Translate

Showing posts with label Akan culture. Show all posts
Showing posts with label Akan culture. Show all posts

Saturday, March 12, 2022

Seven Videos Of Young Girls And Young Boys Performing Ghana's Adowa Dances & Kete Dances


NYANSAPO TVAug 30, 2019

Little Girl Dancing Adowa in Asantehemaa Funeral
-snip-
Notice that a blue & yellow kente cloth is among the fabrics that are hanging down from the waist of the little girl dancer.

"Asantehemaa" is the main Queen mother of the Asante (Ashanti) kingdom in Ghana, West Africa. The "Asantehemaa choses the Asantehene (the King).

****
Edited by Azizi Powell

This is Part IV of a four part pancocojams post on Adowa dances and kete dances.

This post showcases seven YouTube videos of children performing these Akan dances and Kete dances. These videos are only a small sample of YouTube videos on Adowa and Kete dances that include children dancing.

Selected comments from the discussion thread for one of these videos are included in this post.

Click https://pancocojams.blogspot.com/2022/03/excerpt-of-2020-journal-article-about.html for a pancocojams post entitled "Excerpt Of A 2020 Journal Article About Ghana's Akan Adowa Dances And Kete Dances". The links to the other pancocojams posts in this series are given in that post. 

The content of this post is presented for historical, cultural, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who are featured in these videos. Thanks to all those who are quoted in this post and thanks to the publishers of these videos on YouTube.

****
PANCOCOJAMS EDITOR'S NOTE
Adowa and Kete are traditional dances among the Akan people of Ghana, West Africa and the Ivory Coast, West Africa.

In addition to this post showcasing this music and dance movements, I want to call attention to the dancers' attire ("costumes", including the black covering and gold banners on the females' heads, the jewlery that the girls wear,  and the padding on their butts which might imitate the body of an antelope that sources say that this dance originated from.

I also want to call attention to the fact that many of the female dancers wear kente cloth and some of them may have different designs of kente cloth among other types of cloths that are hanging from their waist.

Click https://pancocojams.blogspot.com/2022/03/how-color-combinations-for-kente-cloth.html for a related pancocojams post about kente cloth. Also, click the tags below for more pancocojams posts on these subjects. 

****
ADDITIONAL SHOWCASE VIDEOS
These videos are given in chronological order and are numbered for referencing purposes only.

SHOWCASE VIDEO #2: Kete Dance (Display of Ashanti culture



Frank Agyare, Nov 12, 2011

****
SHOWCASE VIDEO #3:  Ghana Adowa Dance



Mark Tetteh, Sept. 9, 2015
-snip-
Adowa originated as a funeral dance. Black and red are the Akan colors for funeral clothes, tents at the funeral etc. 

****
SHOWCASE VIDEO #4: WHAT DO YOU THINK ABOUT THIS GIRL?


Khemical TV, Sep 14, 2016
-snip-
Notice at 2:30 in this video that a kente cloth is one of the pieces of materials that is hanging down from the "belt" that is tied to this dancer's waist.  The design for that kente cloth is the same as or very similar to the kente color combination/design that I believe was the most popular design among African Americans who wore kente cloth stoles (before the popularity of the green, gold, red, and black kente graduation stoles.  The kente cloth that is shown in this video appears to be the same as the kente cloth stoles that were worn by Democrats who were member of the United States Congress who knelt for a moment of silence in 2020 in honor of George Floyd. 
 Click https://pancocojams.blogspot.com/2022/03/how-color-combinations-for-kente-cloth.html  for videos of these types of kente cloth designs. 

****
SHOWCASE VIDEO #5: Little Girl Dance "Adowa" at Manhyia Palace on Friday


DailyPostGH Dec 9, 2017
-snip-
Selected comments from this video's discussion thread:
1.Lusi Myer, 2019
"Cute girl. Nice dancer. I wish I understood the moves and the meaning. Plus the interview at the end.
Im assuming the couple are her parents?"

**
Reply
2. ASMR CLAY GENIUS, 2019
"The moves are antelope mimicking moves. The rest are flying stuff"
-snip-
I think flying stuff means "movements that she just made uo "on the fly" (at that moment). 

**
Reply
3. Lusi Myer, 2019
"A. B. Thanks for the answer."

**
Reply
4. Hi Efia, 2020
"The interviewer asked her age. She said she's 6 yrs old. Then he asked how she learnt to dance and  she said she Wasn't taught by anyone. She only saw others dance while she was carried on her mum's back and she started to dance too. Her parents said its her talent."

****
SHOWCASE VIDEO #6: WOW, This Boy Is Really Good At His 'Adowa Dance' Moves 😍

YourBoyDotty TV, Mar 12, 2020

****
SHOWCASE VIDEO #7



ADAM SARFO, Feb. 13, 2021

How this young boy performs this kente dance will amaze you.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.



Wednesday, December 13, 2017

What Do The Akan Names "Takyi" and "Takyiwaa" Mean?

Edited by Azizi Powell

This pancocojams post documents some information that is found online about the Akan personal (given) name and surname "Takyi" This post also seeks information about the pronunciation and meaning of that name and its female (personal name) form "Takviwaa" and similar variants.

The content of this post is presented for etymological, historical, and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

****
PANCOCOJAMS EDITOR'S NOTE
While searching the internet for Caribbean variant forms of Akan day names during the 18th and 19th century, I came across information about two Caribbean slave uprisings led by men with the name "Tayki":
the rebellion in Antigua by Kwaku Takyi aka Prince Klass or King Court which occurred in Antigua in 1736 and "Tacky's War", or "Tacky's Rebellion" that occurred in Jamaica from May to July 1760.

After happening upon those articles, I continued my research into the origin and meaning/s of the Akan name "Takyi".

This post is a result of that research.

DISCLAIMER:
I'm an African American who is interested in name origins and meanings and who is also interested in aspects of African & African Diaspora cultures. I'm not an expert on any of these subjects. I very much recognize that this post could be written better by a person who is Akan or is from Ghana or the Ivory Coast. However, it's my hope that this post will result in someone (or a number of people) who is of that ethnicity, or who is from those countries sharing etymological information about these names for people (like me) who are interested in that etymology for whatever reason/s.

Please correct and add information to this post about the names "Takyi" and "Takyiwaa" and please include information about how these names & the name "Techiman" are pronounced. Thank you.

****
THE NAME "TACKY" AND "TAKYI" IN CARIBBEAN HISTORY OF BLACK SLAVE UPRISINGS
1. From https://www.facebook.com/TostemAntiguaEmancipationStories/posts/180487455731747:0 Tostem Antigua: "Emancipation Stories", October 20, 2016 ·
KWAKU TAKYI aka Prince Klass or King Court
Antigua’s African Anti-Slavery Hero
Written by Edith Oladele,
Antigua National Coordinator, TOSTEM “Emancipations Stories” Project.

"All these names are used to refer to Antigua’s only African born national hero however most Antiguans know very little about him and the other slaves who were executed with him or exiled between October and March of 1736/37. It is hoped that this article will pique the inquiring minds among us.

On the 260th anniversary of his execution on October 20th 1736, it is fitting to remember him and the 87 other slave men of worth in their different villages and estate communities all across the island on this day October 20th 2016.

Prince Klass and his fellow freedom thinkers were executed as suspects in the plot to gain their freedom and set up an Akan based African nation independent of the English and ruled by Klass their leader. Records of that horrific period are chronicled in Dr. Barry Gaspar’s book “Bondmen and Rebels”, a difficult but fascinating book which every Antiguan should read and which should be required reading in all the schools. It is an integral part of our African Slavery history and no doubt influenced Sir Vere C. Bird who had the same idea when he formed the union in the late 1930s."...
-snip-
Note that the name "Kwaku" is an Akan male day name that means "male born on Wednesday" [from various online sources and African books on names]

**
2. From https://en.wikipedia.org/wiki/Tacky%27s_War
"Tacky's War, or Tacky's Rebellion, was an uprising of Akan (then referred to as Coromantee) slaves that occurred in Jamaica from May to July 1760. It was the most significant slave rebellion in the Caribbean between the 1733 slave insurrection on St. John and the 1791 Haitian Revolution. According to Professor Trevor Burnard: "In terms of its shock to the imperial system, only the American Revolution surpassed Tacky's War in the eighteenth century

Planning and early life
The leader of the rebellion, Tacky (Akan spelling: Takyi), was originally from the Fante ethnic group in West Africa and had been a paramount chief in Fante land (in the Central region of present-day Ghana) before being enslaved. He, along with the Asante Queen Nanny or Nana, both planned to take over Jamaica from the British to be a separate Black country, but for themselves and not as allies.[1]"...
-snip-
*Given what I've read so far about the name "Takyi" I wonder if the editor of this article incorrectly indicated that "Tayki" is a Fante (Akan) name instead of a Brong (Bono) [Akan] name.

****
GENERAL STATEMENTS ABOUT THE NAMES "TAKYI" AND "TAKYIWAA"
As a result of my internet search, I'm very confident that:
1. The names of the leaders of the "Tacky" and originated from the Akan name "Takyi".
Read the passages that are quoted above.

**
2. "Takyi" is a given name for males and "Takyiwaa" is a given name for females which originated among the Brong (Bono) branch of the Akan people of Ghana, West Africa.

Here are some websites that document this (given in no particular order):
a https://en.wikibooks.org/wiki/Writing_Adolescent_Fiction/Character_names/Ghanaian "Writing Adolescent Fiction/Character names/Ghanaian"
"Takyi" is listed among the Ghanaian given (personal) names for boys. However, the name "Takyiwaa" or variants of that name aren't listed among the given (personal) names for girls.

**
b. Regarding "Takyiwaa" being a female given name, note these websites
1. http://www.sussex.ac.uk/broadcast/read/31086
[Pancocojams Editor: This post about a Ghanaian female includes a photograph.]
“Broadcast: News items
Takyiwaa Manuh
Professor Takyiwaa Manuh
Takyiwaa Manuh is the Director of the Social Development Policy Division at the UN Economic Commission for Africa.

Takyiwaa was Professor of African Studies at the University of Ghana between 2006 and 2011, and was the university’s Director of the Institute of African Studies between 2002 and 2009. Her research interests are in African development, women’s rights and empowerment, contemporary African migrations, and African higher-education systems.

Born in Kumasi, Ghana, she was educated at the Wesley Girls’ High School, Cape Coast; the University of Ghana; the University of Dar es Salaam, Tanzania; and Indiana University in the US. She has also practiced as a lawyer and is active in the women’s movement in Ghana."...
-snip-
There are a number of other references to Takyiwaa Manuh online.

**
c. information/examples given on http://www.namespedia.com/details/Takyiwaa

**
d. [statements from] https://en.wikipedia.org/wiki/Akan_names.
“The variants mostly consist of different affixes (in Ashanti, kwa- or ko- for men and a- plus -a or -wa for women).
-snip-
Note that this is from that page's section on Akan day names. However, that doesn't mean that the names "Takyi" and "Takyiwaa" are day names.

and [from that same page]

"In the olden days of Ashanti it was a disgrace if an Ashanti man was not able to name any Ashanti child after his Ashanti father and/or Ashanti mother because that was the pride of every Ashanti household.*[3][4] Most of the ethnic-Ashanti family name (surname) given to boys could also be given to girls just by adding the letters "aa".[3][4] Some Ashanti family names (surnames) can be given to both boys and girls without changing or adding anything.[3][4] However, there are other ethnic-Ashanti family name (surnames) that are exclusively Ashanti boys names while others are exclusively ethnic-Ashanti girls family names (surnames)
-snip-
I added italics to highlight those sentences.
*I think the referent "Ashanti" in that page probably (incorrectly) means "Akan". "Ashanti" is an old referent for "Asante" people and "Asantes" are only one branch of the Akan people. Also, the Brong (Bono) [Akan] people and the Asante [Akan] people have a long and some would say still quite contentious history.
Among the websites that document and/or comment about Asante/Brong history is https://opendocs.ids.ac.uk/opendocs/bitstream/handle/123456789/9684/Kwame%20Arhin%20A%20profile%20of%20Brong%20Kyempim.pdf?sequence=1 "Essays On The Society, History And Politics Of The Brong People, by Kwame Arhin, Senior Research Fellow, Institute o f African Studies, University o f
Ghana, Legon

and

https://www.ghanaweb.com/GhanaHomePage/features/Tano-Subin-The-Brong-Ashanti-Divide-179521 "Feature Article of Thursday, 1 April 2010 Columnist: Akumfi-Ameyaw, AbubakarTano-Subin: The Brong-Ashanti Divide« (Part 1) [92 comments]
-snip-
This historical account is written from the point of view of a Brong (Bono) man and was vigorously countered by some commenters who (I gather) either were Asantes or weren't Brong.

**
3. "Takyi" and "Takyiwaa" are Akan surnames (family name; last names) that is still being used.
Here are some websites that document this (given in no particular order):
a)http://www.namespedia.com/details/Takyiwaa

Excerpt from that website:
Usage: 3% firstname, 97% surname.
Takyiwaa first name was found 1 times in 1 different countries. (UK)*
Surname Takyiwaa is used at least 26 times in at least 4 countries

Surnames
Christiana Takyiwaa (2)
Ama Takyiwaa (2)
Joyce Takyiwaa (1)
Gladys Takyiwaa (1)
Akosua Takyiwaa (1)
Olivia Takyiwaa (1)
Florence Takyiwaa (1)
Stella Takyiwaa (1)
Comfort Takyiwaa (1)
Agnes Takyiwaa (1)
Afua Takyiwaa (1)
Amma Takyiwaa (1)
Christina Takyiwaa (1)
Abena Takyiwaa (1)
Elise Takyiwaa (1)
-snip-
* This website didn't provide the "one" example that it found of "Takyiwaa" being used in the United Kingdom. Of course, it's highly likely that there are more than one "Takyiwaa" in the UK, and certainly there are other females with that given name in Ghana, The Ivory Coast, and elsewhere.

Note that three of these women listed have Akan day names: "Akosua", "Afua", and "Abena".

**
b) http://forebears.io/surnames/takyiwaa
TAKYIWAA SURNAME

[Pancocojams Editor: This first portion is a reformatted excerpt of the nations that were listed on that website]
Country: Ghana
Incidence: 1,118
Frequency: 1: 24,189
Rank in Nation: 2,782

**
Country: United States
Incidence: 7
Frequency: 1: 45,752,882
Rank in Nation: 954,845

**
Country: England
Incidence: 2
Frequency: 1: 27,000,000
Rank in Nation: 201,317

[...]

Surname:
Takyiwaah
Takyiwa
Takyiwah
Takiwa
Takyaa
Takaiwa
Takayia
Takhyia
Takiwai
Takyaya"

****
c) Google search resulted in a number of people on Facebook and other internet social media with the surname "Takyi", including this example from
https://digitalcommons.andrews.edu/cgi/viewcontent.cgi?article=2825&context=dissertations 2015 [Dissertation]
"A Comparative Study of the Concept of Atonement in the Aboakyer Festival of the Effutu
Tribe in Ghana and the Yom Kippur Festival of the Old Testament: Implications for Adventist Mission
Among the Effutu" by mmanuel H. Takyi
Andrews University"...

and this example from https://www.youtube.com/watch?v=vf2wWRc9_Wo Obibini Takyi Akosombo Nkania - Ghana Highlife [a sound file of Ghanaian Highlife music performed by Obibini Takyi]

**
Also, the name "Tayki" is listed as an "Ethnic-Ashanti* family names (surnames) on this Wikipedia page https://en.wikipedia.org/wiki/Akan_names
-snip-
*Read the comment that I wrote above in which I maintain that the Wikipedia editors are misapplied the referent "Ashanti" instead of the correct referent "Akan".

****
4. The current city "Techiman"'s name came from "Takyiman"
Among the numerous online references to "Takyiman" is this one:
From https://sites.google.com/site/ghanaplacenames/places-in-perspective/eponyms
"Eponyms
An eponym is the name of a person or group of persons after or for whom a place is named. In Ghana some place names are formed from eponyms, e.g. Christiansborg, Kwesikrom, and some just use the eponyms themselves, e.g. Kofi Pari, Kwame Danso.

[...]

Techiman is the district capital of Techiman Municipal District in Brong Ahafo. It was founded by Nana (Chief) Takyi Firi after the first capital of the Brong state, Bono Manso, was destroyed by the Ashantis in a war in 1723. The town's name is thus a contraction ot 'Takyi' and 'oman', meaning Takyi's town/state.
Source: O.Brempong, "Twi Etymology: A Study in Ethno-Linguistics", Inst.of Afr. Studies Res. Rev. NS vol.7 nos. 1 & 2 1991"

****
5. An example of the name "Takyi" in an Akan proverb
From http://www.adinkrasymbols.org/the-50-most-important-akan-proverbs/ The 50 Most Important Akan Proverbs; Akan or Twi proverbs are more than wise sayings.
"They have a wide range of uses and show, principally, that the user is wise and well-educated in the customs of the Akan people. The ability to use language enriched by proverbs is considered sage and is the hallmark of great public speaking.

I present fifty important Akan proverbs. I have adjudged them important for being popular, versatile, and particularly demonstrative of Akan philosophy and thought. As this is just my opinion, it is completely fair for others to compile a different list.

Also, the meanings and remarks are from my own learning and experience so the scope of some of the discussions is limited to a few use cases.

Each proverb appears under a heading. Unfortunately, it appears better to make the anglicised spellings of the proverbs rather than the correct Twi spellings the headings. This is because most people are unwilling or unable to type the letters er and or with their keyboards when searching for Akan proverbs on the web.

Below are the fifty sayings with their literal meanings and some remarks in English.

[...]

37. Abaa a yede bo Takyi no yede bebo Baa

Literally: The stick that is used to hit Takyi is also used to hit Baa."
-snip-
Here's an excerpt from https://www.nsromamedia.com/photos-takyimanhene-asantehemaas-funeral-easing-asanteman-takyiman-tension/ PHOTOS: Takyimanhene at Asantehemaa’s Funeral. Easing Asanteman-Takyiman Tension?
...."Baafuɔ Pim had betrayed Nana Takyimanhene by stealing gold he had been given to take to the Asantehene, and then filling the pot with dust. This action infuriated Opoku Ware Katakyie who then dealt a massive defeat to the Bono Kingdom of Takyiman. Nearly all his lands and property were taken by Asantehene."
-snip-

Is "Baa" a clip of Baafuo and "Takyi" a clip of Takyimanhene? (the paramount chief of the Takyiman people)? And does this proverb mean "If you try to hurt your adversary, you’ll end up hurting yourself"?

****
WHAT DOES THE NAMES "TAKYI" AND "TAKYIWAA" MEAN?
1. From my online reading, it appears that "Takyi"/"Takyiwaa" aren't Akan day names, birth order names, or names associated with the birth of twins

Note: Those names aren't listed in any website about Akan day names, birth order names etc. such as https://en.wikipedia.org/wiki/Akan_names.

I wonder if the name "Takyi" was created by combining the Akan elements "Ta" + "kyi". If so, does the "ta" in "Takyi" have anything to do with the Brong (Akan) deity Tano and other deities whose names (or titles?) begin with "Ta" or "Taa" as quoted in this pancocojams post: http://pancocojams.blogspot.com/2017/04/excerpts-from-rattrays-1922-book.html Excerpts From R. S. Rattray's 1922 Book "Ashanti" & Other Quotes About Traditional Ghanaian (Asante) Religion

Here's an excerpt from that post:
quoting part of page 206 from Rattray's 1922 book Ashanti:
..."I have water, I have water,
I come from the Tano river.
Little spirits from Lake Bosomtwe, I have water,
Otwedodo, son of Botsomtwe, I have water,
I come from the Tano river.
I am he who was created son of God.

Besides Konkroma, the chief of the gods at Ejura, the following gods were attending the ceremony. All were 'sons' of the great Tano already described:
Ta Kwame
Ta Konkroma Kuma
Ta Asubonten (a son of the Asubonten whose rites have already been described).
Ta Konkroma Kuma II.
Ta Kojo
Ta Bonia
Ta Kwesi.
Ta Amoa"."

**
Also, if the name "Takyi" was created by combining the Akan elements "Ta" and "kyi", what does "kyi" mean in Akan?

This website http://www.odwirafo.com/MMARA-NE-KYI_Divine_Law-Love_and_Divine_Hate.pdf indicates that "kyi" means "to hate", but it appears to be written by a person from the African Diaspora and not someone who has (known) Akan ancestry. I'm interested in "hearing" from someone who is Akan aobut this definition:
Excerpt: page 11:
"In Twi, kyi also has the definition: to press, squeeze, wring or crush out. [It is important to note that while kyi in Twi is a verb: ‘to hate; to abhor’, some have popularized the term okyi as a noun version of the word meaning: hatred, abhorrence.]"
-end of quote-
"Twi" = Akan

Also, that writer indicates that in Twi (Akan) "kyi" is pronounced like the English sound "chee" and not like the English word "key". Is that correct?

****
HOW ARE THE NAMES "TAKYI" AND "TAKYIWAA" PRONOUNCED, AND HOW IS THE PLACE NAME "TECHIMAN" PRONOUNCED?
This website provides three sound files that purport to be how "Takyri" is pronounced:https://www.howtopronounce.com/takyri/.

Two of those examples sound like "tah-ker-ree" and one sounds like tay-ker-ree.

Here's a YouTube sound file of the name "Takyi":

How to pronounce Takyi (Germany/German) - PronounceNames.com



Pronounce Names, Published on Feb 22, 2016
-snip-
That sound file sounds to me like "TAH-key".

Note that that example is from Germany, which probably mean that it is a name that was given to people of (at least some) Akan ancestry who live in Germany.

I've not found any sound files/videos that pronounce the name "Takyiwaa".

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Tuesday, April 4, 2017

The Word "Yo" In The West African Languages Temne (Sierra Leone) & Twi (Ghana)

The Word "Yo" In The West African Languages Temne (Sierra Leone) & Twi (Ghana)
Edited by Azizi Powell

This pancocojams post provides examples of the word "yo" from two West African languages: Temne and Twi.

Update: 4/3/2017- I've added a children's song in Ewe and Akan [Twi] which includes the word "yo".

The content of this post is presented for etymological, folkloric, and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

****
PANCOCOJAMS EDITOR'S NOTE
While internet surfing for the etymology of African American slang, I happened upon a discussion on a linguistic website in which bloggers were trying to find out the origins of the word "yo" as popularized in the United States by Hip Hop culture and by other populations:
Kyle Pearson, http://english.stackexchange.com/questions/40408/whats-the-origin-of-yo, edited Sep 3 '11 at 10:54
answered Sep 2 '11 at 17:57

"I think that any etymology of "Yo!" that goes back only a few hundred years is woefully incomplete and quite absurd.

"Yo!" is used in more-or-less formal situations in East Asia (China, Japan), India (Dravidian languages), Africa (West and Central Africa), the United States, and Europe. That usage range puts it well beyond the purview of Indo-European, and suggests that its origins could lie entirely outside any formal etymology - but if it does have an origin, it obviously ain't English (as your source up there says, suggesting it may have come from Africa, or the Mediterranean, or both).

Arguing that this simple sound is derived from "an exclamation" back in AD 1400 is saying nothing more than "Back then, in AD 1400, nobody knew where it came from, either." Compare, for instance, the exclamation "Zounds!", which has a certain date of origin, and a certain meaning from which it is derived: "Yo!" has none of that.

Basically, "Yo!" is a simple sound that gets used a lot, around the world; so long as it's not a formal word in one's local language, it will tend to get used for more-or-less formalized exclamatory purposes. This makes sense because it's A) easy to say, B) the sounds occur in pretty much any language on Earth, and C) the sounds carry a quite a way's distance, and are easily distinguished from other sounds and words.

In the US, it was re-purposed as a greeting and response by Af-American culture some time in the late 60's, or so, and that's the answer you really want, here. It may have been absorbed into Af-American culture through Basic Training in the US military, during Vietnam (or WWII, as suggested by the other poster, above), or it may be a holdover from something more ancient, perhaps an African dialect; it's to answer questions like this that the idea of "ebonics" was once promoted. I have no idea if that discipline -- if it can be called that -- is still around or not, but that might be a good place to start if it is. In any event, it appears that currently linguists just can't really give your question any definitive answer.”
-snip-
I added italics to highlight those words.

After reading that comment, I searched for online examples of the word "yo" or similarly spelled words in West African and Central African languages-used as an interjection or otherwise.

Here are some points that I want to make prior to presenting the small number of examples of "yo" that I've found in two traditional West African languages:

I disagree with Kyle Pearson's comment that the interjection "Yo" is used during "more or less formal situations in the United States". Perhaps this was a typo since it's my sense that "Yo" is only used in informal situations in the United States.

**
Unfortunately, Kyle Pearson didn't give any information about which West African and Central African languages contain the word "yo" and it's very difficult to find any such information and examples online. Consequently, I want to share these examples that I did find online and in one book (R. S. Rattray's 1922 book entitled Ashanti) and in an online page about learning the Twi language.

**
Update: October 28, 2019
I've found examples of "yo" in various comments on discussion threads for YouTube contemporary music videos The word "Yo) was at the beginning of sentences and/or at the end of sentences. Since, presumably, those comments were written by African Americans, I therefore retract this note that I wrote when this pancocojams post was first published:
"I'm not a linguist. But, for what it's worth, as an African American self-described "community folklorist", it seems to me that for some time [since the late 20th century?] the interjection "Yo" has been largely retired among African Americans except when it is consciously used to evoke the spirit and times of the late 1960s to the late 20th century Hip Hop culture."
-end of update-

Documenting examples of "yo" words in African languages doesn't mean that I think that those languages or any other traditional African languages directly or indirectly influenced the 1960s to late 20th century Hip Hop culture's use of the word "yo" in the United States. I know too little about this subject to state or imply that position. However, I also don't automatically discount the possibility of that influence.

I hope that people who know traditional African languages will add information here and/or elsewhere online about the word "yo" in those languages.

****
EXCERPTS ABOUT THE WORD "YO" AND "IYO" IN TEMNE
Except for information about the Temne language, these excerpts are given in no particular order. They are numbered for referencing purposes only.
Excerpt #1
From https://en.wikipedia.org/wiki/Temne_language
Temne… is a language of the Mel branch of Niger–Congo, spoken in Sierra Leone by about 2 million first speakers. One of the country's most widely spoken languages, it is spoken by 30% of the country’s population.[citation needed] It also serves as a lingua franca for an additional 1,500,000 people living in areas near the Temne people. It is closely related to the neighboring Kissi language."

****
Excerpt #2
From http://slaverebellion.org/index.php?page=some-african-american-words-of-african-origins
JOSEPH E. HOLLOWAY Ph.D, [2005]
"Yah (yo)[137] Crebo ya, used after commands; Temne yo, used after statements or commands. An emphatic concluding particle: “Indeed!” Often said in endearing tone, thus softening a statement or command. Also black West African and Caribbean English ya, said after statements or command."

****
Excerpt #3
From https://books.google.com/books?id=iLo0AQAAMAAJ&pg=PA19&lpg=PA19&dq=temne+iyo+meaning&source=bl&ots=9DplTy5BZA&sig=5uI8h6O3SxbqaHktpA-s6QLWfBM&hl=en&sa=X&ved=0ahUKEwjk0YrBgIHTAhXmz4MKHVG_BlcQ6AEIMDAD#v=onepage&q=temne%20iyo%20meaning&f=false A Handbook of the Temne Language - Page 19 - Google Books Result
https://books.google.com/books?id=iLo0AQAAMAAJ
Rev. A. T. Sumner - 1922 - ‎Temne language
"Grammar 33. Easy conversation
p. 18-19
Sori-Mpairi?
Lamina-I, mpairi?
L- Tei ti yi h
S. Re man- ko-e? (1)
L- I ko ro pet.
S- Ko man ko yo-e?
L – I ko kori (2) o-kas ka mi.
S- o- kas ka mu o yi ri ro pet?
L-I, o yi ri ro pet.
S- o kara (or ya) ka mu o yi ri ro-i?
L-I, I, o, yibe, ri, o, , ko, ro, Kamp, kere, o, ti (will), der, ninan
S-I, kora o-kas ka mu yo ? (3)
L- Iyo
S- Mam pia, yo
S-Iyo, mam pia, yo*.


Notes 1. Where are you going? Man is the imperfect tense form of the second personal pronoun, singular number. The e after ko is an expletive. 2. Kori- to visit …Yo is an idiomatic expression whose meaning is conveyed by the sentence in which it is used. . 3. Yo is an idiomatic expression whose meaning is conveyed by the sentence in which it is used.
kori o-kas ka mu, yo ? may be translated “Give my compliments to your father, will you?

mam pia – good- bye - All right, good-bye.”
-snip-
These words are given without the accent marks or other symbols over certain vowels.

****
Excerpt #4
From https://www.livelingua.com/peace-corps/Temne/Peace%20Corps%20Temne%20Language%20Manual.pdf

"Iyo seke- hi

Iyo, senenkane so- O/k, we shall see again"

****
Excerpt #5
From https://books.google.com/books?id=LXMuB31O628C&dq=Temne+yo&source=gbs_navlinks_s A Collection of Temne Traditions, Fables and Proverbs: With an English Translation; Also Some Specimens of the Author's Own Temne Compositions and Translations, Christian Friedrich Schlenker, Church Missionary Society, 1861 - Folklore, Temne - 298 pages

[Google books, page 296 Temne [one entry from that page]
"Yo ,adv, thus, so, in this way, in the same way”, or manner, the same kind
e.g. yo a pa* - thus he said;
yo o yo** - thus he did
This form is used before words with the vowels o and u."
-snip-
*with accent mark over the a

**accent mark over the o

****
EXCERPTS ABOUT THE WORD "YO" IN TWI
Excerpt #1
From http://www.amesall.rutgers.edu/languages/128-akan-twi Akan (Twi) at Rutgers
"Akan refers to the language of the Akan ethnic group of Ghana. It is also spoken in the central and eastern part of Cote d’Ivoire. Akan comprises three main mutually intelligible dialects: Fante, Asante Twi and Akwapim Twi. Asante Twi is the widely used. Akan is the most widely spoken and used indigenous language in Ghana. About 44%, of Ghana’s population of about 22 million, speak Akan as first language. However, about 80% of Ghanaians speak Akan as a first and second language. It is officially recognized for literacy, at least at the lower primary (Primary 1-3) level, and studied at university as a bachelor or masters program. It is the most important indigenous language of Ghana. It is the language of the Western, Central, Ashanti, Eastern, Brong Ahafo regions, and the northern portion of the Volta region of Ghana."...

****
Excerpt #2 [with notes and related quotes]
Ashanti by R. S. Rattray
[This book was first published in 1923; Oxford, Clarendon Press, reprinted University Press Oxford, 1969

[page] p.168
“The chief, Yao Kramo*, standing on a small raised platform, on the left of the altar, now removed his cloth from his shoulder and fluently and in a loud voice spoke as follows, while the old high-priest and two men who held a sheep stood beside him. His speech was punctuated by the loud Yo! Yo! of the Tano linguist.

Aban mu Ta Kese, afe ano ahyoa, ena me ne manfo yi ye fua ye nsam oguan yi de re ma wo, wo agyina yen akyiri akyigyina pa. Wa fre ahaha ne nono ama obawofo awo. Abofo de ‘tup ko wuran a, w akum nam.”…

Ta kese of Aban (1), the cycle of the year has come round, therefore I and these my people hold this sheep which is from our hands and give it to you. May you stand behind us with a good standing. May you call upon all the spirits of plants and beast that the bearers of children may be fruitful, and that the hunter who takes his gun to go to the forest may kill meat”...

(1) That part of the town of Tekiman where the temple of [the god: abosom] Ta Kese stands is so called."
-snip-
If I correctly understand this term, "linguists" are spokespersons for high priests.

Read the Addendum below for notes about this quote.

****
Excerpt #3
From http://www.abibitumikasa.com/twi.pdf
Adesuadeɛ a ɛdi kan: 1st Lesson, Twi Kasa Nnyegyeɛ (Twi Language Sounds) Nsɛmfua Afoforɔ (New Words)
[page 9]

"English phrase: Repeat what you said.
Twi phrase: ka bio.
Pronunciation : kah BEE-YO
literal translation - Say again.

English phrase: Goodbye
Twi phrase: yɛbɛhyia bio
Pronunciation -ye-BAY-shee-YAH BEE-YO
literal translation: We will meet again"

****
Excerpt #4
From https://en.wikipedia.org/wiki/Akan_language
"Akan...is a Central Tano language that is the principal native language of the Akan people of Ghana, spoken over much of the southern half of that country, by about 58% of the population, and among 30% of the population of Ivory Coast.

Three dialects have been developed as literary standards with distinct orthographies: Asante, Akuapem (together called Twi), and Fante, which, despite being mutually intelligible, were inaccessible in written form to speakers of the other standards.

[...]

Important words and phrases

[...]

Yoo - [pronounced] oh; [meaning] Okay/Alright"


****
Excerpt #5
ADDED ON 4/4/2017 an Ewe and Akan song
From https://books.google.com/books?id=HUK_AAAAQBAJ&pg=PA109&lpg=PA109&dq=akan+word+yoo&source=bl&ots=_7TwY2nIH_&sig=sn0-tj8JJgpRVUlgcaMhyGKlFKc&hl=en&sa=X&ved=0ahUKEwjAhYLVu_7SAhUX22MKHd7bDJ8Q6AEITTAJ#v=onepage&q=akan%20word%20yoo&f=false Kaleidoscope of Cultures: A Celebration of Multicultural Research and Practice
edited by Marvelene C. Moore, Philip Ewell

[page 109]

Lesson Plan "Yo Yo Yo" (Yes, yes, Yes)

[...]

Procedure
Introduction The philosophy behind this game and song is to teach children the need to be law-abiding, respectful, and responsible in their behavior. During the game the leader assumes the role of the parent, a teacher, or an elder in the community. In a social situation all children are supposed to abide by rules. If someone is not bold enough to own up for any wrong that was done, then it is up to the other children to point out that child for his or her wrongdoing. In the game the leader says "Yo" ("Yes") at which time everyone has to be quiet."
-snip-
This "procedure" section continues, indicating that other children reprimand the child who has done wrong by being "rebuked" spanked", or hit by other members" while singing this song. [Clearly, this play instruction doesn't "translate" well in the United States and other Western nations.]

Words:
Yo Yo Yo (Ewe)
Wana ya wa yo (Akan)
Esi na wa yo! (Akan)
Ta bobo!

Approximate Pronunciation
Yoo, yoo, yoo
Wahnah yah wah yoo
Ehseh nah wah yoo
Tah bor bor

English translation:
Yes, yes, yes!
Who says yes?
Esi says yes.
So get (bend) down
-snip-
"Esi" is a girl's name.

Here's information about the Ewe language from http://www.omniglot.com/writing/ewe.htm
"Ewe (Eʋegbe)

Ewe is member of the Volta-Niger branch of Niger-Congo languages with about 3 million in the Volta Region of south-east Ghana, and also in southwest Togo and in parts of Benin. It is recognised as a national language in Ghana, where English is the official language, and in Togo, where French is the official language."...
-snip-
Is "yo" an Ewe word for "yes"? http://wikitravel.org/en/Ewe_phrasebook indicates that "Eeh" is the Ewe word for "yes".

****
ADDENDUM
Here is some information that helps clarify the reference to "the Tano linguist" in the quote given as Excerpt #2 in the section about the Twi language:
From https://commons.wikimedia.org/wiki/Category:Tano_shrines_in_Ghana
"English: In Ghana, especially in the Ashanti land, gives it several of Tano shrines or little temples for the worship of the Akan God Tano. Tano is the name of a river and also whose river deity in the western part of the Ashanti core region. In the Akan religion is Tano a deity of protection and also the God of War. Tano as protection deity is also the godly antagonist of the death, with whom he is in continous race duel. In the case that Tano approaches a dying person as first than this human belongs him and the death has no right on this one. Tano is the twin brother of "Bea", another river deity in Asante. "Tano" and "Bea" are both "Abosom", means "children of Nyame" and as such they stand in the godly hierarchy of the Akan deities below of the creator god Nyame."

**
From http://countrystudies.us/ghana/52.htm Ghana Traditional Religion
"The supreme being is usually thought of as remote from daily religious life and is, therefore, not directly worshipped. There are also the lesser gods that take "residency" in streams, rivers, trees, and mountains. These gods are generally perceived as intermediaries between the supreme being and society. Ancestors and numerous other spirits are also recognized as part of the cosmological order."

**
p. 216 Rattray's book Ashanti
"It is not, however the Sky and the Earth deities who in Ashanti are held to the prime factors in shaping and influencing the actions and destinies of mankind. These great unseen powers are generally too remote or perhaps too mighty to be concerned very intimately with the individual clan, much less with the individual member of that clan, and the predominant influences in the Ashanti religion are neither ‘Saturday Sky god’ nor ‘Thursday Earth goddess’, nor even the hundreds of god (abosom), with which it is true the land is filled, but are the samanfo, the spirits of the departed forbears of the clan.
-snip-
Sky god -Onyame (‘Nyame)
Earth goddess – Asase Ta, Aberewa (Ya, Old Mother Earth)

**
Here's some quotes from Rattray's book about the role of the "linguist":
page 178
"I was later informed that just as upon earth it is not etiquette for a king to speak direct to anyone except through his official mouthpiece or spokesman, the okyeame (usually but quite wrongly rendered ‘linguist’ throughout the Gold Coast)m so with the gods, each had his okyeame."

179
"The ‘linguist of the chief (who, it must be remembered, was also high-priest) was now called upon the representative of the Tekiman priest, who had accompanied me, to state the object of my visit”.
-snip-
A "linguist" appears to be different than a "herald". Here's a quote from that 1922 book which mentions a herald:

page 184
"During this speech the herald was continually breaking in with, Tie! Tie!! Kom! fwe! fwe! (listen, listen! Silence! behold! behold!"

****
For folkloric reasons, I'm also including this quote from R. S. Rattray's Ashanti book references a portion of the chief's speech that is given above
p. 209 [note 1]
"This idea of protection from something attacking one from behind – the invisible- is seen throughout all the ceremonies. Almost every prayer ends with “stand behind me with a good standing”.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Thursday, April 21, 2016

Harriet Tubman, Astrology, & Psychic Dreams (articles/posts excerpts)

Edited by Azizi Powell

This pancocojams post provides one excerpt and one complete post of two online articles/posts about astrology and Harriet Tubman. These are the only articles/posts that I've found to date on this subject. And one of those posts mistakes March 10, the date of Harriet Tubman's death, as her birth day.

This post also includes a third excerpt about dreaming and Harriet Tubman as it seems to me that the information in that article might be helpful in creating an astrological profile for Harriet Tubman. The information in that article about Ashanti (Asante) [Ghana, West Africa] traditional concepts about psychic dreams is particularly interesting to me, and I highly recommend anyone else interested in that subject to read that entire article.

Although I'm interested in astrology I unfortunately don't have the skill to create any astrological profiles. I hope that this compilation helps to spur someone to write more about this subject and attempt to come up with a possible astrological profile for this extraordinary woman.

The content of this post is presented for historical and socio-cultural purposes.

All copyrights remain with their owners.

Thank you, Harriet Tubman for everything that you accomplished throughout your phenomenal life. Thanks to all those who are quoted in this post.
-snip-
Click http://pancocojams.blogspot.com/2016/04/dreams-as-validator-in-traditional.html for the related pancocojams post entitled ""Dreams As Validator In Traditional African Cultures" (pdf excerpt)"

Also, click http://pancocojams.blogspot.com/2016/04/harriet-tubman-biography-animated-movie.html for a pancocojams post entitled "Harriet Tubman (Biography, Animated Movie, & Announcement About Her Image On United States $20 Bills)"

Here are two excerpts from the biographical portion of that post:
From http://www.biography.com/people/harriet-tubman-9511430#early-life
..."Harriet Tubman was an American bondwoman who escaped from slavery in the South to become a leading abolitionist before the American Civil War. She was born in Maryland in 1820, and successfully escaped in 1849. Yet she returned many times to rescue both family members and non-relatives from the plantation system. She led hundreds to freedom in the North as the most famous "conductor" on the Underground Railroad, an elaborate secret network of safe houses organized for that purpose."

**
From https://en.wikipedia.org/wiki/Harriet_Tubman
"Harriet Tubman (born Araminta Ross; c. 1822[1] – March 10, 1913) was an African-American abolitionist, humanitarian, and a Union spy during the American Civil War....

In 1849, Tubman escaped to Philadelphia, then immediately returned to Maryland to rescue her family. Slowly, one group at a time, she brought relatives with her out of the state, and eventually guided dozens of other slaves to freedom. Traveling by night and in extreme secrecy, Tubman (or "Moses", as she was called) "never lost a passenger". Her actions made slave owners anxious and angry, and they posted rewards for her capture. After the Fugitive Slave Act of 1850 was passed, she helped guide fugitives farther north into Canada, and helped newly freed slaves find work.

When the Civil War began, Tubman worked for the Union Army, first as a cook and nurse, and then as an armed scout and spy. The first woman to lead an armed expedition in the war, she guided the raid at Combahee Ferry, which liberated more than seven hundred slaves. After the war, she retired to the family home on property she had purchased in 1859 in Auburn, New York, where she cared for her aging parents. She was active in the women's suffrage movement until illness overtook her and she had to be admitted to a home for elderly African-Americans that she had helped to establish years earlier. After she died in 1913, she became an icon of American courage and freedom."...

****
EXCERPTS ABOUT HARRIET TUBMAN AND ASTROLOGY
From http://www.astrologyweekly.com/forum/showthread.php?t=84273 ScorpioCrow, 05-16-2015, 06:31 PM
"Harriet Tubman?
It is very unfortunate that we do not know for sure when she was born. According to several biographies she was born in either 1820 or 1821 (into slavery), which tells us very little about what her chart might have looked like. Slaves' birthdays were not recorded. Darn!!

I'm sure if we did know, there would be significant aspects indicating her place in the fight for freeing slaves. If freedom = Jupiter, perhaps she had a prominent Jupiter or Pluto (radical change - it's said on this forum that a lot of celebrities and well-knowns have Pluto prominent)...

If an analysis of her personality is possible (maybe via quotes, etc), it might be feasible to reconstruct her chart. Like if she showed, for example, Cancer Moon and Scorpio Sun traits, we could assume she had those placements and determine a possible birthday from that.

Oh yeah, I just remembered that when she was about twelve she suffered a head injury which put her in a coma for like a month, and would fall asleep at random times for the rest of her life as a result. Sounds like an Aries/Pisces issue to me. She died at about 93 years old in 1913, if that helps rectify a chart."

**
From http://www.dailyhoroscope.com/horoscope-headlines/women-in-history-horoscope
Pisces (Feb. 19 to March 20)
"Harriet Tubman: March 10, c. 1820
Wherever selfless acts are found, so too is probably at least one Pisces. Harriet Tubman was born into slavery, so it was easy for her to understand why it was necessary to help others escape this inhuman condition, as she had done. As a result of a brutal accident caused by an irate slave owner, Harriet suffered a head injury which was said to have caused her to have visions -- vivid dreams and claims that she was receiving message from God. Given that she was born under the most visionary sign in the zodiac, it could be that Harriet truly was inspired by a power greater than anyone on the earthly plane.”

****
EXCERPT ABOUT HARRIET TUBMAN AND DREAMING
From http://www.beliefnet.com/columnists/dreamgates/2014/05/harriet-tubman-and-west-african-traditions-of-dreaming.html "Harriet Tubman and Ashanti traditions of dreaming" posted by Robert Moss
Adapted from The Secret History of Dreaming by Robert Moss. Published by New World Library. Source notes for quotes and facts here are in the book.
..."Harriet Tubman is an exemplar of how dreaming can contribute to liberating people and communities from an unjust order.

Harriet Tubman famous conductor of the Underground Railroad helped many escaping slaves to get to freedom in the years before the American Civil War. She used dreams and visions of maps to get parties of fugitive slaves across otherwise unknown terrain, even across a flooded river....

In 1907, a reporter for the New York Herald plucked this from her memories: “The old mammies to whom she told dreams were wont to nod knowingly and say, ‘I reckon youse one o’ dem Shantees, chile.’ For they knew the tradition of the unconquerable Ashantee blood, which in a slave made him a thorn in the side of the planter or cane grower whose property he became.”

The “Ashantee”, or Ashanti, are a matrilineal people of the forests and highlands of Ghana, known in Harriet’s time as the Gold Coast. Recollections of gossip heard in childhood are not evidence that Harriet had Ashanti blood, but they suggest that the Ashanti were known where she grew up, and she was associated with them in people’s minds...

Harriet said she inherited special gifts — including the ability to travel outside the body and to visit the future — from her father, who “could always predict the future” and “foretold the Mexican war”.
We have an interesting source on Ashanti dreaming in Captain Robert S. Rattray, a British “government anthropologist” stationed in the Gold Coast before and after World War I. Rattray became a passionate student of the Ashanti, who called this Scot “Red Pepper” because of his blazing red hair. Though sometimes baffled by the mobility of consciousness among the West Africans he interviewed, he did his best to record Ashanti dream practices.

“To the Ashanti mind,” Rattray explains, “dreams are caused either by the visitations of denizens of the spirit world, or by spirits, i.e. volatile souls of persons still alive, or by the journeyings of one’s own soul during the hours of sleep.” In the Ashanti language, “to dream” is so dae, which literally means “to arrive at a place during sleep” — implying travel.

For the Ashanti, dream incidents are real events. If you sleep with another man’s wife, for example, you are held to be guilty of adultery and may be punished for it.

Flying is a common experience in Ashanti dreams. “If you dream that you have been carried up to the sky…and that you have returned to the ground…that means long life.” This certainly held true for Harriet Tubman, who lived to be at least ninety-one.”...

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Thursday, March 17, 2016

Positive Connotations Of Crows & Vultures (Buzzards) In 18th century & 19th century Jamaica & Black American Cultures

Edited by Azizi Powell

In the United States and other Western cultures, crows and vultures are rarely considered positive symbols. However, in some African nations and elsewhere in the world vultures had and/or still have spiritual and/or positive connotations.

This post presents some examples of spiritual or otherwise positive connotations of vultures (buzzards) and/or crows among people of African descent in 18th century and 19th century Jamaica and the United States. I believe that it's likely that those New World representations of buzzards or crows were greatly influenced by the West African positive/spiritual connotations of vultures & crows.

The Addendum to this post presents some information about the King Buzzard folktales, a negative folkloric depiction of the buzzard (vulture).

The content of this post is presented for folkloric and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

****
EDITOR'S NOTE
Regarding the spiritual/positive connotations of vultures (buzzards) and crows among 18th and 19th century Jamaicans and Black Americans, here's a quote from a pancocojams series on the symbolism of vultures in Africa:
Quote from Symbolizing the Past: Reading Sankofa, Daughters of the Dust, & Eve's Bayou by Sandra M. Grayson (University Press of America, 2000), Page 36 [Google books]
"Among the Akan, the scarab and the vulture symbolize self-begetting, self-creation, and self-birth. An Akan maxim says of Odomankoma [the infinite, the interminable, absolute being], ‘The animal that symbolizes Odomankoma who created the world is the vulture.’ “Odomankoma a oboadee ne kyeneboa ne opete. (Meyerowitz . The Divine Kingship in Ghana and Ancient Egypt. See also Danquan, The Akan Doctrine of God".
Click http://pancocojams.blogspot.com/2016/03/crow-totems-in-akan-culture-http://pancocojams.blogspot.com/2016/03/crow-totems-in-akan-culture-excerpt.html for Part I of a three part pancocojams series on spiritual and/or positive symbolism of vultures or crows in certain traditional African cultures. Part I of that series focuses on the Akan culture of Ghana & The Ivory Coast. Part II of that series focuses on the Yoruba culture and Edo culture of Nigeria. Part III focuses on aspects of ancient Egypt mythology. The links to the other posts in that series are found there.

****
FEATURED EXCERPTS
JAMAICA
In Jamaica "John Crow" (the turkey vulture) has been associated with death and ugliness for a very long time. However, death hasn't always been viewed negatively. Here are some quotes from a few online sources that I've come across. Numbers are assigned for referencing purposes only.
Excerpt #1:
From Tap Roots: The Early History of Tap Dancing By Mark Knowles
"Anthropologist Melvin Herkovits suggests that the name of the John Canoe dance is derived from the Ashanti people of Africa and is a reference for the yankoro or buzzard. In the United States the climax of the John Canoe included a buck dance known as the buzzard lope" [page 32].*
-snip-
"The Ashanti is the major indigenous tribe of the Akans in Ghana" [buzzghana.com]
-snip-
*Hat tip to slam2011 for alerting me to this quote.

Information about the buzzard lope is included in the Black American section of this post.

****
Excerpt #2
[Quoted in http://pancocojams.blogspot.com/2012/09/john-crow-part-i-what-john-crow-means.html]
From http://jamaica-gleaner.com/gleaner/20090517/arts/arts1.html Extracts from the 'Jamaica Journal' - "Plants, Spirits and the meaning of 'John' in Jamaica ; Published: Sunday | May 17, 2009, John Rashford, Contributor
“The word 'John' appears 33 times in the Dictionary of Jamaican English as a generic term in the compound common names of people, birds, plants and other objects. This paper will show that objects named 'John' are often associated in Jamaica with the world of spirits.

I will focus on the vine Abrus precatorious, which Jamaicans call John Crow Bead, and it links - by virtue of John as a generic term - to the Christmas dancing in Jamaica called John Canoe (also spelled Jonkonnu) and to the vulture called John Crow (Cathartes aura). This paper suggests that the dance, the bird and the plant all have the name John because of their relationship to the world of spirits and spirit possession.

Practice of obeah

It shows that John Canoe, who is the chief dancer of a troupe of dancers, is the spirit person or obeahman (variously described as a witch doctor, magician, jumbie-man or sorcerer) and both the John Crow and the John Crow Bead are associated with death and with materials used in the practice of obeah.

In the Caribbean, the common names for Abrus precatorious point to its association with the spirit world and suggests that John as one of the generic terms in its compound common names is an expression of this association. The link is made by the fact that in Jamaica and elsewhere in the Caribbean, the plant is known as Jumbie Bead, and in some places, as, for example, the Virgin Islands, it is also called Devil Bead (Williams (jumbi, jumby, jumbee, jumbay, jamby) or zombie are just different terms for spirits. These terms are more widely used in the eastern Caribbean than in Jamaica (Cassidy 1971, Beckwith 1929)."

****
Excerpt #3:
This quote is included in http://pancocojams.blogspot.com/2014/01/very-old-reference-to-john-canoe-aunt.html
http://query.nytimes.com/mem/archive-free/pdf?res=F70F1FFB355A1A738DDDA80994DC405B8684F0D3
WEST INDIAN WITCHCRAFT; SOME REMARKABLE SUPERSTITIONS OF THE NEGROES.OBEAH MEN, JUMBIES, DUPPIES, JOHN CANOES, AUNT SALLYS, ROOSTERS' HEADS,SPIDERS, GROUND GLASS, AND POISONS.
New York Times April 11, 1886

..."negroes are so constituted that they must have something tangible to worship and believe in-something they can see and feel....

They are wonderfully fond of stuffed figures. Nearly all their ceremonies have a figure worked in in some shape or the other. For instance, look at “John Canoes”. They rarely have a festival without a John Canoe, the stuffed figure of a man, that is treated with great respect. Sometimes they have two of them, which they consider father and son – John Canoe senior and John Canoe junior. If John is by any possibility left out Aunt Sally is substituted. She is the same as John, only, being a woman, she is not treated with the same respect. She is carried to the place of merry making, laid out on a board, like a corpse, amid cries of “Here comes Aunt Sally; poor Aunt Sally! she’s dead. They take" [end of online article]

****
Excerpt #4: [added February 22, 2017]
From http://www.archerbarron.com/a-glossary-of-lucumi-words-and-ideas/ A Glossary of Lucumi Words and Ideas
"Ibu Kolé – A road, or manifestation, of Ochun. Ibu Kolé is the vulture, a peacock whose feathers were burned away carrying the prayers of the dying world to God/the Sun. In this road, Ochun is a sorceress."

****
BLACK AMERICANS (UNITED STATES)
VULTURE MENTIONED IN THE MOVIE SANKOFA
From Symbolizing the Past: Reading Sankofa, Daughters of the Dust, & Eve's Bayou by Sandra M. Grayson (University Press of America, 2000), Page 36 [Google books]
Notes from page 36 of that book:
6. "After Nunu was killed later in the film [Haile Geima’s Sankofa] no one could find her body. Shola says that the people believed that Nunu did not die; rather that a buzzard swopped down and took her back to Africa.
7. Opete is the Akan word for vulture."
-snip-
Here's information about the film Sankofa from https://en.wikipedia.org/wiki/Sankofa_(film)
"Sankofa is a 1993 Burkinabé drama film directed by Haile Gerima centered on the Atlantic slave trade. The storyline features Oyafunmike Ogunlano, Kofi Ghanaba, Mutabaruka, Alexandra Duah and Afemo Omilami. The word Sankofa derives its meaning from the Ghanaian Akan language which means to “go back, look for, and gain wisdom, power and hope,” according to Dr. Anna Julia Cooper.[1] The word Sankofa stresses the importance of one not drifting too far away from one’s past in order to progress in the future. In the film, Sankofa is depicted by a bird and the chants and drumming of a Divine Drummer.[2] Gerima’s film showed the importance of not having people of African decent drift far away from their African roots. Gerima used the journey of the character Mona to show how the African perception of identity included recognizing one’s roots and “returning to one’s source” (Gerima)...

Nunu .... is an African-born field hand who went about her day-to-day life with Africa still living in her heart and was characterized as a “strong motherly slave with a rebel mindset.”

****
BUZZARD LOPE (dance)
Editor's note: Initially when I learned about the enslaved Black American dance "The Buzzard Lope" I thought was a dance that had no meaning other than people imitating the movement of buzzards (vultures). However, it's clear from careful reading about "The Buzzard Lope" that it was considered to be more than a social dance. Here's a video of a re- enactment of the the Buzzard Lope as well as some explanations of that dance.
From http://pancocojams.blogspot.com/2012/07/throw-me-anywhere-lord-buzzard-lope.html:

Throw Me Anywhere Lord



Uploaded by mediageneration on Dec 12, 2009

Georgia Sea Island Singers from the DVD- The Films of Bess Lomax Hawes- available from http://www.media-generation.com

Here's a comment from that video's uploader:
"The dance is called the Buzzard Lope, and John Davis is the buzzard circling the carrion and picking it up at the end of the song."
-mediageneration; 2010

****
Click http://www.media-generation.com/DVD%20PAGES/Bess/master.pdf The Films Of Bess Lomax Hawes "Buzzard Lope" page 8 of 34 for notes to this song and video. Those notes include considerable information about how the Buzzard dance is performed and the possible origin of that dance among the Ashanti-Fanti people of Ghana where the vulture is a sacred messenger to the gods. Among the information included in those notes is the statement that the dancer wanted to wear his suit coat because it would show the flapping of his wings better. However, not understanding this, the film producer [Bess Lomax Hawes] told him to take off his coat since he hadn't worn it for any other segments of the film.

My interpretation of the lyrics "Throw me anywhere, Lord" is that this statement wasn't directed to the Lord (meaning the person didn't mean for the Lord to throw him or her anywhere.) Instead, I believe that the word "Lord" was used at the end of the line in a similar manner as the phrases "my Lord" or "Yes Lord".

From http://supersearch.mudcat.org/thread.cfm?threadid=77864&messages=64&page=1&desc=yes#1892896 Sep 1998, Barry Finn
[Regarding the song "Throw Me Anywhere, Lord":
"From the Georgia Sea Islands comes a song from slave times on the Plantations, when the slaves were discarded after falling down on the job....

Common enough in the West Indies, such miming dances are rare in America. The song tells of a time the slave was not properly buried when he died but was simply cast out in a field"...

Lydia Parrish also collected & reported of the dance the Buzzard Lope in her "Slave Songs of the Georgia Sea Islands". She says "This group used an old religious song with narrative lines of a suitable character. In ante-bellum days the slaves called the graveyard 'the ole field'". The song being close to what's already been given, called "Throw Me Anywhere". She also has another song "In That old Field" sung in a minor key that she relates to a dance but doesn't connect this to any dance in particular much less the Buzzard Lope even though it's clearly related to the others already given. She does mention the song being of a spiritual or religious nature but not the dance itself."

****
From http://www.streetswing.com/histmain/z3buzzardlope1.htm
"The Buzzard Lope (1880s)
The Buzzard Lope was similar to the more modern Eagle Rock Dance and was very popular in the South and most likely related to the W. African Buzzard dance. Sunbury Georgia was the first discovery of this dance but may not have originated there.

The Buzzard Lope used outstretched arms like a bird and consisted of a shuffle step and a little buzzard like hop. The dance is said to be similar to the West African Buzzard Dance. It's original form is representing a Turkey Buzzard getting ready to eat a dead Mule (some report a Cow). Many people in the sidelines watching the dance would do a 'Patting', or make a rhythm by slapping (patting) their thighs, etc. while someone would call out the cues."
-snip-
I'm not sure what that 1880s writer meant by "West African Buzzard dance". However, here's a quote that mentions a buzzard dance in Dahomey (now known as Benin):
"The Buzzard Lope had been known to song-collector Lydia Parrish since 1915. M. J. Herskovits told her that he had seen a similar dance done in Dahomey." quoted in http://supersearch.mudcat.org/thread.cfm?threadid=77864&messages=64&page=1&desc=yes#1892896 25 Nov 06 - 04:01 PM Azizi and 25 Nov 06 - 03:53 PM Azizi
-snip-
That quote includes Lydia Parrish's description of the Buzzard Lope dance that she observed in the Georgia Sea Islands.

UPDATE: March 22, 2016
Here's a passage from the 1972 Georgia Sea Isle [Gullah] book Step It Down: Games, Plays, Songs & Stories from the Afro-American Heritage by Bess Lomax Hawes and Bessie Jones. That passage describes a ring shout movement called "Eagle Wing" which is described as being the same as "the buzzard lope"
"EAGLE WING: Arms bent at elbows are flapped slightly by rotating the shoulders joints in parallel motion. This is the same step as the secular "buzzard lope" motion."
-snip-
That passage is included in http://pancocojams.blogspot.com/2016/03/georgia-sea-isle-ring-shouts-daniel-and.html

****
ADDENDUM: KING BUZZARD
Although the buzzard (vulture; crow) had spiritual connotations in certain African nations, and may have been depicted as a spiritual figure in some Jamaican and African American folk cultural forms, there's no question that for a long time the negative connotations of the buzzard (vulture, crow) have outweighed any positive connotations of those birds. Folktales about King Buzzard are foremost among Black Americans' negative depictions of these birds.
From http://www.brandeis.edu/projects/fse/slavery/lullabies/buzzard.html The Buzzard In African American Folklore
"King Buzzard, an African king, was condemned to travel alone through the world as a buzzard for betraying his own and other people into slavery. When Africans enslaved other Africans, they did not view themselves as betraying their own people. They would have regarded themselves as Aro or Asante or Wolof selling Igbo or Akan or Malinke. Folktales like the one about the King Buzzard, created in America to explain the origin of African slaves, gave to these different people a common origin on the distant continent." This account comes from Robert J. Allison, in "The Origins of African-American Culture," Journal of Interdisciplinary History 30/3 (1999): 475-481."
-snip-
Click https://wolfpangloss.wordpress.com/2008/02/19/king-buzzard/ for one version of the King Buzzard folktale.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Tuesday, September 23, 2014

What "Nana" Means In Akan Culture & The Use Of The Word In Jamaican Maroons & By African Americans

Edited by Azizi Powell

This pancocojams post continues a pancocojams series that explores the meaning of certain Akan (Twi) names and other words that are used by people of the African Diaspora. This post focuses on the use of the Twi word "nana" and its derivative "nanny" by Jamaican Maroons and by African Americans.

Other posts in this series can be found by clicking on the tags "Akan culture" or "Akan Day Names".

The content of this post is presented for cultural and eytmological purposes.

All copyrights remain with their owners.

Thanks to the Akan people throughout the world. Thanks also to all those who are quoted in this post, all those who are featured in these videos. And thanks to the publishers of those videos on YouTube.

****
WHAT "NANA" MEANS IN AKAN CULTURE
From http://www.odwirafo.com/nanasom.html
[in] "the Twi language of the Akan people of Ghana and Ivory Coast, Nana is a gender-neutral title representing the highest office in society. It is also a term used to denote Grandmother, Grandfather, Elderess, Elder, venerable Ancestress and venerable Ancestor."

****
From http://en.wikipedia.org/wiki/Nana_(title)
"Nana is a Ghanaian title.

Amongst the Akan clans of Ghana, the word Nana generally denotes social eminence derived from either nobility or advanced age. It is most often used as a pre-nominal honorific by individuals who are entitled to it due to the former of the two ( E.g. kings and chieftains such as Otumfuo Nana Osei Tutu II, the reigning Asantehene of Asanteman )."

****
THE USE OF THE TWI WORD "NANA" AMONG JAMAICAN MAROONS
Jamaican Maroons - Granny Nanny
From http://jis.gov.jm/heroes/nanny-of-the-maroons/
"Nanny was a leader of the Maroons at the beginning of the 18th century. She was known by both the Maroons and the British settlers as an outstanding military leader who became, in her lifetime and after, a symbol of unity and strength for her people during times of crisis.

She was particularly important to them in the fierce fight with the British, during the First Maroon War from 1720 to 1739. Although she has been immortalised in songs and legends, certain facts about Nanny (or “Granny Nanny”, as she was affectionately known) have also been documented.

Both legends and documents refer to her as having exceptional leadership qualities. She was a small, wiry woman with piercing eyes. Her influence over the Maroons was so strong, that it seemed to be supernatural and was said to be connected to her powers of obeah. She was particularly skilled in organising the guerilla warfare carried out by the Eastern Maroons to keep away the British troops who attempted to penetrate the mountains to overpower them.

Her cleverness in planning guerilla warfare confused the British and their accounts of the fights reflect the surprise and fear which the Maroon traps caused among them"...
-snip-
A video of a song that mentions "Granny Nanny" is given in Example #2 below.

****
From http://en.wikipedia.org/wiki/Nanny_of_the_Maroons
"Queen Nanny or Nanny (c. 1685 – unknown, circa 1755), Jamaican National Hero,[1] was a well-known leader of the Jamaican Maroons in the eighteenth century. Much of what is known about Nanny comes from oral history as little textual evidence exists. However, historical documents refer to her as the "rebels (sic) old obeah woman," and they legally grant "Nanny and the people now residing with her and their heirs . . . a certain parcel of Land containing five hundred acres in the parish of Portland . . ." (quoted in Campbell 177, 175). Nanny Town was founded on this land.

****
THE USE OF THE TWI WORD "NANA" AMONG AFRICAN AMERICANS [re-worded 8/8/2017]
"Nana" as a referent for a person's grandmother:
The word "nana" is sometimes used in the United States, including by African Americans, as a referent for a person's grandmother. However, that word may have come from multiple sources. My sense is that most African Americans or other Americans who used or use "nana" as a referent for "grandmother" aren't aware that that word has that meaning in Ghana and the Ivory Coast.

Be that as it may, I've included a video below [Video Example #3) of Sweet Honey In The Rock's song "No Mirrors In My Nana's House".

****
"Nana" as a title for an African American spiritual leader"
From http://www.africaspeaks.com/reasoning/index.php?topic=2013.0;wap2 "Nana Dinizulu"
"In 1965, the late Nana Yao Opare Dinizulu I, whose research had revealed to him that his ancestors came from Ghana, traveled to the Akonedi Shrine in Ghana for an oracular consultation, which was done by Okomfohemmaa Nana Akua Oparebea's mother. Nana Dinizulu was directed to his ancestral home through divination. He was completely overwhelmed. He was initiated and upon his return brought to the USA, Nana Asuo Gyebi, Esi Ketewaa and Adade Kofi shrines. In 1967, he established the traditional African religious and cultural organization, Bosum Dzemawodzi in New York.

In 1971, the late Nana Dinizulu requested, received and established the Akonedi Shrine in the U.S.A. Nana Dinizulu was given the titles of Omanhene and Okomfohene of Akans in America, as he was the first to introduce Africans born in America (African Americans) to the Deities of Ghana, West Africa. He invited Okomfohemmaa Nana Akua Oparebea to visit the USA.

In 1971, Okomfohemma Nana Akua Oparebea accepted the invitation and traveled to America. Once here she established Nana Asuo Gyebi, Esi Ketewaa and Tegare shrines in New York, Philadelphia, Washington, DC, California and Toronto, Canada. When returning to Ghana, she took young men and women to train at the Akonedi Shrine at Larteh . She taught Nana Dinizulu how to train Okomfo" (traditional Priests and Priestesses) to serve the Deities. Since that time, many other Shrines and Deities have been brought to America by other Akomfo who were trained in Larteh, at other Shrines in Ghana, and by accomplished Akomfo in the USA."...

****
FEATURED VIDEOS
Example #1: KING OSEI TUTU II VISITS ATLANTA


oupipeestudios Uploaded on Apr 6, 2007

Ghana's great king visit to Atlanta [in 2004]

****
Example #2: Forward Forever United- Saluting Jamaica's National Heroes



Jamaican Sinting Published on Oct 15, 2012

Remember our Primary school song about the Jamaican National Heroes?...
-snip-
The words to the Jamaican patriotic song "Forward Forever United" are given in the publisher's summary. The first verse is:
"Granny Nanny of Nanny Town
symbol of unity and strength
lighted the flame of freedom
in the hearts of earlier Jamaicans"

****
Example #3: No Mirrors In My Nana's House



tubelogin, Uploaded on Nov 18, 2009
-snip-
Here's the first verse of that song by Y.M. Barnwell ©1992

"There were no mirrors in my Nana's house,
no mirrors in my Nana's house.
There were no mirrors in my Na's house,
no mirrors in my Nana's house.
And the beauty that I saw in everything
was in her eyes (like the rising of the sun)."
-snip-
Click http://pancocojams.blogspot.com/2014/09/sweet-honey-in-rock-no-mirrors-in-my.html for a pancocojams post about that song.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Monday, September 22, 2014

Cromanti Cudjoe (Beg Pardon) - Carriacou Big Drum Song & Dance

Edited by Azizi Powell

This is Part I of two part series on Carriacou Big Drum songs and dances. This post showcases the Cromanti Cudjoe (Beg Pardon) song and dance. This post also provides information about Carriacou and its Big Drum tradition with particular emphasis on the Cromanti Cudjoe drum song and dance tradition.

Click http://pancocojams.blogspot.com/2014/09/temne-and-ibo-igbo-nation-dances-songs.html for Part II of this series. Part II showcases videos of the Temne and Ibo (Igbo) nations (ethnic groups) Big Drum Song & Dances. That post will be published ASAP.

The content of this post is presented for folkloric and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all the ancestors who are honored by these ritual drum calls and dances. Thanks also to all those featured in these videos, thanks to the publishers of those videos on YouTube and thanks to all those who are quoted in this post.

****
INFORMATION ABOUT CARRIACOU AND THE BIG DRUM DANCES
From http://en.wikipedia.org/wiki/Carriacou
"Carriacou is an island of the Grenadine Islands located in the Southeastern Caribbean Sea, Northeast of Grenada...

It's the largest in the Grenadines and in the Grenada Grenadines. It is the 3rd largest island in the Grenadine Islands (Vincentian and Grenadian Grenadines)...

It's part of the Carriacou and Petite Martinique Constituency and also Carriacou is a dependency of Grenada...

The inhabitants of Carriacou perform the "Big Drum" or "Nation" dance which celebrates their West African ancestors that were brought to the island during slavery. These Big Drum dances are usually performed at "Maroons" village festivals or fetes, where food and drink are prepared. They can also be danced at wakes and tombstone feasts in honor of dead relatives. The Quadrille dance is also performed on the island of Carriacou during festivals and historic events."...

****
From http://www.lameca.org/dossiers/bigdrum/musiq_eng.html
"The Big Drum or Nation Dance (also at one time called called Gwa Tambu) is a traditional religious and social ritual that has been sustained on Carriacou, Grenada since the slave era and the early importation of Cromanti people. It teaches history and reinforces knowledge, family lineage, and tradition in our time.

The Big Drum ritual survives as a community event hosted by any family that wishes to celebrate or toast good luck in the dedication of a new house, the launching of a new boat, a wedding, a memorial or any event that improves the social status of the host family. With food, rum, ritual behavior, the Big Drum performance holds religious and social meaning in the songs, drumming, and dances."
-snip-
A longer excerpt of that article is included in Part II. Included in that excerpt is a list of the nine African nations (ethnic groups) that are part of Carricacou's Big Drum rituals.

****
THE EYTMOLOGY OF THE NAME "CROMANTI CUDJOE"
From http://en.wikipedia.org/wiki/Coromantee
"Coromantee (derived from the name of the Ghanaian coastal town "Kormantse"), also called Coromantins, Coromanti or Kormantine was the English name given to Akan slaves from the Gold Coast or modern-day Ghana. The term Coromantee is now considered archaic as it simply refers to Akan people, and was primarily used in the Caribbean. Coromantins actually came from several Akan ethnic groups – Ashanti, Fanti, Akyem, etc. – presumably taken as war captives.

Owing to their militaristic background and common Akan language, Coromantins organized dozens of slave rebellions in Jamaica and elsewhere in the Caribbean. Their fierce, rebellious nature became so notorious among white plantation owners in the 18th century that an Act was proposed to ban the importation of people from the Gold Coast despite their reputation as strong workers. The Akans had the single largest African cultural influence on Jamaica, including Jamaican Maroons whose culture and language was seen as a derivation of Akan. Names of some notable Coromantee leaders such as Cudjoe, Quamin, Cuffy, and Quamina correspond to Akan day names Kojo, Kwame, Kofi, and Kwamina, respectively."...
-snip-
This excerpt was reformatted for this post for increased reading clarity.

****
From http://en.wikipedia.org/wiki/Cudjoe
"Cudjoe, or Captain Cudjoe (c. 1680 – 1744),[1] sometimes spelled Cudjo - corresponding to the Akan day name Kojo or Kwadwo - was a Maroon leader in Jamaica, and the brother of Nanny of the Maroons. He has been described as "the greatest of the Maroon leaders."

The Jamaican Maroons are descended from runaway slaves who established free communities in the mountains of Jamaica during the long era of slavery in the island. African slaves imported during the Spanish period may have provided the first runaways, apparently mixing with the Native American Taino or Arawak[citation needed] people that remained in the country. Some may have gained liberty when the English attacked Jamaica and took it in 1655, and subsequently. For about 52 years, until the 1737 peace treaty with the British rulers of the island - which is still in force - the Maroons stubbornly resisted conquest.

Cudjoe is believed (according to Maroon oral tradition) to have been the son of Naquan, a chief of the Akan people or Coromantee people from what is modern-day Ghana.[citation needed] Naquan was taken captive and sold into slavery in Spanish Jamaica in the 1640s but he initiated a revolt and led his tribesmen into the mountainous interior of the island, establishing the first community of Maroons,[3] as the runaway slaves were called, after the Spanish word cimarron, meaning "wild".

The two main Maroon groups in the 18th century were the Leeward and the Windward tribes, the former led by Cudjoe in Trelawny Town and the latter led by his sister Queen Nanny (and later by Quao).[citation needed] Captain Cudjoe had endless energy and was greatly motivated to stay a free man. He was strong, courageous and relentless. Cudjoe was also a very skilful, tactical field commander and a remarkable leader"...

Cudjoe Day is celebrated in Jamaica on the first Monday in January...

****
From http://www.afropedea.org/kromanti
"Kromanti is one of three languages of Jamaica. It is related to the Akan language group, especially Fante, Asante, and broader Twi family. The lexicon is based on archaic English forms. Kromanti is similiar to the creole languages of Suriname. It is spoken by the Eastern Maroons of Moore Town, in Eastern Jamaica. Maroons were run-away slaves who formed independent communities, after the 17th century. The Maroons kept the language thriving until it began to diminish in the early 20th century, spoken only by the elderly population...

The language is under threat of vanishing because of the secretive nature of Maroon society. The young is slowly losing knowledge of the tongue. The language is mainly used in special ceremonies called Kromanti Play, which invokes the ancestor spirits and addresses the ancestors.

Many Kromanti leaders had names originating from Akan culture Cudjoe, Qauo, Cuffee , Quashie, and Queen Nanny-- Cudjoe refer to Kojo meaning a son born on Monday; Qauo refers to Kwau meaning a son born on Thursday, Cuffee refers to Kofi, a son born on Friday. Queen Nanny comes from the title nana given to chiefs."

****
FEATURED VIDEOS
Example #1: Anansi-O Sari Baba (Kromanti beg-pardon song)



Cultural Equity Published on Jul 24, 2013

Winston Fleary: "This is an Akan song for transubstantiation and communion, the forgiveness of sins and the resurrection. Anancy is the God of wisdom, knowledge and understanding, king of gods, the Creator. He feeds you with the food of the Gods. The throwing of rice is to beg for the continuous regeneration of children in the family. The other old lady throws sweet water to beg for harmonious living among the family. The rum is thrown 'spirit to spirit.' Water salutes life created from water." In Hausa "Tsari Baba" means the father's pardon, the ultimate protection. (From L. McDaniel, The Big Drum Ritual of Carriacou, University of Florida Press, 1998.)

Boula, James "Laka" Moses; kòt drum, Winston Fleary; foule, David Gibbs
Chantwèl: Winston Fleary

Dancing in a line that becomes a circle (=unity):

Anthony "Sugar Patch" Douglas pours water in the ring

Mrs. Duncan Lang (Lucian's cousin) pours rum in the ring

Suzanne Duncan throws rice in the ring

Another of Lucian's granddaughters in pink pants throws corn

Bontin Scott sprinkles water

Denise Scott follows

When this is done, the dances turn each other, two by two
Anansi o, e
Anansi o sari baba
Anansi o, e
Anansi o sari baba

This would continue:
Fennwa kontre, Nenen
Si mwennn merit, Nenen
Pardonnen mwennn
Si mwennn merit
Tine tine mwennn

If I have done anything wrong, Godmother
We beg your pardon
If I deserve it, Godmother
Pardon me
I'm sorry, sorry

Director/camera: John Melville Bishop; Sound/camera: John Horace Terry; Line producer: Naomi Hawes Bishop; Cultural liaisons: Geoffrey Clarfield, Mireille Charles; Producer: Anna Lomax Wood; Executive Producer, Kimberly Green; Transcriptions: Ronald Kephart; Comments and translations: Winston Fleary.

Friends from Carriacou! Please add to the experience by sharing your knowledge and leaving a comment. Corrections? Send us an e-mail through the channel.
-snip-
Extraplating from these notes about this Big Drum song, the term "Anansi-O Sari Baba" comes from two different West African cultures: "Anansi" from the Akan [Ghana/Ivory Coast] and "O Sari Baba" from the Hausa [Nigeria].

"Anansi" is best known in the Caribbean as a wily, triskster spider/man. According to http://en.wikipedia.org/wiki/Anansi
"Anansi (/əˈnɑːnsi/ ə-NAHN-see) [is] the trickster is a West African god. He often takes the shape of a spider and is considered to be the god of all knowledge of stories. He is also one of the most important characters of West African and Caribbean folklore.

He is also known as Ananse, Kwaku Ananse, and Anancy; and in the southern United States he has evolved into Aunt Nancy. He is a spider, but often acts and appears as a man.

The Anansi tales are believed to have originated in the Ashanti people in Ghana. (The word Anansi is Akan and means, simply, spider.) They later spread to other Akan groups and then to the West Indies, Suriname, and the Netherlands Antilles. On Curaçao, Aruba, and Bonaire he is known as Nanzi, and his wife as Shi Maria."
-snip-
A "chantwell" is the leader of group chanting because he or she "chants well" (very good).

In American English "I beg your pardon" is usually only used when asking someone to excuse them for some small offense such as accidentally stepping on that person's toes. However, I think that in the context of this Big Drum song "beg pardon" means asking for forgiveness for bigger things. In that sense, "beg pardon" is like Christians asking God for forgiveness and mercy.

****
Example #2: Kromanti Cudjoe (Invocation to awaken the Ancestors)

.

Cultural Equity Published on Jul 29, 2013

A salute to Kromanti Cudjoe, the Maroon drummer who is considered the great ancestral drummer, and father of the Big Drum Nation Dance celebrations that brought all the nations together.

****
Thanks for visiting pancocojams.

Visitor comments are welcome.

Wednesday, September 17, 2014

Five Videos Of Kenyan Vocalist Kwame

Edited by Azizi Powell

This post showcases five videos of Kenyan vocalist Kwame (also known as Kwame Rigii, Kwame Mwanaa Mzik, and Kwame KE). Some information about this vocalist is also included in this post.

This post is part of an ongoing series about Akan day names and other cultural aspects of Akan culture. Other posts in this series will be published ASAP.

The content of this post is presented for cultural, entertainment, inspirational, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Kwame and other vocalists and artists featured in these videos. Thanks also to all thosee who are quoted in this post and thanks to the publishers of thesee videos on YouTube.

****
INFORMATION ABOUT KWAME (Also known as Kwame Rigii, Kwame Mwanaa Mzik, and Kwame KE)
From http://www.reverbnation.com/page_object/page_object_bio/artist_1219536
"Biography:
Once in a while an artist comes along that creates a feeling of nostalgia. They take you on a journey musically and you cannot help but reminisce on days gone by, and all your favorite artists from yesteryear. Meet Kwame, a singer-songwriter. Kwame who sings in Kikuyu, Kiswahili and English has become a leader of his own style.

His music, a blend of East African Rhythm and African Soul addresses issues that pertain to life and society in general."
-snip-
From https://www.facebook.com/Kwamemzik?sk=app_2309869772&filter=2
"Kwame Mwanaa Mzik

Genre Afro Soul
Hometown Nairobi"
-snip-
My guess is that is a stage name. "Kwame" is a Twi (Akan) day name for male born on Saturday. http://www.afropedea.org/akan-names

According to Google Translate "Mwana" is a Swahili name for "son". Adding an "a" to that name makes it more unique. And "Mzik" is a contemporary way of spelling "music".

Given his comments about the song which is given below as example #3, " is his father's name, and "KE" is an abbreviation for the East African nation of "Kenya".

More information about this vocalist and these showcased songs would be very welcome.

****
FEATURED VIDEOS
These examples are presented in chronological order based on their posting dates on YouTube, with the oldest dated examples presented first.

Example #1: Holela - Kwame Rigii feat. Nyach



In Tune for Life, Uploaded on Mar 11, 2011

'Holela' means 'careless' - and that's what this beautiful song is about. If you're going to do it, do it right!
This animated movie addresses issues surrounding the spread of HIV. To address a subject that's challenging to approach visually, ITFL animator Nancy Ellis of tvandweb.co.uk decided on a hand drawn style of animation, illustrating a variety of different characters who are either directly affected by HIV or taking precautions to avoid it. Out goal was to promote empowerment for both women and men concerning issues regarding safe sex, and to address directly the awkwardness that is often felt around the subject of using protection during sex - giving a positive
message not simply to abstain, but to take control and to take care.

Recorded in Nairobi in 2010 by In Tune for Life
Video by Nancy Ellis
Main vocal by Kwame Mwanaa Mzik
Rap by Nyach
Production by John Mark
Mastering in London by Jason Air

****
Example #2: MAMA WANGARI MAATHAI BY KWAME



Protel Studios, Uploaded on Oct 3, 2011

Prof. Wangari Maathai, 1st April 1940 to 25th September 2011
Nobel Peace Prize Winner for "her contribution to sustainable development, democracy and peace
First African woman to receive a Nobel Peace Prize
Founded the Green Belt Movement
A True Kenyan Heroine

Song written and performed by: Kwame Rigii
-snip-
Here's a comment about this song from http://m.museke.com/node/9075 "Blog: Kwame Rigii drops Wangari Maathai tribute (Kenya)
Submitted by ZenaidaOct. 6, 2011, 6:02 a.m.
"Our Kenyan with a Ghanaian name, Kwame Rigii, is back with more music we love. This is MWAPI - Music With A Positive Influence. This time he has written a tribute to the late Wangari Maathai, who passed away recently

Read more about the Nobel Peace Prize laureate - "I am doing the best I can, and that to me is what all of us should do... we should always feel like a humming bird." - Wangari Maathai [Humming Bird story - http://bit.ly/pUALVZ]]"
-snip-
Click http://en.wikipedia.org/wiki/Wangari_Maathai for information about Wangari Maathai.

****
Example #3: Hapo Zamani- Kwame Feat Delpha


Kwame KE Uploaded on Jan 16, 2012

IN MEMORY OF RIGII WA KARANJA 1954 - 2001
-snip-
Here's a comment from Kwame's Facebook page
https://www.facebook.com/Kwamemzik/posts/298490953534657
"The greatest gift I ever had came from God; I call him Dad! Though gone, my late dad is someone to look up to no matter how tall I've grown." Kwame Mwanaa Mzik
-snip-
According to Google Translate from Swahili to English "Hapo Zamani" means –“Once” in KiSwahili, but I’m not sure if this title is in Swahili.

****
Example #4: Kwame - Mihumu [Breath]



JoashStillTheMan Uploaded on Jan 13, 2012

-Kenyan Urban Christian Music-

Music video by Kwame performing Mihumu [Breath].
Music by Moses Njoroge. © 2011 Kwame Rigii.

****
Example #5: Mapenzi Yako by Kwame (Official Music Video)



Kwame KE Published on Jul 12, 2014
Song: Mapenzi Yako
Artist: Kwame
Video Directed by: BANI
-snip-
According to Google Translate from Swahili to English "Mapenzi Yako means "Your Love."

Is this a Kenyan Urban Christian song?

****
Thanks for visiting pancocojams.

Visitor comments are welcome.