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Showing posts with label Nigerian festivals. Show all posts
Showing posts with label Nigerian festivals. Show all posts

Tuesday, December 20, 2022

Nigeria's Traditional "Agbo Remireke" Masquerade & Festival That Occurs Every Three Years From December 25th Through January 9thth


Landmark Youth, Dec 29, 2021  AGBOWA IKOSI

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Edited by Azizi Powell

This pancocojams post showcases three YouTube videos of a masquerade called Agbo Remireke that is celebrated once in three years during December in the Nigerian town of Agbowa-Ikosi.

Information about this masquerade is also included in this post.

The Addendum to this pancocojams post includes a video of a HBCU (historically Black [United States] colleges and  university) marching band because of a statement that I read that HBCU drum majors' high stepping marching style was partly influenced by Yoruba Egungun festivals.*   

The content of this post is presented for cultural and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who were part of this masquerade and all those who were associated with the production of these videos. Thanks also to all those who are quoted in this post and thanks to Landmark Youth for publishing these videos on YouTube. 
-snip-
I searched for YouTube videos about Egungun masquerades after reading this quote about historically Black (United States) colleges and universities' drum majors' high stepping marching traditions: "Black historian Sterling Stuckey and music historians connect black college band showmanship to influences from 13th-century West Africa and the Egun masqueraders of the Yoruba tribe, who would play musical instruments and dance in funeral processions. Other historians point to black drill sergeants during World War I who introduced both melody and foot-stomping syncopation into their cadence counting, permanently altering the standard, Western marching call." quote from http://www.hbcusports.com/forums/threads/an-article-on-the-history-of-hbcu-marching-bands.24538/ An article on the history of HBCU marching bands, 
Discussion in 'The Band Board' started by PsychoJag, Dec 19, 2003.

Also, click http://pancocojams.blogspot.com/2016/09/the-origins-of-historically-black.html for a 2016 pancocojams post entitled The Origins Of High Step Style Marching (Historically Black Colleges & Universities Marching Bands)

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SHOWCASE VIDEO #2: Agbo Remireke Festival 2021, Kederi Dance II


Landmark Youth, Dec 29, 2021  AGBOWA IKOSI

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EXPLANATION OF THE YORUBA TERM "EGUNGUN" 
From  https://en.wikipedia.org/wiki/Egungun 
"Egungun, (egúngún with Yorùbá language tone marks) in the broadest sense is any Yoruba masquerade or masked, costumed figure.[1] More specifically, it is a Yoruba masquerade for ancestor reverence, or the ancestors themselves as a collective force. Eégún is the reduced form (abbreviation through assimilation) of the word egúngún and has the same meaning. [2] There is a misconception that Egun or Eegun (eégún with Yorùbá tone marks) is the singular form, or that it represents the ancestors while egúngún is the masquerade or the plural form. This misconception is common in the Americas by Orisa devotees that do not speak Yorùbá language as a vernacular.[3] Egungun is a visible manifestation of the spirits of departed ancestors who periodically revisit the human community for remembrance, celebration, and blessings.[4]"...

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INFORMATION ABOUT THE AGBO REMIREKE MASQUERADE AND FESTIVAL

These excerpts are given in no particular order and are numbered for referencing purposes only.

EXCERPT #1
From https://www.facebook.com/nigeriafoundation/photos/a.113230867408617/125477972850573/?type=3
..." The Agbo Remireke Festival is a significant occasion in Yoruba culture that is held every three years during the month of December"... 

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EXCERPT #2
From https://cultureexplore.wordpress.com/2016/02/03/agbo-remireke-a-festival-of-unity/ Agbo Remireke-A Festival of Unity
"Agbo Remireke Festival is best described as a festival of unity and reunion of the people of Agbowa at home and in diaspora.  Although a very small community, the people of Agbowa have a very vibrant culture and tradition which they have sustained for several decades; I am talking about the Agbo-Remireke festival, celebrated every three years, in honour of a water deity.  The interesting thing about the festival is that, it’s celebrated during Christmas, even though it’s a traditional festival. The festival starts on Christmas day, the 25th of December and ends on the 9th of January.

The festival is a unifying platform for all the religions; Christianity, Islam and Traditional belief system. In other words, unity is placed as a top priority as against religious affiliation for celebrating this festival.  The festival is open to all, explained Chief Oluwaremilekun Adeniyi; the Iyalode of Agbowa during an interview with her. She also stressed on the importance of the festival to the people of Agbowa, she said the Agbo Remireke is the only festival celebrated by the people of Agbowa and it’s highly attended by Agbowa citizens at home and in diaspora. She said the festival brings peace and unity to the community. Engineer Shikiru Kunle Ogunfowora, the Aro of Agbowa buttressed same point by saying the festival attracts both youths and the elderly, male and female and even children are encouraged to be part of the festival so that, the tradition is sustained. He said, the festival is dedicated to women.”…

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EXCERPT #3
From https://steemit.com/culture/@sammielaboi/agbo-remireke-festival-of-agbowa-ikosi 
AGBO REMIREKE FESTIVAL OF AGBOWA -IKOSI, written by sammielaboi, 2017
"
Masquerades in Nigeria are regarded as spirits or heavenly bodies which communicate between people’s ancestors and the living. They wear masks and have dance steps that can keep spectators in one spot for a long time. Some masquerades chase and flog spectators while others don’t.

Masquerades festivals are traditional and cultural events which civilization cannot erase. It is an event usually celebrated by a local community. Different communities have different type of masquerade they celebrate. These festivals serve to meet specific needs as well as to provide entertainment for the people. They also help to remind people of their traditions and in recent times helps in unifying a community.

AGBO REMIREKE

Agbo remireke festival is the most important and significant festival of Agbowa-ikosi. It is celebrated once in three years during the Christmas period. This study seeks to bring to lime light the dramatics of the festival, and to look at the way the people of Agbowa have been celebrating this festival in the past and recent years. Another purpose of this study is to look at the way the people celebrate this festival despite the fact that many identify themselves as either Christians or Muslims.

[…]

Origin of Agbo-remireke Festival

According to my informant, the Agbo festival did not originate from Agbowa-Ikosi. It was collected from a village called Iwopin. It is said that a man from Agbowa-Ikosi went on a journey to Iwopin in Ogun State. He saw the festival been celebrated and he liked it. He went to meet the elders of Iwopin to enquire how he would be able to bring the festival to Agbowa. He was required to perform some sacrifices. So he came back to Agbowa to consult with the elders about bringing the festival to Agbowa.

The elders bought into the idea and went along with him to Iwopin to carry out the necessary sacrifices and bring the festival to Agbowa. After the completion of the sacrifice, the deities that are associated with the festival were given to them. The name of the deities are: “Majenimo” also known as “Okooro”. This diety is the one that declares the date of the Agbo Festival. Another diety given to these elders is called “Alelugbagba”. This diety is also important in choosing the date of the celebration. When the “Alelugbagba” masquerade comes out, it means that the date of celebration is fixed. If it has not come out, then the date can still be changed. It also goes in search of plantains to be used for sacrifice.

Another deity in the celebration is the “Ajeye” (Chicken eater) deity. This deity goes in search of chickens to be used for sacrifice and it is also believed that the “Ajeye” is the Agbo-remireke deity.

It is believed that the Agbo remireke will be tired after the performance, so as the husband, “Ajeye” has to provide the food that she will eat after her performance. Hence, he goes in search of chicken for her. The main deity of the festival is the Agbo-remireke deity. It is a feminine deity. A collection of this deities are called “Irunmale” meaning “deities”. The festival is performed once in three years and it is done during the Christmas period.

Drum

There are special drums for the festival. The drums are in three different sets, the smallest one is called “Ipere” or “Omele” in other Yoruba communities. There is also a twin set of drums called “Kuge”. One of the twin sets of drum is known as “Kuge Olohun Oke” which means high sounding Kuge and the other one is called “Kuge Olohun Isale” which means low sounding Kuge. The biggest drum is called “Olori Ilu” which which means the “Chief drum”. The drum is used to communicate with the Agbo masquerade. It changes its dance steps as the drummer changes the beats.

Dance

The masquerade dances to the beat of the drum. There are also three different types of dance that the masquerade dances. The first one is called “Irenle” or “Ilale”. This dance is sued to show off the costume of the masquerade. It is a majestic dance where the masquerade bends down and displays its colourful costume. The second dance is known as “Kederi”. In this dance, the masquerade shows off its dancing skills. The third dance is called “Ayegun”. It is only danced on the last day of the festival. When the Agbo-Remireke is about to dance the “Ayegun” dance, her husband, the “Ajeye” masquerade stands besides her. The dance steps are a natural gift. Though, people learn the dance even if they are not talented but there is always a sharp difference between those who are naturally gifted and those who are not.

Costume

This is the most expensive aspect of the festival. “Eku” is the Yoruba name for masquerade costumes. The people of Agbowa-Ikosi go as far as importing the material for the costume from abroad. The costume for non masquerade can cost as much as two to five million naira. Colourful designs are embroidered on the costume. According to my informant, when the festival first came to Agbowa, women’s old wrappers were used as costume. With the arrival of modernity, the costume changed and beautiful designs are being made on the costume. The costume also includes a mask with a feminine face. It is believed that the masquerade is a female, so the mask is also made with afeminine face and plaited hair. The masquerade also holds a sword and horse tail known as “Irukere” in Yoruba language. The sword is used by the masquerade to make way for itself. The audience gets carried away with its performance and they constitute an obstruction which prevents the masquerade from dancing round the square. It wields the sword in order to scare people back, thereby making a way for itself. The horse tail is used to add to its majestic aura. There are also rattles tied to the masquerade’s legs. The rattle is called “Ide” in Yoruba. It is used to announce its presence and also to keep it in tune with the drum.

Music

This is a very important aspect of the festival. Though, there is little or no linguistic content in masquerade festivals as noted by Finnegan, there is the use of music to convey messages to people during this time. The elders sing a song to greet the people. The people also reply with song. A very important part of the music is this festival is the insult and praise songs. Different groups emerge to compose songs which will either be in praise of someone or be an insult to someone. The praise song is used to encourage people to keep on doing good and the insult song serves as a form of check and balance to defaulters. The Agbo also has an “Oriki”, a panegyric/praise chant. The chant is used to hail the Agbo deity and the other deities associated with it."...

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ADDENDUM- HBCU DRUM MAJORS' HIGH STEPPING MARCHING STYLE



MARCHING 100 PAPARAZZI, Sept. 21, 2021

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Friday, May 21, 2021

Ijele: Nigerian (Igbo) Masquerade Video & Information



UNESCO, Sep 25, 2009

Description: In many communities in the state of Anambra in south-eastern Nigeria, celebrations, burial ceremonies and other special occasions during the dry season to evoke fertility and a bountiful harvest feature the performance of the Ijele masquerade. The mask is about four metres tall  so large that it takes a hundred men six months of work to prepare the costume and build an outdoor house to hold it before a performance. Divided into upper and lower segments by a large python at the centre, the ijele is constructed of colourful fabric on a skeleton of bamboo sticks and decorated with figurines and depictions of every aspect of life. The towering masked figure dances at the culmination of a series of other masquerades, protected by six police and carrying a mirror with the power to draw in and punish evildoers. Ijele mask carriers, chosen by ballot, seclude themselves for three months, during which they live on a special diet to acquire the strength necessary to don the mask. The masquerade plays a number of important roles in the community: spiritually, it marks both festive and solemn occasions; politically, it provides an opportunity to reaffirm loyalty to a chief or king. 

Country(ies): Nigeria

© 2008 by A. B. Ajibola [The link to this post is no longer viable.]
-snip-
The word "Ijele" sounded like "e-JEH-le" to me in that video.  [Pronunciation corrections welcome.]

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Edited by Azizi Powell

This pancocojams post showcases a video of and presents information about the Nigerian Masquerade known as "Ijele". 

The content of this post is presented for folkloric and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post and thank all those who are associated with the video that is embedded in this post.
-snip-
Click https://pancocojams.blogspot.com/2021/05/references-to-igbo-highlife-singer.html for the closely related pancocojams post entitled "
References To Igbo Highlife Singer Flavour As "Ijele" And Other Meanings Of the Word "Ijele" Besides A Direct Reference For The Igbo Masquerade".

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INFORMATION ABOUT IJELE MASQUESRADE
From https://en.wikipedia.org/wiki/Ijele_Masquerade
"Ijele Masquerade, known as the biggest Masquerade in Sub-Saharan Africa, is a tradition of the Igbo people of Nigeria and was listed in the UNESCO Archives as an intangible cultural element in need of urgent safeguarding. In many communities in the state of Anambra in South-Eastern Nigeria, celebrations, burial ceremonies and other special occasions during the dry season to evoke fertility and a bountiful harvest feature the performance of the Ijele masquerade.


[...]

Description

Ijele is the largest mask system ever to enter the history of the world masking tradition. It comprises two segments: the upper and the lower segments, divided at the centre by a big python. The upper segment is called Mkpu Ijele while the lower segment is called Akpakwuru Ijele or Ogbanibe and the centre is called Eke - Ogba (Python). Ijele towers about 15 ft to 12 ft based on gravitational balance construction. It is built around the intricacy of multicolor cloths, bamboo sticks and canes in line with a creative hand element. Due to its weighty size, an outdoor big house must be prepared for Ijele anywhere it will perform. It takes about 100 men to work for six months in preparation of Ijele costumes and house before an outing performance.

Relevance of the Masquerade

Ijele is a special masquerade in Anambra and Enugu State, Nigeria. It is the King of all Masquerades and as such has 45 different other masquerades perform on top of it in the olden days. Presently, the 45 masquerades are represented by the 45 figurines seen on top of Ijele. The myth and size of Ijele is wholesome as every aspect of life is depicted on Ijele. It is the climax of all masquerades hence performs alone and mostly last. Ijele is a family of 4: the mother; father; police and palm wine taper which will be discussed under the Ijele family below.

Structure of the Masquerade

Nne Ijele meaning "Mother of Ijele". She is a usually beautiful lady masquerade that holds a big ox tail with a carved enamel plate. It performs dances to flute and soft music. Ijele Father called "Onuku": It has a big face and dresses in chieftaincy regalia.

Ijele Police: they are usually six. Their duty is to ensure that the people do not encroach on Ijele father or mother.

Ijele Palm Wine Tapper: It accompanies Ijele for the sole purpose of picking its rear as it performs. Another significant personality is the Ijele fan carrier of Akupe carrier. It is not really a masquerade but it plays crucial role of leading the Ijele with its symbolic powerful fan called Akupe. Once the Ijele loses sight of the fan and its carrier, it gets lost and it signifies danger. Ijele moves when the fan carrier moves and also stops when it stops.he tunes of Akunechenyi music.and culturally it provides a popular entertainment as young boys and girls sing and dance to 

[…]

Costumes & Symbols

Ijele Mirror: This mysterious mirror picks and sees anyone with charm or destructive weapons. The mirror magnets the person to Ijele for punishment. This mirror is reflective and creates an aesthetic beauty.

Ijele Python: This is a big snake signifying royalty and mightiness of Ijele. Ijele Cloth / Fabrics: Ijele fabrics popularly known as Ododo is expensive, colorful velvety materials. Ijele has all colors but yellow, black and red are pronounced.

Ijele Trees, Animals, White men, Carved Human Activities: All these signifies wholesomeness of Ijele as every aspect of human life is depicted on Ijele masquerade.

Mermaid Objects: Ijele is crowned up with mermaid objects signifying Ijele as the greatest of all masquerades.

Ijele Horse: The horse represents majesty and greatness.

The Societal Impact & Significance of Ijele

Ijele has political, spiritual, social, psychological and recreational significance.

Spiritual / Social: Ijele performs at the burial ceremonies of great and powerful kings or special men and women in Igboland. It also performs at the burial ceremony of any member of the Ijele family or at the death of the oldest man in the community. Ijele mostly perform during the dry season to mark fertility and annual bountiful harvest. It can equally perform at special festivals and occasions.

Political: Ijele gives the people the opportunity to re-affirm their loyalty. This affirmation comes in different ways, for example, dancing alongside the Ijele as it pays homage to a Chief or King, show ones total loyalty. If Ijele can bow, who else can not bow!

Psychological: The appearance depicts a high tone of events when different facet of Igbo recreational activities is displayed. Though in some communities in Anambra State, it is restricted to young boys and girls singing and dancing to the tune of Akunechenyi music, which features very prominently during this session.

Recreational: Its appearance depicts a high tone of events when different facet of Igbo recreational activities is displayed. Though in some Communities in Anambra State, it is restricted to young boys and girls singing and dancing to the Akunechenyi music which features very prominently during the festivals.

Its worth to note that Ijele will never step out to perform unless Seven (7) Cannon gunshot are released to the air alongside the sound of its royal music. Therefore, its would be nice to sum it up that Ijele is a Spiritual bond between a range of Communities in Anambra State of Nigeria which is harbinger of peace, amity, dialogue and a high sense of communality,"

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