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Showing posts with label Sally Brown. Show all posts
Showing posts with label Sally Brown. Show all posts

Thursday, March 17, 2022

Examples Of Shanties That Were First Shared By Black Shantymen: "Round the Corner Sally"


Alain Cadieux, Dec. 20, 2007

Sous-marinier pour la marine britanique pendant plus de 20 ans,

Tom Lewis chante des chansons de la mer.
ROUND THE CORNER SALLY parle des filles au tournant du Cap Horn.
-snip-
Google translate from French to English:
Submariner for the British Navy for over 20 years,
Tom Lewis sings songs of the sea.
ROUND THE CORNER SALLY is about the girls around Cape Horn.

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Edited by Azizi Powell

This pancocojams post presents a video of a YouTube version of the shanty (chanty) "Round The Corner, Sally."

This post also presents information about "Round The Corner Sally" with the transcriptions of those versions of that shanty. 

The content of this post is presented for historical, cultural, folkloric, and educational purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of chanties (shanties) and thanks to Tom Lewis and 
Seán Dagher whose videos are featured in this post. Thanks also to all those who are quoted in this post.

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SHOWCASE VIDEO #2: Seán Dagher's Shanty of the Week 38 Round the Corner Sally



Sean Dagher,  May 25, 2021

This Halyard Shanty begins at 2:51 in this video.

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SOME INFORMATION ABOUT THE SHANTY "ROUND THE CORNER, SALLY"

Pancocojams Editor's Note:

The shanty ("Round the Corner, Sally" is said to be based on the African American plantation song "Round the Corn, Sally". 

The words "round the corner" in this shanty either means [we're] "going around Cape Horn" [with "Sally" being a general referent for women that sailors associate with), or "Sally" is a referent for women who stand on street corners trying to "pick up men".   

The introductions to the two videos that are showcased in this pancocojams post refer to one or both of these two theories for the meaning of "round the corner, Sally".

Here are some online excerpts that provide more information about this shanty:

Excerpt #1
From https://www.youtube.com/watch?v=fNvk3gsCkok&ab_channel=hultonclint
…."Of note: Hugill connects the phrase "Round the corner, Sally" to a line in a Christy's Minstrel song, "Aunt Sally" -- and "Aunt Sally" is a character in versions of "Sister Susan" chantey or another minstrel song, "Shinbone Al."

Another song is a candidate as a source for "Round the Corner, Sally."  It appears in the text of a James Hungerford, in which the author describes a visit to his cousin's plantation in Maryland in 1832.  With it's musical notations, it is considered to be the first extant text to contain slave songs.  "Roun' De Corn, Sally" is described in the context of rowing a boat, but properly attributed as a corn-husking song.  In his 1989 book, ORIGINS OF THE POPULAR STYLE, pg.206, Peter Van der Merwe makes a connection between the similar phrase in the slave song and the chantey, thinking that "round the corn" was a corruption of the chantey phrase, due to confounding the "corn" context with the original meaning.  The original phrase, as supposed by Hugill, was a sort of "gal on the street," later reinterpreted as a sailor's lady-friend of locales that were around the "corner": Cape Horn.  However, some recent interpreters seem to suggest that the plantation song was a source..... 

For what it's worth, besides the characteristic phrase, the plantation song and the chantey don't show much similarity.  They do appear to be contemporary though.  The plantation song is from 1832 and the chantey is cited by name in Dana's TWO YEARS BEFORE THE MAST in which he describes events along the California coast in the 1830s.

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Excerpt #2
From https://voices.pitt.edu/TeachersGuide/Unit1/Round%20the%20Corn(er)%20Sally.htm
"Round the Corn(er), Sally

Traditional, 1700s

Song Background

Often novels and memoirs are the only sources for learning the history of a song. Such is the case with “Round the Corn, Sally.” Because it is mentioned in several early American novels, it is one of the earliest known examples of an African American slave song. Dena Epstein notes the presence of “Round the Corn, Sally” in one of the first novels of plantation life, George Tucker’s The Valley of Shenandoah (1824). In the novel The Old Plantation and What I Gathered There in an Autumn Month (1859), James Hungerford cites it as a rowing song. It is also mentioned in Richard Dana’s Two Years Before the Mast (1840).

Eileen Southern notes that “Round the Corn, Sally” was used to coordinate the movements of work teams. Enslaved people loading cotton along the Eastern Seaboard or Mississippi River likely sang “Round the Corn, Sally,” where it was adapted by the seafaring population and turned into a sea chanty. Interaction between various singing populations often gave rise to new songs. The melodies and rhythms of the two versions are similar, and they share a call-and-response structure. The expert chantyman improvised lyrics of the repeating phrase, while the sailors, hard at work, would repeat the chorus. This chanty was likely used to coordinate the crew’s movement raising sails, a strenuous effort made easier by singing. This version of the sea chanty probably dates from the mid-1800s (after California became a US territory), but “Round the Corn, Sally” is a much earlier slave song."

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SOME INFORMATION ABOUT CAPE HORN
From https://en.wikipedia.org/wiki/Cape_Horn
"
Cape Horn (Spanish: Cabo de Hornos, ....is the southernmost headland of the Tierra del Fuego archipelago of southern Chile, and is located on the small Hornos Island. Although not the most southerly point of South America (which are the Diego Ramírez Islands), Cape Horn marks the northern boundary of the Drake Passage and marks where the Atlantic and Pacific Oceans meet.

Cape Horn is the southernmost headland of the Tierra del Fuego archipelago of southern Chile, and is located on the small Hornos Island. It marks both the northern boundary of the Drake Passage and where the Atlantic and Pacific Oceans meet.

Cape Horn was identified by mariners and first rounded in 1616 by the Dutchman Willem Schouten and Belgian Jacob Le Maire, who named it Kaap Hoorn after the city of Hoorn in the Netherlands. For decades, Cape Horn was a major milestone on the clipper route, by which sailing ships carried trade around the world. The waters around Cape Horn are particularly hazardous, owing to strong winds, large waves, strong currents and icebergs.

The need for boats and ships to round Cape Horn was greatly reduced by the opening of the Panama Canal in August 1914. Sailing around Cape Horn is still widely regarded as one of the major challenges in yachting....

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LYRICS TO "ROUND THE CORNER SALLY" (Tom Lewis version as sung in Video #1 above)

From http://www.tomlewis.net/lyrics/round_the_corner.htm

Round the Corner, Sally

Traditional (Collected by Stan Hugill)

Arr./New words and music: Tom Lewis

(Recorded by Tom Lewis on Poles Apart)

 

We're - leaving sunny Mexico,

Round The Corner, Sally!

Around Cape Horn we're bound to go,

Round The Corner, Sally!

 

Chorus:

Round The Corner is a long, long way,

To Valipo and Callao Bay,

Round The Corner we must roam,

We don't care if we never go home.

 

Was you ever off Cape Horn,

Where your ass is never warm?

 

There's ice and snow and sleet and rain,

You'll meet them coming back again.

 

When we reach those Pacific seas,

We'll drop in to Madam Gashee's.

 

Them Spanish gals will make you smile,

You'll want to stay for a long, long while.

 

It's up aloft this yard must go,

Cuz Mr. Mate has told us so.

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LYRICS TO "ROUND THE CORNER SALLY" (Sean Dagher's version as sung in Video #2) above)

Lead Singer: Round the corner and away we’ll go
Refrain: Round the corner, Sally!
Lead singer: Round the corner to the girls we know
Refrain: Round the corner, Sally 

[Follow this pattern for the verses below.] 

Sally Brown, she’s the girl for me

Waitin there by the shady tree

That’s the reason I went to sea

Heavin and haulin on an old Yankee


But here there are no shady trees

No more time for to take your ease

Were you ever in Mobile Bay

Wastin your life while you spend your pay


This sailor’s life is not for me

It's worse than that and not to be

And now we drink to Sally Brown

Fill your cups and drink them down


Round her up and stretch aloft

All the boys have had enough

Group sings the last line together : Round the corner Sally  

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Wednesday, March 16, 2022

"Sally Brown" (sea shanty) Video & Excerpt From Terre Celtiche Blog "Sally Brown Roll & Go" Article


Jesse Ferguson, Aug 3, 2021

Canadian folksinger Jesse Ferguson performs traditional sea shanty "Sally Brown" (Roud 2628). Harmonies also by Ferguson. Lyrics below.

[…]

Sally Brown

(traditional [Roud 2628], arrang. J. Ferguson, 2021)

V1.

Well, I shipped on board a Liverpool liner.
Way, hey, roll and go!
And we roll all night
and we roll all the day.
I'll spend my money on Sally Brown.

V2.

Sally Brown she's a nice young lady, etc.

V3.

Her mother didn't like no tarry sailor, etc.

V4.

She wants her to marry the one-legged captain, etc.

V5.

She wouldn't wed me, so I shipped 'cross the water, etc.

V6.

So now I'm courting Sally's daughter, etc.

****
Edited by Azizi Powell

This pancocojams post presents a YouTube video of a version of the chanty (shanty) "Sally Brown (Roll And Go)". 

This post also presents a long excerpt from an article about "Sally Brown Roll And Go" shanty from the 
Terre Celtiche blog.  

The content of this post is presented for historical, cultural, folkloric, and educational purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of chanties (shanties) and thanks to tall thos who are quoted in this post. Thanks also to Jesse Ferguson for his video that is included in this post. 
-snip-
This post is part of an ongoing pancocojams series on African Americans and West Indians chanties (shanties). Click the tags given below for previous posts and subsequent posts on this subject.
-snip-
Click http://pancocojams.blogspot.com/2012/04/sally-brown-sally-sue-brown-sea-shanty.html for a 2021 pancocojams post entitled "Sally Brown & Sally Sue Brown - Sea Shanty, Ska, & Blues". This is Part I of a two part pancocojams post. This post focuses on some Sally Brown shanties.

The link for Part II is given in that post.

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EXCERPT OF BLOG ARTICLE ON SALLY BROWN ROLL AND GO
From https://terreceltiche.altervista.org/sally-brown-roll-and-go/
"
In the sea shanties Sally Brown is the stereotype of the cheerful woman of the Caribbean seas, mulatta or creole, with which our sailor tries to have a good time.

Probably of Jamaican origin according to Stan Hugill, it was a popular song in the ports of the West Indies in the 1830s.

The textual and melodic variations are many.

FIRST VERSION: WAY, HEY, ROLL AND GO

In this version the chorus is split into two short sentences repeated by the crew in sequence, after each verse of the shantyman, and is more properly a halyard shanty.

[video insert …]

Oh Sally Brown she's a creole (2) lady,

Way, hey, roll (1) and go

Sally Brown's a gay old lady,

spend my money on (with) (3) Sally Brown.

Sally Brown she has a daughter,

Sent me sailin '' cross the water.

Oh seven long years I courted Sally,

Then she said she would not marry.

Lei she wouldn't have no tarry (4) sailor,

Lei wouldn't have no greasy whaler.

Sally Brown I'm bound to leave you,

Sally Brown I'll not deceive you.

Sally Brown she took a notion (5),

Sent me sailin '' cross the ocean.

 

NOTE

1) The term "Creole" can be understood in two exceptions: from the Spanish "crillo", which originally referred to the first generation born in the "New World", sons of settlers from Europe (Spain or France) and black slaves . The most common meaning is that which refers to all the black half-bloods of Jamaica from the color of the skin that goes from cream to brown and up to black-blue. In the nineteenth century with this term was also indicated a small elite urban society of light skin in Louisiana (resident mostly in New Orleans) result of crossings between some beautiful black slaves and white landowners who took them as lovers.

2) the term is generically used by sailors to say many things, in this context for example could mean "sail".

3) change the article immediately makes the difference "I spend the money on" Sally implies that I pay for his sexual performance "I spend the money with" Sally is more bland ..

4) tarry is a derogatory term to distinguish the typical sailor . More generally Jack Tar is the term commonly used to refer to a sailor of merchant ships or the Royal Navy. Probably the term was coined in 1600, alluding to the tar with which the sailors waterproofed their work clothes.

5) the lady to get rid of the sailor (left without money) sends him back to work, probably on a whaler

[…including video insert]

O, Sally Brown, of New York City (1),

O, Sally Brown you're very pretty

O, Sally Brown's a bright mulatter,

She drinks rum and chews tobaccer.

O, Sally Brown'shes a Creole lady, (2)

Lei she's the mother of a yellow baby (3).

Sally's teeth di lei are white and pearly,

Her eyes di lei are blue, her hair is curly.

Seven long years I courted Sally,

Sweetest girl in all the valley.

Seven long years she wouldn't marry,

And I no longer cared to tarry.

So I courted her only daughter di lei,

For her di lei I sail upon the water.

Now my troubles are all over,

Sally's married to a dirty soldier

NOTE

1) the shanty is also widespread on the packet ships in Liverpool-New York routes, so Sally lives in the city of New York

2) in this description the Creole girl is a mulatto from the skin in the clearest gradation, with blue eyes and wavy hair

3) or from the skin with a caramel tinge”

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Wednesday, April 18, 2012

Sally Brown - Sea Shanties

Edited by Azizi Powell

Latest revision - March 23, 2022

This pancocojams post is Part I of a two part series that showcases videos of & lyrics for songs about "Sally Brown" from the Sea Shanty, Ska, and Blues genres.

Part I focuses on "Sally Brown" sea shanties. "Sally Brown" shanties are also given as "Shallow Brown" ("Shiloh" and "Challo").

Part II focuses on "Sally Brown" Ska and Blues songs. Click
http://pancocojams.blogspot.com/2012/04/sally-brown-sally-sue-brown-sea-shanty_18.html
for Part II of this series.

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PART I: SALLY BROWN [Sea Shanty]

Overview Of Shanties
From http://en.wikipedia.org/wiki/Sea_shanty:
"A shanty (also spelled "chantey," "chanty") is a type of work song that was once commonly sung to accompany labor on board large merchant sailing vessels.

Of uncertain etymological origin, the word shanty emerged in the mid-19th century in reference to an appreciably distinct genre of work song, developed especially in American-style merchant vessels that had come to prominence in decades prior to the American Civil War.[1] Shanty songs functioned to economize labor in what had then become larger vessels having smaller crews and operating on stricter schedules.[2] The practice of singing shanties eventually became ubiquitous internationally and throughout the era of wind-driven packet and clipper ships...

Shanties had antecedents in the working chants of British and other national maritime traditions. They were notably influenced by songs of African-Americans, such as those sung whilst manually loading vessels with cotton in ports of the southern United States. Shanty repertoire borrowed from the contemporary popular music enjoyed by sailors, including minstrel music, popular marches, and land-based folk songs, which were adapted to suit musical forms matching the various labor tasks required to operate a sailing ship. Such tasks, which usually required a coordinated group effort in either a pulling or pushing action, included weighing anchor and setting sail."

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OVERVIEW OF "SALLY BROWN" SHANTIES
"Sally Brown" is a Jamaican sea shanty about a mixed race (mulatto; Creole) woman. Like all shanties, there are multiple versions of "Sally Brown". In addition to the song titled "Sally Brown", there are many other shanties that mention "Sally" and "Sally Brown".

The surname (last name) "Brown" may have referred to Sally's mixed race ancestry. Note that the word "shallow" (challow) in the song "Shallow Brown" means a person of mixed race. Read more comments about this in Example #4 below.

LYRICS
The "Sally Brown" chanty is composed of two lined rhyming (or near rhyming) verses that are separated by a fixed line which is repeated at the end of the verse.

Here are three text examples of the "Sally Brown" shanty (posted with no particular order; with editorial comments)

SALLY BROWN (Shanty Version #1)
O, Sally Brown's a bright mulatto,
Way, hay, roll and go!
She drinks rum and chews tobacca,
Spend my money on Sally Brown!

Sally lives in ole Jamaica
Way, hay, roll and go!
Sellin rum and growin tobacca
Spend my money on Sally Brown

Sally lives on the ole plantation
She’s a daughter of the wild goose nation

[Add "Way, hay, roll and go" to the verses as found above]

Sally's teeth are white and pearly
Her eyes are dark and hair is curly*

Sweetest flower in the valley
Is my own, my pretty Sally

I brought her gowns and I brought her laces.
I took her out to all the places.

Well I call her my queen of faces.
I bought her coral beads and laces.

Oh Sally Brown what is the matter?
A pretty gal but I can’t get at her.

Seven long years I courted Sally.
But she always dilly dallied.

Sally Brown she would not marry.
I no longer care to tarry.

She would not have ah tarry sailor.
She would not have ah greasy whaler.

So Sally Brown I took the notion
To sail across the bleeding ocean

I shipped aboard ah Bedford whaler.
When I returned she was courtin a tailor.

So Sally Brown, I’m bound to leave her.
So heave a pall and pall and heave her [?]
-Source: http://www.youtube.com/watch?v=FVUn_v3jIZA ; Uploaded by hultonclint on Jul 6, 2008 ; transcribed from video by Azizi Powell; Corrections and additions are appreciated.
-snip-
Editor:
"Bright mulatto" probably meant "light skinned mixed race [female].

*I had transcribed this line as "her eyes are dark and curly", but that doesn't make sense. I therefore changed that line to this version. Notice that a similar line is given in the transcription I found online for the example given below as #2.

"She’s a daughter of the wild goose nation" is a floating line found in a number of 19th century African American songs. One possibly meaning for "the wild goose nation" in shanties was a referent for a fictitious Native American nation which included Black people who had run away from slavery and their offspring. 

"The word "bleeding" in the line "bleeding ocean" is a substitute for a curse word.

The "?" is posted after the last line of that song because I'm not sure whether my transcription of that line is correct.

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SALLY BROWN (Shanty Version #2)
1. O, Sally Brown, of New York City,
Way, hay, roll and go!
O, Sally Brown you're very pretty
Spend my money on Sally Brown!

2. O, Sally Brown's a bright mulatto,
Way, hay, roll and go!
She drinks rum and chews tobacco,
Spend my money on Sally Brown!

3. O, Sally Brown's a Creole lady,
Way, hay, roll and go!
She's the mother of a yellow baby,
Spend my money on Sally Brown!

4. Seven long years I courted Sally,
Way, hay, roll and go!
Sweetest girl in all the valley,
Spend my money on Sally Brown!

5. Seven long years she wouldn't marry,
Way, hay, roll and go!
And I no longer cared to tarry,
Spend my money on Sally Brown!

6. So I courted Sal, her only daughter,
Way, hay, roll and go!
For her I sail upon the water,
Spend my money on Sally Brown!

7. Sally's teeth are white and pearly,
Way, hay, roll and go!
Her eyes are blue, her hair is curly,
Spend my money on Sally Brown!

8. Now my troubles are all over,
Way, hay, roll and go!
Sally's married to a dirty soldier,
Spend my money on Sally Brown!
- Source: http://www.traditionalmusic.co.uk/sea-shanty/Sally_Brown.htm

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SALLY BROWN (Shanty Version #3)
Sally Brown she's a nice young lady,
Way, hay, we roll an' go.
We roll all night
And we roll all day
Spend my money on Sally Brown.

Shipped on board off a Liverpool liner
Way, hay, we roll an' go.
We roll all night
And we roll all day
Spend my money on Sally Brown.

Mother doesnt like a tarry sailor
Way, hay, we roll an' go.
We roll all night
And we roll all day
Spend my money on Sally Brown.

She wants her to marry a one legged captain
Way, hay, we roll an' go.
We roll all night
And we roll all day
Spend my money on Sally Brown.

Sally Brown she’s a bright lady
Way, hay, we roll an' go.
She drinks stock rum
And she chews tobacco
Way, hay, we roll an' go.
We roll all night
And we roll all day
Spend my money on Sally Brown.

We roll all night
And we roll all day
Spend my money on Sally Brown
http://www.justsomelyrics.com/358471/Teddy-Thompson-Sally-Brown-Lyrics

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SHALLOW BROWN (Shanty Version #4)
Shallow Brown
O, I'm going to leave you
Shallow, O Shallow Brown
O, I'm going to leave you
Shallow, O Shallow Brown

Ship on board a whaler
O, Shallow Brown (2X)

Bound away for St George's

Love you well, Juliana

Massa going to sell me

Sell me to the Yankee

Sell me for the dollar

Great big Spanish dollar

The spelling could be anything from Challo, Shallow & Shiloh. Hugill points to this as West Indian in origin, saying Challo is West Indian for half caste & that this song passed through the cotton ports of the south as a cotton screwing chant. I'd add on to that, (aside form this version possibly being of the older versions) that some of the cotton plantations ran their own ships & supplied them with their own slave crews when the land work was slow. These ships traded in all North Alantic & Caribbean ports & that the hope of some was to jump ship in Haiti or England or go whaling or sailoring elsewhere, rather than be slave hands to be resold as needed.
-posted by Barry Finn; http://mudcat.org/thread.cfm?threadid=7955#48336; 06 Dec 98 - 08:53 PM

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UPDATE: 9/30/2014
Here's a quote from Mark Cohen [07 Oct 02 - 03:02 AM] that was posted in the mudcat thread whose link is given above:
[written in response to the question a guest blogger asked "was Shallow Brown: a real person?"]

"In Stan Hugill's Shanties from the Seven Seas, he says:

"[Shallow Brown] started life as a pumping song. It is I feel of West Indian origin, some singers giving the refrain of 'Challo Brown' -- 'Challo' being a West Indian word of Carib extraction meaning a 'half-caste', and heard as far afield as the ports of Chile."

Hugill lists four versions of Shallow Brown, not counting other songs featuring that name. He goes on to say,

"At some time or other this Negro song pased through the shanty mart and was used by the cotton hoosiers of Mobile as a cotton-screwing chant. Sometimes the wording would be that of Sally Brown, and 'Oh, Sally Brown' would be substituted for 'Oh, Shallow Brown' in the refrains."

He also mentions a fragment called Shiloh Brown, which is "a version of what appears at first glance to be Shallow Brown but which in actual fact is a variant of Tom's Gone to Hilo."

There may be more information in the "related threads" link at the top of the page, but I was too lazy to check them.

So, I guess the songs are referring to a generic character rather than a historical person. But I'm sure that if you created a biography of Shallow Brown and started passing it around shanty sings, it would soon become the received truth!

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FEATURED VIDEOS
Video #1: Sally Brown (Roll 'n' Go) (A) [161-164]v(128-132)



Uploaded by hultonclint on Jul 6, 2008

With scenes from Kingston Harbour, from Kingston and Port Royal.

This capstan chantey is presumed to come from Jamaica. Sally Brown must have become a folkloric character beyond chanteys there, since Cuban-born Jamaican singer Laurel Aitken sang a different song about "Sally Brown" in a ska style.

Interesting how many modern versions of this have sort of neutralized it, removing racial or ethnic markers. Too bad this also removes the Jamaica setting and some of the depth of meaning of what is going on here in this chantey. Funny also how "Spend my money ON Sally Brown" often becomes "Spend my money ALONG WITH Sally Brown," again removing an possible unsavoriness...

Hugill writes that there are many bawdy verses to this, but he of course does not give them!

Doerflinger dates the age of this chantey to at least the 1830s, citing a reference by author Marryat in 1839 to having heard it sung in a Western Ocean packet ship at the windlass.

One can hear this chantey used in the 1946 film adaptation of Dickens' "Great Expectations."

Also found in:
LA Smith 1888, Sharp 1914 (note possible rendering of minor 3rds for blue notes), Doerflinger 1951

Please check out the whole chanteys project playlist, at
http://www.youtube.com/view_play_list?p=58B55DD66F22060C
-snip-
Italics added by me to highlight this portion of that summary. I fully concur with hultonclint's comments about the color blind revisions in contemporary versions of this song.

Click http://www.youtube.com/watch?v=fVKGnJ1thlI "Sally Brown - Planxty" for a video of a group singing "Sally Brown, she's a nice lady" and "spend my money along with Sally Brown"

The Laurel Aitken song "Sally Brown" is featured in Part II of this series.

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Video #2: Paul Clayton "Sally Brown" From LP. "Sailing And Whaling Songs Of The 19th Century" 1954



Uploaded by szantanas on Nov 8, 2009

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RELATED LINK
http://mudcat.org/thread.cfm?threadid=7955 "Shalo Brown"

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My thanks to the unknown composers of these songs and to the folklorists who collected their lyrics. Thanks to all those who are quoted in this post. Thanks also to the performers, and video uploaders of this song.

Thanks for visiting pancocojams.

Visitor comments are welcome.