Translate

Showing posts with label Boogaloo. Show all posts
Showing posts with label Boogaloo. Show all posts

Monday, February 14, 2022

Three YouTube Videos About Afro-Latin Boogaloo Music & Dance (with film clips of late 1960s New York)



NBC News, March 24, 2016

Acclaimed musician Joe Bataan and filmmaker Mathew Ramirez Warren tell us about the "fascinating untold story" of Latin Boogaloo through the documentary We Like It Like That. **** Edited by Azizi Powell
This is Part III of a three part pancocojams series about the 1966 Boogaloo song "Bang Bang" (also known by its refrain "Beep Beep Ah").

This post showcases three YouTube videos about Latin Boogaloo music and dance, with a focus on the 2015 film documentary "The Story Of Latin Boogaloo": We Like I Like That". Information about that documentary is also included in that post.   

Click https://pancocojams.blogspot.com/2022/02/joe-cubas-1966-hit-boogoloo-song-bang.html for Part I of this pancocojams series. That post showcases a YouTube sound file of Joe Cuba's 1966 hit song "Bang Bang". Information about Joe Cuba is included in this post along with lyrics for that song.

Information about Boogaloo music and dance is also included in that post.

Click https://pancocojams.blogspot.com/2022/02/nuyoricans-african-americans-other.html for Part II of this pancocojams series. Part II showcases a song file of YouTube sound file of  Joe Cuba's 1966 hit song "Bang Bang" and presents a compilation of selected comments from that sound file and from another sound file of that song.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Joe Cuba and other members of his band for their musical legacy. Thanks to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube.

****
SHOWCASE #2: We Like It Like That (Trailer)



Fania Records, July 30, 2015
Latin boogaloo is New York City. It is a product of the melting pot, a colorful expression of 1960s Latino soul, straight from the streets of El Barrio, the South Bronx and Brooklyn.

Starring Latin boogaloo legends like Joe Bataan, Johnny Colon and Pete Rodriguez, We Like It Like That explores this lesser-known, but pivotal moment in Latin music history, through original interviews, music recordings, live performances, dancing and rare archival footage and images.

From its origins to its recent resurgence in popularity, We Like It Like That tells the story of a sound that redefined a generation and was too funky to keep down.

For more information on the film go to http://latinboogaloo.com  or on Twitter @boogaloomovie.

Full Cast: Joe Bataan, Johnny Colon, Pete Rodriguez, Ricardo Ray, Joey Pastrana, Harvey Averne, Larry Harlow, Aurora Flores, Felipe Luciano, Jimmy Sabater, Tito Ramos, Bobby Marin, Benny Bonilla, Orlando Marin, Bobby Sanabria, Eliot Rivera, Nicky Marrero, Sandra Maria Esteves, Henry "Pucho" Brown, The Abakua Afro-Latin Dance Company, Oliver Wang, Bobbito Garcia, Carlos "Turmix" Vera, Alex Masucci, Daisy Rivera, and Spanglish Fly

**** SHOWCASE VIDEO #3: 'We Like It Like That': The Rise of Latin Boogaloo


Wall Street Journal, March 17, 2016 A new documentary, "We Like It Like That" tells the story of how New York's bi-lingual Latino population contributed to the invention and rise of a new art form, boogaloo, which mixed Latin rhythms and English lyrics. Director Mathew Ramirez Warren joins Tanya Rivero to discuss. Photo: Saboteur Media

**** This concludes Part III of this three part pancocojams series. Thanks for visiting pancocojams. Visitor comments are welcome.

Saturday, February 12, 2022

Some Examples Of "Ah Beep Beep" Rhymes & Chants With Or Without The Word "Ungawa"

Edited by Azizi Powell

Latest Update: June 28, 2023


This pancocojams post presents a compilation of some "Ah Beep Beep" rhymes and chants with or without the word "Ungawa".

The content of this post is presented for folkloric and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.
-snip-
This post replaces the now deleted August 2020 pancocojams post that was entitled "Examples Of Rhymes And Chants From The United States That Include The Word "Ungawa".

Click https://pancocojams.blogspot.com/2022/02/joe-cubas-1966-hit-boogoloo-song-bang.html for the closely related pancocojams post entitled "Joe Cuba's 1966 Hit Boogaloo Song "Bang Bang" ("Beep Beep Ah"), Part I - Sound File , information, & lyrics.".

The "Ah Beep Beep" portion of these rhymes and chants have their source in that hit record.

Also, click http://pancocojams.blogspot.com/2015/08/the-real-origins-of-word-ungawa-various.html for another closely related pancocojams post that is entitled "The REAL Origin Of The Word "Ungawa" & Various Ways That Word Has Been Used In The USA". That post includes some examples of rhymes and chants that include  the word "ungawa", but don't begin with "ah beep beep". 

****
THE INFLUENCE OF PUERTO RICAN MUSICIAN JOE CUBA'S 1966 BOOGALOO RECORD "BANG BANG"
The words "ah beep beep" and "bang bang" in Joe Cuba's very popular 1966 Boogaloo record "Bang Bang" probably influenced the children's recreational rhymes that begin with or include the words "beep beep/ walking down the street".

Here are three comments from the discussion thread for Joe Cuba's 1966 Boogaloo record entitled "Bang Bang" (Numbers added for referencing purposes only.):

1. @mousey7306, 2016
"Ahh beat beat, walking down the street, ten times a week, on Dewey Street.....we use to sing this to this beat.  What a great time to be kids then."

**
2. @kingpetra6886, 2018
"The black kids would hear this on the radio as they were coming out of out of school and all of a sudden you would hear a bunch of voices start chanting, loudly,  " Beep Beep... Ahh Beep Beep... Ahh" and sync the "Bang Bang" back in with the music.  The song could really get you going. And the song got played a lot."

**
3. @joselara-rx8yb,2022
"Joe Cuba (born in New York to Puerto Rican immigrants) and his band created a song that would appeal to their mixed black and Puerto Rican audiences: 1966 BANG BANG, you’ll hear distinctively Latino percussion and rhythms laid over a characteristically African-American backbeat.  The band members shout out R&B phrases like “Sock it to me” and Spanish phrases one after another.  Then they call out soul foods–“cornbread, hog maw, and chitterlings”–and suggest a few Puerto Rican versions of the same foods: cuchifrito and lechón.  The song is downright giddy, with stops and starts, showcasing musicians like Cheo Feliciano improvising lyrics and Jimmy Sabater playing the life out of his timbales.  It’s easy to picture a group of kids crowded around a record player in some tenement basement in East Harlem; that’s the intended vibe, anyway, of the children singing along with the chorus in the song."

****
WHAT "BEEP BEEP" AND "BANG BANG" MEAN IN THESE CHILDREN'S RECREATIONAL RHYMES
My guess is that the words "ah beep beep" in Joe Cuba's record don't mean anything and are chanted for their percussive, rhythmic sound. However, I believe that the words "beep beep" in these children's rhymes represent the sound that a car or other vehicle horn being honked when a man sees a pretty female walking on the sidewalk. The word "street" was used instead of "sidewalk" because "street" is a near rhyme with the word "beep".  

I also believe that the words "bang bang" in these children's rhymes (and in some other songs) represent the sound that fire works, dynamite, or gun shots make. By extrapolation, based on the fire works/dynamite connections, the words "bang bang" represent something "hot" and "exciting".

****
"AH BEEP BEEP" RHYMES & CHANTS THAT INCLUDE THE WORD "UNGAWA"

These examples are given in no particular order. Some of these examples include the "n word".

Numbers are added for referencing purposes only. 

1. [no title given]

"I'll be I'll be
Walking down the street,
Ten times a week.
Un-gah-wah, un-gah-wah (baby)
This is my power.
What is the story?
What is the strike?
I said it, I meant it,
I really represent it.
Take a cool, cool Black to knock me down.
Take a cool, cool Black to knock me down.
I'm sweet, I'm kind.
I'm soul sister number nine.
Don't like my apples,
Don't shake my tree.
I'm a Castle Square Black.
Don't miss with me."
-John Langstaff and Carol Langstaff, editors Shimmy Shimmy Coke -Ca-Pop!: A Collection Of City Children's Street Games And Rhymes (New York, Doubleday & Company, 1973, p. 57)
-snip-
Notice the very close similarity between the beginning of this rhyme and the rhyme that was featured in the 1988 movie Big.

Click https://pancocojams.blogspot.com/2011/12/sources-of-movie-bigs-rap-shimmy-shimmy.html Sources Of The Movie Big's Rap Shimmy Shimmy Coco Pop, Part 3 for more discussion about the possible sources for that featured rhyme.

**

2. [no title given]
"Ah Beep Beep
Walkin down the street
Ugawa. Ugawa
That means Black power.
White boy.
Destroy.
I said it. I meant it
And I'm here to represent it.
Soul sister number 9
Sock it to me one more time.
Uh hun! Uh Hun!"
-Tracey S.,(African American female}; Harrisburg, Pennsylvania; childhood remembrance,1968); collected by Azizi Powell, 2000

**

3. ..."it wasn't until recently that I remembered playing a clapping game with my friend in Kindergarten in our school yard. Together we sang:

"Ah beep beep, walking down the street
10 times a week
Ungawa, black power, Puerto Rican power
I said it, I meant it and now I represent it"

I've heard similar references in old school popular songs, but have never been able to track the origin of this game. Obviously it has some roots in the 1960s civil rights movement with black power and the neighboring Puerto Rican rights movement that developed like that of he Young Lords Party."...
-Yasmin Hernadez, memories of childhood in a mixed Latina/o and African American neighborhood of New York City, 1980s (sent by email February 24, 2004

**
4. "In Chelsea, Manhattan, New York City, NY at PS 33 in 5th grade in the early 70 ties - where the blacks hated the Puerto Ricans and every one hated the whites ...

Ah beep beep
ah beep beep
10 times a week
10 times a week
Ungawa Black Power
Destroy white Boy
I said it, I meant it
I even represent it
I'm soul brother number 9
sock it to me one more time

(Than was so many years ago)"
-GUEST, 06, Feb. 10; https://mudcat.org/thread.cfm?threadid=6600 "Lyr Req: Shimmy Shimmy Ko-Ko-Bop (Little Anthony)

****
4. 
"OMG i'm finally remembering it...

 "ahh beep beep walkin down the street

10 times a week...
ungawa, ungawa this is black power
destroy
white boy

i said it
i meant it
i really represent it

i'm a soul soul sista from a soul soul town
aint too many sista gonna keep me down.
if you don't like my apples
don't shake my tree
 

cuz i'm a soul soul sista named... Ja-nie "

 

LOL

again i'm not black.
-Guest, janie (Guest, duh) http://mudcat.org/thread.cfm?threadid=6600 Downtown Baby;Feb. 29, 2009
-snip-
This commenter posted two examples of this rhyme in that discussion thread. The first example was incomplete.

****
5. 
"A white friend from college wrote that when her power came back on she chanted "ungawa, ungawa, ___'s got the power" saying she remembered this as a high school chant of mine. Actually, it was a street chant we did as kids in the hood in NYC around 1968. Was really interesting to read hear about it, and want to add our verion. We either started with:

ah, beep beep
walkin' down the street
10 times a week
with your funky feet

 OR we started with:

my dress too long, my belt's too tight
my booty shakes from left to right


either version ended with:


ungawa, black power
destroy, white boy
i said it, i meant it
i'm here to represent it
i'm soul sister number 9
sock it to me one more time


Someone elsewhere in this thread had said they never heard of these chants associated with double dutch, but in our neighborhood it was indeed often chanted during double dutch - or just marching down the street, snapping our fingers and with hand gestures to demonstrate the long dress then hands up to the 'tight belt' then swaying our bottoms back and forth rhythmically to demonstrate the 'booty shaking from left to right'. Tremendous fun, also a sense of solidarity and new sense of pride to be able to chant in unison "black power" but to those of us who were very young, part of the fun and games and thrill of being included with the group of older kids chanting with us."
-Unknown, August 10, 2020; http://pancocojams.blogspot.com/2015/08/the-real-origins-of-word-ungawa-various.html [comment]

****
6. 
"Here is the version from Brooklyn, New York in the early 70's...the Brownsville version:

 Ahh, Beep Beep!
Walking down the street
Ten times a week
Ungawa!
Black Power!
Destroy!
White Boy!
I said it, I meant it
I'm here to represent it
I'm cool, I'm calm
I'm Soul Sister Number Nine
Sock it to me one more time!
Uh-Uh! Good God!


Now someone here mixed this up with another soul sister/brother rhyme that goes as follows:

I'm a bad soul sister from a bad soul town
It takes 48 whites just to knock me down
Don't you pick no apples from my apple tree!
I'm a bad soul sister, don't you mess with me!


We had so many rhymes like this. Some were very graphic!
-GUEST, 12 May 11, https://mudcat.org/thread.cfm?threadid=6600 "Lyr Req: Shimmy Shimmy Ko-Ko-Bop (Little Anthony)

****
My good friend Cindy used to sing this version all the time around 1972. May she rest in peace, gone too soon. This verse allowed me to never forget her, here's to you Cindy Lee...

Beep Beep,
Walking down the street,
Ten times a week,
Ungawa!
Girl power!
Destroy!
All boys!
I mean it, I said it,
I'm here to represent it!
Im cool, I'm calm,
Im soul sister number 9
Sock it to me one more time!
-GUEST P & C, 02 June 18, https://mudcat.org/thread.cfm?threadid=6600 "Lyr Req: Shimmy Shimmy Ko-Ko-Bop (Little Anthony)

****
7. Being raised in Brooklyn, in the 60's and 70's, we sang that street song(Cadence) like this..., *Forgive the profanity, we were kids following others...

Ahhh beep-beep, walking down the street. Ten times a week. Ungawa, Black Power, destroy White boy.

I said it, I meant it, I'm here to represent it. I'm a cool-cool 'nicca' from a cool-cool Town. It takes a cool-cool 'nicca' to knock me down. You don't like my apples, don't shake my tree but listen mofo, don't mess with me... I'm cool, I'm calm, I'm soul sister #9, sock it to me, one mo' time. Soul sister #10, I'll say it to you, one mo' 'gin...

There were even more lyrics, we'd add on, depending on who was singing along.
-GUEST, 22 Dec. 20, https://mudcat.org/thread.cfm?threadid=6600 "Lyr Req: Shimmy Shimmy Ko-Ko-Bop (Little Anthony)

****
8. "I was a member of the Alpha Gamma Tau society at BJU [Bob Jones University]. We had a cheer that went like this:

 Honk, Beep Beep, Walkin' down the street
sayin' ten times a week that the Eagles can't be beat
sayin' Ooo Ungawa Eagles got the Power
sayin' Ooo Ungawa Eagles got the Power

Now I never knew what the heck is Ungawa or ever heard it anywhere else, until just now watching a movie on Netflix about inequality in the South and after a funeral the angry black people start marching and chanting:

Ungawa! Black Power! Ungawa! Black Power!

I go online searching for this and I find...

Ah Beep Beep
Walkin down the street
Ungawa. Ungawa
That means Black power.


HAHAHAHAHAHA ROTFL

If only the Bob Joneses had known the origin of our chant.
-Jenn, 02-24-2012, http://www.sflforums.com/showthread.php?tid=3811

****
9. We used to cheer a similar chant at football games in 1972 In Marcus Hook PA

Ah we meet walkin down the street
Ten times a week
Ungawa black power
The story white boy,
I said it, I meant it, I really represent it.
Soul sister 69
Sock it to me one more time. Whoo!"
-Unknown, June 28, 2020; http://pancocojams.blogspot.com/2015/08/the-real-origins-of-word-ungawa-various.html[comment]

****
10. ..."
as kids on the street in Brooklyn, we used to sing "Ahh beep beep, walking down the street, 10 times a week, ungawa black power, destroy white boy, I said it, I meant it, I simply represent it, I'm cool, I'm calm, I'm soul sista number 9, sock it to me one more time!" --sign of the times huh?
-Gina Bonina, 2018, https://www.youtube.com/watch?v=lanGvlnBt6c&ab_channel=NBCNews "Born In Harlem, And Swept the World: The Story Of Latin Boogaloo | NBC News", NBC News, March 24, 2016

****
11. From https://apnews.com/article/cec4e7b3839e451e8ef6dd461359a258 "Leaders of Howard University takeover reflect 50 years later" by Rick Massimo, March 25, 2018

"WASHINGTON (AP) — The national tumult of 1968 was marked by iconic images, including the campus takeover — students occupying critical campus buildings and shutting down institutions for days.

The Columbia University takeover in April of that year was the best-known, but it appears the first one happened in D.C. 50 years ago this past week.

About 1,000 students at Howard University took over the administration building, leading to the shutdown of the school from March 19 through March 23, 1968.

[...]

The scene is captured in the 1968 public-television documentary “Color Us Black!” Speakers included Gittens and Israel, and there was lots of singing — including an adapted version of “Down By the Riverside” — and a ubiquitous chant:

"Beep Beep Bang Bang Ungawa Black Power”...

****
12. Kyra E. Azore@KyraAzore

Students chant “Beep beep bang bang ungawa black power,” the chant of the demonstrators in 1968 as the celebrate their victory of forcing the administration to hear the voices of students. #StudentPowerHU

Filmed on 4:27 PM · Apr 6, 2018·Twitter for iPhone 
-snip-
This tweet is about Howard University student protestors in 2018. A GIF (very brief video) is added after to that tweet. 

****

"AH BEEP BEEP" RHYMES & CHANTS THAT DON'T INCLUDE THE WORD "UNGAWA"

These examples are given in no particular order. Some of these examples include the "n word".

Numbers are added for referencing purposes only. 

1."beep beep ah it's on the roof, that hundred proof."
- marbleann, 2010, https://www.youtube.com/watch?v=MenOmqIBmIM  "Joe Cuba - Bang Bang (Classic){, published by chinita41, Jan. 8, 2009

****
2. "
Ahh beat beat, walking down the street, ten times a week, on Dewey Street.....we use to sing this to this beat.  What a great time to be kids then."
-Mousey, 2016, https://www.youtube.com/watch?v=MenOmqIBmIM  "Joe Cuba - Bang Bang (Classic){, published by chinita41, Jan. 8, 2009

****

3As I walked I found myself in the old hood. Right where we had played stickball. “Go for a home run, aaah!

And here’s where Rayray and I used to step… “ah beep beep walking down the street
ten times a week with a funky beat”
- Ghetto Klown (page 176) by John Leguizamo, October 20, 2015; https://www.google.com/books/edition/Ghetto_Klown/lokSCgAAQBAJ?hl=en&gbpv=0

****

Thanks for visiting pancocojams.

Visitor comments are welcome.

Nuyoricans', African Americans', & Other Folks' Memories Of Joe Cuba's Hit 1966 Boogaloo Record "Bang Bang" ("Beep Beep Ah")- Part II: Video & Comments



Fania Records, Oct. 2, 2014

Joe Cuba's "Bang Bang" was originally released on the album "Bang! Bang! Push,Push, Push" in 1966 and was composed by Joe Cuba and Jaime Sabater. La Canción "Bang Bang" de Joe Cuba salió al mercado por primera vez en el álbum "Bang! Bang! Push,Push, Push" en 1966, y fue compuesta por Joe Cuba y Jaime Sabater.... -snip- Total # of views - 146,028 as of Feb. 12, 2022 at 1:11 PM -snip- Click https://pancocojams.blogspot.com/2022/02/ah-beep-beep-rhymes-chants-with-or.html for a closely related pancocojams post entitled " "Ah Beep Beep" Rhymes & Chants With Or Without The Word "Ungawa" "
The "Ah Beep Beep" portion of these rhymes and chants have their source in that hit record.
****
Edited by Azizi Powell

Latest Update: Feb. 13, 2022

This is Part II of a three part pancocojams series about the 1966 Boogaloo song "Bang Bang" (also known by its refrain "Beep Beep Ah").

This post showcases a song file of YouTube sound file of  Joe Cuba's 1966 hit song "Bang Bang" and presents a compilation of selected comments from that sound file and from another sound file of that song.

I'm particularly interested in comments from Puerto Rican (Nuyoricans)* and African Americans about their memories of Joe Cuba's "Bang Bang" in New York City and in other United States cities. Because the referent "Nuyorican" is relatively unfamiliar, I've included some informationi about it in this post.

Click https://pancocojams.blogspot.com/2022/02/joe-cubas-1966-hit-boogoloo-song-bang.html for Part I of this pancocojams series. That post showcases a YouTube sound file of Joe Cuba's 1966 hit song "Bang Bang". Information about Joe Cuba is included in this post along with lyrics for that song.

Information about Boogaloo music and dance is also included in this post.

Click https://pancocojams.blogspot.com/2022/02/three-youtube-videos-about-afro-latin.html for Part III of this pancocojams series. Part III showcases three YouTube videos about Latin Boogaloo music and dance, with a focus on the 2015 film documentary "The Story Of Latin Boogaloo": We Like I Like That". Information about that documentary is also included in that post.   

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Joe Cuba and other members of his band for their musical legacy. Thanks to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube.

****
INFORMATION ABOUT NUYORICANS
From https://www.encyclopedia.com/social-sciences/applied-and-social-sciences-magazines/nuyoricans#:~:text=The%20term%20Nuyorican%20refers%20to,the%20island%20of%20Puerto%20Rico.&text=But%20it%20was%20rapidly%20adopted,youth%20of%20Puerto%20Rican%20extraction. [retrieved Feb. 12, 2022]
"The term Nuyorican refers to Puerto Ricans born or raised in New York City, or more broadly in the mainland United States, as distinguished from those from the island of Puerto Rico.

[…]

 Nuyorican in its present spelling and usage emerged in the early 1970s in part as a reaction to this negative characterization. The founding of the Nuyorican Poets’ Café on New York’s Lower East Side in 1973 and the publication of the anthology Nuyorican Poetry in 1975 were the major events in this historical emergence, in both cases resulting from the collaboration between writers Miguel Algarín and Miguel Piñero. But it was rapidly adopted by many other writers, artists, and other New York–born youth of Puerto Rican extraction.

[…]

In more recent times some objections to the usage have emerged because of the dispersal of U.S.-based Puerto Ricans and the emergence of significant communities in other places, notably Philadelphia, Chicago, Florida, and other cities in the Northeast such as Hartford, Connecticut; Jersey City, New Jersey; and Springfield, Massachusetts. Though no new word has arisen to replace the geographically specific Nuyorican, some writers and others have toyed with such neologisms as diasporican and AmeRícan, the latter a signature poem by well-known writer Tato Laviera. Terms clearly modeled after Nuyorican, such as ChicagoRican and PhillyRican, have also cropped up, as has nomenclature such as Dominican Yorks and MexYorks to name newer Latino groups in New York City. In more recent times, change is also evident even in Puerto Rico, …: The diaspora cultural experience has gained greater acceptance, receiving frequent coverage in the media and cultural institutions, though often still in reluctant or paternalistic terms. Among the youth on the island, many of whom are from families of return migrants who were raised on the mainland, Nuyorican has come to be a term of strong admiration and even emulation. Significantly, Old San Juan now boasts the Nuyorican Café among its cultural nightspots. In the days of hip hop, reggaetón, and spoken-word poetry, the long-standing gap between island and diaspora cultural realities has finally come to narrow, and the ironic, deeper meaning of the highly charged expression Nuyorican to come full turn."

****
SELECTED COMMENTS

Numbers are added for referencing purposes only.

Excerpt #1 [This is the video that is embedded in this post.]
From https://www.youtube.com/watch?v=D2-QEVRlfs8&ab_channel=FaniaRecords

1. D. Garcia, 2016
"love this song !!! Aaawww beep,beep...Awww,beep,beep.....Aaaww beep,beep ....Cornbread, hog maws and chitlins....Lechon,lechon !!!!"
-snip-
"Lechon" is Spanish for "piglet". Hog maws and chitlins are made from pork (pig).

**
2. SagesseNoir, 2018
"A Latin song that was wildly popular among Afro-American teen agers of 1966. Beep beep!"

**
Reply
3. jsamc, 2019
"sho was !!"

**
Reply
4. Vincent Youell, 2019
"Yup, especially in East LA"

**
Reply
5. Sean, 2019
"And a lot of white NYC folks too"

**
Reply
6. Maurice Marshall, 2020
"Can you blame us " Corn bread, hogmaw , and chitlins" soul food rundown is in the chorus "sock it to me " Beep, beep haaaa""

**
Reply 
7. Maurice Marshall, 2020
"@Sean  Yeah this is very New York ( where Salsa was created )  South Bronx."

**
Reply
8. Meemee, 2020
"Detroit, 12th grade. YES!!!"

**
9. SagesseNoir, 2018
"I normally think of corn bread, hog maw and chitlins as traditional southern black cuisine, and yet here's a  great Latin song.  referring to this food. Maybe there's an affinity between Latin and African cultures."

**
Reply
10. Sabra Townsend, 2018
"Of course there is.   Afro-Cuban, bay-beeeeee!!"
-snip-
Actually, "Joe Cuba" was a stage name. Joe Cuba and his band members were Puerto Ricans in New York City (Nuyorican)

**
Reply
11.SagesseNoir, 2018
"Alllllrrrright!"

**
Reply
12. Afi Scruggs, 2019
"@SagesseNoirThis is Latin Bogaloo which was a fusion that came out of New York. That's why it refers to corn bread, hog maw and chitlins. Check out the documentary on the music."

**
13. Ramon Rodriguez, 2018
"
B B . . . bang bang . . . Hanky Panky with Joe . . . bad ass ! ! !"
-snip-
"Hanky Panky with Joe" is ab lib line from Joe Cuba's "Bang Bang" record that isn't included in the online lyrics that I've found for that song.

**
14. Emmie Laure, 2019
"PBS special on tonight celebrating Hispanic culture & I here "ah, beep beep-bang bang"! oh the memories...brought me right back to N.Y. city projects with all the boogaloo street music  The steel drums, maracas, & the bare foot dancing! I feel privileged to have grown up in that time. Ordered the cd tonight-will be dancing on my street soon!"

**
15. J Sabano, 2021
"This reminds me of  the Bronx, when the graffitti was on walls, trains, handball courts and even the 42nd Precinct! lol! This song would play, at  some point, from someone's window, car, barber shop or bodega every summer! Memories of piraguas, coquito's, local slice and soda specials, and bodega runs for chico sticks and quarter waters, just before we hit the ghetto water park (aka: open fire hydrant) flash in my minds eye! I miss those days... and now I officially feel old...!!!"

**
16. Tony Cortina, 2020
"This was the first song I ever heard. Born in Manhattan than lived near Yankee Stadium in the 60’s. Lots of Puerto Rican/Spanish/ and Black Folks mixed with us Jewish Kids. And I love this song. Times were so much happier than and different. Now my kids listen to it. Beep Beep"


****
Excerpt #2 [This is the video that is embedded in Part I of this pancocojams series.]
From https://www.youtube.com/watch?v=MenOmqIBmIM&ab_channel=chinita41

1. puchie82766, 2009
"The music of Gilberto Miguel Calderon (Sonny)aka..Joe Cuba was heard all the time during the early 1970's in my house....so much so that I have become a dedicated collector of Afro-Cuban music in all it' manifestations..Timba,Salsa,Songo..etc"

**
2. delta1023, 2009
"Haha....this and Che Che Cole. As soon as they came on everyone went crazy."

**
Reply
3. Aaron MrQ, 2010
"@delta1023 :

 EXACTLY what "delta" said! I grew up in East Harlem(El Barrio) in NYC & this joint here, "Che Che Cole` " &  "Latin Shaft" by Joe Bataan had us gettin' our "latino groove" on most hard.....and I'm a black man raised on James Brown!"

**
4. Claude Chaney, 2009
"1968 was a banner year for latin music in New York City. Of course there was Tito Puente (the King) but there was also Ricardo Ray, Joe Quijano, Eddie Palmieri,

Ray Barretto, Johnny Colon, Hector Rivera and the man whose song (Bang, Bang) was guaranteed to get people moving on the dance floor Joe Cuba who gave us other classics like Oh Yeah, El Pito (I'll Never Go Back To Georgia) and To Be With You.  Joe Cuba will be missed. R.I.P."

**
5. Richie Colon, 2009
"Lots and Lots of FABULOUS Memories with the familia dancing the night away to this song."  

**
6. 
mojoman888, 2010
"I remember roller skating to this song.  Back in the day, this was the song everybody went crazy over.  Everybody got on the floor and skated to this song. Dancing and clapping to this soulful song which appealed to everyone that had any rhythm in their blood. Latin Boogaloo all the way!"

**
7. musicteachjw, 2010
"I woke up with this song on my head -- must have been hungry.  At Alpha parties, we used to chant "beep beep ah" all night in Cleveland.   I had to find it.  Thanks for posting."
-snip-
“Alpha” probably is a referent for Alpha Phi Alpha Fraternity. Inc, a historically Black Greek letter [university based organization.

**
8. cousineddy, 2011
"If there's ever a group that knows how to party & jam = Puerto Ricans to the max!"

**
9. Rick Watson, 2012
"The good old days when Blacks and Hispanics (Latinos) used to hang out and groove together in New York. Thank God those days are returning with Salsa and Sould being listened to by those of all of our cultures."

**
10. Howard Luloff, 2012
"I rediscovered Bang Bang several years ago on a CD and it brought back memories of hearing it on WABC in New York in the mid 60s.  Joe Cuba was a little known Latin artist who hit it big with this song.  I think that the version WABC played was shorter."

**
11. PlexusSlimNancy, 2012
"I CAN'T STOP listening to it over & over....I LOVE THIS  SONG.  WOW what memories!!!!  NYC and Newark NJ, my childhood.  Growing up Puerto Rican in the Tri State area I'd listen to this. I lived in Manhattan, Brooklyn and Newark and these songs were always playing.   My poor husband is a white boy from Minnesota and he's like "are you going to stop listening any time now"...hahhaha  NO NO NO.  I love this music. thanks for he memories."

**
12. 
Marilyn Maya MENDOZA, 2012
"I was brought up with Joe Cuba's music too in Brooklyn. I'm Puerto Rican too. WEPA!"
-snip-
Here's information about the word "Wepa" from https://forum.wordreference.com/threads/wepa.259591/
"Ms.Roo said:

"¡Wepa!" is shouted often in salsa circles. I hear it often enough that I understand it to be an exclamation of encouragement or approval (to the dancers or musicians, usually), but can someone tell me what it actually *means* and where it came from (PR, I believe).

Thanks!

Yes, that's the use for the word WEPA among us Puertoricans, but there is also a shorter version, WEP, that some of us use as a form of salutation, or to aknowledge someone's presence."
-snip-
Several commenters on that discussion thread wrote that other Latinos use the exclamation "Wepa!".

****
13. 
Gabi Syderas, 2013
"Consegui achar esta música que ouvia na abertura de um progama do Big Boy na rádio Mundial nos anos 60 e curtia muito, porém não ouvia mais, pois só tocava um pedaço da música neste programa e nem sabia o nome, mas nunca esqueci e tentava achá-la.Hoje 02 de maio de 2013 finalmente achei"
-snip-
Google translate from Spanish to English:
"I managed to find this song that I heard in the opening of a Big Boy program on World radio in the 60's and I liked it a lot, but I didn't listen to it anymore, because I only played a part of the song on this program and I didn't even know the name, but I never forgot it and I tried to find it -la.Today May 2, 2013 I finally found"

**
14. pinto69ish, 2014
"thank you chinita, this is latin soul music."

**
15. Geoffrey Phipps, 2014
"wow....this is growing up in harlem 1968 baby!!!!!  long live boogaloo!!!!"

**
16. fred martinez, 2015
"i grew up in 1960s bushwick brooklyn. these songs were blasting outta every corner bar in the hood back in the days,my pops was a friend of mr joe cuba and introduced me to him once but i had no idea who i was meeting till i was older. wish i knew back then"

**
17. 
Carolyn Williams, 2015
"Survivor2002: I must be in your mother's age bracket. This song came out in 1966, I was14 years old. We were doing a dance called the PHILLY DOG. I grew up in WATTS in the NICKERSON GARDENS PROJECT, and ain't ashamed to admit it. Those were the days of, I really can't explain it here it would take much too long; and this is long enough. But this song came out at a time during immense social unrest, and brought a sort of ease to our community. But my grandchildren & a couple of my children look at me like you mentioned. This was one of my favorites also. Along with PATA PATA by Miriam Makeba; which is also on YT, I just finished listening to it as well as "GRAZING IN THE GRASS" by HUGH MASEKALA, I hope I spelled that right. These ALL came out that same year. All I can say now is: GROOVY, MAN, GROOVY!!! AND READ AND MEDITATE ON YOUR BIBLE AS OFTEN AS YOU CAN. JOHN 17"

**
18. amsedelm, 2016
"Wow what memories when I was 10 yrs old. 8)) And the first song to say Sock it to me! lol"

**
19. MrSymbiosis1, 2017
"this song was used in 'A Bronx Tale', 'Carlito's Way', 'The Scout', 'El Cantante', Wolf of', 'Chef', AND I know I'm missing one. RVC"

**
20. caddyjoint96, 2017
" "
Bang Bang" brings me back to 1967 when I was thirteen.  This was fun music which helped to strengthen the sharing between Hispanic and Afro-American music culture especially in our urban cities. "

**
Reply
21. Enrique Caro, 2017
"That is exactly what our salsa is all about, a confluence of sounds, rhythms and culture that encompasses all of the Spanish speaking countries, Africa and the fusion in the USA."

**
Reply
22. kwacou, 2018
"Salsa is African.  Cuban son to rumba to salsa."

**
23. Doris Leyba, 2017
"
BRONX & SPANISH HARLEM in D HOUSE"

**
24. Gail Starke, 2017
"Brings back so many pleasant memories. We'd tear the dance floor up when this song came on."

**
25.  
Nancy Santiago-Weinreis, 2017
"Oh God…memories!  How a song can take you almost 50 years back.  I’m playing in the streets of Newark…playing kick-ball with my friends…listening to this music blare out of every Puerto Rican household window...which was pretty much my whole neighborhood. LOL  My dad is alive and young. I’m eating coconut ice cream from the push cart ice cream vendor…its summer time in Newark NJ….or I’m in Brooklyn….or Manhattan NY where I spent countless summers with cousins!"

**
26. 
Comicdominicano, 2018
"Hey:

Usado en el  show de  comedia mexicano de los años 70-80'sm   de La Carabina de Ambrosio, el sketch de Kin Kin

:)
-¡Saludos!"
-snip-
Google translate from Spanish to English
"Hey:

 Used in the 70's-80's Mexican comedy show La Carabina de Ambrosio, the Kin Kin skit

:)

Cheers!"

**
27. p.g. curtwright, 2019
"this song was a big hit with Black Chicago... so nice to hear it again!"

**
28, Antonio Montana, 2019
"Born and raised in the BOOGIEDOWN blacks and Puerto Ricans jammed so hard to this, and I say today nothing out nowhere can touch this song, not for debate period bang bang 💯🔥♨️😤🎭😈💋❤️R. I. PARIDISE Mr J CUBA thanks for the memories."
-snip-
“The BoogieDown” is a nickname for the Bronx, New York

**
29, dianne white, 2019
"My Dad partied with these Fabulous Men....Puerto Rican Pride Day 2019!!......Bang Bang"

**
30. Julio Soto, 2019
"En Cali Colombia se sigue escuchando la Música del sexteto de Joe Cuba."
-snip-
Google translate from Spanish to English:
"In Cali Colombia, the music of the Joe Cuba sextet continues to be heard."

**
31. Danny Phantom, 2020
"Yeah Joe Cuba was puerto rican, he's my grandpa, Joe Cuba was his stage name, not his actual name"

**
Reply
32. outwiththem, 2020
" @Danny Phantom  Same as Cuban Pete.  He was from Puerto Rican parents too.  But the Mafia, who owned the casinos in Cuba wanted to promote Cuba and wanted only musicians with Cuba name on them, not Puerto Rico were they had less power there.  Funny Fidel Castro kicked them all in 1959.  "Cuban Pete' was the creator of the Mambo kind of dancing famous all over the world as Salsa Dancing"..  Im a Silver Level Ballroom Dancer.."

**
33. Temer de souza curi filho, 2020
"Tema do ritmos de boate da rádio mundial do Rio de Janeiro , com o saudoso apresentador big boy!"
-snip-
Google translate from Spanish to English:
"Theme of the nightclub rhythms of the world radio of Rio de Janeiro, with the late presenter big boy!"

**
34. thisisnottherealochsenhaut, 2020
"Que Bueno! Nuyoricans representa!"
-snip-
Google translate from Spanish to English:
"
That Good! Nuyoricans represents!"

**
35. jcarlos ayres, 2020
"Durante anos tentei saber quem cantava está música que era o prefixo de um programa que começava as 23hs na rádio mundial aqui no BRASIL isto tudo nos anos 70 o locutor era BIG BOY mas ele nunca falava o nome das músicas ou cantores depois ele faleceu e agora descobri a música aqui no you tube"
-snip-
Google translate from Spanish to English:
"For years I tried to find out who sang this song that was the prefix of a program that started at 11 pm on world radio here in BRAZIL all this in the 70's the announcer was BIG BOY but he never spoke the name of the songs or singers after he died and now I found the song here on you tube"

**
Reply
36. jcarlos ayres, 2020
"Programa RITMOS DE BOATE na rádio MUNDIAL"
-snip-
Google translate from Spanish to English:
"RHYTHMS DE BOATE program on WORLD radio"

**
37. 
Michael Folchetti, 2020
"1968 high school junior ,this was in the radio all the time!!!"

**
38. Michael Tyler, 2020
"Heard this song when younger living St. Louis and never knew the name or the artist. Man, the memories. My first exposure to Afro Latin sound"

**
39. Carter Bostic, 2020
"Those were the best days ever..... sny given time when fania was not touring, block parties in el barrio & Spanish Harlem were given at anytime. No permits had to be authorized from the police dept. Everybody chipped in to help. Home cooked food was made & sold on the streets while partying on the rooftops as well. Slamlocks were off from the apt doors.... anyone could come in & enjoy getting some food & drinks... while the bands were performing on the blocks of the streets. The power would come from the lamposts of the street. So many beautiful women to dance salsa & boogaloo.... I'm so blessed & grateful that I grew up in that era.... to have expencied that was phenomenal! La viva!"

**
40. Troy C. Jones 81, 2020
"Because our family was infused with Latinos from Puerto Rico and Ecuador this was a signature piece at our family gatherings. What a wonderful world of oneness it was. I love my Latin uncles o mis tios Latinos muy mucho."

**
41. NYC Songman, 2021
"Monster hit here in 1967.  I was 10.  My dear sister,  Mary was my conduit to the glorious sounds of R&B, soul,  and Latin."

**
42. Robin Steinfeld, 2021
"Sitting on the steps of Washington Elementary in Hempstead,NY ,friends brought their huge drums ,other percussions but mostly all of us singing this and even dancing ,this and more from Joe Cuba to Tito Puente it was Heaven on earth !"

**
43. Felipe TORRES, 2022
"🇵🇷 Puerto Rico in New York, that's the way I see it. Incomparable, our music 🎵🎶 was all over the city 24/7 miss those days, it's sad...very."

****
Excerpt #3:
From https://www.youtube.com/watch?v=lanGvlnBt6c&ab_channel=NBCNews

1. Lupe C., 2017
“I came to the states in May 1966. I was then, 7 and remember dancing to the Boogaloo songs  at family parties. I remember listening to Joe Bataan, Pete Rodriguez, Joe Cuba, Richie Ray & Bobby Cruz, Ray Barretto, etc. I'm glad that Mr. Ramirez Warren decided to make a documentary about this funky latin music from the 1960's. Congrats!!!!”

**
2. Iasciate Ogni Speranza, 2018
“It was never forgotten, it was mixed , wrongly, with Salsa. The Barrio and Bronx sounds eventually merged and resulted in Watusi, Boogaloo, Salsa and Disco ( afro american side)   The roots were in jazz, guajira , montuno and rock. 

What a Wonderful generation of musicians.”

****
3. 
Gina Bonina, 2018
"And now we have CARDI B bringing it back OLD skool style New skool style ...LOVING IT...My mom used the term boogaloo all the time, particularly when describing someting that freaked you out or scared you..."had me doing the Boogaloo!" LMAO!  And as kids on the street in Brooklyn, we used to sing "Ahh beep beep, walking down the street, 10 times a week, ungawa black power, destroy white boy, I said it, I meant it, I simply represent it, I'm cool, I'm calm, I'm soul sista number 9, sock it to me one more time!" --sign of the times huh?"

****
4. Laura Milagros, 2020
"6/19/20 ... Calif Boricua-Cubana here .. born 1954.  Aaaah ... ¡Sí! ... those were such great  days!  I would go nuts when I  heard  El Pito, Bang, Bang, I Like It Like That,  (sorry, but the sampled version done in 2020 just SUCKS! 😝👎 What a way to butcher/ruin a classic!)   &  El Watusi (charanga) & La Bamba (Rock con clave .. ¡'na' ma'! ... by Richie Valenzuela, Pacoima, ♡CA♡ ... La Bamba became  my cariño as a kid bc I loved that song so much).  There are  so many other great/fun Bugalú songs I could mention.  I still listen to them & do the dance bc it  became a part of WHO I AM just as did  the Twist, the Jerk, the Mashed Potato, the Shimmee, Hully Gully, Surfer Stomp & the Stroll.   Aint nuthin' like the 60s, baybee!  On into the 70s & 80s ... got totally amped on Fania y Salsa. ¡Guepa y A'i  na' ma'!  We Latinos have made a definite mark on music in America.  So glad a Boogaloo doc is coming out this year! Adelante pa' 'lante,  vencimos.... beep, beep!"
-snip-
Boricua =  "a person from Puerto Rico by birth or descent."  [from various websites]

Here's a quote from https://www.history.com/topics/us-states/puerto-rico-history
"Puerto Rico’s native Taíno population—whose hunter-gatherer ancestors settled the island more than 1,000 years before the Spanish arrived—called it Borinquén, and referred to themselves as boricua (a term that is still used today)."

****
This concludes Part II of this three part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.


Joe Cuba - "Bang Bang" ("Beep Beep Ah"), Part I - Sound File , information, & lyrics



chinita41, Jan 8, 2009
-snip-
The total # of views as of Feb. 12, 2022 at 12:50 PM ET - 2,771,516

****
Edited by Azizi Powell

Latest Update: Feb. 13, 2022 

This is Part I of a three part pancocojams series about the 1966 Boogaloo song "Bang Bang" (also known by its refrain "Beep Beep Ah").

This post showcases a YouTube sound file of Joe Cuba's 1966 hit song "Bang Bang". Information about Joe Cuba is included in this post along with lyrics for that song.

Information about Boogaloo music and dance is also included in this post.

Click https://pancocojams.blogspot.com/2022/02/nuyoricans-african-americans-other.html for Part II of this pancocojams series. Part II showcases a song file of YouTube sound file of  Joe Cuba's 1966 hit song "Bang Bang" and presents a compilation of selected comments from that sound file and from another sound file of that song.

I'm particularly interested in comments from Puerto Rican (Nuyoricans)* and African Americans about their memories of Joe Cuba's "Bang Bang" in New York City and in other United States cities. *"Nuyoricans" = Puerto Ricans in New York City.

Click https://pancocojams.blogspot.com/2022/02/three-youtube-videos-about-afro-latin.html for Part III of this pancocojams series. Part III showcases three YouTube videos about Latin Boogaloo music and dance, with a focus on the 2015 film documentary "The Story Of Latin Boogaloo": We Like I Like That". Information about that documentary is also included in that post.   

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Joe Cuba and other members of his band for their musical legacy. Thanks to all those who are quoted in this post and thanks to the publisher of this sound file on YouTube.

****
INFORMATION ABOUT JOE CUBA
From  https://en.wikipedia.org/wiki/Joe_Cuba
"Joe Cuba (April 22, 1931 – February 15, 2009),[1] was an American conga drummer of Puerto Rican descent widely regarded as the "Father of Latin Boogaloo".

Early years

Joe Cuba (birth name: Gilberto Miguel Calderón Cardona[note 1]) was born in Harlem, New York, United States.[2] Cuba's parents moved from Puerto Rico to New York City in the late 1920s, and settled in Spanish Harlem, a Latino community located in Manhattan. Cuba was raised in an apartment building, where his father had become the owner of a candy store, located on the ground floor (street level floor). His father had organized a stickball club called the Young Devils. Stickball was the main sport activity of the neighborhood. After Cuba broke a leg he took up playing the conga and continued to practice with the conga between school and his free time. Eventually, he graduated from high school and joined a band.[3]

Musical career

In 1950, when he was 19 years old, he played for Joe Panama and also for a group called La Alfarona X. The group soon disbanded and Cuba enrolled in college to study law. While at college he attended a concert in which Tito Puente performed "Abaniquito". He went up to Puente and introduced himself as a student and fan, and soon they developed what was to become a lifetime friendship. This event motivated Cuba to organize his own band. In 1954, his agent recommended that he change the band's name from the José Calderón Sextet to the Joe Cuba Sextet,[2] and the newly named Joe Cuba Sextet made their debut at the Stardust Ballroom.[3]

In 1962, after recording three albums for Mardi Gras Records, Cuba recorded his first album with the Joe Cuba Sextet called Steppin' Out featuring the hit "To Be With You", featuring the vocals of Cheo Feliciano and Jimmy Sabater Sr. The band became popular in the New York Latin community.[2] The lyrics to Cuba's music used a mixture of Spanish and English, becoming an important part of the Nuyorican Movement.[4]

In 1965, the Sextet got their first crossover hit with the Latin and soul fusion of "El Pito (I'll Never Go Back to Georgia)".[2] The "I'll Never Go Back to Georgia" chant was taken from Dizzy Gillespie's intro to the seminal Afro-Cuban tune "Manteca." Sabater later revealed that "None of us had ever been to Georgia."[5]

Along with fellow Nuyorican artists such as Ray Barretto and Richie Ray, Cuba was at the forefront of the developing Latin soul sound in New York, merging American R&B styles with Afro-Cuban instrumentation.[6] Cuba was one of the key architects behind the emerging Latin boogaloo sound,[2] which became a popular and influential Latin style in the latter half of the 1960s.[6] In 1966, his band scored a hit on the United States Billboard Hot 100 with the song "Bang! Bang!".[7] The record peaked at No. 63 on the Hot 100,[2] and No. 21 on the R&B chart. The follow-up, "Oh Yeah", peaked at No. 62 on the Hot 100.[8]"...

****
LYRICS - BANG BANG
(Joe Cuba Sextet)

Beep Beep, ah
Beep Beep, ah
Beep Beep, ah
Beep Beep. ah
Beep Beep, ah
Beep Beep, ah

Bang Bang 
Bang Bang
Bang Bang
Bang Bang
Bang Bang

Cornbread, hog maws and chitlins cornbread
Cornbread, hog maws and chitlins cornbread
Cornbread, hog maws and chitlins cornbread
Cornbread, hog maws and chitlins cornbread

Bang bang
Bang bang
Bang bang
Bang bang
Bang bang
Bang bang

Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh
Beep beep ahh

Bang bang
Bang bang
Bang bang

Beep beep ahh ahh
Beep beep ahh ahh
Beep beep ahh ahh
Beep beep ahh ahh
Beep beep ahh ahh

Bang bang
Bang bang
Bang bang
Bang bang
Bang bang

Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep ahh
Beep beep, ahh
Beep beep, ahh
Beep beep ahh

Bang bang
Bang bang
Bang bang
Bang bang
Bang bang
Bang bang

Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh
Beep beep, ahh

Bang bang
Bang bang
Bang bang
Bang bang


Credits
Writer(s): Joe Cuba, Jimmy Sabater
-snip-

Online Source: 
https://www.musixmatch.com/lyrics/Joe-Cuba-Sextet/Bang-Bang
-snip-

These are the basic lyrics. That song also includes the line "Sock it to me", "Hanky panky with Joe" and other (ad lib?) lyrics.

Some other online music lyric sites give different lyrics by Joe Cuba for this song. Those lyrics aren't for the song that this post is showcasing. 

Cornbread, hog maws, and chitterlings (also called chitlins') are Southern Black (African American) food. However, not all African Americans in the South or elsewhere in the United States eat hog maws and/or chitlins'. Here's information about chitterlings and hog maws
from https://www.streetdirectory.com/food_editorials/cooking/meat_recipes/chitterlings_also_known_as_pig_intestines_and_hog_maws.html#:~:text=Chitterlings%20are%20the%20pig's%20intestine,is%20very%20well%20worth%20it.&text=To%20start%20you%20will%20have,maws%20are%20usually%20thawed%20already.
"For those of you that do not know what chitterlings or hog maws are I'm here to let you in on what they are. Chitterlings are the pig's intestine and hog maws are part of the cow's stomach."

****
INFORMATION ABOUT BOOGALOO MUSIC
Excerpt #1:
From 
https://www.nbcnews.com/news/latino/ah-beep-beep-rediscovering-wonderful-sounds-latin-boogaloo-n544986 "Ah Beep Beep Rediscovering The Wonderful Soungs Of Latin Boogaloo" by Jack Rico, March 24, 2016
"
Every generation gives way to a new musical sound that defines their youth identity and cultural influences. For Latinos living in New York City, circa 1960’s in Spanish Harlem, “Boogaloo” was exactly that, a sound that allowed them to express themselves freely, to revel in the Latin beats of their predecessors, but with the contemporary American rhythms of doo-wop and soul.

Artists like Joe Bataan, Johnny Colon, Joe Cuba, Pete Rodriguez, Richie Ray and others became New York City sensations. If you ask anyone who loved this hodgepodge of musical arrangements, it was a sonorous and intoxicating time to be a Latino in the Big Apple. But as the saying goes, all good things always come to an end.

[...]

Today, Boogaloo isn’t heard as much on the airwaves, but a new documentary by Mathew Ramirez Warren called “We Like It Like That” looks not only to contribute to its revival, but to remind Latinos of their forgotten rich musical heritage.

“I found it to be this fascinating, untold New York story,” Ramirez Warren said in an interview with NBC Latino. “This community was searching for a voice, a means of expression. The music represented who they were, where they were coming from, their environment.” 

Musicians such as Willie Colón and Johnny Pacheco led the new sound of Salsa in the 70’s, and eventually sealed the fate of Boogaloo, but Joe Bataan and company have not stopped touring and releasing albums.

 Will it make a full revival? Only time will tell, but in the meantime, you can indulge in rediscovering songs such as “Bang! Bang!,” “I like It Like That,” “Micaela,” “Subway Joe” and “Boogaloo Blues”. You can find the soundtrack for the documentary out now on iTunes, Amazon Prime and On Demand, along with the soundtrack from Fania Records."

****
Excerpt #2
From https://en.wikipedia.org/wiki/Boogaloo
"Boogaloo or bugalú (also: shing-a-ling, Latin boogaloo, Latin R&B) is a genre of Latin music and dance which was popular in the United States in the 1960s. Boogaloo originated in New York City mainly among teenage Hispanic and Latino Americans. The style was a fusion of popular African American rhythm and blues (R&B) and soul music with mambo and son montuno, with songs in both English and Spanish. The American Bandstand television program introduced the dance and the music to the mainstream American audience. Pete Rodríguez's "I Like It like That"[1] was a famous boogaloo song.

Except for the name, the dance is unrelated to the Boogaloo street dance from Oakland, California and the electric boogaloo, a style of dance which developed decades later under the influence of funk music and hip-hop dance.

History

In the 1950s and '60s, African Americans in the United States listened to various styles of music, including jump blues, R&B and doo-wop. Latinos in New York City shared these tastes, but they also listened to genres like mambo or cha cha chá. There was a mixing of Puerto Ricans, Cubans and African Americans and others in clubs, whose bands tried to find common musical ground. Boogaloo was a result of this search, a marriage of many styles including Cuban son montuno, guaguancó, guajira, guaracha, mambo, and American R&B and soul. Styles like doo wop also left a sizable influence, through Tony Pabón (of the Pete Rodríguez Band), Bobby Marín, King Nando, and Johnny Colón and his vocalists Tony Rojas and Tito Ramos.

[...]

Though boogaloo did not become mainstream nationwide until later in the decade, two early Top 20 hits came in 1963: Mongo Santamaría's cover version of the Herbie Hancock's "Watermelon Man"[2] and Ray Barretto's "El Watusi". Inspired by these two successes, a number of bands began imitating their infectious rhythms (which were Latinized R&B), intense conga rhythms and clever novelty lyrics. Boogaloo was the only Cuban-style rhythm which occasionally acquired English lyrics. Established Cuban-influenced orchestras also recorded the occasional boogaloo, including Pérez Prado, Tito Rodríguez and Tito Puente[3] was an American musician, songwriter . Most of the other groups were young musicians – some were teenagers – the Latin Souls, the Lat-Teens, Pucho & His Latin Soul Brothers, Joe Bataan and the Latinaires.

Use of the term boogaloo in referring to a musical style was probably coined in about 1966 by Richie Ray and Bobby Cruz. The biggest boogaloo hit of the '60s was "Bang Bang" by the Joe Cuba Sextet, which sold over one million copies in 1966. "El Pito" was another hit by this popular combo. Hits by other groups included Johnny Colón's "Boogaloo Blues", Pete Rodríguez's "I Like It like That",[1] and Héctor Rivera's "At the Party".

[…]

The older generation of Latin musicians have been accused of using their influence to repress the young movement, for commercial reasons. There was certainly pressure on booking agents by the established bands.[5] The craze was mostly over by 1970, perhaps because of the hostility of established bands and key booking agents; the reason is uncertain. Almost every major and minor Latin dance artist of the time had recorded at least a few boogaloos on their albums. It had been an intense, if brief, musical movement, and the music is still highly regarded today.[5]

The Latin boogaloo bands were mostly led by young, sometimes even teenage musicians from New York's Puerto Rican community. These included, but weren't limited to, Joe Bataan, Joe Cuba, Bobby Valentín, the Latin Souls, the Lat-Teens, Johnny Colón, and the Latinaires. As such, Latin boogaloo can be seen as "the first Nuyorican music" (René López), and has been called "the greatest potential that (Latinos) had to really cross over in terms of music" (Izzy Sanabria). However, Latino musicians and composers also made a big contribution to doo-wop.

[…]

The boogaloo faded from popularity by the end of 1969.[5]p168 What caused the fairly rapid end of the boogaloo's reign is in dispute. According to several sources, jealous older Latin music artists colluded with record labels (in particular, Fania Records), radio DJs, and dance hall promoters to blacklist boogaloo bands from venues and radio. This scenario is explored in the 2016 film We Like It Like That, a documentary on the history of Latin boogaloo. Alternatively, it was a fad that had run out of steam.[5]p168 Its demise allowed older musicians to make a comeback on the New York scene. The explosive success of salsa in the early 1970s saw former giants like Puente and the Palmieri Brothers return to the top, while most Latin boogaloo bands went out of business (Joe Bataan being a notable exception).[6]

In the 2000s, Latin boogaloo has seen a resurgence in popularity, with artists like Bataan experiencing renewed interest in their Latin boogaloo output, and new groups emerging to form a Latin boogaloo revival. [7]

In Cali, Colombia, boogaloo, salsa and pachanga are played by disk jockeys in FM and AM radio stations and dance clubs. The Caleños prefer their boogaloo sped up, from 33 to 45 RPM, to match the city's fast dance style.[citation needed]"...

****
This concludes Part I of this three part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.