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Showing posts with label Round The Corn Sally. Show all posts
Showing posts with label Round The Corn Sally. Show all posts

Thursday, March 17, 2022

Examples Of Shanties That Were First Shared By Black Shantymen: "Round the Corner Sally"


Alain Cadieux, Dec. 20, 2007

Sous-marinier pour la marine britanique pendant plus de 20 ans,

Tom Lewis chante des chansons de la mer.
ROUND THE CORNER SALLY parle des filles au tournant du Cap Horn.
-snip-
Google translate from French to English:
Submariner for the British Navy for over 20 years,
Tom Lewis sings songs of the sea.
ROUND THE CORNER SALLY is about the girls around Cape Horn.

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Edited by Azizi Powell

This pancocojams post presents a video of a YouTube version of the shanty (chanty) "Round The Corner, Sally."

This post also presents information about "Round The Corner Sally" with the transcriptions of those versions of that shanty. 

The content of this post is presented for historical, cultural, folkloric, and educational purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of chanties (shanties) and thanks to Tom Lewis and 
Seán Dagher whose videos are featured in this post. Thanks also to all those who are quoted in this post.

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SHOWCASE VIDEO #2: Seán Dagher's Shanty of the Week 38 Round the Corner Sally



Sean Dagher,  May 25, 2021

This Halyard Shanty begins at 2:51 in this video.

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SOME INFORMATION ABOUT THE SHANTY "ROUND THE CORNER, SALLY"

Pancocojams Editor's Note:

The shanty ("Round the Corner, Sally" is said to be based on the African American plantation song "Round the Corn, Sally". 

The words "round the corner" in this shanty either means [we're] "going around Cape Horn" [with "Sally" being a general referent for women that sailors associate with), or "Sally" is a referent for women who stand on street corners trying to "pick up men".   

The introductions to the two videos that are showcased in this pancocojams post refer to one or both of these two theories for the meaning of "round the corner, Sally".

Here are some online excerpts that provide more information about this shanty:

Excerpt #1
From https://www.youtube.com/watch?v=fNvk3gsCkok&ab_channel=hultonclint
…."Of note: Hugill connects the phrase "Round the corner, Sally" to a line in a Christy's Minstrel song, "Aunt Sally" -- and "Aunt Sally" is a character in versions of "Sister Susan" chantey or another minstrel song, "Shinbone Al."

Another song is a candidate as a source for "Round the Corner, Sally."  It appears in the text of a James Hungerford, in which the author describes a visit to his cousin's plantation in Maryland in 1832.  With it's musical notations, it is considered to be the first extant text to contain slave songs.  "Roun' De Corn, Sally" is described in the context of rowing a boat, but properly attributed as a corn-husking song.  In his 1989 book, ORIGINS OF THE POPULAR STYLE, pg.206, Peter Van der Merwe makes a connection between the similar phrase in the slave song and the chantey, thinking that "round the corn" was a corruption of the chantey phrase, due to confounding the "corn" context with the original meaning.  The original phrase, as supposed by Hugill, was a sort of "gal on the street," later reinterpreted as a sailor's lady-friend of locales that were around the "corner": Cape Horn.  However, some recent interpreters seem to suggest that the plantation song was a source..... 

For what it's worth, besides the characteristic phrase, the plantation song and the chantey don't show much similarity.  They do appear to be contemporary though.  The plantation song is from 1832 and the chantey is cited by name in Dana's TWO YEARS BEFORE THE MAST in which he describes events along the California coast in the 1830s.

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Excerpt #2
From https://voices.pitt.edu/TeachersGuide/Unit1/Round%20the%20Corn(er)%20Sally.htm
"Round the Corn(er), Sally

Traditional, 1700s

Song Background

Often novels and memoirs are the only sources for learning the history of a song. Such is the case with “Round the Corn, Sally.” Because it is mentioned in several early American novels, it is one of the earliest known examples of an African American slave song. Dena Epstein notes the presence of “Round the Corn, Sally” in one of the first novels of plantation life, George Tucker’s The Valley of Shenandoah (1824). In the novel The Old Plantation and What I Gathered There in an Autumn Month (1859), James Hungerford cites it as a rowing song. It is also mentioned in Richard Dana’s Two Years Before the Mast (1840).

Eileen Southern notes that “Round the Corn, Sally” was used to coordinate the movements of work teams. Enslaved people loading cotton along the Eastern Seaboard or Mississippi River likely sang “Round the Corn, Sally,” where it was adapted by the seafaring population and turned into a sea chanty. Interaction between various singing populations often gave rise to new songs. The melodies and rhythms of the two versions are similar, and they share a call-and-response structure. The expert chantyman improvised lyrics of the repeating phrase, while the sailors, hard at work, would repeat the chorus. This chanty was likely used to coordinate the crew’s movement raising sails, a strenuous effort made easier by singing. This version of the sea chanty probably dates from the mid-1800s (after California became a US territory), but “Round the Corn, Sally” is a much earlier slave song."

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SOME INFORMATION ABOUT CAPE HORN
From https://en.wikipedia.org/wiki/Cape_Horn
"
Cape Horn (Spanish: Cabo de Hornos, ....is the southernmost headland of the Tierra del Fuego archipelago of southern Chile, and is located on the small Hornos Island. Although not the most southerly point of South America (which are the Diego Ramírez Islands), Cape Horn marks the northern boundary of the Drake Passage and marks where the Atlantic and Pacific Oceans meet.

Cape Horn is the southernmost headland of the Tierra del Fuego archipelago of southern Chile, and is located on the small Hornos Island. It marks both the northern boundary of the Drake Passage and where the Atlantic and Pacific Oceans meet.

Cape Horn was identified by mariners and first rounded in 1616 by the Dutchman Willem Schouten and Belgian Jacob Le Maire, who named it Kaap Hoorn after the city of Hoorn in the Netherlands. For decades, Cape Horn was a major milestone on the clipper route, by which sailing ships carried trade around the world. The waters around Cape Horn are particularly hazardous, owing to strong winds, large waves, strong currents and icebergs.

The need for boats and ships to round Cape Horn was greatly reduced by the opening of the Panama Canal in August 1914. Sailing around Cape Horn is still widely regarded as one of the major challenges in yachting....

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LYRICS TO "ROUND THE CORNER SALLY" (Tom Lewis version as sung in Video #1 above)

From http://www.tomlewis.net/lyrics/round_the_corner.htm

Round the Corner, Sally

Traditional (Collected by Stan Hugill)

Arr./New words and music: Tom Lewis

(Recorded by Tom Lewis on Poles Apart)

 

We're - leaving sunny Mexico,

Round The Corner, Sally!

Around Cape Horn we're bound to go,

Round The Corner, Sally!

 

Chorus:

Round The Corner is a long, long way,

To Valipo and Callao Bay,

Round The Corner we must roam,

We don't care if we never go home.

 

Was you ever off Cape Horn,

Where your ass is never warm?

 

There's ice and snow and sleet and rain,

You'll meet them coming back again.

 

When we reach those Pacific seas,

We'll drop in to Madam Gashee's.

 

Them Spanish gals will make you smile,

You'll want to stay for a long, long while.

 

It's up aloft this yard must go,

Cuz Mr. Mate has told us so.

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LYRICS TO "ROUND THE CORNER SALLY" (Sean Dagher's version as sung in Video #2) above)

Lead Singer: Round the corner and away we’ll go
Refrain: Round the corner, Sally!
Lead singer: Round the corner to the girls we know
Refrain: Round the corner, Sally 

[Follow this pattern for the verses below.] 

Sally Brown, she’s the girl for me

Waitin there by the shady tree

That’s the reason I went to sea

Heavin and haulin on an old Yankee


But here there are no shady trees

No more time for to take your ease

Were you ever in Mobile Bay

Wastin your life while you spend your pay


This sailor’s life is not for me

It's worse than that and not to be

And now we drink to Sally Brown

Fill your cups and drink them down


Round her up and stretch aloft

All the boys have had enough

Group sings the last line together : Round the corner Sally  

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Wednesday, March 16, 2022

"Sally Brown" (sea shanty) Video & Excerpt From Terre Celtiche Blog "Sally Brown Roll & Go" Article


Jesse Ferguson, Aug 3, 2021

Canadian folksinger Jesse Ferguson performs traditional sea shanty "Sally Brown" (Roud 2628). Harmonies also by Ferguson. Lyrics below.

[…]

Sally Brown

(traditional [Roud 2628], arrang. J. Ferguson, 2021)

V1.

Well, I shipped on board a Liverpool liner.
Way, hey, roll and go!
And we roll all night
and we roll all the day.
I'll spend my money on Sally Brown.

V2.

Sally Brown she's a nice young lady, etc.

V3.

Her mother didn't like no tarry sailor, etc.

V4.

She wants her to marry the one-legged captain, etc.

V5.

She wouldn't wed me, so I shipped 'cross the water, etc.

V6.

So now I'm courting Sally's daughter, etc.

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Edited by Azizi Powell

This pancocojams post presents a YouTube video of a version of the chanty (shanty) "Sally Brown (Roll And Go)". 

This post also presents a long excerpt from an article about "Sally Brown Roll And Go" shanty from the 
Terre Celtiche blog.  

The content of this post is presented for historical, cultural, folkloric, and educational purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of chanties (shanties) and thanks to tall thos who are quoted in this post. Thanks also to Jesse Ferguson for his video that is included in this post. 
-snip-
This post is part of an ongoing pancocojams series on African Americans and West Indians chanties (shanties). Click the tags given below for previous posts and subsequent posts on this subject.
-snip-
Click http://pancocojams.blogspot.com/2012/04/sally-brown-sally-sue-brown-sea-shanty.html for a 2021 pancocojams post entitled "Sally Brown & Sally Sue Brown - Sea Shanty, Ska, & Blues". This is Part I of a two part pancocojams post. This post focuses on some Sally Brown shanties.

The link for Part II is given in that post.

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EXCERPT OF BLOG ARTICLE ON SALLY BROWN ROLL AND GO
From https://terreceltiche.altervista.org/sally-brown-roll-and-go/
"
In the sea shanties Sally Brown is the stereotype of the cheerful woman of the Caribbean seas, mulatta or creole, with which our sailor tries to have a good time.

Probably of Jamaican origin according to Stan Hugill, it was a popular song in the ports of the West Indies in the 1830s.

The textual and melodic variations are many.

FIRST VERSION: WAY, HEY, ROLL AND GO

In this version the chorus is split into two short sentences repeated by the crew in sequence, after each verse of the shantyman, and is more properly a halyard shanty.

[video insert …]

Oh Sally Brown she's a creole (2) lady,

Way, hey, roll (1) and go

Sally Brown's a gay old lady,

spend my money on (with) (3) Sally Brown.

Sally Brown she has a daughter,

Sent me sailin '' cross the water.

Oh seven long years I courted Sally,

Then she said she would not marry.

Lei she wouldn't have no tarry (4) sailor,

Lei wouldn't have no greasy whaler.

Sally Brown I'm bound to leave you,

Sally Brown I'll not deceive you.

Sally Brown she took a notion (5),

Sent me sailin '' cross the ocean.

 

NOTE

1) The term "Creole" can be understood in two exceptions: from the Spanish "crillo", which originally referred to the first generation born in the "New World", sons of settlers from Europe (Spain or France) and black slaves . The most common meaning is that which refers to all the black half-bloods of Jamaica from the color of the skin that goes from cream to brown and up to black-blue. In the nineteenth century with this term was also indicated a small elite urban society of light skin in Louisiana (resident mostly in New Orleans) result of crossings between some beautiful black slaves and white landowners who took them as lovers.

2) the term is generically used by sailors to say many things, in this context for example could mean "sail".

3) change the article immediately makes the difference "I spend the money on" Sally implies that I pay for his sexual performance "I spend the money with" Sally is more bland ..

4) tarry is a derogatory term to distinguish the typical sailor . More generally Jack Tar is the term commonly used to refer to a sailor of merchant ships or the Royal Navy. Probably the term was coined in 1600, alluding to the tar with which the sailors waterproofed their work clothes.

5) the lady to get rid of the sailor (left without money) sends him back to work, probably on a whaler

[…including video insert]

O, Sally Brown, of New York City (1),

O, Sally Brown you're very pretty

O, Sally Brown's a bright mulatter,

She drinks rum and chews tobaccer.

O, Sally Brown'shes a Creole lady, (2)

Lei she's the mother of a yellow baby (3).

Sally's teeth di lei are white and pearly,

Her eyes di lei are blue, her hair is curly.

Seven long years I courted Sally,

Sweetest girl in all the valley.

Seven long years she wouldn't marry,

And I no longer cared to tarry.

So I courted her only daughter di lei,

For her di lei I sail upon the water.

Now my troubles are all over,

Sally's married to a dirty soldier

NOTE

1) the shanty is also widespread on the packet ships in Liverpool-New York routes, so Sally lives in the city of New York

2) in this description the Creole girl is a mulatto from the skin in the clearest gradation, with blue eyes and wavy hair

3) or from the skin with a caramel tinge”

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