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Showing posts with label Scooby Doo. Show all posts
Showing posts with label Scooby Doo. Show all posts

Sunday, November 15, 2020

Information About "Miss Sue From Alabama" Rhyme & Examples Of That Rhyme That Include "Scooby-Do-Wah" Or "Scooby Doo"


buttercup7956, March 19, 2011
-snip-
My transcription of this rhyme is given below.

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Edited by Azizi Powell

Latest Revision- September 27, 2022

This is Part II of a two part pancocojams series on Jazz scatting and the inclusion of the Jazz scatting phrase "scooby doo" in some versions the "Miss Sue From Alabama" children's rhyme. 

Part II presents some information about the children's recreational rhyme "Miss Sue From Alabama" (or similar titles).

Part II also presents an example from that rhyme family that includes the scat phrase "scooby-do-wah" and some examples of that rhyme that  include the phrase or cartoon dog's name "Scooby Doo". 


Click https://pancocojams.blogspot.com/2020/11/what-is-jazz-scatting-with-youtube.html for Part I of this pancocojams series. Part I presents definitions for and article extracts about Jazz scatting.

The Addendum to that post also presents information about scatting.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all the unknown composers of these rhymes and thanks to John and Alan Lomax for collecting and publishing some early examples of these rhymes. Thanks to all those who are quoted in this post and thanks to the publisher of this video on YouTube. 

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EARLIEST RECORDED DATES FOR "MISS SUE FROM ALABAMA"
1934 -- cited by Google result: Miss Sue From Alabama- Kodaly Center For Music Education that online site which is no longer available]

Collected by John and Alan Lomax, 1934. Informant/Performer Eight girls, Kirby Industrial School, Atmore, AL,1934. State:Alabama 

**
1936- https://www.loc.gov/resource/afc9999005.1833.0
"Title: Miss Sue from Alabama

Contributor Names

Lomax, John Avery -- 1867-1948 (recordist)

Unidentified children (singer)

Created / Published: Taylor, Louisiana.

Subject Headings: -  United States of America -- Louisiana -- Taylor

Notes

-  Sung by Negro children with dancing. (statement of responsibility)

-  With dancing.

-  School Yard (venue)"

**

1942 - https://archive.culturalequity.org/field-work/mississippi-delta-survey-1941-1942/moon-lake-842/miss-sue-alabama-who-de-cat-sail-sail

Miss Sue from Alabama / Who De Cat (Sail, Sail)

Date recorded: August 12, 1942

Contributor(s): Performer: Unidentified girls; Performer: Johnson, Mary; Performer: Harris, Etherine; Recordist: Lomax, Alan; Recordist: Jones, Lewis

Subject(s):

Genre: play song, game song

Instruments: voice

Setting: Mohead Plantation

Location: Moon Lake, Coahoma County, Mississippi, United States

Tape number: AFS6669

Track Number: 3

Archive ID: 6669A3

Transcript:

Belongs to: Moon Lake 8/42"
-snip-

Here's my transcription of the "Miss Sue" portion of the sound file of that recording which is found on that page:

"Miss Sue Miss Sue
Somebody’s in your parlor

Miss Sue Miss Sue
Somebody’s in your parlor

Miss Sue Miss Sue
Somebody’s in your parlor
Miss Sue from Alabama

Miss Sue Miss Sue
Did you ever see a monkey make a motion


Miss Sue Miss Sue
Did you ever see a monkey make a motion

Miss Sue Miss Sue
Did you ever see a monkey make a motion
Miss Sue from Alabama"
 
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THE EARLIEST EXAMPLE OF THE WORDS "SCOOBY DOO" IN MISS SUE FROM ALABAMA RHYMES

"Miss Sue, Miss Sue

Miss Sue from Alabama

Hey you Scooby -doo

Now let me see you smoothing

 

Now let me see you smoothing"
-from Yo Mama!: New Raps, Toasts, Dozens, Jokes, and Children's Rhymes from Urban Black America, edited by Onwuchekwa Jemie, (Temple University Press, 2003, page 99)  "Collected primarily in metropolitan New York and Philadelphia during the classic era of black street poetry (i.e., during the late 1960s and early 1970s)

https://books.google.com/books?id=9_4fUgF9BFMC&dq=miss+sue+from+alabama+in+other+countries&source=gbs_navlinks_s
-snip-
Another early example of "Scooby Doo" in "Miss Sue From Alabama" rhymes is given as Example #1 below in this post's section about rhymes that include the words (or the name) "Scooby Doo".

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THE WORDS "SCOOBY DOO" IN "MISS SUE FROM ALABAMA RYHMES"
The actual words "Scooby Doo" don't appear in "Miss Sue From Alabama" rhymes or in any other recreational rhymes until the late 1960s or the early 1970s.

I believe that the words "Scooby Doo" were popularized by if not a referent to the fictional dog cartoon character. Here's information about the "Scooby Doo" cartoon character from the American series Scooby Doo Where Are You" that first aired in 1969.

https://en.wikipedia.org/wiki/Scooby-Doo_(character) [retrieved September 27, 2025
"Scoobert "Scooby" Doo is a fictional character and protagonist of the eponymous animated television franchise created in 1969 by the American animation company Hanna-Barbera.[1] He is a male Great Dane and lifelong companion of amateur detective Shaggy Rogers, with whom he shares many personality traits. He features a mix of both canine and human behaviors (reminiscent of other talking animals in Hanna-Barbera's series), and is treated by his friends more or less as an equal. Scooby often speaks in a rhotacized way, substituting the first letters of many words with the letter 'r' a speech pattern that, while never fully explained, is understood and accepted without question by those around him. His catchphrase is "Scooby-Dooby-Doo!".

History

Writers Joe Ruby and Ken Spears created the original Scooby-Doo series, Scooby-Doo, Where Are You!, for Hanna-Barbera as a part of CBS's 1969–1970 Saturday morning cartoon schedule. Originally titled Mysteries Five, the dog who later became Scooby was originally more of a sidekick character – a bongo-playing dog named "Too Much" whose breed varied between Great Dane and sheepdog between treatments.[2][3]

By the time the series was pitched to the network as Who's S-S-Scared? in early 1969, Too Much was solidified as a cowardly Great Dane. Both the dog and the series would be renamed Scooby-Doo by Fred Silverman, CBS's head of daytime programming, between its unsuccessful first pitch and the second pitch that earned the show a green light. Silverman stated that he came up with the name from the syllables "doo-be-doo-be-doo" in Frank Sinatra's hit song "Strangers in the Night".[4][5] Though a similar name was featured in the title of the single "Feelin' So Good (S.K.O.O.B.Y.-D.O.O.)" released just a few months earlier in 1968 by The Archies, a fictional band from the CBS series The Archie Show that was also overseen by Silverman.[6][7] There was also a character in an unsold TV pilot Swingin' Together, broadcast in 1963 on CBS, named Skooby-doo.[8]…

WHAT "BETTY CROCKER" MEANS IN SOME CONTEMPORARY EXAMPLES OF "MISS SUE FROM ALABAMA"
Some contemporary versions of "Miss Sue From Alabama" in the USA include the lines "sittin in the rocker/eating Betty Crocker"/watching the clock go boom tick tock etc".  

“Eatin Betty Crocker" means "eating Betty Crocker cookies or pastry", "Betty Crocker" is  the invented name for a fictitious cook who represents the General Mills company. That name and character was first introduced in 1921. http://en.wikipedia.org/wiki/Betty_Crocker  "Betty Crocker" cookbooks contain easy to use recipes, including recipes for bake goods such as cookies, pies, and cakes. Thus "eating Betty Crocker" means eating some baked goods that were created by using a Betty Crocker recipe.

The word "rocker" is an abbreviation for "rocking chair" and the word "crocker"  rhymes with the word "rocker". 

Based on my admittedly informal collection efforts, it appears to me that "eatin Betty Crocker" versions of "Miss Sue From Alabama" are relatively recent (1990s?). Please share any examples of this rhyme that you remember with the phrase "Betty Crocker" that predate the 1990s. Thanks!     

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AN EXAMPLE OF "MISS SUE FROM ALABAMA" THAT INCLUDES THE SCATTING PHRASE "A DOOBIE- DO-WAH

[no title given] 

Miss Sue
Miss Sue
Miss Sue from Alabama

Someone is in your garden

Miss Sue
Miss Sue
Someone is in your garden
Miss Sue from Alabama

Show me what you can do
Miss Sue
Miss Sue
Show me what you can do
Miss sue from Alabama

Is this the way you do
Miss Sue
Miss Sue
Is this the way you do
Miss Sue from Alabama

Hey Hey
A doobie-do-wah
Your mama's broke
And your papa's broke

Turn to the east
Turn to the west
Turn to the very one you love the best

Milk in the pitcher
The butter's in the bowl
Can't catch a sweetheart
To save your soul


I think this is the way we sang this game in Northern Mississippi cira 1965.

-snip-
GUEST,nanasallthat, Folklore: Do kids still do clapping rhymes?, https://mudcat.org/thread.cfm?threadid=63097 ; 11 Dec 07 
-snip-
Italics are used to highlight this line.
-snip-
This is the earliest example of "Miss Sue From Alabama" with words that I've come across offline or online. 

This contributor didn't include any racial demographic information. However, the textual structure and vernacular language of this example is clearly of African American origin. Notice that the contributor referred to rhyme as a "game". Also, notice the "show me your motion: and "I can do your motion" lines. These lines strongly suggest that this version of "Miss Sue From Alabama" was performed as a "show me your motion" circle game with one person in the center. 

**
This example is composed of a number of lines from stand alone rhymes including a version of "Little Sally Walker" that is found in 
https://www.loc.gov/folklife/LP/AfroAmFolkMusicMissL67_opt.pdf   [B7 Sung with hand clapping by Nettie Mae and Aleneda Turner, near Senatobia, Mississippi, July 9,1971. Recorded by Cheryl Evans.]

"Little Sally Walker sitting in a saucer.
Rise, Sally, rise.
Wipe )'our weeping eyes.
Put  your hand on your hip
And let your backbone slip.
Oh, shake it to the east.
Oh shake it to the west.
Oh, shake it to the one that you love the best

Your mama says so.
Your papa says so.
That's the way you do it,
and you'll never catch a beau.
The milk in the pitcher,
the butter ill the bowl.
You can't catch a sweetheart
to save your soul. "

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WHAT THE WORDS "TAKE A SMOOTH SHOT" MEANS IN A FEW VERSIONS OF "MISS SUE FROM ALABAMA" RHYMES

I believe that "take a smooth shot" is a folk processed form of the phrase "take a flu shot". 

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EXAMPLES OF "MISS SUE FROM ALABAMA THAT INCLUDE A "SCOOBY DOO" PHRASE/NAME 

[The words or 
the name "Scooby doo" is given in italics to highlight that portion of the rhyme] 


MISS SUE FROM ALABAMA (Version #1)
Miss Sue
Miss Sue from Alabama
Hey you,
scooby do
your Mama's got the measles
Your papa's got the flu
magic measles
magic flu
Take an a b c d e f g
Take an h i j k l m n o p
Take a smooth shot
Take a smooth shot
and now freeze.
-Eleanor Fulton, Pat Smith: Let's Slice The Ice, (Magnamusic-Baton, 1978; St. Louis, Mo.; p. 16)
-snip-
Rhymes in this compilation are from African American children in St. Louis, Missouri.

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MISS SUE FROM ALABAMA (Version #2)

Miss Sue
Scooby Doo
Miss Sue from Alabama
Sittin at the table
peeling mashed potatoes.
Waitin for the clock to go
boom tick tock.
boom ticky wally wally.
Boom tick tock
Boom ticky wally wally.

Stop!

Ah 2 more time.

Boom tick tock.
Boom ticky wally wally.
Boom tick tock.
boom ticky wally wally.

Ah 1 more time.
Boom tick tock
Boom ticky wally wally
Boom tick tock.
Boom ticky wally wally.
Ah no more times.
-Alafia Children's Ensemble, Pittsburgh, PA; 1999 & 2001; Collected by Azizi Powell, 1999 & 2001 [Groups on both dates recited the same rhyme.]
-snip-
"Alafia Children's Ensemble" was the name of the children's cultural group that I founded in 1990. The group in Braddock, Pennsylvania was divided into components- one for girls and boys ages 5-12 years old in which  the group learned, shared, and performed original and adapted African American game songs, cheers, and rhymes and one for girls and boys ages 10-14 years old in which children were introduced to playing the djembe drum. The group in Pittsburgh, Pennsylvania consisted of girls ages 8-9 years old who learned, shared, and performed original and adapted African American game songs, cheers, and rhymes . A lot of the children's rhymes that I directly collected from 1990-2004 came from these groups.

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MISS SUE FROM PARRAMATTA (Example #3) 
Miss Sue
Miss Sue
Miss Sue from Parramata

Hey you
Scooby-Doo
Your mother's got the measles
Your fathers got the flu
Magic measles magic flu
Take a abcdefg
Take a hijklmnop
Take a smooth shot
Take a smooth shot
And freeze.
-buttercup7956, Mar 19, 2011
-snip-
Here's information about Parramatta from https://en.wikipedia.org/wiki/Parramatta
"Parramatta … is a major commercial city[7][8] in Greater Western Sydney, located in the state of New South Wales, Australia. It is located approximately 24 kilometres (15 mi) west of the Sydney central business district on the banks of the Parramatta River.[2] Parramatta is the administrative seat of the local government area of the City of Parramatta and is often regarded as the main commercial centre and the central business district for the broader Greater Western Sydney region.”…

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MISS SUE FROM PARRAMATTA (Example #4)
mine is

miss sue
miss sue
miss sue from parramata
hey you Scooby-Doo
your mother's got the measles
your fathers got the flu
magic measles magic flu
take a abcdefg
take a hijklmnop
take a smooth shot
take a smooth shot
and freeze. (×4)
-Gymnast Queen, https://www.youtube.com/watch?v=d-svfUMX3BMMiss Sue Playground Song [discussion thread comment; discussion thread no longer available*], 2016
-snip-
*As per the policy of YouTube announced in Feb 2019, YouTube disabled almost all of the discussion threads for its videos featuring children *, including the one for the video whose link is given above.  The admirably reason for this policy was to prevent "predatory comments". YouTube discussion threads were a treasure trove for contemporary examples of children's recreational rhymes.  Unfortunately, almost all of the discussion threads for YouTube children's rhymes were deleted because of that policy. That action resulted in the lost of folkloric material and also means that the opportunities for people to share examples of and information about children's rhymes, game songs, and cheers online are greatly reduced.

 *Click https://www.theverge.com/2019/2/28/18244954/youtube-comments-minor-children-exploitation-monetization for information about that YouTube policy.

Every online version of "Miss Sue From Parramatta" that I've come across doesn't include the "scooby doo" phrase/name, For instance, here's a link to another example of "Miss Sue From Parramata" https://www.youtube.com/watch?v=XBmqEV2U6uA&ab_channel=ThomasTang. The brief summary statement indicates that the girl reciting this rhyme learned it in school. This version doesn't include the "Scooby Doo" phrase/name, but otherwise is the same as the other "Miss Sue From Parramatta" examples given in this post. 

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ADDENDUM: SCATTING
From https://en.wikipedia.org/wiki/Scat_singing
'
In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all.[2][3] In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium. This is different from vocalese, which uses recognizable lyrics that are sung to pre-existing instrumental solos.

 Characteristics

Structure and syllable choice

Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon", for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself.[4] Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each uses predetermined formulas in innovative ways.[4]

The deliberate choice of scat syllables is also a key element in vocal jazz improvisation. Syllable choice influences the pitch articulation, coloration, and resonance of the performance.[5] Syllable choice also differentiated jazz singers' personal styles: Betty Carter was inclined to use sounds like "louie-ooie-la-la-la" (soft-tongued sounds or liquids) while Sarah Vaughan would prefer "shoo-doo-shoo-bee-ooo-bee" (fricatives, plosives, and open vowels).[6] The choice of scat syllables can also be used to reflect the sounds of different instruments. The comparison of the scatting styles of Ella Fitzgerald and Sarah Vaughan reveals that Fitzgerald's improvisation mimics[a] the sounds of swing-era big bands with which she performed, while Vaughan's mimics[b] that of her accompanying bop-era small combos.[10]"...

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This concludes Part II of this pancocojams post.

Thanks for visiting pancocojams.

Visitor comments are welcome.

What Is Jazz Scatting? (with a YouTube sound file, definitions, & article excerpts), Part 1 of series on "Scooby Doo"


buffalmacco76, March 14, 2010

live in berlin '69

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Edited by Azizi Powell

This is Part I of a two part pancocojams series on Jazz scatting and the inclusion of the Jazz scatting phrase "scooby doo" in some versions the "Miss Sue From Alabama" children's rhyme. 

This post presents definitions for and article extracts about Jazz scatting.

The Addendum to this post also presents information about Jazz singer Sarah Vaughan who often included scatting in her performances. A partial transcription of Sarah Vaughan's song "Sassy's Blues". 

Click https://pancocojams.blogspot.com/2020/11/information-about-miss-sue-from-alabama.html for Part II of this pancocojams post. Part II presents some information about the children's rhyme "Miss Sue From Alabama" (or similar names). Part II also presents some examples of that rhyme which include the scat phrase "scooby-do-wah" or which include the phrase or cartoon dog's name "Scooby Doo". 

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Sarah Vaughan and all Jazz singers whose repertoire included/includes Jazz scatting. Thanks to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube. 

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ARTICLE EXCERPTS ABOUT SCATTING
These excerpts are given in no particular order and are numbered for referencing purposes only.

Excerpt #1:
https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630 "
Scat singing (jazz)"

J. Bradford Robinson

Extract
“[Scat singing is] A technique of jazz Singing in which onomatopoeic or nonsense syllables are sung to improvised melodies. Some writers have traced scat singing back to the practice, common in West African musics, of translating percussion patterns into vocal lines by assigning syllables to characteristic rhythms. However, since this allows little scope for melodic improvisation and the earliest recorded examples of jazz scat singing involved the free invention of rhythm, melody, and syllables, it is more likely that the technique began in the USA as singers imitated the sounds of jazz instrumentalists.

Scat singing was used in early New Orleans jazz, as demonstrated by Jelly Roll Morton in his Scat Song (1938, Library of Congress). Morton gave the credit for originating the practice to Joe Simms of Vicksburg. The most celebrated early instances are by Louis Armstrong, whose highly successful recording Heebie Jeebies (1926, OK 8300) established his reputation as a jazz singer; his early scat solos rival his trumpet improvisations in virtuosity, range of feeling, and variety of attacks and timbres.”…

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Excerpt #2
https://www.britannica.com/art/scat-music
"Scat, also called Scat Singing, in music, jazz vocal style using emotive, onomatopoeic, and nonsense syllables instead of words in solo improvisations on a melody. Scat has dim antecedents in the West African practice of assigning fixed syllables to percussion patterns, but the style was made popular by trumpeter and singer Louis Armstrong from 1927 on. The popular theory that scat singing began when a vocalist forgot the lyrics may be true, but this origin does not explain the persistence of the style. Earlier, as an accompanist to singers, notably the blues singer Bessie Smith, Armstrong played riffs that took on vocalization qualities. His scat reversed the process. Later scat singers fitted their styles, all individualized, to the music of their times. Ella Fitzgerald phrased her scat with the fluidity of a saxophone. Earlier, Cab Calloway became known as the “Hi-De-Ho” man for his wordless choruses. Sarah Vaughan’s improvisations included bebop harmonic advances of the 1940s. By the mid-1960s Betty Carter was exploiting extremes of range and flexibility of time similar to those of saxophonist John Coltrane. The vocal trio Lambert, Hendricks, and Ross also phonetically imitated horn solos. In the 1960s the Swingle Singers recorded classical numbers using scat syllables but generally without improvisation."

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Excerpt #3
From https://en.wikipedia.org/wiki/Scat_singing
"In vocal jazz, scat singing is vocal improvisation with wordless vocables, nonsense syllables or without words at all.[2][3] In scat singing, the singer improvises melodies and rhythms using the voice as an instrument rather than a speaking medium.

Characteristics

Structure and syllable choice

Though scat singing is improvised, the melodic lines are often variations on scale and arpeggio fragments, stock patterns and riffs, as is the case with instrumental improvisers. As well, scatting usually incorporates musical structure. All of Ella Fitzgerald's scat performances of "How High the Moon," for instance, use the same tempo, begin with a chorus of a straight reading of the lyric, move to a "specialty chorus" introducing the scat chorus, and then the scat itself.[4] Will Friedwald has compared Ella Fitzgerald to Chuck Jones directing his Roadrunner cartoon—each uses predetermined formulas in innovative ways.[4]

The deliberate choice of scat syllables is also a key element in vocal jazz improvisation. Syllable choice influences the pitch articulation, coloration, and resonance of the performance.[5] Syllable choice also differentiated jazz singers' personal styles: Betty Carter was inclined to use sounds like "louie-ooie-la-la-la" (soft-tongued sounds or liquids) while Sarah Vaughan would prefer "shoo-doo-shoo-bee-ooo-bee" (fricatives, plosives, and open vowels).[6] The choice of scat syllables can also be used to reflect the sounds of different instruments. The comparison of the scatting styles of Ella Fitzgerald and Sarah Vaughan reveals that Fitzgerald's improvisation mimics[a] the sounds of swing-era big bands with which she performed, while Vaughan's mimics[b] that of her accompanying bop-era small combos.[10]”…
-snip-
I added italics to highlight this sentence.

***
Excerpt #4
From 
https://en.wikipedia.org/wiki/Talk%3AScat_singing
[...]

"Informative?

Correct me if I'm wrong, but shouldn't an article on scat singing include a cliche example? "Schoobee shoobaba doo baba fluble wop do do ee o?" or the like? The article seems to beat around the bush."...
-snip-
This quote doesn't include any identification of the writer or publishing date.  That portion continues with an identified commenter agreeing with that statement. 

****
Excerpt #5
From 
https://www.newsounds.org/story/13706-where-scooby-doo-really-came/ "Where Scooby Doo Really Came From" by John Schaefer, 2/18/2010
"Among my favorite pieces of bathroom graffiti is this terse philosophical summary:

 To be is to do. -- Immanuel Kant

To do is to be. -- Jean Paul Sartre

Doo-be-doo-be-doo -- Frank Sinatra

Now, Frank Sinatra may have been many things, but a scattin’, be-boppin’ hep cat was not one of them. Still, when he doo-be-doo-be-doo’ed his way through the end of the hit 1966 song “Strangers In The Night,” it showed just how mainstream scat singing had become. And any lingering doubts were dispelled when the hit cartoon series Scooby Doo Where Are You began running in the early 70s. Even a kid like me knew what the name Scooby Doo referred to.

Ella Fitzgerald and Louis Armstrong often incorporated scat in their singing, but for me, the real revelation of how musical scatting could be came when I discovered the music of Betty Roché. A former Ellington singer who had the misfortune to be working with Duke during the recording ban of World War II, Roché released a single album in the 50s, called Take The A Train. It featured a bunch of Duke Ellington/Billy Strayhorn compositions, an absolute killer version of “Can’t Help Lovin’ That Man of Mine,” and songs where Roché sings one verse and then spends practically the whole rest of the song scatting. And some of the scatting wasn’t the usual “shooby-dooby-doolya-da” stuff – she breaks into phrases like “Frankie and Johnny were lovers” (while scatting over the changes from “Route 66”), and “I cover the waterfront” – brief allusions to older songs that have become jazz standards. For me this was a learning experience, because while she was obviously singing these phrases for a reason, and I didn’t know what that reason was. Eventually I’d track down some of the old songs that people like Betty Roché and Ella Fitzgerald would quote from in their scatting – almost a be-bop predecessor to hip-hop’s sampling techniques.”…
-snip-
I added italics to highlight this phrase. 

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ADDENDUM
INFORMATION ABOUT SARAH VAUGHAN 

From https://en.wikipedia.org/wiki/Sarah_Vaughan
"Sarah Lois Vaughan (March 27, 1924 – April 3, 1990) was an American jazz singer.

 Nicknamed "Sassy" and "The Divine One",[1] she won four Grammy Awards, including the Lifetime Achievement Award.[2] She was given an NEA Jazz Masters Award in 1989.[3]"...

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A PARTIAL TRANSCRIPTION OF ONE OF SARAH VAUGHAN'S SCATTING SONGS-
I haven't found any online transcription of Sarah Vaughan singing "Scat Blues". However, click https://genius.com/Sarah-vaughan-sassys-blues-lyrics for a transcription of Sarah Vaughan's song "Sassy's Blues" that almost totally consist of scatting. Here's a portion of a transcription of that song from https://genius.com/Sarah-vaughan-sassys-blues-lyrics [from  Récital à Paris, 1985 (2015)
"Shedood n' doo shadepe da doop do aah shobe ah wow-boo dee you dee
Shadood n' doo shadepe da doop do aah shobe ah daboo dee you dee
Shadood n' doo shadepe da doop do aah shobe ah daboo dee you dee
Sha-ba-ba-da dolya-dol-u-u-u-u bundo bum dwey
Sha-ba-ba-da dotee dolya dolya dopa dolya doopen doopen doopen de yaw/
Sha ba bom'do bom'do bom'de yaww
Shadapa dalia now dalia daw dalia daw bezertly ah lovey dar lee can dowee"...

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