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Sunday, May 16, 2021

Tu Way Pocky Way (Also Known As "Hey Pocky Way": A Timeline beginning in 1927 and including some YouTube links

Edited by Azizi Powell

Latetst Update - January 5, 2022

This pancocojams post provides a time line for the Mardi Gras Indian chant "Tu Way Pocky Way" (and various other spellings). This chant/song is also known as "Hey, Pocky-Way" (and similar titles). 

Some information about and YouTube links to most of these citations are also included in this pancocojams post.

The Addendum to this post presents the words to and my comments about a foot stomping cheer that I collected in 1985 from African American girls living in a community near Pittsburgh, Pennsylvania.  

The content of this post is presented for historical, cultural, and entertainment purposes.

All copyrights remain with their respective owners.

Thanks to all those who composed these chants and songs and all those who perform/ed these chants and songs. Thanks also to all those who are quoted in this post and all those who published these sound files or videos on YouTube.

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A TIMELINE FOR "TU WAY POCKY WAY" (ALSO KNOWN AS "HEY POCKY A-WAY" 

1927- Louis Dumaine's Jazz instrumental "To-Wa-Bac-A- Wa"
Excerpt #1
From https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Louis_Dumaine&prev=search&pto=aue
"Louis Dumaine (born July 17, 1889 in New Orleans , † September 9, 1949 ibid. [1] ) was an American cornet player and band leader of New Orleans jazz . [2]

Louis Dumaine was a member of the Tuxedo Brass Band in the early to mid-1920s . He also played with the Henry Allen Brass Band , [3] the Eagle Brass Band , Kid Howard and trombonist Frankie Duson . In 1927 he recorded five tracks for Victor with his Dumaines' Jazzola Eight , such as “Pretty Audrey”, “Red Onion Drag”, “Franklin Street Blues” and “To -wa-bac-a-wa ". He accompanied the blues singer Ann Cook on “Mama Cookie” and “He's the Sweetest Black Man in Town”. Contributors included clarinetist Willie Joseph, trombonist Earl Humphrey, and pianist Morris Rouse. In the 1930s he continued to lead his own brass bands , such as the WPA Band in 1935 and the ERA Orchestra in 1936.

For the authors Rex Harris and Brian Rust , the Dumaines' Jazzola Eight played authentic New Orleans jazz that was created before the revival phase."
-snip-
Louis Dumaine's 1927 instrumental "To-Wa-Bac-A-Wa" was also mentioned in an article entitled "Mardi Gras Influence on New Orleans Music* . This article is copyrighted 2002 by Thomas L Morgan. That website's name was given as a hyperlink and is no longer available.

**
Excerpt #2
 
To Wa Bac A Wa

https://www.youtube.com/watch?v=ZRejOstWsTk

Louis Dumaine's Jazzola Eight – Topic, Nov. 8, 2014

Jazz The World Forgot Volume 1 ℗ Shanachie Released on: 2005-06-20

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1938- Jelly Roll Morton on the Mardi Gras Indians (1938)

Alan Lomax Archive, Feb 6, 2015
-snip-
Jelly Roll Mortion describes the Mardi Gras Indians dancing in a ring while chanting "Tu way Pocka Way" (This is my phonetic spelling of this chant.)

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1950 -book citation in Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz" by Alan Lomax (originally published in 1950).
"The text from Allan Lomax's book MISTER JELLY ROLL reveals the Creole spelling as "T'ouwais, bas q'ouwais" and response "Ou tendais," though there have been other representations. One possible translation of the phrase is "I'll kill (tuez) you if you don't get out the way, " with the response "Entendez," or "I hear ya!"...
-snip-
This is a quote from an article that was entitled "Mardi Gras Influence on New Orleans Music. That website is no longer available. I quoted a portion of that article  in a Mudcat discussion forum comment that I wrote in  17 Jan 06 https://mudcat.org/thread.cfm?threadid=88125#1650526. The website's name was given as a hyperlink and the article was copyrighted in 2002 by Thomas L Morgan. 

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1965- The Dixie Cups - Two Way Poc A Way
https://www.discogs.com/master/694246-The-Dixie-Cups-Two-Way-Poc-A-Way
-snip-
Thanks to Menno de Blaeij for alerting me to this record by email on Jan. 4, 2022.

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1974- The Meters' song entitled "Hey, Pocky-A- Way"
Excerpt #1
From https://www.translateasy.com/en/song/the-meters-rejuvenation-album-hey-pocky-a-way-english-lyrics/6926  
"The loose and infectious melody of “Hey Pocky A-Way” has been covered and re-recorded many times since its first release in 1974 by New Orleans funk heavyweights The Meters. The highly recognizable chorus–which reputedly stems from early Native American dialects in the region that would come to cradle New Orleans–has lost most of its linguistic meaning, but none of its emotional acuity. Later, The Grateful Dead’s cover of the song popularized it further, even as members of The Meters went on to join the famous soul group, The Neville Brothers."
-snip-
This page also includes the complete lyrics to that song.

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1987- The Greatful Dead- "Hey Pocky Way"
Excerpt #1:
From http://www.deaddisc.com/songs/Hey_Pocky_Way.htm
"The original recording of this song by The Meters and other recordings by the group use the title Hey Pocky A-Way. The majority of other recordings use the title Hey Pocky Way. The song was written in 1974. It incorporates traditional chants and a drum rhythm that was first used by Meters drummer Zig Modeliste on the Dr. John song Shoo Fly Marches On.

The Grateful Dead performed Hey Pocky Way about 30 times between September 1987 and July 1990.The song has also been performed by The Dead and Furthur."...
-snip-
Here's a list from that website for recordings of this song by various groups, including The Meters and the Greatful Dead. Note that a number of these citations have a  link for more information.

**
Excerpt #2

Grateful Dead - Hey Pocky Way 10/3/1987 [video]

https://www.youtube.com/watch?v=aAAHJS7DfRE

Brant Pittman, Aug 10, 2015

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1991- The Neville Brothers - Hey Pocky Way

https://www.youtube.com/watch?v=_w-ibD-wBRo&ab_channel=NevilleBrothersonMVNevilleBrothersonMV [video]

Neville Brothers on MV

Recorded Live: 10/31/1991 - Municipal Auditorium New Orleans - New Orleans, LA


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RECORD LISTS FOR THIS SONG 
From http://www.deaddisc.com/songs/Hey_Pocky_Way.htm

[Note: A number of these citations include a "info" tab which leads to more information about that record.]

Rejuvenation, The Meters, 1974

Single (Hey Pocky A-Way / Africa), The Meters, 1974

The Best of the Meters, The Meters, 1975

House of the Rising Sun, Idris Muhammad, 1976

Wild Tchoupitoulas, Wild Tchoupitoulas, 1976

Yellow Fever, Herbie Mann, 1979

Fiyo On The Bayou, Neville Brothers, 1981

Treacherous: A History of the Neville Brothers 1955-1985, The Neville Brothers, 1986?

Massive, Arrow, 1989

O'la Soca, Arrow, 1989

Keys to the Crescent City, Various Artists (Art Neville), 1991

Mardi Gras Party, Various Artists (Art Neville), 1991

Uptown Rulers: The Meters Live on the Queen Mary, The Meters, 1992

New Orleans Party Classics, Various Artists (Nevill Brothers), 1992

The Best of Louisiana Music, Various Artists (Meters), 1993

Funkify Your Life: The Meters Anthology, The Meters, 1995

Mardi Gras in New Oleans, Vol. 2, Various Artists (Meters), 1995

Roll Up The Rugs & Crank It: Live From Styleen's Rhythm Palace Syracuse, NY, Little Georgie & The Shuffling Hungarians, 1996

Bayou Bound, Poorboys, 1996

The Very Best of the Meters, The Meters, 1997

By Special Request, Van Broussard, 1997

Go-Go & Gumbo, Satchmo N Soul, Carte Brass & Percusion, 1997

Live in San Francisco, Leo Nocentelli, 1997

In Native, Soul Bossa Trio, 1997

A'capella New Orleans Volume 2, Jay-Ray & Gee with Friends, 1997

Uptown Rulin': The Best of the Neville Brothers, The Neville Brothers, 1999

Carnival '99, String Cheese Incident, 1999

Tribute, Van Broussard, 1999

Mardi Gras Party, Various Artists (Meters), 1999

Mardi Gras Essentials, Various Artists (Nevill Brothers), 2000

Bring A Friend, Flat Cat, 2000

The Blues Tribute To The Grateful Dead, Various Artists, 2001

Super Mann/Yellow Fever, Herbie Mann, 2001

Legacy 2: Toshiki Kadomatsu Presents Kudu Best Collection, Various Artists (Idris Muhammad), 2001

Simply Sound: Best Tracks 1993-2000, Soul Bossa Trio, 2001

Live in CPH, SP Just Frost, 2001

Drew's Famous Party Music: Mardi Gras, Hit Crew, 2001

We Got The Funky Blues, Roger Girke And The Funky Twisters, 2001

The Essentials, The Meters, 2002

Greatest Hits Vol. 2, The Lucky Devils, 2001

On the Road: July 4, 2002 Steamboat Springs, CO, String Cheese Incident, 2002

The Best of the Atlantic Years, Herbie Mann, 2002

Shakin' in the Makin', Ben Waters, 2002

Performances, Various Artists (Flat Cat), 2002

Live au Satellit'Cafe, Pierre Sibille, 2002

Pure Swamp Pop Gold, Vol. 4, Various Artists (Van Broussard), 2003

20th Century Masters: The Millennium Collection: The Best of the Neville Brothers, The Neville Brothers, 2004

Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans, Various Artists (Meters), 2004

On The Road: July 10, 2004, Morrison, CO, String Cheese Incident, 2004

On The Road: October 5, 2003, Philadelphia, PA, String Cheese Incident, 2004

On The Road: October 29, 2004, Chicago, IL, String Cheese Incident, 2004

DSO Live: Jan 29, 2004, Charlotte, NC, Dark Star Orchestra, 2004

DSO Live: Jan 31, 2004, Raleigh, NC, Dark Star Orchestra, 2004

DSO Live: Feb 6, 2004, Pompano Beach, FL, Dark Star Orchestra, 2004

DSO Live: Mar 15, 2004, Winooski, VT, Dark Star Orchestra, 2004

CTI Master Collection, Vol. 2, Various Artists (Idris Muhammad), 2004

Gold, The Neville Brothers, 2005

On The Road: October 29, 2005, Las Vegas, NV (Orleans Ballroom), String Cheese Incident, 2005

On The Road: Archive Series: New Orleans, LA, May 1, 1999, String Cheese Incident, 2005

The Sandwich Man: With a Large Side of Love, Featuring Hammond Sandwich and Dark Star Orchestra, 2005

New Orleans Party Classics, Various Artists (Neville Brothers), 2005

PhryPhest, Great American Music Hall, SF, CA, July 5, 2006, Steve Kimock / ALO / New Monsoon, 2006

On The Road: June 25, 2006, Los Angeles, CA, String Cheese Incident, 2006

From the Big Apple to the Big Easy: Madison Square Garden Concert, Various Artists (Nevill Brothers), 2006

Live @ JZ, Monique diMattina/ Andrew Swann, 2006

Hard Ticket, Michael Schatte, 2006

New Orleans Mardi Gras, Dukes of Dixieland/Luther Kent, 2006

Taillights, Johnny Duke and the Aces, 2006

On The Road: July 29, 2007, North Plains, OR, String Cheese Incident, 2007

12/29/07, Beacon Theatre, New York, NY, Gov't Mule, 2007

Revolutions In Sound: Warner Bros. Records: The First Fifty Years (10 CD), Various Artists (Meters), 2008

Revolutions In Sound: Warner Bros. Records: The First Fifty Years (USB), Various Artists (Meters), 2008

Trick or Treat Box Set, String Cheese Incident, 2009

YarmonyGrass, August 16, 2008, Rebel Alliance Jam, 2009

Authorized Bootleg: Warfield Theatre, San Francisco, CA, Feb 27, 1989, Neville Brothers, 2010

On The Road: July 30, 2010, North Plains, OR, String Cheese Incident, 2010

Iridium Live 004: 7.12.2012, Donna Jean Godchaux Band, 2012

On The Road: July 20, 2012, North Plains, OR, String Cheese Incident, 2012

From The Archives 2/12/17, Voodoo Dead, 2020

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ADDITIONAL YOUTUBE LINKS FOR  THIS SONG 

Hey Pocky A-Way (A Way) [sound file]

https://www.youtube.com/watch?v=KsVn6gt8HN4&ab_channel=TheWildTchoupitoulas-TopicTheWildTchoupitoulas-Topic

The Wild Tchoupitoulas - Topic, July 29, 2018

℗ 1976 Island Records, a division of UMG Recordings, Inc.

Released on: 1976-01-01

Producer: Allen Toussaint

Producer: Marshall E. Sehorn

Composer  Lyricist: Arthur Neville

Composer  Lyricist: Charles Neville

Composer  Lyricist: George Porter Jr.

Composer  Lyricist: Joseph Modeliste

Composer  Lyricist: Leo Nocentelli

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Tu Way Pocky Way [sound file]

https://www.youtube.com/watch?v=G1caXKSHSVw

Big Chief Juan Pardo & Golden Comanche's - Topic, Oct 10, 2015

Tu Way Pocky Way · Big Chief Juan Pardo · Golden Comanche's

Spirit Food

℗ 2015 Big Chief Juan Pardo

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ADDENDUM- TWO WAY PASS AWAY"  (foot stomping cheer)

1985- "Two Way Pass Away" foot stomping cheer

TWO WAY PASS AWAY
All: Two way pass away. Two way pass away.
Soloist #1: Well, my name is Shana.
Group: Two way pass away.
Soloist #1: And if you don’t like it,
Group: Two way pass away.
Soloist #1: You can kiss what I twist.
And I don’t mean my wrist.
-African American girls (around 8-12 years old), Braddock, Pennsylvania, collected by Azizi Powell, 1985

(Repeat the entire cheer from the beginning with the next soloist and continue repeating until every member of the group has had one turn as the soloist.)

While we waiting for more children to come to the African storytelling session that I was scheduled to perform, I asked the girls who were present what rhymes and cheers they knew. I wrote the cheers down as the girls performed them and asked them to repeat them when I wasn't sure about the words. I recall these girls performing more than two cheers. However, the only other cheer that I now have in my files is a version of "Cheerleader".

The girls stood in a horizontal line to perform this and some other cheers. I remember that a few girls "sat out" some of the cheers. I believe that was because they didn't know that particular cheer that well and therefore weren't sure about their ability to "keep to the beat" or remember the words. (Remembering the words to "Two Way Pass Away" was easy because the only change in words for each soloist was that soloist's name or nickname.)

I didn't write down how the girls performed any of these cheers. In the pancocojams post entitled "Overview of Foot Stomping Cheers" *, I wrote that m
ost foot stomping cheers use this beat pattern: "stomp clap/ stomp stomp/ clap". Another beat pattern is "stomp stomp clap/ stomp stomp clap." If I recall correctly, the beat pattern for "Two Way Pass Away" is "stomp clap/ stomp stomp/ clap". However, if I recall correctly, the soloist and the other chanters (steppers) paused the beat pattern for the words "You can kiss what I twist/and I don't mean my lips". On those words, the soloist switched one hip and said those words with a "sassy attitude". Those words were immediately followed by the entire group beginning the chant again with a new soloist (until everyone in the group had one turn as the soloist.) 

I didn't note down the names of the girls who performed "Two Way Pass Away" as I did for the only other cheer that was performed during that session which I still have notes for. However, since most of the girls performed all of the cheers that they shared during that session, it's likely that the same girls whose names I documented for that version of "Cheerleader*" were the ones who performed "Two Way Pass Away". Those girls were Shayla, Shana, Shana, Jamie, and Jackie. Note that this "Two Way Pass Away" cheer includes the name "Shana", one of the names for the girls who performed "Cheerleader". (I didn't give fake names to the chanters in these examples). The only difference is that I wrote that those girls who performed that version of "Cheerleader" were 10-12 and I wrote that the girls who performed "Two Way Pass Away" were 8-12 years old.   

I've come across multiple versions of the "Cheerleader" foot stomping cheer, although none of the other examples of that cheer are the same as that Braddock, Pennsylvania version. In contrast, that 1985 session remains the only place that I've come across the "Two Way Pass Away" cheer.  I never saw those girls or the woman who hosted that session again. I regretted failing to ask the girls some questions about that "Two Way Pass Away" cheer (for instance, did any of their families have any connection to New Orleans, Louisiana and any connections to the Mardi Gras Indians). In 1990, when the Talbot Towers public housing development was torn down Iremember regretting that I'd further lost the opportunity and find out more information about that "Two Way Pass Away" cheer.   

I believe that the phrase "two way pass away" is derived from the Mardi Gras Indian chant "Tu Way Pock A Way". When I heard this cheer performed in 1985, I didn't know anything about the Mardi Gras Indians, and I've never heard the chant "Tu way pocka way" or the song "Hey, Pocky-a Way". I remember writing the cheer down as "Too way pass away" and I remember asking the girls what those words meant. They said that they didn't know what it meant. It was only after I learned about the Mardi Gras Indians (in the mid 1990s) that I began using "Two" as the spelling for that word instead of  "Too". 
-snip-
*Click http://pancocojams.blogspot.com/2013/05/an-overview-of-foot-stomping-cheers.html#:~:text=Foot%20stomping%20cheers%20are%20composed,has%20a%20short%20solo%20portion for the pancocojams post entitled "An Overview Of Foot Stomping Cheers (Part I- Characteristic & Sources)"

**Click http://pancocojams.blogspot.com/2016/09/foot-stomping-cheers-alphabetical-list.html for Version #4 of "Cheerleader: Braddock, Pennsylvania 1985). 
 

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