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Showing posts with label Conga line. Show all posts
Showing posts with label Conga line. Show all posts

Wednesday, April 3, 2024

Desi Arnaz Didn't Invent The Conga Line, But He Did Popularize That Afro-Cuban Dance In The United States


kelime, Aug 28, 2012

From the [1940] RKO [United States] movie "Too Many Girls"

****
Edited by Azizi Powell

This pancocojams post showcases several videos of the Conga line dance and presents information and comments about the Conga dance which correct the mistaken belief that Desi Arnaz invented that dance. 

The content of this post is presented for historical, cultural, entertainment, and educational purposes.

All copyrights remain with their owners.

Thanks to the real creators of the Conga line dance. Thanks also to Desi Arnaz for his cultural legacy and thanks to the producers and publishers of these embedded videos. Thanks also to all those who are quoted in this post.
-snip-
Click https://pancocojams.blogspot.com/2019/05/information-about-history-of-conga.html for the pancocojams post entitled "Information About The History Of The Conga Dance & Seven YouTube Video Examples Of Cuban Conga Troupes (Comparsas)". That post is Part II of a three part 2019 pancocojams series on the Conga line dance. All of the links for these posts are given in each post. 

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SELECTED COMMENTS FROM VIDEO #1 (given at the top of this post)
Numbers added for referencing purposes only.

https://www.youtube.com/watch?v=W5QrGD0oUgY

1.@ayax6661, 2016
"este chico creó la conga de los carnavales cubanos"
-snip-
Google translate from Spanish to English:
"this boy created the conga of Cuban carnivals"

**
2. @jasonhuegan7007, 2020 
"Did Arnez invent the conga line?"

**
Reply
3.@phillipsmom6252, 2021
"No"

**
4.@jasonhuegan7007, 2021
@phillipsmom6252
"Who did?"

**
Reply
5. @PrincessWarsop, 2021
"He just made it popular."

**
Reply
6. @JamesAinsworth-AA, 2021
"He himself said on an interview on Johnny Carson that the conga line was something Cubans created in their Carnival celebrations. He said most of the country would go to Santiago for the celebrations and the best conga lines - the implied or veiled suggestion is that the conga line was an Afro-Cuban creation because Santiago was predominantly Black Cubans."

**
7. @holyspacemonkey, 2020, 2020
"This is from the 1940 film “Too Many Girls.” Lucy & Desi met on the set, but her co-star and love interest was Richard Carlson, not Desi. Desi played a supporting role. You can see Lucy & Richard at 3:30."

**
8. @stephaniebarkemeyer5247, 2022
"
I’m reading Desi’s autobiography right now, and his life story is truly incredible, especially all he went through. He called the conga his “dance of desperation” because he needed to think quickly to avoid getting fired and drown out his horrible sounding bad Xavier Cugat sent him to play. One dance started a craze and influenced our culture."

**
9. @Tusc9969, 2022
"I like Desi - he knew relatively little about the music he was hybridizing, compared to real, respected band leaders like Cugat, Machito, Miguelito Valdes etc

But he had looks, charm, chutzpah and the great advantage over most important Latin musicians of being both upper-class and white complexion.

To be quite honest, Desi was not the best of singers, and he was not the best conguero, obviously, but he gets credit for introducing Afro-Cuban music to the masses on television, which in the 40s was unheard of, if you lived outside NYC or Miami at the time."

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INFORMATION ABOUT DESI ARNAZ
https://www.imdb.com/name/nm0000789/bio/?ref_=nm_ov_bio_sm
"Desiderio Alberto Arnaz y de Acha III was born in Santiago, Cuba on March 2, 1917. His father was the mayor of Santiago. The 1933 revolution led by Fulgencio Batista had landed his father in jail and stripped the family of its wealth, property and power. His father was released because of the intercession of U.S. officials who believed him to be neutral during the revolt. The family fled to Miami, Florida. One of Desi's first jobs in America consisted of cleaning canary cages. However, after forming his own small band of musicians, he was hired by Xavier Cugat, the "king" of Latin music.

Desi soon left Cugat, formed his own Latin band, and literally launched the conga craze in America. He was cast in the Broadway play "Too Many Girls" and then brought to Hollywood to make the film version of the play. It was on the set of Too Many Girls (1940) that he and Lucille Ball met. They soon married and approximately 10 years later formed Desilu Productions and began the I Love Lucy (1951) shows. Desi and Lucille had two children, Lucie Arnaz and Desi Arnaz Jr..

At the end of the I Love Lucy (1951) run, which included The Lucy-Desi Comedy Hour (1957), the two divorced. Desi later wrote an autobiography entitled "A Book." In 1986 he was diagnosed with lung cancer. He died on December 2, 1986 at age 69."

****
INFORMATION ABOUT THE CUBAN CITY "SANTIAGO DE CUBA"
From https://en.wikipedia.org/wiki/Santiago_de_Cuba
….Historically Santiago de Cuba was the second-most important city on the island after Havana, and remains the second-largest. It is on a bay connected to the Caribbean Sea and an important sea port. In the 2022, the city of Santiago de Cuba recorded a population of 507,167 people.[4]

[…]

Santiago de Cuba is well known for its traditional music, most notably son, from which salsa has been derived. The city celebrates Carnival in July, although it typically precedes Lent. With the city preoccupied with the holiday, Castro chose July 26 to enter undetected into the city to assault the Moncada Barracks. During Carnival, traditional conga music is played in the streets on a traditional pentatonic trumpet, called the trompeta china.

A relatively high number of residents of the city adhere to Afro-Cuban religions, most notably santería. The city hosts an important community of descendants of immigrants from the early 19th century from what is now Haiti. Some aspects of the religious "vodún" heritage of the city can be traced back to this community.”…

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INFORMATION ABOUT THE CONGA LINE DANCE
https://www.britannica.com/art/Latin-American-dance/The-Caribbean
...."Conga is an upbeat walking dance that accents the fourth beat of the measure as the dancers (solo or in groups) wind through the streets. In formal parade units, simple conga choreographies give form and shape to the dance, but the essence of the dance is most evident in the spontaneous crowd dancing along with the musicians through the streets."... 

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Excerpt #2
From https://en.wikipedia.org/wiki/Conga_line
"The conga line is a novelty line dance that was derived from the Cuban carnival dance of the same name and became popular in the US and UK during the first half of the 20th century. In order to perform the dance, dancers form a long, processing line, which would usually turn into a circle. It has three shuffle steps on the beat, followed by a kick that is slightly ahead of the fourth beat. The conga, a term sometimes mistakenly believed to be derived from the African region of Congo, is both a lyrical and danceable genre, rooted in the music of carnival troupes or comparsas.[1]

Origin

The conga dance was believed to have been brought over from Africa by enslaved people in the West Indies,[2] and became a popular street dance in Cuba. The style was appropriated by politicians during the early years of republic in an attempt to appeal to the masses before election. During Gerardo Machado's dictatorship in Cuba, Havana citizens were forbidden to dance the conga since rival groups would work themselves to high excitement and start street fights. This was not the case when Fulgencio Batista became president in the 1940s - he permitted people to dance congas during elections, but a police permit was required.[3]

Description

The conga dance style is more of a march, which is characterized by its distinctive conga drum rhythm. It differs from the Cuban rumba, which uses movements considered "hip" and shows the sensually aggressive attitude of each dancer. Conga music is played with a staccato beat as its base, which gives rhythm to the movements of the dancers. Conga dancers lift their legs in time with the rhythm of the music, marking each beat with the strong motion of their body.

The basic dance steps start from left leg 1-2-3 kick then repeat, opposite. Originally, a band member wearing a drum would venture onto the dance floor and begin zig-zagging around while drumming out the rhythm. Dancers would start joining up behind the drummer, forming a line that moves like a snake in an open circle. The line (or the circular chain) would grow longer and the drumming more intense until it finally stopped. The dance has two styles, which is a single line form and partners. The single line is more popular in Cuba.[2]"...

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Excerpt #3
From https://www.loc.gov/item/2021669774/
"Title - Conga Dancers.

Summary

This photograph from Cuba shows dancers and drummers similarly adorned in costumes of balloon-like trousers, long coats, and head wraps made of the same shiny fabric, moving in a long conga line. The conga is a dance that originated in Cuba, and in which the participants form a winding line, take three steps forwards or backwards, and then kick. The photograph is from the collection of the Columbus Memorial Library of the Organization of American States (OAS), which includes 45,000 photographs illustrative of life and culture in the Americas. Many of the photographs were taken by prominent photographers on OAS missions to member countries. The OAS was established in April 1948 when 21 countries of the western hemisphere adopted the OAS Charter, in which they reaffirmed their commitment to the pursuit of common goals and respect for each other's sovereignty”…

Created / Published

Cuba : Organization of American States, 1956.

[…]

-snip-
All of the people in this photograph are Afro-Cubans."

****
ADDITIONAL SHOWCASE VIDEOS 

SHOWCASE VIDEO #2 - Conga line! 😊



@partyexcitementdj, 
Feb 16, 2025
-snip-

August 3, 2026- This video replaces one that is no longer available.

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SHOWCASE VIDEO #3 - Kids Conga Song | Best Dance Songs for Kids | Come On and Conga | Best Kids Dance Songs | PBS Kids

 

The Kidsongs Channel, Apr 22, 2016

the Conga !The Best Dance Songs for Kids ! Here's Come On and Conga from Kidsongs: I Can Dance! Join the Kids Conga line and join in the dancing fun! Sing and dance along fun with this all time favorite classic kids dance  song! 

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Visitor comments are welcome.

Thursday, October 28, 2021

Kalya Cultural Dancers (Marakwet Ethnic Group, Kenya) -"Anyiny Tumdo" ("Blessed Ceremony"), Video With English lyrics



Kalya Cultural Dancers, Nov 8, 2020

Ceremonies such as Engagements & Marriages are the most celebrated events in Marakwet Community. ANYINY TUMDO (Sweet/lovely) Ceremony... **** Edited by Azizi Powell This pancocojams post provides information about the Kalenjin and information of the Marakwet, a sub-group of the Kalenjin ethnic group in Kenya, East Africa. This pancocojams post also showcases the Marakwet wedding song "Anyiny Tumdo" as performed by the Kalya Cultural Dancers. The English lyrics for this song which were given as captions in this video are also included in this pancocojams post (with a few minor spelling changes and a change in the order of two verses.)

The content of this post is presented for cultural, entertainment, and aesthetic purposes. All copyrights remain with their owners. Thanks to Kalya Cultural Dancers for their musical and cultural legacy. Thanks also to all those who are featured in this video and thanks to the composer/s of this song. Thanks also to all those who are quoted in this post. -snip- I noticed how the people in this video are doing a dance that I and many people in the United States and in some other countries would describe as the "Conga line". However, that dance in this video may be a traditional Marakwet dance and not doing the Conga or copying off of the Conga line.  Be that as it may, I've added a tag for "African processional videos, and a tag for "Conga line" so that I (and others) can find this post in the future.  
**** INFORMATION ABOUT THE KALENJIN From https://en.wikipedia.org/wiki/Kalenjin_people "The Kalenjin comprise a number of ethnic groups indigenous to East Africa, residing mainly in what was formerly the Rift Valley Province in Kenya. They number 6,358,113 individuals as per the Kenyan 2019 census. They are divided into 11 culturally and linguistically related tribes: Kipsigis, Nandi, Keiyo, Marakwet, Sabaot, Pokots, Tugen, Terik, Sengwer, Lembus, and Ogiek.[2] They speak Kalenjin languages, which belong to the Nilotic language family.[1]"... **** INFORMATION ABOUT THE MARAKWET From https://en.wikipedia.org/wiki/Marakwet_people "The Marakwet are one of the groups forming the ethnolinguistic Kalenjin community of Kenya, they speak the Markweta language. The Marakwet live in five territorial sections namely Almoo, Cherangany (Sengwer or Kimaala), Endoow, Sombirir (Borokot) and Markweta (the dialect giving rise to the common name). Cutting across these territorial groups are a number of clans to which each Marakwet belongs. There were 119,969 Marakwet people in 2019.[1]

Most Marakwet today live in the Elgeyo-Marakwet County, a notably beautiful and picturesque part of Kenya. It is bounded to the east by the Kerio River at 1000 m above sea level, which runs through a small branch of the Great Rift Valley. To the west it includes almost the entire Cherang’any hills which rise to 3300 m above sea level west of the Marakwet escarpment. Significant populations of individuals of Marakwet heritage are also resident in the Trans Nzoia, and Uasin Gishu counties, as well as in other towns in Kenya. Others have moved to live in places as far away as Australia, Southern Africa, the Middle East, and United States."...

****
ENGLISH LYRICS FOR THE MARAKWET SONG "ANYINY TUMDO" (BLESSED CEREMONY)
(as sung by Kalya Cultural Dancers) *

We are full of joy
Colorful ceremony
In a Holy place
Blessed ceremony, Haaa iyaa. bride and groom this is your day.

Marriage at the altar
Coloful ceremony
The wedding is blessed
Blessed ceremony, Haaa iyaa. bride and groom this is your day.

It started with Adam
Colorful ceremony
Adam and Eve
Blessed ceremony, Haaa iyaa. bride and groom this is your day.

Marriage was there
Colorful ceremony
Marriage is blessed
Blessed ceremony, Haaa iyaa. bride and groom this is your day.

Such a beautiful couple
Colorful ceremony
Blessed ceremony
Blessed ceremony,
Haaa iyaa
Bride and groom, this is your day.

Guest have arrived
Colorful ceremony
With blessings
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Guests have arrived
Colorful ceremony
From all directions.
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Parents have come
Colorful ceremony
Together with uncles
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Many have come
to the coloful ceremony
Blessed ceremony
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Good hearted couple
Colorful ceremony
Are fulled with joy
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Our beautiful bride
Colorful ceremony.
Beloved daughter
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Here are your sisters
Colorful ceremony
Come bearing gifts
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Brothers are coming
colorful ceremony
Together with your sisters
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

See how people are happy?
Colorful ceremony
Enjoying your cremony
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

See how women 
Colorful ceremony
Are rejoicing
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

See how men
Colorful ceremony
Are rejoicing
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Our marriage is blessed
Colorful ceremony
We thank our guests
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

This day has been successful
Colorful ceremony
We thank our guests
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Goodbye to all
Colorful ceremony
And keep the love
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Goodbye to our visitors
Colorful ceremony
And keep the love
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Blessed ceremony
Colorful ceremony
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.

Blessed ceremony
Colorful ceremony
Blessed ceremony
Haaa iyaa
Bride and groom, this is your day.
-snip-
This is my transcription from the captions in that YouTube video.

Notice that I made minor changes in some lines: 
-I corrected the spelling of the word "altar" and replacing the word "on" with "at" for the words "at the altar"
- I changed "sister" to "sisters" (since the plural word "sisters" was mentioned in the following verse).
-I changed the word "gift" to gifts" in the line "your sisters are coming bearing gifts"
-I changed the line "bye our visitors" to "goodbye to our visitors"

No disrespect intended, but the order of the verses that are given above is a change from the order that the verses were sung in this video. I moved the "Our marriage is blessed" and "This day has been successful" to right before the "Goodbye to our guests" verse instead of after the "See how people are happy" verse.
.
I changed that order because it seemed to me that putting the verses in the couple's voices together makes e more sense than separating those verses.

Again, I mean no disrespect. I love the words, the music, the dancing, the clothing...I love everything about this video and really appreciate that the publisher added English captions since unfortunately, that is the only language I know. Adding English captions helped me-and I'm sure many other people-understand this wonderful Marakwet wedding song. I'm grateful for that. 

**
Additional Pancocojams Editor's Notes: 
I wonder if it is the custom for one or more people within the Marakwet communityto improvise the beginning words to this song at weddings and have no fixed order for the verses and no fixed limit for the number of verses. I'd  love to "hear" from anyone who is familiar with this song as sung by the Marakwets regarding this speculation.

I'd also love to learn whether the dance that is performed in this video which resembles what Americans call "the Congo line" is traditional to the Marakwets culture.

****
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Visitor comments are welcome.

Tuesday, October 5, 2021

The REAL Conga Music And Dance: Videos Of Conga In Santiago de Cuba



Germán López,Oct 12, 2013

****
Edited by Azizi Powell

This pancocojams post presents information, videos, and comments about Conga music, dance, and processions (parades).

The music and dances in these videos contrasts with the Conga line novelty dance that became popular in the United States in the 1930s and the 1950s. The "Conga line" is derived from the dance that was Afro-Cubans performed to the Conga music that they played.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who are featured in these videos. Thanks to all those who are quoted in this post and thanks to all the publishers of these videos on YouTube.
-snip-
Click http://pancocojams.blogspot.com/2019/05/article-excerpt-about-history-of-conga.html  "Article Excerpt About The History Of The Conga Line Dance & Five YouTube Videos Of The Conga Line".

As shown in the videos that are featured in that post, including a clip of the 1989 American movie Weekend At Bernie's, the Conga Line novelty dance is performed quite different from the Cuban Conga dance..  

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ADDITIONAL SHOWCASE VIDEOS

Video #2: SANTIAGO DE CUBA TOURIST GUIDE | CONGA CHILL



CUBAN CHILLOUT, Aug 12, 2016
-snip-
Here's a comment exchange from this video's discussion thread:

Stephanie Judah, 2018
"I love the music in this video. What is the name of it?"

**
Reply

CUBAN CHILLOUT, 2018
"It's a Conga Chill, which is a very popular style in the eastern area of Cuba and played to much in Carnivals on the street with many people back."

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Video #3: Carnaval Santiago de Cuba 2010,Conga San Agustin

Namchebal, Aug 13, 2010

Conga Los Hoyos, subiendo la calle Reloj en Santiago de Cuba, carnaval 2010
-snip-
Google translate from Spanish to English

Conga Los Hoyos going up Clock Street in Santiago de Cuba, carnival 2010

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Video #4: La Conga Cubana - Santiago - Cuba - 014v02

Cubaism, Nov 29, 2011

"La Conga" is one of the most authentic cuban musical traditions, one that makes everyone move. Santiago de Cuba is where the biggest, best and hosttest congas are found, they all gathers in the Santiago the Cuba Carnivals for the best Conga show in the world.

In this video the conga is performed by childrens as a practice for the later Santiago´s Carnival opening that same day. Original music by Yaso. More Cuba videos at cubavideos.com

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Video #5: La Conga de los Hoyos Santiago d e Cuba a cura di pasquale pachi chiurazzi



Pasquale Chiurazzi, Jan 22, 2020

****

SELECTED COMMENTS FROM TWO VIDEOS THAT ARE SHOWCASED IN THIS POST

Comments From The Discussion Thread For Video #1  In This Pancocojams Post

Numbers given for referencing purposes only. The English translation for the Spanish comments are given after that comment (from Google translate).

1. cadizcuba, 2015
"Hola German si lees esto ahora me gustaria que me dijeras cómo se llama el hierro redondo que se toca en la conga que no lo encuentro por Internet y nunca lo supe. Mañana tengo que hablar en la Universidad sobre la conga santiaguera. Yo soy de Santiago.
-snip-
"Hello German, if you read this now, I would like you to tell me the name of the round iron that is played on the conga that I cannot find on the Internet and I never knew. Tomorrow I have to speak at the University about the Santiago conga. I'm from Santiago."

**
Reply
2. cadizcuba, 2015
"Muchas gracias Germán. Me ha valido mucho tu respuesta y una amiga cubana también me explicó que era el tambor de freno de un coche antiguo y está dentro de los instrumentos llamados Campana o cencerro."
-snip-
"Thank you very much Germán. Your answer has been very useful to me and a Cuban friend also explained to me that it was the brake drum of an old car and it is inside the instruments called Bell or cowbell."

**
Reply
3. Alexander Vazquez, 2018
"cadizcuba se le dice Campana y es de la parte donde va la goma de un carro
-snip-
"Cadizcuba is called Campana and it is from the part where the rubber of a car goes"

**
Reply
4. Juan Carlos Reina Leal, 2019
"Es parte de un tambor de freno de carro o motocicleta"
-snip-
It is part of a car or motorcycle brake drum

**
5. Wall.Street.AV., 2015
"esta Buena la cconga es. aqui en el yankee no se ve eso."
-snip-
"the conga is good. here in the yankee you don't see that."

**
6. Lis Crespo, 2017
"Gente sumida en la pobreza total sin ropa, sin zapatos, quizás con hambre..... tampoco he visto celulares????  La  policía reprimiendo  todo el tiempo.... aún así transmite alegría.... increíble!"
-snip-
"People mired in total poverty without clothes, without shoes, perhaps hungry ... I have not seen cell phones either ???? The police repressing all the time .... still transmits joy .... incredible!"

**
7. Ana Sanchez, 2018
"Soy de la habana, pero las mejores congas de cuba estan en santiago viva cubaaaaaaa!!!!!!!"
-snip-
"I'm from Havana, but the best congas in Cuba are in Santiago, viva cubaaaaaaa !!!!!!!"

**
8. mario aguero, 2019
"Bueno, el ritmo de la conga sigue igual, pero parece una parada de indigentes. Que mal vestida la gente, que condiciones mas deplorables las calles. El dano del regimen es tan visible!

Aparte, NADIE sonrie. Todo el mundo luce deprimido, triste. Caramba, una conga es la cosa mas alegre del mundo! Tienen cara de luto, cara de hambre."
-snip-
"Well, the rhythm of the conga remains the same, but it seems like a homeless stop. How poorly dressed people, what more deplorable conditions in the streets. The damage of the regime is so visible!

Besides, NOBODY smiles. Everyone looks depressed, sad. Gee, a conga is the happiest thing in the world! They have a mourning face, a hungry face."

**
9. Jose Manuel de la Rosa Perez, 2019
"
original y sin copias  jajajajajajajaja."
-snip-
"original and without copies hahahahahahaha."

**
10. Brianna F. Jones, 2020
"
Cómo se llama el instrumento que toca el hombre a 10-15 segundos?"
-snip-
"What is the name of the instrument that the man plays at 10-15 seconds?"

**
Reply
11. Josseph L'Gall, 2021
"trompeta china, La corneta china (también conocida como trompeta china), instrumento de viento usado en la música tradicional cubana, es en realidad el suona chino. El suona fue introducido en Cuba por inmigrantes chinos durante el período de la colonia española. A partir de 1848 llegaron numerosos culíes chinos a Cuba,

El uso de la corneta china en la conga de los carnavales de Santiago, comenzó con la llegada de los primeros inmigrantes chinos a la isla. La corneta china se constituyó en parte integral y obligatoria de la comparsa santiaguera, en la que todo el pueblo baila por las calles,"
-snip-
"Chinese trumpet, The Chinese cornet (also known as the Chinese trumpet), a wind instrument used in traditional Cuban music, is actually the Chinese suona. Suona was introduced to Cuba by Chinese immigrants during the period of the Spanish colony. Beginning in 1848, many Chinese coolies arrived in Cuba,

 The use of the Chinese cornet in the conga of the carnivals of Santiago, began with the arrival of the first Chinese immigrants to the island. The Chinese cornet became an integral and obligatory part of the comparsa from Santiago, in which all the people dance through the streets,"

**
12. MAURICIO TRIANA VILLALÓN, 2020
"La comparsa no tiene hora y cuando baja, todos dejan lo que sea y se suman. Hay anécdotas que cuando asaltaron el Cuartel Moncada, estos aprovecharon a la policía entretenida en custodiar la hora de la comparsa con todos arroyando. Le ronca las costumbres. Arriba mi Cuba"
-snip-
"The troupe has no time and when it comes down, everyone leaves whatever and joins. There are anecdotes that when they attacked the Moncada Barracks, they took advantage of the entertaining police in guarding the time of the comparsa with everyone running. Habits snore him. Up my Cuba."
-snip-
Explanation for the portion of this comment that refers to the attack on the Moncada Barracks:
From https://en.wikipedia.org/wiki/Moncada_Barracks
"The Moncada Barracks was a military barracks in Santiago de Cuba, named after the General Guillermón Moncada, a hero of the Cuban War of Independence. On 26 July 1953, the barracks was the site of an armed attack by a small group of revolutionaries led by Fidel Castro. The attack failed and the surviving revolutionaries were imprisoned. This armed attack is widely accepted as the beginning of the Cuban Revolution. The date on which the attack took place, 26 July, was adopted by Castro as the name for his revolutionary movement (Movimiento 26 Julio or M 26-7) which eventually toppled the dictatorship of Fulgencio Batista on 12 January 1959.”…

**
13. meuswe, 2021
"
I have seen this live. This video although very nice does not do it justice."

****
Comments From the Discussion Thread For Video #3 In This Pancocojams Post

https://www.youtube.com/watch?v=_l6cUnIYlKA&ab_channel=namchebal

Numbers given for referencing purposes only. The English translation for the Spanish comments are given after that comment (from Google translate).

1. Elidiamys P.Oliva, 2001
"asì me gusta ver mi cuba..no importa si es en oriente o occidente,todos somos hermanos...y esa sangre es unica.."
-snip-
"that is how I like to see my Cuba..it does not matter if it is in the East or the West, we are all brothers ... and that blood is unique .."

**
2. Yanniet Figueroa, 2001
"Dios, q vivan los cubanos y bendiga a los Santiagueros, eso si es conga, Q RICO, por la esquina de mi casa, me encanto, quien se que tomo este video, SALUDO VECINO(A).....besos para todo mi paisanos....."
-snip-
"God, long live the Cubans and bless the Santiagueros, that is conga, Q RICO, around the corner of my house, I loved it, who I know I took this video, GREETING NEIGHBOR (A) ..... kisses for everything my countrymen ....."

**
3. pablo moya, 2001
"Santiago de Cuba fue la cuna de la Revolucion...

Pero La Habana fue la Cuna de la traicion.

OHHH La Habana."
-snip-
"Santiago de Cuba was the cradle of the Revolution ...

But Havana was the cradle of betrayal.

OHHH Havana."

**
4. claudita86c, 2013
"Cuando se trata de Cuba no se pork la gente no pueden ver los videos como son simplemente. Esto es una conga santiaguera y punto. El k no ha cojido un carnaval cubano no sabe lo k es la vida."
-snip-
"When it comes to Cuba, people can't see the videos as they simply are. This is a Santiago conga, period. He has not taken a Cuban carnival, he does not know what life is."

**
5. Mateo Morral, 2013
"Una pregunta, desde el respeto y el desconocimiento. ¿La población de Santiago es principalmente negra? ¿o a la Conga solo va gente de raza negra? repito que es una pregunta desde el respeto, porque no conozco la realidad de Cuba."
-snip-
"A question, from respect and ignorance. Is the population of Santiago mainly black? Or do only black people go to the Conga? I repeat that it is a question from respect, because I do not know the reality of Cuba."

**
Reply
6. Luis Diaz, 2018
"ambas cosas a la vez, 80% de la poblacion de Santiago es de raza negra y a las Congas: manifestacion cultural muy autentica, q tiene su origen en el Carnaval (unico dia de fiesta autorizado a los esclavos en la epoca colonial) ...."
-snip-
"Both things at the same time, 80% of the population of Santiago is black and the Congas: a very authentic cultural manifestation, which has its origin in Carnival (the only holiday authorized for slaves in colonial times) ... ."

**
7. chago javi, 2017
"santiago la primera capital de cuba luego puesta en la habana por la cercanía geográfica a florida comercio razones , una ciudad santiago de mezclas y raíces que por cierto fue la capital del caribe. 450 años atrás. donde los abuelos  tatarabuelos tritarabuelos vivieron primero hay en esa ciudad mencionónada tantas veces de negros dominada por reparto vista alegre y sueño muchos años cientos atrás los ricos hay estuvieron se regaron por toda la isla y muchos mulatos , negros y blancos quedaron es esa bella ciudad  la actual mente considerada no por gusto la ciudad del caribe  toda la isla hay personas negras u de todo y esta conga es raíz y algo de cultura africana la ciudad del son de la guaracha y chacha esto es cultura no política  arriba santiagueros sigan progresando que la ciudad está bella lo máximo 💪🏽"
-snip-
"Santiago the first capital of Cuba then placed in Havana due to its geographical proximity to Florida Comercio, a Santiago city of mixtures and roots that was by the way the capital of the Caribbean. 450 years ago. where the great-great-great-great-great-grandparents first lived there is in that city mentioned so many times by blacks dominated by cast, happy sight and dream many years hundreds ago the rich people were spread all over the island and many mulattoes, blacks and whites remained in that beautiful city the Nowadays, the city of the Caribbean is not considered for pleasure, the whole island there are black people and everything and this conga is root and some African culture the city of the son of the guaracha and chacha this is non-political culture up Santiago continue to progress that the city She is beautiful as much as possible 💪🏽"

**
[Pancocojams Editor's Note: The comment given as #8 in this compilation was written in  response to a commenter who indicated that the conga was for [a form of the n word] and where was the conga for the whites?]
8. Naivit Rondón, 2017
"Albert Catalán Borrell la conga nunca será de blancos pues son desentiendes de Españoles y los españoles valga la redundancia eran Católicos, estás congas son y serán siempre de los NEGROS pues ellos son los que llevan en su sangre la Religión Yoruba. Ashe para toda mi gente bella,mi gente Afro-Cubana."
-snip-
Albert Catalán Borrell the conga will never be white because they are misunderstandings of Spaniards and the Spaniards worth the redundancy were Catholic, these congas are and will always be of the BLACKS because they are the ones who carry the Yoruba Religion in their blood. Ashe for all my beautiful people, my Afro-Cuban people."

**
Reply
9. Jean Rafael, 2021
"
@Naivit Rondón  La conga viene d los africanos d origen bantu del Congo nada k ver con Yoruba, la gran mayoría d los esclavos k habían en oriente donde nace la conga eran del Congo."
-snip-
"@Naivit Rondón The conga comes from Africans from the Congo Bantu origin, nothing to do with Yoruba, the vast majority of the slaves were in the East where the conga was born, they were from the Congo."

**
10. Gus Paret, 2017
"vengo de una familia mezclada mi abuela era negra y mi abuelo blanco de ojos azules y nunca nos dejo ir a las congas pero de que nos encanta y nos gusta si son divinas lo llevas en la sangre.Que bello mi santiago como lo extrano hjace 8 anos que no voy y no creo que pueda ir"
-snip-
"I come from a mixed family, my grandmother was black and my grandfather was white with blue eyes and he never let us go to the congas but we love it and we like it if they are divine you carry it in your blood How beautiful my Santiago how I miss him 8 I haven't been going for years and I don't think I can go"

****
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Visitor comments are welcome.

Friday, May 3, 2019

Information About The History Of The Conga Dance & Seven YouTube Video Examples Of Cuban Conga Troupes (Comparsas)

Edited by Azizi Powell

This is Part II of a three part pancocojams series on Conga music, Conga troupes (comparsas) and the Conga line (dance).

This post provides an excerpt from an online article about the history of the conga dance. This pancocojams post also showcases seven YouTube videos of Cuban Conga troupes (comparsas).

Click https://pancocojams.blogspot.com/2019/05/three-wikipedia-article-excerpts-about.html for Part I of this pancocojams series. Part I presents an excerpt from a Wikipedia articles about Santiago de Cuba. This pancocojams post also presents excerpts from a Wikipedia article about Conga music and about the annual Carnival of Santiago de Cuba.

Click https://pancocojams.blogspot.com/2019/05/article-excerpt-about-history-of-conga.html for Part III of this pancocojams series. Part III provides an excerpt from an online article about the history of the conga line dance and showcases five YouTube videos of Conga lines outside of Cuba.

The content of this post is presented for historical and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post. Thanks also to all those who are featured in these videos and thanks to the publishers of these videos on YouTube.

****
ARTICLE EXCERPT ABOUT THE HISTORY OF THE CONGA DANCE
From https://www.daytranslations.com/blog/the-conga-dance-people/
Bringing People Together with the Conga Dance By Bernadine Racoma - June 11, 2013
“The Conga is a Latin dance of African-Cuban descent. The name conga is believed to have originated from the African region of Congo, although Latin music historian Isabelle Leymarie claims that conga may have come from a Bantu word that means both song and tumult.

Origin of the Conga
The conga is said to be a combination of slave dance forms and the dances that came from poor Europeans. Slaves are widely credited for having brought the conga to Cuba. Some believe that the dance took form when the slaves started dancing while they were chained together. Another legend says that the dance came to life when the captives from the slave ships were brought on deck to exercise. Others claim that the conga dance was never a slave dance but rather one that came from the dancing and chanting lines that followed the processions of the Virgin Mary during Easter festivities.

The conga was initially a street dance in Cuba, specifically in the city of Santiago. In Cuba, the conga is called the comparsa. Both the music and dance were originally performed in carnival processions and African slave celebrations. It played a significant role in the processional Corpus Christi and Epiphany carnival dance that was attended by the political and social elites of Cuba since the 1600s. Back then, it was done in both its forms for line and couple dancing.

The dance was also used by some politicians before the elections in order to catch the appeal of the public. During the dictatorship of Machado, residents of Havana were not allowed to dance the conga, as the opposition could manipulate them into high excitement, which would lead to street fighting. At the time of the presidency of Fulgencio Batista in the 1940s, he allowed people to dance the conga during the elections, but only with permission form the police.

Some people mistakenly believe that Lucille Ball’s husband, Desi Arnaz, is the inventor of dance. However, Arnaz merely popularized the Brazilian conga in 1939 when he moved to the U.S from Cuba and began performing the dance in clubs and television performances with his wife.

Significance of the Conga
Although the conga may look silly and fun, it was part of the Congo slaves’ religion and actually has ceremonial and ritualistic origins. The dance was a means for the slaves to celebrate victory or success, and it was also a way for them to express their grievances and frustrations without being blatant about it.

The conga has also been used to express protective unity and seriousness. On March 1965, a group of women danced the conga line all night around a gathering of civil rights demonstrators.

Music Behind the Conga
Strictly speaking, the term conga refers to a tall-single headed and narrow drum that originated in Cuba. It is widely believed that the original drums were made out of salvaged barrels, because the present-day drums are staved, like barrels. Their shape makes them distinctive from the African drum.

In its native Cuba, this drum is called tumbadora or tumba and they are usually played when Afro-Latin dances are performed. The drum only came to be called a conga drum in the 1920s when the conga dance was at the height of its popularity in the U.S and Americans began calling it the conga drum. The term “conga” in Spanish refers to a woman from Conga.

Most congas are led by a musician leader at the start of the line in charge of keeping the beat on a pair of bongos. However, traditional Cuban congas were led by a trio of drums. The smallest drum, called the quinto, was a solo instrument used to introduce new rhythms. The middle-sized conga, or also known as a tresgolpes, and the larger tumba provided the base rhythms.

Modern-day conga drums have been lessened to two, and instead of being placed on the ground, they are mounted on stands in such a way that they can be played by only one drummer. This way one musician can easily combine the rhythms of the quinto, conga, and tumba to produce sound that is fairly close to the original three-drum configuration. The drummer is also not limited to just drumming with the hands, since a polyrhythmic 6/8 pattern is sometimes included into of the conga music parts. The sound comes in the form of sticks on a hollow wooden box or a cajon, or on the side of a drum.

Dancing the Conga
The conga dance style resembles a march because of the distinctive rhythm coming from the conga drum. It is very different from other Latin dances, such as the rumba that uses more hip movements and portrays the dancer’s sensually aggressive attitude. The conga is known as a “mixer” dance, which means it mixes the crowd in parties and other functions.

The conga usually consists only of drums and shakers as the only accompanying instruments. The conga beat is a syncopated 4/4, with a step on each of the first three beats of the measure, followed by a delayed touch of the foot to either side of the direction in which the line of dancers is going.

The conga is commonly done in a long, single-file line, but it can also be performed with a partner. The dancers form a long line and dance three shuffle steps on the beat, with a kick slightly ahead of the fourth beat after. In other words, the count is a simply one-two-three-kick. When done in a line, the dancers put their hands on the waist of the person in front of them, and the line zigzags through the room. When done with a partner, the couple faces each other but moves in opposite directions. Both partners will move to their right and then reverse directions.

When dancing the conga, it is important to take small steps so the line will not break. It is also helpful to remember to always kick to the side, and not in front or backwards. It is also advisable to make movements as small as possible, which will also help in ensuring that the integrity of the conga line remains intact.
Leaders of a conga line need to have a good sense of the general layout of the room before the conga line even begins, as this will make the dance smoother and less awkward. The conga line usually doesn’t last very long, only lasting around a minute or two before dancers start breaking away from the line.

The conga is both lyrical and danceable, with music based on those of carnival troupes and comparsas. The musicians use unique instruments and play a rhythm that most foreigners have not seen nor heard before.

The Rise of the Conga
Its rise in popularity in the U.S. began when the La Conga Nightclub opened in New York City in 1929, and reached its peak in the 1930s and 1950s. Because of this beginning, many people write off the conga as simply a novelty dance or a fad.

There was a period in history when the conga could be seen literally everywhere. The conga’s swift rise in popularity can be attributed to the simplicity of the dance. In the 1930s, Americans found the dance interesting and easy to dance to, with its repetitive step-step-step-kick to the right then repeated to the left.

The conga also appealed to Americans because it was a welcoming and celebratory kind of dance, unlike other Latin dances that Americans are a lot more hesitant to try. Conga lines were generally perceived to be light-hearted celebrations that large groups of people could enjoy together by participating in mass dancing.

The conga’s popularity led to numerous references in popular culture. Plenty of cartoons made by Warner Bros. in the 1940s contained a reference to the conga. Nowadays, knowledge of the dance and its popularity has waned but one may still encounter the occasional conga line at a wedding or party."

****
SHOWCASE VIDEOS
Video #1: La Conga Santiaguera Part 1



DJOMARITO, Published on Jun 23, 2009

Video grabado el 14 de Junio del 2004. Calle Juela % Julian del Casal y Perez Andres, Los Hoyos, Santiago de Cuba. La famosa Conga de Los Hoyos.
-snip-
Google translate from Spanish to English:
"Video recorded on the 14th of June, 2004 in the neighborhood of Los Hoyos in Santiago de Cuba."

****
Video #2: Congas : Encuentro San Agustín / Los Hoyos



D Ritmacuba, Published on Oct 5, 2009

Les rencontres de congas qui précèdent l'Invasion de Los Hoyos et la compétition du carnaval. Ici la conga de San Agustín accompagnée par son quartier vient rencontrer (défier?) la conga de Los Hoyos sur ses terres. juillet 2009 http://www.ritmacuba.com
-snip-
Google translate from French to English
"The congas meetings that precede the Los Hoyos Invasion and the carnival competition. Here the conga of San Agustín accompanied by its neighborhood comes to meet (defy?) The conga of Los Hoyos on its lands."

****
Video #3: san juan camagueyano carnavales cuba part 1



Channel Hernandez, Published on Jul 15, 2011

****
Video #4: La Conga de Los Hoyos en El Cobre - 2



D Ritmacuba, Published on Feb 10, 2012

2e partie. La célèbre Conga de Los Hoyos de Santiago de Cuba accomplit la promesse de son directeur de venir célébrer la vierge d'El Cobre. En bas des marches du sanctuaire elle commence à défiler en conga au son des cornetas chinas, à la surprise et contentement de la population de la petite ville.
-snip-
Google translate from Spanish to English:
"2nd part. The famous Conga de Los Hoyos of Santiago de Cuba fulfills the promise of its director to come and celebrate the Virgin of El Cobre. At the bottom of the steps of the sanctuary she begins to parade in conga to the sound of cornetas chinas, to the surprise and satisfaction of the population of the small town."

****
Video #5: CONGA CASTILO DEL MORO - SANTIAGO DE CUBA



salsaEleggua, Published on Jan 14, 2013

pendant le festival del Carïbe, défilé d'une conga improvisée par les danseur d'une communauté haïtienne.
-snip-
Google translation from French to English:
"During the festival of Caribe, parade of a conga improvised by the dancer of a Haitian community."
-snip-
According to this summary, this dance troupe is made up of people of Haitian descent who live in Cuba.

****
Video #6: Conga Santiaguera



Germán López, Published on Oct 12, 2013

Desfile de una conga en Santiago de Cuba, en las semanas previas al carnaval
-snip-
Google translate from Spanish to English:
"Parade of a conga in Santiago de Cuba, in the weeks leading up to the carnival"

****
Video #7: Au coeur de la Conga de Los Hoyos - Santiago de Cuba



salsaEleggua, Published on Oct 24, 2015

ballade au cœur de la conga de los hoyos dans les rues de Santiago de Cuba.
-snip-
Google translate from French to English:

In the heart of Los Hoyos Conga (In the heart of the Conga de Los Hoyos)

walk in the heart [the midst] of the conga de los hoyos in the streets of Santiago de Cuba.

****
This concludes Part II of this pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.

Three Wikipedia Article Excerpts About Conga Music, Conga Troupes (Comparsas), & The Carnival Of Santiago De Cuba

Edited by Azizi Powell

This is Part I of a three part pancocojams series on Conga music, Conga troupes (comparsas) and the Conga line (dance).

Part I presents an excerpt from a Wikipedia articles about Santiago de Cuba. This pancocojams post also presents excerpts from a Wikipedia article about Conga music and about the annual Carnival of Santiago de Cuba.

Click https://pancocojams.blogspot.com/2019/05/information-about-history-of-conga.html for Part II of this pancocojams series. Part II provides an excerpt from an online article about the history of the conga dance. That pancocojams post also showcases seven YouTube videos of Cuban Conga troupes (comparsas).

Click https://pancocojams.blogspot.com/2019/05/article-excerpt-about-history-of-conga.html for Part III of this pancocojams series. Part III provides an excerpt from an online article about the history of the conga line dance and showcases five YouTube videos of Conga lines outside of Cuba.

The content of this post is presented for historical and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

****
ARTICLE EXCERPTS ABOUT SANTIAGO, CUBA, CONGA MUSIC, AND THE CARNIVAL OF SANTIAGO DE CUBA
These articles are numbered for referencing purposes only.

Article Excerpt #1:
From https://en.wikipedia.org/wiki/Santiago_de_Cuba
"Santiago de Cuba is the second-largest city in Cuba and the capital city of Santiago de Cuba Province. It lies in the southeastern area of the island, some 870 km (540 mi) southeast of the Cuban capital of Havana.

[...]

Historically Santiago de Cuba has long been the second-most important city on the island after Havana, and still remains the second-largest. It is on a bay connected to the Caribbean Sea and is an important sea port. In the 2012 population census, the city of Santiago de Cuba recorded a population of 431,272 people.[1]

[...]

The city had a huge influx of French and British immigrants in the late 18th and early 19th centuries. Some eighteen thousand refugees, both ethnic French whites and free people of color, and African freedmen, came from Saint-Domingue in the summer of 1803 during the last days of the Haitian slave revolt, which had started in 1791.[5] Other refugees had emigrated from Saint-Domingue earlier in the revolution. Haiti declared its independence as a republic in 1804.

The French were withdrawing surviving troops after suffering heavy losses from warfare and yellow fever. The immigrants, who included freedmen as France had abolished slavery on Saint-Domingue, struggled to maintain their freedom in Cuba, which was still a slave society. Cuba initially allowed only white refugees, women of color, children, and loyal "domestics" to land; French troops and all men of color over the age of thirteen were held off shore, to be rapidly deported to the mainland, as they were considered a revolutionary threat.[5] Some French soldiers joined other refugees in Charleston, South Carolina, or New York City; others went to New Orleans.

The refugees who stayed added to the city's eclectic cultural mix, already rich with Spanish and African culture. Some of the women and children were impressed into slavery again, although they had been free. In 1809, after Napoleon Bonaparte's forces invaded Spain, French citizens were ordered out of Cuba.[6] Most went to the United States, and thousands settled in New Orleans, with the freedmen increasing its African culture, as most had been born in Africa. The ethnic French whites and free people of color, generally with longer ties to French culture, added their flavor to the culture of the city as well.

Near the end of the century, during the Spanish–American War, Santiago was the site of the major defeat of Spanish troops at San Juan Hill on July 1, 1898. After capturing the surrounding hills, United States General William Rufus Shafter laid siege to the city.[7] Spain later surrendered to the United States after Admiral William T. Sampson destroyed the Spanish Atlantic fleet just outside Santiago's harbor on July 3, 1898.[7][8] Cuba had declared independence from Spain but was occupied by US troops for several years. Historians suggest they were there to ensure the sugar economy continued to be productive.

[...]

Santiago de Cuba is well known for its traditional dances, most notably son, from which salsa has been derived. The city celebrates Carnival in July, although it typically precedes Lent. With the city preoccupied with the holiday, Castro chose July 26 to enter undetected into the city to assault the Moncada Barracks. During Carnival, traditional conga music is played in the streets on a traditional pentatonic trumpet, called the trompeta china.

A relatively high number of residents of the city adhere to Afro-Cuban religions, most notably santería. The city hosts an important community of descendants of immigrants from the early 19th century from what is now Haiti. Some aspects of the religious "vodún" heritage of the city can be traced back to this community.”…

****
Article Excerpt #2
From https://en.wikipedia.org/wiki/Carnival_of_Santiago_de_Cuba
“Whether they are called carnavales, charangas or parrandas, large public celebrations dating at least (in Santiago de Cuba) as far back as the 17th century are common throughout Cuba. However, among Cubans, the Carnaval of Santiago de Cuba enjoys a special status (Pérez I 1988:20).

The history of Carnival in Cuba has been nuanced by a wide variety of interests and influences [that] cannot be explained only in terms of its African roots. Many of the practices and events within carnival culture are deliberately and consciously framed to connect to a construct of African’s that has resulted from over one hundred years of multicultural Cuban history.[1] Carnival has always been an expression of shifting power negotiations among various aspects of Cuban society.

Origin of the Carnaval: Mamarrachos
Carnival (Spanish “carnaval”), a pre-Lenten festival commonly held in Roman Catholic countries, became popular in Spain from the middle of the 16th century, was presumably brought to Cuba by Hispanic colonists (Pérez I 1988:15) and has been the basis for traditional celebrations in Cuba ever since (for example, Carnaval habanero). However, what is today called the Carnaval of Santiago de Cuba is not a manifestation of pre-Lenten carnival, which would be celebrated in February or March, but evolved out of the summer festivals formerly referred to as the (Fiestas de) mamarrachos (Brea and Millet 1993:193).[2] Mamarrachos were held on June 24 (St. John’s [Midsummer] Day), June 29 (St. Peter’s Day), July 24 (St. Christine’s Day), July 25 (St. James the Apostle’s Day) and July 26 (St. Anne’s Day).

[…]

The main activities were music, dancing and consumption of large quantities of alcoholic beverages. (Pérez I 1988:24, note 1).

The precise age and origins of the mamarrachos are unknown. The word "mamarrachos" itself does not appear in records until 1757 (Pérez I 1988:28). The festivals themselves are recorded as early as 1679, but certainly date from earlier on (Pérez I 1988:24). There are two theories about the origin of the summer festivals of Santiago. One is that they resulted from a gradual extension of more traditional European festivals, including carnaval (Pérez I 1988:21)[3] Another theory is that the mamarrachos of July 24-6 had their genesis in the procession of St. James the Apostle, who is the patron saint of Santiago de Cuba (del Carmen et al. 2005) [2]. The two theories are not mutually exclusive (see also below "Winter Carnival vs. Summer Carnival").

[...]

Comparsa
The most important manifestations of the mamarrachos and the present-day carnaval of Santiago are the parades or street performances of comparsas. The Castilian word comparsa comes from the Italian comparire – “to appear briefly” – as in a walk-on appearance in a theatre. It can also mean a group of musicians and dancers who perform in the streets during (pre-Lenten) carnival or other festivals.

Comparsas are mentioned in connection with the mamarrachos of St. John and St. Peter in Santiago as early as 1679 (Pérez I 1988:24). The first comparsa recorded was called “Los Alegrones” and was active in 1757 (Pérez I 1988:28). The names of 46 comparsas that were active in the 19th century along with some details about their costumes, themes, etc. are mentioned by Nancy Pérez (I 1988:137-9), the Cuban historian of the Santiagueran carnaval.

Pérez divides 19th century Santiagueran comparsas into two categories: paseos and congas (Pérez I 1988:136)[5][6] The paseo was distinguished "by its accompanying music, the scenography and the choreographed dance steps that it performed (Pérez I 1988:136)." Ramón Martínez defined a paseo as a "type of comparsa but instead of Tajona,[7] the accompaniment was orchestral music, pasodobles and light marches." (Brea and Millet 1993:196). The musical ensembles that accompanied the paseos were usually mobile versions of the danzoneras or orquestas típicas that played in the dance halls or, sometimes, Spanish military bands (Pérez I 1988:106-7). Speaking of the 20th century, Brea and Millet (1993:196) add that "The paseos used [North American-style] Jazz Band orchestras, even though they have more drums and interpret popular current musical pieces." This usage of the word paseo to mean a type of comparsa should not be confused with the usage that signifies a parade of animal-drawn carriages or wagons (see above: "A typical 19th century Mamarrachos").

The second type was the conga, which was a “large conglomeration of dancers who, in an orderly, uniform manner, and dressed in accord with a selected theme, dance a rhythmic step in time with the accompanying instruments, which are almost always mainly percussion (drums: tumbas, quintos, and metal pans)" (Pérez I 1988:136). The congas were composed mainly of humble folk of scanty means; the paseos tended to be more lavish and required more capital. What the congueros[8] lacked in material goods, they had to make up for in inventiveness. It was in the conga that the unique, characteristic music and dance of the Carnaval of Santiago de Cuba originated and evolved (see Conga).

[...]

Winter Carnival vs. Summer Carnival
Mamarrachos were held well after the end of the zafra (sugar cane harvest) which runs from January to May. This meant that unemployed sugar cane workers, most of whom were African and mulatto slaves and freedmen, were able to participate, and probably had done so from a very early period in the history of Santiago.[12] “Summer Carnival [mamarrachos] originally was intended as a period of rest and divertissement for the laborers (the Blacks) and was eventually nicknamed ‘Carnaval de las classes bajas’ (or Carnival of the lower classes)…” (Bettelheim 1993:105). Pérez (I 1988:21) states that the Spanish colonial authorities (in response to pressure from plantation owners) permitted the growth of the mamarrachos in order to distract the slaves (and freedmen, who were typically in sympathy with the slaves) from more subversive activities.

Today in Havana, Matanzas and Santiago de Cuba, Carnival is celebrated on July 18–27, in honor of the Revolution, with the final complete Carnival parade held on the 26th[citation needed]. This date commemorates Castro’s assault on the Moncada barracks in Santiago de Cuba on July 26, 1953, which had been planned to coincide with traditional Carnival in that city.[13] Until the 1920s there were two types of Carnival celebrations in Santiago. When it was celebrated in relation to the Catholic calendar, carnival was held in February or March, during the several days prior to the Lenten period. It was called Winter Carnival and was private in nature, supported by certain organizations and their clubs like the Philharmonic Society, the Club San Carlos, the Club Catalonia, or the Club Galicia. These clubs were firmly rooted in Santiago social life by the 1860s.[14] Membership was restricted and most of these organizations had their own buildings where members could meet, rehearse, and sponsor galas. Winter carnival was nicknamed “Carnaval por los blancos cubanos” (Carnaval for white Cubans), meaning Cubans with more Spanish than African heritage.[15]

There was also a summer carnival, a Carnaval Santiaguero that originated during the slavery period. Held after the sugar and coffee harvest, it originally was intended as a period of rest and was eventually for the black laborers. And it nicknamed “Carnaval de las clases bajas” (Carnaval of the lower classes) or “Carnaval de los mamarrachos” which also coincided with the celebration of Santiago day on July 25.[16].
By the 1920s Winter Carnaval celebrations were abandoned, and Summer Carnaval remained the only Carnaval in Santiago de Cuba.”...

****
Article Excerpt #3
From https://en.wikipedia.org/wiki/Conga_(music)
"Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba and Havana.[1][2]

The instrumentation differs between congas santiagueras and congas habaneras. Congas santiagueras include the corneta china (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks.[1] Congas habaneras lack the corneta china but include trumpets, trombones and saxophones, and they have a different set of percussion instruments: redoblantes (side drums), bombos (bass drums), quinto, tumbadora (the lowest pitched conga drum), and metallic idiophones such as cowbells, spoons, frying pans and rims.

[...]

Stylistic origins: Congolese and West African traditions

Cultural origins: Cuba, mid-19th century

Typical instruments: Corneta china, trumpet, trombone, bokú, bombo, conga drums, metallic idiophones

Derivative forms: Ballroom Conga”...

****
This concludes Part I of this three part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.