba", as well as The Queen of Latin Music.[1][2]"

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Example #4: ToroMata - Perú Negro



lalitocy Uploaded on Dec 16, 2009

Intérprete: Perú Negro. Recopilación: Caitro Soto de la Colina
La tradición española de la corrida de toros, fue uno de los espectáculos más populares que se desarrollaron en la época de la colonia, y llegarían a ser parte integral de la cultura y folklore afroperuanos. Una muestra de la popularidad de esta actividad es el género musical conocido como Toro mata, género popular tanto en la ciudad de Lima, como en los valles de Cañete y Chincha. El ToroMata del video es la versión más conocida y que fuera grabada por Perú Negro en 1973, basada en fragmentos de un toro mata tradicional de San Luis de Cañete. Existen otras versiones en Lima, Cañete y Chincha. Lamentablemente no existe un estudio profundo sobre este género, solo el musicólogo William Tompkins dedica un capítulo de su tesis "The Musical Traditions of the Blacks of Coastal Peru" (1981), a este género musical.
-snip-
Google translation from Spanish to English:
The Spanish tradition of bullfighting, was one of the most popular shows that developed in colonial times and would become an integral part of the culture and folklore afroperuanos. A sample of the popularity of this activity is the musical genre known as Toro Mata, popular genre both in Lima and in the valleys of Cañete and Chincha. The Toromata the video is the best known version that was recorded by Black Peru in 1973, based on fragments of a traditional bull kills San Luis de Cañete. There are other versions in Lima, Cañete and Chincha. Unfortunately there is no comprehensive study of its kind, only the musicologist William Tompkins devotes a chapter of his thesis "The Musical Traditions of the Blacks of Coastal Peru" (1981), this musical genre.

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Example #5: Lucila Campos - Toro Mata



Tevo Piva, Uploaded on Dec 7, 2011
-snip-
Information about Lucila Campos from http://www.last.fm/music/Lucila+Campos/+wiki
"Born Lucila Campos Clara Martial in Lima, Peru on 16 August 1938.

Lucila Campos is a popular Peruvian singer, and was known as “The Brown Beauty”. She has also been called the “Reina de las Polladas’, the quintessential interpreter of Afro-Peruvian folk music. For 17 years, she was a prominent member of Black Peru, an Afro-Peruvian cultural association whose mission was to preserve the art and culture of Blacks in Peru."

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Example #6: Black Latino music: Toro Mata, an Afro-Peruvian classic



Palomino Productions/Eve A. Ma Published on Jun 11, 2012

Black Latino music: Toro Mata, an Afro-Peruvian classic. Like it? It´s on our CD, http://Afro-PeruvianRhythms.com

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Examble #7: Susana Baca - Toro Mata



LesterStone Published on May 5, 2013

Tema de la cantante peruana Susana Baca incluido en el álbum 'Espíritu Vivo' (Luaka Bop, 2002; reeditado en 2009 por Editora Pregón). Composición de Carlos Soto de La Colina ("Caitro").
-snip-
Google translation from Spanish to English:
Topic of the Peruvian singer Susana Baca from the album 'Spirit Live' (Luaka Bop, 2002; reissued in 2009 by Editora Proclamation). Composition of Carlos Soto La Colina ("Caitro").
-snip-
Information about Susana Baca from http://en.wikipedia.org/wiki/Susana_Baca
"Susana Esther Baca de la Colina (born Chorrillos, Lima Province, Peru, 24 May 1944) is a prominent Peruvian singer-songwriter; two-times Latin Grammy Award winner. She has been a key figure in the revival of Afro-Peruvian music."

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This is the end of Part II of this series.

Thanks for visiting pancocojams.

Viewer comments are welcome.

Afro-Peruvian Classic Song "Toro Mata" , Part I (information, comments, lyrics)

Edited by Azizi Powell

This is Part I of a two part series on the Afro-Peruvian classic song "Toro Mata" ("The Bull Kills").

Part I provides information and comments about the song "Toro Mata" as well as its dance. Part I also features one version of the song's Spanish lyrics and one version of the song's English lyrics.

Click http://pancocojams.blogspot.com/2015/03/afro-peruvian-classic-toro-mata-videos.html for Part II of this series.

Part II showcases seven videos of vocal, musical, and dance performances of "Toro Mata". Brief biographical quotes about most of the featured vocalists are also included in this post.

The content of this post is provided for cultural, entertainment, and aesthetic reasons.

All copyrights remains with their owners.

Thanks to Caitro" Soto for composing this song from its folk roots. Thanks also to all those who are quoted in this post.

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INFORMATION ABOUT THE SONG "TORO MATA"
From http://en.wikipedia.org/wiki/Toro_Mata
"Toro Mata" ("The Bull Kills" in Spanish) is one of the most famous Afro-Peruvian songs in Peru, which has been recorded and developed by many different musical artists throughout its history. Toro Mata is a type of Peruvian music initially developed by black slaves in Cañete and Chincha.

History
"Toro Mata" is a song influenced by Afro-Peruvian musical styles (this song is classified as a landó), and over the years, has become a popular anthem for Peru. A dance of "Toro Mata" also developed, which mocks and parodies the stylized waltzes of European Conquistadores. This politically charged song and dance developed as a reaction to the conquest of Peru by Spain. By the beginning of the 20th century, "Toro Mata" was fading from popularity, but it has again become popular due the revival of musica criolla starting in the 1950s.

One of the most famous versions of "Toro Mata" was performed by Carlos Soto de la Colina (also known as Caitro Soto) in 1973. "Toro Mata" has also been performed by Peruvian musicians Susana Baca, Eva Ayllon, Peru Negro and Lucila Campos. There are many different versions of "Toro Mata" within Peru, with slight differences in content, though all center on a deadly bull. The song has gained popularity outside of Peru, with Cuban artist Celia Cruz recording a salsa version of the song."
-snip-
Italics added by me to highlight this sentence.

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From
http://afro-peruvian.blogspot.com/2012/08/toro-mata-afro-peruvian-classic.html Toro Mata," an Afro-Peruvian classic
"Toro Mata is one of those performance numbers that nearly disappeared forever from the world, but was saved from oblivion just in time. And I am so glad...

Caitro Soto, recently deceased, was a leading figure in reviving Afro-Peruvian music and dance, and bringing it to a wider public. He was able to do so in part because his grandmother and great-grandmother taught him many of the old, old songs when he was a boy. And he was a boy who loved to sing, loved to play the cajón, and was proud of his culture.

Toro Mata is one of the music and dance selections that he learned from his grandmother and great-grandmother. The great-grandmother in particular was only one generation away from the days of slavery, and knew many of the old songs dating from that time.

Toro Mata tells the story of two friends, both Afro-Peruvians at the time of slavery, who belonged to a man who raised bulls for bull-fights. One of the friends had been drinking, and decided in his slightly inebriated state, that he´d like to try his hand at bull-fighting.
The other people present agreed to this and gave him a bull, but his friend urged him to be cautious.

When he tried to fight the bull, the bull went after his black skin and not the red bull-fighter´s cape. He couldn´t get away from the bull. His friend tried to get him to stop, but it was no use.

We don´t hear the final outcome, but after all, the song´s title is Toro Mata, which means "the bull kills." I think it´s fair to assume that this is what happened to him."

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From https://listenrecovery.wordpress.com/2010/02/01/peru-negro-brief-story-ronaldo-campos-de-la-colina-bio-photography/
"After the late Celia Cruz recorded Toro Mata, the song turned into the most recognizable from the Afro Peruvian musical landscape. The Toro Mata is a landó and in its dance form becomes a mockery of the minuet and other stiff European dances observed by the slaves in the homes of their masters. The lyrics also offer double-entendre since the toro or bull embodies a significant symbol of Spanish culture."

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Comment from https://www.youtube.com/watch?v=4NY0FqpZ1jQ "ToroMata - Perú Negro" [This video is included in Part II of this pancocojams series.]
GriseldeHeineken, January 2014
"El toro es una metafora , se trata de los conquistadores que quieren arrancar la cultura incaica y la africana de sus raices pero sin conciencia hicieron una base de una cultura muy alta , la afro incaica que no existe ninguna parecida en el mundo !!!! gracias los espańoles que en vez de destruir las dos culturas , vos sin querer han creado una maravilla , gracias , toritos !!!"
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[My revision of the YouTube translation of this comment from Spanish to English]:
The bull is a metaphor, it is the conquerors who want to stop the Inca culture and its African roots but instead made it the foundation of a very high culture, African-Inca culture, there's nothing to compare it with in the world!!!! Thanks the Spanish instead of destroying the two cultures, you inadvertently created something wonderful. Thank you, bulls !!!

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SPANISH LYRICS FOR "TORO MATA" *
[Musical Genre] Landó
[composition credited to] Carlos Soto de la Colina

Toro mata, ahí, toro mata,
toro mata arrrumbambero
¡ay! toro mata.

La color no le permite
hacer el quite a Pititi
¡ay! toro mata.

Toro viejo se murió
mañana comemos caine,
¡ay! toro mata

¡Ay! la pondé, pondé, pondé,
este negro no es de aqui,
este negro es de Acarí.

Hay que matar a ese negro,
¿quién trajo a ese negro aquí?
¡Ay la pondé, pondé, pondé
¡Ay la pondé e e.

Source: http://www.criollosperuanos.com/letradecanciones/toromata.htm
-snip-
*This is one version of this song's lyrics. The English lyrics below are from another version.

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ENGLISH LYRICS - "TORO MATA"
[composition credited to] Carlos Soto de la Colina

Refrain:
Toro Mata, the bull kills
The bull kills, dancing bull, the bull kills

The old bull is dead
Tomorrow we’ll eat meat, the bull is dead
The old bull has died
Tomorrow we’ll feast, the bull is dead

His color doesn’t let him move out of the way quickly enough
and the bull might kill him
That man’s color doesn’t permit him to hide
and the bull might kill him

Don’t cut him with the rope
It’ll get too bloody
Don’t cut him with the rope
It’ll get too bloody

Here’s Pitité the drummer, the music’s kicking!
Ay, la ponde, la ponde, ponde, ponde
This black man is not from here
This black man is from Acari
Who brought this black man here?
We must kill this black man
Ay, la ponde, la ponde, ponde, ponde

Source: "Afro-Peruvian Classics: the Soul of Black Peru" album, sung by Lucila Campos. Lyrics and note taken from a website for that ablum and reposted on http://wesrunoff.blogspot.com/2008/05/bull-kills.html

Note from that website: "La ponde translated from the KiKôngo language means: I twist, I twist/I kill, I kill."
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From https://listenrecovery.wordpress.com/2010/02/01/peru-negro-brief-story-ronaldo-campos-de-la-colina-bio-photography/ [referring to a performance's inclusion of Kikongo chants into the song "Toro Mata":
"Kikongo [was] the dialect spoken by a significant number of the slaves who were eventually taken to Perú."
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This video is found in Part II of this series.
With regard to the song lyrics "This black man is not from here/This black man is from Acari/
Who brought this black man here?", Diego Martinez-a blogger writing in December 2014 on the viewer comment threads for one of the videos showcased in Part II of this series* notes that "Muchos no conocen Acari , es un pueblo bastante tranquilo :)" ("Many do not know Acari, it is a fairly quiet town :)"

However, given the statement quoted earlier that "["Toro Mata"] is a politically charged song and dance", I wonder if the referent to "Acari" means something more than or something other than a particular Peruvian town. Since "Toro Mata" was sung by enslaved people who were at least partially of African descent, could "Acari" be a coded way of referring to Africa? At the very least, people should remember that literal transcriptions of old songs- and particularly of folk songs of enslaved people- aren't always what those people meant when they sung those songs and when they heard those songs sung.

*Diego Martinez's comment is from the discussion thread for the video https://www.youtube.com/watch?v=HDaYqGB8CjU EVA AYLLON - TORO MATA

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This is the end of Part I of this series.

Thanks for visiting pancocojams.

Viewer comments are welcome.