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Showing posts with label Hip Hop music. Show all posts
Showing posts with label Hip Hop music. Show all posts

Wednesday, May 21, 2025

The REAL Meanings of "Burn Baby Burn" & "The Roof Is On Fire"(reprint of a 2013 pancocojams post)


redbullet, Jun 29, 2010

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Edited by Azizi Powell

This pancocojams post provides a partial time line & some comments about the chant & musical refrain "burn baby burn" or its variant form "burn mf* burn.

This post also presents some information and comments about the musical refrain "the roof is on fire". This time line is from 1967-2002 and particularly focuses on the Soca record "Follow The Leader" by the Soca Boys.

This post also includes comments gleaned from an informant about how "the roof is on fire" chorus was chanted in call & response style at certain African American parties & dance clubs beginning in the mid 1980s.

In addition, this post includes my comments about the cluster of African American Vernacular English terms "being on fire"/"getting hot" that mean something is done very well or someone is doing something very well [such as playing musical instrument, singing, or dancing]. 

The content of this post is presented for historical, cultural, and folkloric purposes.

All copyrights remains with their owners.

Thanks to all those who are quoted in this post. Special thanks to my informant MH
-snip-.
This is a complete reprint of the 2013 pancocojams post with this title. That 2013 post has no comments.

Click 
http://pancocojams.blogspot.com/2013/11/four-videos-of-soca-record-follow-leader.html for a companion post that showcases four videos of the Soca song "Follow The Leader".

*”mf” is my abbreviation for the widely known expletive that has two syllables which begin with those letters.

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A TIME LINE FOR THE "BURN BABY BURN" AND THE "ROOF IS ON FIRE" PHRASES

1967

From http://www.answers.com/topic/riots-urban-of-1967
"Gale Encyclopedia of US History:
Urban Riots of 1967"
"Beginning in April and continuing through the rest of the year, 159 race riots erupted across the United States. The first occurred in Cleveland, but by far the most devastating were those that took place in Newark, New Jersey, and Detroit, Michigan. The former took twenty-six lives and injured fifteen hundred; the latter resulted in forty deaths and two thousand injuries. Large swaths of ghetto in both places went up in flames. Television showed burning buildings and looted stores, with both National Guardsmen and paratroopers on the scenes."

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1978
From http://www.metrolyrics.com/disco-inferno-lyrics-the-trammps.html “The Trammps – Disco Inferno Lyrics"

The Tramps song includes the verses:

"(Burn baby burn) disco inferno
(Burn baby burn) burn that mother down
(Burn baby burn) disco inferno
(Burn baby burn) burn that mother down...

Up above my head
I hear music in the air
That makes me know
There's a party somewhere"...

(Just can't stop) when my spark gets hot
(Just can't stop) when my spark gets hot"
-snip-
It’s my position that those lines refer to sexual energy, to a dance event & dancers who are "hot", and to an expanded meaning of the fires that occurred during the riots of 1967. That expanded meaning alludes to the need to burn down [tear down] mainstream America’s (and the world’s) entrenched, unjust system to make way for a more just, equitable system for all. It's important to emphasize my view that these interpretations don't mean that that song condoned or encouraged riots or burning businesses, or other such actions.

The “up above my head” verse is almost entirely lifted from the African American Spiritual with that name. However, in that Hip Hop Song, the "up above my head" verse refers to music at a disco party and reflects the role of that music - to "heat up" [raise the energy of] those in attendance that party. In other words, that song’s purpose is to help “get the party jumpin” with loud and energetic music [music that is “bumbin”].

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1984
From http://en.wikipedia.org/wiki/The_Roof_Is_on_Fire
"The Hip Hop song "The Roof Is On Fire" was composed and recorded in 1984 by the Bronx, New York based Hip Hop group Rock Master Scott & the Dynamic Three.

"The Roof Is on Fire" is a single from Rock Master Scott & the Dynamic Three which was released in 1984 that reached number five on the Billboard Hot Dance Music/Maxi-Singles Sales chart.

That song is remembered for its chorus:
“The roof, the roof, the roof is on fire!
We don't need no water—Let the mf* burn!
Burn, mf*, burn!"
-snip-
*This expletive is fully spelled out in those lyrics and on that page.
-snip-
Another page about that group,
http://en.wikipedia.org/wiki/Rock_Master_Scott_%26_the_Dynamic_Three, indicates that “Rock Master Scott & the Dynamic Three was an old school rap group best known for the singles "The Roof Is on Fire" and "Request Line", both of which have been sampled by many other groups, for a large variety of genres...

The phrase and hook from "The Roof Is on Fire" has become more notable than the band itself, having been sampled by groups such as Chemical Brothers, Coal Chamber, Kid 'n Play, Rancid, The Pharcyde, and The Bloodhound Gang and many others.”
-snip-
The use of the expletive "mf" is an extension of the word “mother” that is found in The Trammps’ song. In the context of those songs both of those words mean the same thing.

Read my comments above about the meaning of the “burn baby burn” chant.

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1992
The "burn baby burn" was re-introduced to a lesser extent in 1992 in relationship to the Los Angeles, California riots that were sparked by the acquittal of police officers who were charged in the Rodney King videotaped beating incident.

From http://www.brycezabel.com/instanthistory/2005/08/watts_riots_40t.html
"Watts Riots: Burn, Baby, Burn
During August of 1965, the Watts riots transfixed the nation in an explosion of racial violence that, when it was over, left 36 dead, 900 reported injured, over 4,000 arrested and at least $200 million dollars of property damage. It was an orgy of burning and looting that left the area looking like a ravaged war zone. It all started with an arrest of a black man by the hated LAPD on charges of drunken driving"...

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1997?
The Soca dance instruction song* “Follow Da Leader” was first recorded by the Trinidad & Tobago duo Nigel and Marvin Lewis. (The word "da" in that title means "the".)

"Follow Da Leader" includes a sample of the Rock Master Scott & the Dynamic Three's chorus of "The Roof Is on Fire" but the "Follow Da Leader" chorus purposely omits the expletive that is in that Hip Hop song. Inspite of that expletive being omitted, in the "Follow Da Leader" record & in Nigel's & Marvin's live performances of that song those singers noticeably pause where that word would have been. In doing so, listeners to that song who are familiar with the inclusion of that expletive in the Hip Hop song which is the source of that refrain, can add that word during their singing of it, or they can feel a sense of "one upmanship because they are a "hip to the fact" that that expletive is implied by that noticable pause.
-snip-
*A "dance instruction" song is one in which the singer leads the listeners in the performance of various dance moves.

A number of online pages indicate that Marvin & Nigel were the original artists to record that song, but I haven't found any specific date for that recording. I also haven't found any biographical information about that group. Additions to this post with that information and/or links to that information would be appreciated.

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1988
The song "Follow The Leader" is re-recorded by The Soca Boys, a Dutch music group whose members are of Trinidadian ancestry.
From http://nl.wikipedia.org/wiki/The_Soca_Boys
[translated from Dutch to English]
“The Soca Boys is a Dutch dance act, which in 1998 scored a worldwide hit with the song Follow the Leader. Besides a number one hit in the Netherlands, the song reached the charts in European countries, the USA and South America."
-snip-
The lyrics, tune, and tempo of that recording are the same as in the original record by Marvin & Nigel Lewis.

The Soca Boys' "Follow The Leader" record is highly popular worldwide where it is used for a large number of activities, including parading in carnivals, dancing in conga lines during weddings receptions and as part of the entertainment on cruise ships and in resort clubs shows. The Soca Boys's "Follow The Leader" record has also been used in the Caribbean as the song for the children's game musical chairs. That record has also been played during parties, proms and for aerobic exercise routines such as Zumba and cheer-robics [at cheerleader camps]. The Soca song "Follow The Leader" has also been used as a fun sing & dance along activity in summer camps & schools, where it also has been used as a stress reduction activity or as a reward after test taking. Adults have also used "Follow The Leader" as a stress reduction activity.

{These uses for The Soca Boy's "Follow The Leader" song were gleaned from this viewer comment thread for a video of a video of that song: http://www.youtube.com/watch?v=Y8zzG4n8CpM
WARNING: Like many other YouTube viewer comment threads, this thread includes profanity, sexually explicit language, racists comments, and other comments that are problematic.

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2000
The song "Follow the Leader" was recorded by the Spanish speaking group S.B.S.

The lyrics, tune, and tempo of that recording are the same as in previous recordings.
-snip-
Additions to this post with information and/or links to information about the music group S.B.S. would be appreciated.

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2002
Nigel & Marvin - Follow Da Leader (2002)
Nigel & Marvin record an updated version of their now classic party song. That 2002 version samples the dance beat of Chocolate Puma's "I Wanna Be" record.

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COMMENTS ABOUT THE USE OF "THE ROOF IS ON FIRE" CHORUS AT AFRICAN AMERICAN PARTIES & DANCE CLUBS
Remembrances of a 40 year old African American from Pittsburgh, Pennsylvania (referred to as "MH")

According to MH, "the roof is on fire” chorus from The Trammps Hip Hop record was a very widely used call & response chant at certain African Americans parties and small dance clubs from the mid 1980 on, and that chant is still heard at those venues, particularly those attended by African Americans who were young adults or teens during the mid 1980s. (The parties and small club events that MH recalls were in the Pittsburgh, Pennsylvania and the Washington, DC. area and were largely attended by Black students or who attended colleges or universities. However, she believes that "the roof is on fire" was chanted the same way in other African American communities beginning in the mid 1980s as result of The Trammps' record with that title and that chorus. She further believes that that chorus has been chanted the same way since that time, particularly among Black party or dance club attendees who were young adults or teens in the mid 1980s.

MH explained that although the "the roof of fire" chant was known to be from The Trammps' Hip Hop song, that chant was almost always done independent of that record being played. When a party was "getting good", and/or as a means of raising the energy at those parties so that the party got even "hotter", someone in the crowd, or perhaps the dj would seemingly randomly yell “The roof, the roof, the roof is on fire". Immediately afterwards people still dancing and other people at the party loudly responded “We don’t need no water – let the
"mf" burn”. [I asked this informant if the crowd actually said “mf”. She replied "yes", but indicated that she didn’t because she doesn’t curse.]. MH also said that “when people in her generation hear songs like the song “Follow The Leader” which leaves out that curse word, they know that word has been left out - that word is understood**, although it's not sung out loud.

MH said that she believes that "the roof is on fire" meant that the atmosphere at the party or club was "heating up"/"getting hot". That chorus had no political meaning what so ever.

**In this context “understood” means the same thing as what occurs with the word “You” that is left out of commands such as “Come here”.

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COMMENTS ABOUT THE "BEING ON FIRE/GETTING HOT" CLUSTER OF BLACK VERNACULAR TERMS
A number of Black slang [African American/Caribbean] terms are part of a "being on fire"/"getting hot" cluster. Those terms mean that something is being done very well or that someone is doing something very well [such as playing musical instrument, singing, or dancing].

Among those vernacular terms are "cookin", "smokin", "burnin", and [being] "on fire". I also believe that the logical result of something or someone being on fire resulted in the African American vernacular terms "dynamiter", "the bomb", "sick", "killed [it]", "murdered", and "slaughtered". Those slang terms also mean "something that is done very well" or "someone doing something very well."

Note that "gettin hot" = "doing something very well" [because of that person's talent and/or skills or because the energy in a room has "heated up" are just two of a number of Black vernacular meanings for the word "hot".

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Friday, April 28, 2017

Three Videos Of Little Girls Dancing To American Hip Hop Songs With Their Big Sister/s

Edited by Azizi Powell

This pancocojams post showcases three videos of little girls dancing to American Hip Hop songs with their big sister/s.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

Click the tags given below for other pancocojams posts about the featured Hip Hop songs/dances.

All copyrights remain with their owners.

Thanks to all those who are featured in these videos and thanks to the publishers of these videos on YouTube.

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SHOWCASE VIDEOS
Example #1: Cutest #HitTheQuan Ever



shervon king, Published on Aug 12, 2015

Little girl is the cutest dancing to Hit The Quan

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Example #2: Petty song



Siandre Bunkley Published on Jun 17, 2016


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Example #3: Best "Juju On That Beat" Dance by 8 year old



YoRodney Published on Oct 23, 2016

these little girls was doing the dance to the Juju song . . peep the little one in the back she didn't want to get counted out , like the video if it's the best one by a kid

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Monday, February 27, 2017

What "Break It Down!" & "Break It On Down!" Mean Regarding Talking Or Dancing

Latest Update: January 26, 2022 

Edited by Azizi Powell

This pancocojams post explores some colloquial meanings of the African American Vernacular English expression "Break it down" (also given as "Break it on down") with regard to talking or dancing.

The content of this post is presented for etymological and cultural purposes.

All copyrights remain with their owners.

Thanks to all those Hip Hop artists whose tracks are featured in this post and thanks to all those who are quoted in this post.

Click http://pancocojams.blogspot.com/2017/02/what-breakdowns-mean-in-context-of-19th.html for a pancocojams post.

I'm intrigued by the possibility that the 19th century/early 20th century use of the term "breakdown" for dance/s and music might have influenced the use of the term "break it down" and "break it on down" in Hip Hop music, R&B music, and elsewhere.

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A STANDARD COLLOQUIAL MEANING OF "BREAK IT DOWN" ("BREAK IT ON DOWN")
http://idioms.thefreedictionary.com/break+down
"break something down
(for someone) Fig. to explain something to someone in simple terms or in an orderly fashion. (Alludes to breaking a complex problem into smaller segments which can be explained more easily....

She doesn't understand. You will have to break it down for her. I can help. This is a confusing question. Let me break down the problem for you.

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I believe that the Hip Hop group 2 Live Crew's use of "break it down" in their 1989 hit track "Break It Down" fits one of the standard colloquial definition for that term i.e. to explain something. 

But 2 Live Crew's use of the term "break it down" may also have the additional meaning or meanings as given in Sections A & B of this post. And, that Hip Hop group's use of "break it on down" also includedsa play on the Hip Hop meaning of the word "break"*.

Here's an excerpt from that 2 Live Crew "Break It On Down" record:
[WARNING:The entire track contains some profanity and the n word]

Break it on down
Break it on down
Break it on down
Break it on down
Break it on down

Now let me break it on down and tell the story
When they say "2 Live," your mama gets worried
When they speak of us, the negative get mentioned
But we don't care; thanks for your attention

[...]

Now I can go the distance, I can go the length
It's not the weak, because it's all in the strength
You don't know? You mean you ain't heard?
Yours truly, Marquis, can

Break it on down
Break it on down
Break it on down
Break it on down

[....]

We'll make you feel the beat
(Break it on down)
Break 1, break 2, break 3, break 4
(Break it on down)
(Break it on down)
(Break it on down)
-snip-
Note that the term "break it down" and "break it on down" are considered correct usages, but "breaking it on down" is considered incorrect. 

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SOME ADDITIONAL COLLOQUIAL MEANINGS OF "BREAK IT DOWN" ("BREAK IT ON DOWN")
A. "Break it down!"  ("Break it on down!") Used In The Context Of Communication
[These uses are given in no particular order and are numbered for referencing purposes only]

1. an exclamation of agreement, approval, and/or encouragement for something a person is saying or has said or written

"Tell it like it is!", "Tell it!", and "Preach!" are some other African American Vernacular English synonyms for "Break it down!; "break it on down" and/or "person's name] is breaking it down" in the context of communication.

This urban dictionary.com entry for "break it down" is rated the top definition [on Feb. 27, 2017]. Notice the tags (synonyms) after the word "explain" and not including the term "blowin smoke":
From http://www.urbandictionary.com/define.php?term=break%20it%20down
break it down
To explain at length, clearly, and indisputably.
"Break it down Oblio, break it down."

"Let me break it down for ya."
#explain #right on #blowin smoke #tell it #hallelujah
by dahv August 08, 2006
-snip-
"Right on!", "Tell it!", and "Hallelujah!" are also synonyms for "Break it down!" and "Break it on down!" -although I doubt that the exclamation "Hallelujah" is often used that way.

The other tag in that urban dictionary entry "blowin smoke" implies that the person who is saying that the person is "breaking it down" is being fake. http://www.urbandictionary.com/define.php?term=blowing%20smoke

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2. a bragging statement about a person's verbal skills - including a Hip Hop MC's [a rapper's] skills

Example: LL Cool J's 1987 hit Hip Hop track ".357 - Break it On Down"

Excerpt from https://genius.com/Ll-cool-j-357-break-it-on-down-lyrics

..."Ain't a rapper alive that can fill my shoes
I'm dope on a rope, virgins wanna elope
I do the hustle and the shuffle and the rope-a-dope
Cause I'm the hardest hard rock in the hard rock town
I gotta .357 and I break it on down..

[...]

Callin all cars for the brother in black
L-E-L the Mack back bone of this track
The force full of force to put you on your back
Makin' hit after hit, while you search for a contract
Hotter than hot now watch how hot I can get
Leavin' rappers freeze-dried and skimmer's dimmer's wet
Cause I'm the hardest hard rock in the hard rock town
I gotta .357 and I break it on down

[...]
-snip-
A Magnum .357 [revolver] is known for its power.

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B. "Break it down!" ("Break it on down!) Used In The Context Of Dancing 
1. a demand that a person show of his or her best social dance skills or a statement/exclamation that affirms that a person is showing off his or her best social dance skills [The exclamation "Break it down!" is also given as "Break it on down!"]

Here are some additional African American Vernacular English synonyms for "Break it down!" or "Break it on down!" in the context of dancing: "Get down!", Get on down!, "Get on down to the real nitty gritty"*, "Work it!”, “Work!”, and "Do it!"

My guess is that the word "it" in "Break it down", "Work it", and "Do it" refers to the dance itself. The word "down" may have initially actually referred to dancing down to the ground or dancing close to the ground (The saying "How low can you go?" also refers to dancing close to the ground.)

*Click http://pancocojams.blogspot.com/2011/12/the-real-meaning-of-nitty-gritty.html for a pancocojams post on the term "nitty gritty" and Shirley Ellis's 1963 R&B song "The Nitty Gritty" ("Let's Get On Down To The Real Nitty Gritty").

**
This excerpt from M.C. Hammer's late 1989/1990's hit Hip Hop record "U Can't Touch This" serves as one example of the expression "break it down" in a dance context:

Excerpt from http://www.metrolyrics.com/u-cant-touch-this-lyrics-mc-hammer.html
...."Give me a song or rhythm
Making 'em sweat that's what I'm giving 'em
Now they know when you talk about the Hammer
You talk about a show that's hyped and tight
Singers are sweatin' so pass them a mic
Or a tape to learn what it's gonna take
And now he's gonna burn
The charts legit either work hard
Or you might as well quit
That's word because you know
Can't touch this (oh-oh oh oh-oh-oh)
Can't touch this (oh-oh oh oh-oh-oh)
Break it down
(Oh-oh-oh-oh-oh-oh-oh-oh-oh oh-oh)
(Oh-oh-oh-oh-oh-oh-oh-oh-oh oh-oh)
Stop!
Hammer time....
-snip-
In this Hip Hop composition, "break it down" is short for "Watch me and my crew show off our best fast dance moves).

That said, M.C. Hammer's line "Break it down" might [also] be a variation of the standard colloquial definition for "break it down" [to deconstruct something complicated so that it can be understood] as he might be implying that because of his great dancing skills, complicated dance sequences appear to be easy and effortless for him & his dancers to do.
-snip-
Click http://pancocojams.blogspot.com/2014/09/african-american-slang-in-mc-hammers-u.html for the pancocojams post African American Slang In M.C. Hammer's "U Can't Touch This"

Also note this reference to M.C. Hammer's "U Can't Touch This" in http://www.english-test.net/forum/ftopic15758.html
"2) To dance/begin dancing/dance wildly -- In his song "U Can't Touch This" MC Hammer says, "Break it down." Note that this is always "break it down" and not "break down"."
-snip-
Instead of "wildly", I'd use the term "vigorously" or "to dance fast without regard to any rigid dancing instructions"

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2. a description of the level of skill that is shown in the dancing
From http://www.urbandictionary.com/define.php?term=Breaking%20it%20down
Breaking it down
Definition #1: When a person is feeling the song and dancing dancing either vigorously or in high energy/intensity choreographed number. The skill with which the person is dancing is usually unexpected.

[....]

*Hip hop remix comes on and white girl starts dancing*
Black person: "Dang, look at white girl breaking it down!"


by Dann326 June 14, 2016
-snip-
I don't agree with the second sentence in this viewer submitted definition (that the "break it down!" means that a high level of skill is being shown or that the person is unexpectedly dancing very well.

That qualifier may apply to the example sentence that is given because the dancer in the sample example is White (and in the United States and elsewhere, Black people are considered to dance better than White people or othe non-Black people. The term "breaking it down" doesn't mean that the skill that is shown has to be unexpected. 

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ADDENDUM: 
INFORMATION ABOUT THE TERM "THE BREAK" IN MUSIC 
From https://en.wikipedia.org/wiki/Break_(music)
..."in Hip Hop, today the term break refers to any segment of music (usually four measures or less) that could be sampled and repeated. A break is any expanse of music that is thought of as a break by a producer....

A break beat is the sampling of breaks as (drum loop) beats, (originally found in soul tracks) and their subsequent use as the rhythmic basis for hip hop and rap. It was invented by DJ Kool Herc, a Jamaican, the first to buy two copies of one record so as to be able to mix between the same break[citation needed] or, as Bronx DJ Afrika Bambaataa describes, "that certain part of the record that everybody waits for--they just let their inner self go and get wild," extending its length through repetition.[4]

A particularly innovative style of street dance was created to accompany break beat-based music, and was hence referred to as "The Break", or breaking. In the 1980s, charismatic dancers like Crazy Legs, Frosty Freeze, and the Rock Steady Crew revived the breaking movement. More recently, electronic artists have created "break beats" from other electronic music"...
-snip-
This excerpt was reformatted to enhance its readability.

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Saturday, August 1, 2015

What "Hit The Quan" REALLY Means

Edited by Azizi Powell

This pancocojams post provides information about the "Hit The Quan" song/dance by @iHeart Memphis and showcases one YouTube compilation video of that dance.

This post also showcases the lyrics to a short version of the "Hit The Quan" song. Explanations about the meanings of those lyrics are also included in this post.

Various YouTube videos of clips from Vines* showing people performing the Hit The Quan dance are currently trending on the internet. Almost all of the Vines that I've watched feature the same shortened form of the song.

*Vines are six seconds videos that repeat in a looped format.*
(Correction 11/18/2015. Thanks Anonymous November 18, 2015 at 6:07 AM!)

The content of this post is presented for cultural, etymological, and entertainment purposes.

Thanks to all those who are featured in these videos, all those who are quoted in this post, and the publishers of these videos on YouTube.

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WARNING: The complete "Hit The Quan" song contains profanity and the four letter form of the n word. However, the shortened form of this song that is featured in this post doesn't include that content. I've embedded one video of the Vine version of "Hit The Quan". I chose that particular example because it features @iheartMemphis dancing at the end.

I also provided a link to a YouTube sound file of the complete "Hit The Quan" song and a link to a video of Rich Homie Quan and others performing the dance that inspired the "Hit The Quan" song and dance. However, because the n word and some profanity are audible in that full version of the "Hit The Quan" I'm not embedding that sound file. Also, because the n word is audible throughout the compilation video of Rich Homie Quan's "Flex" song and dance, I've decided not to embed the video itself.

In addition, as a reminder, many of those discussion threads contain profanity, sexually explicit references, homophobic references, and other content that I consider to be problematic.

Click http://pancocojams.blogspot.com/2015/08/homophobia-in-discussion-thread.html for a pancocojams post on "Homophobia In Discussion Thread Comments of Three YouTube Hip Hop Dance Compilations".

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VIDEO EXAMPLE: iHeart Memphis - Hit The Quan Dance #HitTheQuan #HitTheQuanChallenge King Imprint



King Imprint Published on Jul 15, 2015


Song: iHeart Memphis - Hit The Quan

Since everyone's been telling us to make a video to this song, i had to get the crew and murder sh*t for yall #hitthequan NEW KingImprint video!
-snip-
It seems to me that "Hit The Quan" is part dance and part pantomine. With the exception of the shooting pantomine, this post doesn't include any description of how this dance routine is performed.

Please add your descriptions in the comment section below. Thanks!

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WHAT IS "HIT THE QUAN?"
"Hit The Quan" is a Hip Hop dance/song. The song was written and performed by @iHeartMemphis as a tribute to the Flex ("Walk Thru") dance that Atlanta, Georgia Hip Hop artist Rich Homie Quan is known to perform during his shows.

The command to "hit the quan" means "Do the dance that was popularized by rapper Rich Homie Quan."

Rich Homie Quan's birth name is Dequantes Lamar. The word "Quan" in the song "Hit The Quan" refers to that rapper's dance. I don't know whether "Quan" is a nickname that that rapper had before he adopted "Rich Homie Quan" as his stagename. However, it seems likely that "Quan" could be a nickname for "Dequantes" and/or for other names that begin or end with the element "quan" such as "Daquan" and "Quantrell".

Additional meanings for the word "quan" are given in the section of this post about "Rich Homie Quan".

Some information about the name "Daquan" is found in this post and in the comment section below. Information about the name "Quantrell" is also found in the comment section below.

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WHAT DOES THE NAME "@iHeartMemphis" MEAN?
@iheartMemphis means "I love Memphis [Tennessee].
According to commenter paul peeples, end of July 2015 on the earliest YouTube example of this song/dance that I've found (a sound file with one cover photograph that was published July 1, 2015), @iheartMemphis is a Memphis night club promoter who has used that stage name for some time. https://www.youtube.com/watch?v=QZCN_zaypd4 - "@iHeartMemphis- Hit The Quan" (Prod. by Buck Nasty).

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WHAT DOES THE PHRASE "HIT THE ____" MEAN?
""Hit the (dance name)" means "Do the (insert a dance name)". Two other contemporary way of saying "Hit the (dance name) are "Crank the (dance name)" and "Drop the (dance name).
-snip-
As a result of the internet "Daquan meme" that appears to have started on Black twitter in July 2014, the name "Daquan" is undoubtedly the most well known personal name that includes the element "quan".

Some bloggers on "Hit The Quan" YouTube discussions threads hve some fun with that title by combining the standard English definition of "hit" (to strike a blow) with the African American Vernacular English word "da" meaning "the", and the "Black name" Daquan. Examples of those comments is "Poor Daquan. Don't hit him" and "Why does someone want to hit Daquan?"

Those comments are meant to be witty. @1heartMemphis is clearly saying "the Quan" and not "da Quan". The word "da" (meaning "the") is pronounced "dah" and the prefix "Da" in the name "Daquan" is pronounced "day". Besides, @iheartmemphis is clearly saying "the quan" and not "dah quan" or "day quan".

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WHAT ARE THE LYRICS TO "HIT THE QUAN"?
There are two main versions of this song: The original longer version and the shorter version/s that are used for Vines.

The YouTube sound file whose link is given above is the longer version. The lyrics to the entire song contain the n word, referents to illegal drugs, sexually explicit references, and references to urban street activity. As noted above, because that version includes language that I consider problematic, I'm not embedding it in this post. However, here's a link to that longer version: http://genius.com/Iheartmemphis-hit-the-quan-lyrics/#
Transcriber: Created by mcohen72, July 25, 2015

Note that a commenter on that website indicated that there's a mistake in that transcription. (And this mistake appears to be widely quoted). The transcriber wrote "with ADs on her belt"
but Gearitz, http://genius.com/Gearitz wrote "He actually says designer belt".
-snip-
What I hear is "with a designer belt".

Here are the words that are usually used for "Hit The Quan" vines:
"Clean pair Of sneaks
With a designer belt.
Please watch your step
Cause I'm feeling myself.
Throw a flag on a play.
Man, somebody get a ref.
Da Da Da Da Da Da Da.
Man, somebody get some help.
Pulled up on the block.
Hit the quan.
Hit the quan.
Hit the quan."
-snip-
Some vine examples of this song start with the line "Oh I think they like me”.

"Clean pair of sneaks" mean "sneakers" ("tennis shoes") that look good (in part because they are expensive, brand name shoes).

Pulled up on the block = drove a car to the neighborhood.

Note that these lyrics include bragging and warning like many Hip Hop songs (and many other songs from numerous Black musical genres).

****
WHAT DO THE LINES "PLEASE WATCH YOUR STEP, CAUSE I'M FEELING MYSELF" MEAN?
According to Jason_Levine, http://genius.com/Jason_Levine, those words mean "Watch where you’re going because when he’s feeling himself, meaning he’s in his zone, you do not want to get in his zone."
-snip-
This is a warning not to mess with the person who is speaking.

In the 1960s or thereabouts there was a saying that a person was "really feeling his cheerios". "Cheerios" is a brand name for a box of cereal which was marketed as "the breakfast of [athletic] champion. People who were "really feeling their cheerios" were feeling good about themselves and were confident that they were able to do what needed to be done. I believe that that's the same meaning as the contemporary phrase "I'm feeling myself".

****
WHAT DO THE LINES "GO BLAH DA DA DAA DA, MAN GET SOME HELP" MEAN?
[Updated 8/4/2015]
According to GBABY099, http://genius.com/GBABY099
"[those lines are] referring to shooting."
-snip-
In most Vines that I've seen of "Hit The Quan", dancers pantomine shooting a gun at another dancer. That dancers falls down as if he or she is shot. However, in some "Hit The Quan" Vines, dancers don't do that shooting pantomine. Some of those dancers might know that that's what the words mean, but choose to do another dance movement. That may be because they don't want to imitate shooting a gun and shooting at someone. But dancers may also choose not to do this pantomime simply because they want to interpret the dance their own way. Putting your own style to a dance (your own flavor to the mix)is an integral element of this dance and of other Hip Hop dances.

Click http://theboombox.com/rappers-and-gun-violence-exploring-hip-hops-love-of-firearms/ for a 2013 article entitled "Rappers and Gun Violence: Exploring Hip-Hop’s Love of Firearms".

****
WHAT DO THE LINES "THROW A FLAG ON THE PLAY, MAN SOMEBODY GET THE REF" MEAN?
According to Danny Malice,
http://genius.com/DannyMalice
, "He referencing football where if there is a penalty they throw a flag on the play."

****
WHAT DOES THE NAME "RICH HOMIE QUAN" MEAN?
"Rich" is what that rapper is striving to be.
"Homie" means a person from your neighborhood (your home boy, or home girl).
"Quan" is a shortened form of that rapper's first name, "Dequantes". (Dequantes Lamar, born October 4, 1989).

The prefix "De" in that name may be pronounced "day" as it is in the male name "Daquan".
-snip-
It's possible than "Quan" may [also] have some other meaning/s in that song.

Here are five selected entries for the word "quan" ("kwan") from twelve entries on http://www.urbandictionary.com/define.php?term=quan
(given in chronological order based on their posting date with the oldest entry given first)
1. "quan 

When you are one with something. Suggests unity or completion. A loosely defined quality combining or uniting athletic skill with love and respect, as well as money.

This word is used in the movie Jerry Maguire by Tom Cruise and Cuba Gooding Jr. "Jerry, you are the ambassador of quan." And "Some players have coin, but I have the quan."

by jyther November 22, 2002"

**
2. "quan 

the ultimate; the almighty; the maximum overlord

Sean McClellan

by Sean McClellan March 27, 2004

**
3."Quan 

A coin in the battle mode of "Super Mario All-Stars", a video game for the Super Nintendo Entertainment System. Inspired by the quote from the movie "Jerry Maguire", "Some players have coin, but I have the quan."

I risk all for the quan.

by Scherzo May 12, 2005

**
"Kwan
One-ness; A word that is a level up from swag. Strength, Power, good sense, stlye and ability. The term is mostly used as a definite article "The Kwan" than just Kwan.

"Damn yo, he came to a Alcoholics Anonymous Meeting in a Christian Dior Suit! He got The Kwan for real."
by SirRosewood September 01, 2011

**
5. "Quan 

A gangsta ni&&a* who has a lot of friends. He very athletic, funny, and outgoing. He attracts a lot of girls and usually has children at a young age. He most likely had a troubled childhood and grew up in poverty. He is very close to his family and values a strong family bond. He seems to overcome all odds to survive his struggles. He most likely has a very big penis. He is not afraid to hurt someone if pushed to the limit and is very violent when pushed. He is in the streets a lot and will do nearly anything for his hood. Quan is one of a kind.

"Damn I wish I was Quan."

by who u think? September 08, 2012"
-snip-
*This word is fully spelled out in this definition.
-snip-
I wonder if some of these definitions are folk processed forms of the word "khan".
From http://www.thefreedictionary.com/khan
"Khan"
noun.
1. A ruler, an official, or an important person in India and some central Asian countries.

2. A medieval ruler of a Mongol, Tatar, or Turkish tribe.
-snip-
The word "quan" is also a Kung Fu reference*, although I don't know that that reference is meant or implied in the "Hit The Quan" song or the urbandictionary.com definitions that I've quoted.

*From https://en.wikipedia.org/wiki/Shaolin_Kung_Fu
"Shaolin Kung Fu (Chinese: 少林功夫; pinyin: Shàolín gōngfu), also called Shaolin Wushu (少林武术; Shàolín wǔshù), is among the oldest institutionalized style of Chinese martial arts.[1] Known in Chinese as Shaolinquan (Chinese: 少林拳; pinyin: Shàolínquán or Shaolin wugong (Chinese: 少林武功; pinyin: Shàolín wǔgōng), it originated and was developed in the Buddhist Shaolin temple in Henan province, China. During the 1500 years of its development, Shaolin kung fu, with its rich content, became one of the largest schools of kung fu. The name Shaolin is also used as a brand for the so-called external styles of kung fu. Many styles in southern and northern China use the name Shaolin.[5.,6]
-snip-
The italics were added by me to highlight those words.

In addition, the arch villan Quan Chi in Mortal Kombat video games and their spin offs could influence what "quan" means in this song (although I don't think it was meant to do so).
Here's some information about Quan Chi:
http://mortalkombat.wikia.com/wiki/Quan_Chi
"Quan Chi is the most powerful sorcerer and necromancer in the Netherrealm and a primary villain in the Mortal Kombat series. Quan Chi combines both cunning and brute force in his never-ending plots to overtake not only Earthrealm, but all of reality. He is an opportunist and will ally himself with anyone who can help him further his own goals. He is notable in particular for his ruthlessness and pragmatism. His manipulative and deceptive nature has earned him many enemies, including Sub-Zero and Scorpion, the latter whose entire family and clan he destroyed.
Only Shinnok, Shao Kahn, Shang Tsung and Delia can match Quan Chi's skills as a sorcerer."

****
LINK TO A COMPILATION VIDEO OF RICH HOMIE QUAN'S DANCE
Here's a YouTube compilation of the dance that Rich Homie Quan does while singing is hit song "Flex"
https://www.youtube.com/watch?v=__0pjX9FnP0 "Rich Homie Quan Dance Flex Compilation #richhomiedance Ohh,Ohh,Ohh) "Walk Thru Dance"
Published on May 5, 2015

****
ADDENDUM
Here's a video of a 2010 dance that some online commenters say is a precusor to Rich Homie Quan's "Flex" dance:

Beenie Biggle Wiggle



Biggiefan170 Uploaded on Feb 11, 2010

HML Stunnazs..lmao...we was bored as hell

im just foolin to bennie biggle wiggle
-snip-
There probably are other Hip Hop/R&B dances that are similar to these dances.

****
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Wednesday, August 6, 2014

What The African References Mean In Migos Ft Drake - Versace African Remix

Edited by Azizi Powell

This post presents comments about the lyrics of Migos Ft Drake's 2013 African remix of their hit song "Versace".

The content of this post is provided for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the composers and performers of this song. Thanks also to all those who are quoted in this post and thanks to the publisher of this video on YouTube.

****
INFORMATION ABOUT THE VOCALISTS
"Migos are an American hip hop group from Gwinnett County, Georgia...….They are best known for their 2013 single "Versace"….went viral[7] and peaked at number 99 on the Billboard Hot 100.[8] It also inspired rapper Drake to join for the official remix."...http://en.wikipedia.org/wiki/Migos

"[Drake] is a Canadian recording artist, rapper, songwriter, and actor....Drake has sold over 5 million albums worldwide.[5] His work has earned him a Grammy Award, three Juno Awards, six BET Awards, and set several significant Billboard records. With twelve number-one singles, Drake has more than any other artist on Billboard's Hot Rap Songs chart"...http://en.wikipedia.org/wiki/Drake_(rapper)

****
SUMMARY STATEMENT ABOUT "VERSACE AFRICA REMIX"
http://www.spin.com/articles/migos-versace-video-donatella-drake/ describes Migos' hit song "Versace" as a gleefully monotonous fashion-shout-out track" in which the rappers brag about their expensive Versace clothing and jewelry.

The African remix to that song substitutes the word "dashiki" for the "Versace", includes shout outs to several notable Africans, and other African references. In my opinion, the substitution of dashikis for Versace doesn't work since dashikis have never been viewed as luxury clothing. And the types of fake African print dashikis that the rappers wear in the African remix video are particularly viewed with derision by afro-centric African Americans.

That said, some traditional Yoruba (Nigeria) dansiki which served as the model for the African American originated dashiki are made out of silk, or brocade, or lace, or some authentic African fabrics and therefore can be quite expensive. Had Migos worn a silk or lace three piece African agbadas (robe), dansiki (undershirt/tunic) and sokotos (pants) such as those shown in this video https://www.youtube.com/watch?v=GeTD2xyfMuA "Best Of Nigerian Fashion "natives" along with the jewelry worn by people photographed in that collage, they would have had much more credibility extolling the expensive nature of African fashion.

Unlike the original song "Versace" (and the remix of that song featuring Drake), the African remix includes no profanity and no "n words" - which is a plus for me. I'm aware that this remix is meant to be lighthearted fun, but I'm using it as a way of sharing information about African culture.

****
SHOWCASE VIDEO: Migos Ft Drake Versace AFRICAN REMIX



TreandIce production, Published on Nov 10, 2013

****
LYRICS : VERSACE AFRICAN REMIX
Note: Each line numbered for referencing purposes.

1. Dashiki, dashiki got these patterns on me like I'm in a circus
2. don't get it twisted my brothas just get one and try to get like us
3. Dashiki game crazy and this is indeed getting ridiculous
4. Akatas be copping my style but my brothas that don't even bother me
5. Drown in dashiki and come out on top like Nelson Mandela
6. I think I'm buying a million of these and nothing is stopping me

7. Born in the Congo but I'm also a son of mother Africa
8. Forget what you heard, dashiki gang bout to take over America

9. Haaan dashiki, dashiki we stay in a hut when we visit the villages
10. The pillow dashiki, the sheets are dashiki, just made it on world star
11. fashion so wild I got the world asking what the heck is he wearing
12. Always got a back up dashiki and it indeed always come in handy
13. We started this movement we bout to blow up soon so man just wait on it
14. This year I'm eating fufu and my
15. table got so many plates on it
16. Wearing dashiki look in the mirror like man I look good in it

17. I'm balling im balling I'm balling just call me mutombo
18. Repping my country and that's right I am from Congo
19. Buying dashiki's cuz business is business, it's strictly financial
20. We always the first one to wear it that's how we lead by example
21. Dashiki, dashiki, dashiki, dashiki, dashiki, dashiki
22. Word to the A cuz I got all my African girls calling me alhadji
23. Fashion stands out, take a village girl out and there's always paparazzi
24.I'm trying to make Halle berry cook me fufu and no one is stopping me

25.Dashiki dashiki dashiki dashiki just call me Aladji
26. I called my fatha and told him papa I need more dashikis
27.I need more dashikis cuz all i do is wear it with my homies
28.He told me it's cool cool cool I got more dashikis
29. I don't wanna buy it online cuz I don't mess with the scamming
30. I wish I can have a closet a closet full of dashiki
32. I wear it the morning and night but don't go to sleep with it

33. Dashiki dashiki straight from Togo to Congo Kinshasa
34. Dashiki dashiki dashiki dashiki just call me Mandingo
35. Dashiki dashiki dashiki the girls wanna call me Mandingo
36. Aladji Aladji Aladji Aladji Aladji Aladji
37. Mandingo Mandingo Mandingo Mandingo Mandingo
38. Dashiki dashiki dashiki dashiki just call me Aladji

39. Ya ya ya ya
40. dashiki dashiki dashiki dashiki ya
41. in the studio trying to make it ya
42. posting videos on youtube some you guys can watch it ya
43. trying to make it out of the hood so no one should judge us ya
44. Dashiki dashiki dashiki dashiki ya
45. Monuowo Monuowo Monuowo ya
46. This African wishing the* knew us ya
47. The next big thing is here you better believe it ya
48. I'm playing the girls call me balotelli ya
49. I'm playing the game call me mikel obi ya
50. Ya ya wait am trying to rap call me 2chainz ya
51. Kiss my lips if you hating, only if you're a girl no homo ya
52. Dashiki dashiki dashiki dashiki ya
53. Monuowo Monuowo Monuowo monuowo ya ya ya!

Source: https://www.youtube.com/watch?v=31jlUe3I8Mw

* This may be a typo and probably was meant to be "he"
****
EXPLANATION OF CERTAIN LINES OF THIS RAP
1. Refers to the multi-colored zig-zags and geometric designs on the iconic, fake African print dashikis of the 1960s and 1970s

2. "don't come to the wrong conclusion"

3. This line says that more people are wearing dashikis [which, in my opinion, is only minimally true in the USA, although the natural looks in hair-care is being revived]

4. "Akata" is a derogatory reference for African Americans ; click this link to a pancocojams post on that subject http://pancocojams.blogspot.com/2011/10/ataka-is-mean-spirited-word.html

5. "drown in dashikis" = wear a lot of dashikis; This line could also mean "to be immersed in African culture" and be looked down upon or face negative consequences because of that, but in the end be victorious "like Nelson Mandela", the first Black African president of South Africa.

7. A person who is born in the Congo would be a song of mother Africa. Therefore, I don't understand the "but" in that line. However, a commenter to that video's viewere comment thread wrote "congoboy killed it, batika yo, ezo makasi". end of quote; Is "congoboy" a stage name for one of the rappers?

9. http://www.urbandictionary.com/define.php?term=haaan gives this entry for the word "haaan" - "An add on to the end of an interesting statement. Doesn't have a real meaning, but it is closely related to the word 'yay'.” end of quote
Presumably, that word means the same thing when it is found at the beginning of a sentence. I'm not sure if "Haaan" originates or is commonly used this way in Africa. However, it conveys an "African" or at least a non-American flavor to the sentence.

13. "about to blow it up" = about to be a big success

13. fufu = a staple food in many African and Caribbean countries

17. I'm balling - from the referent "big baller", "originating from a term referring to a very talented basketball player, typically a pro or from "street ball", who lives lavishly--this phrase is commonly used to refer now to anyone who likes to "live large" http://www.urbandictionary.com/define.php?term=Big+Baller; in the context of this rap "I'm balling" means "I'm living a life full of (material) riches and am treated like the rich person that I am".

"Mutombo" - a reference to Dikembe Mutombo, a professional basketball player from Democratic Republic of the Congo

18. "repping" = representing

19.- 21. In my opinion, the substitution of "dashikis" for "Versace" doesn't work because in the United States are considered largely informal garments or are associated with afro-centric lifestyles.

22. "Word to the A" is probably "word to the African" which means that you are giving a shout-out to Africans (shout-out=publicly acknowledging; publicly complimenting)

"alhaji"= a Muslim who has been to Mecca; in the context of this rap, this probably means a person with high status

33. Togo is a West African nation; Congo Kinshasa is the same as the Democratic Republic of the Congo which was formerly called Zaire; Kinshasa is the capitol of that central African nation; Congo Brazzaville another central African nation. Brazzaville is its capitol.

34. Mandingo is a West African ethnic group. However, "Mandingo" has become a colloquial referent for a well endowed Black man because of an American book and movie with that title about an enslaved Black man in the United States South.

36. Aladji - means the same thing as "alhadji" ; Read this comment from a video titled "Decale Aladji" https://www.youtube.com/watch?v=Fb4o8bDiVQM "By Francophone is call Aladji, in yoruba is call Alhaji, meaning some one who has been to Saudi Arabia to perfom the yearly muslim pilgrim"... end of quote

In the context of this United States rap, "aladji" probably means "a person with high status"

39. "ya" probably means "yeah" when it is used alone or at the end of lines

43. "hood" - "neighborhood"; i.e. trying to become economically successful

45. Monuowo =?

48. Mario Balotelli - an Afro-Italian professional footballer (soccer player)
49. Mikel Obi - a Nigerian professional footballer (soccer player) who plays for the English club Chelsea and the Nigeria national team

50. 2chainz - a Hip- Hip recording artist from College Park, Georgia

51. "Homo" is usually considered to be a derogatory referent for a homosexual.

****
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Saturday, July 26, 2014

The REAL Meanings Of "The Breaks" In Kurtis Blow's Rap

Edited by Azizi Powell

This is Part IV of a five part series that showcases three African American songs and one Caribbean song that have a "that's life" theme. By "that's life themes" I mean songs which reflect and promote the value that some Black people and some non-Black people have of being stoic when bad things happen to them.

Part IV showcases Kurtis Blow's 1980's record "The Breaks" and provides explanations for the various meanings of "the breaks" and other lines including the word "break" that are found in this rap.

Click http://pancocojams.blogspot.com/2014/07/nina-simone-it-bes-that-way-sometimes.html for Part I of this series. That post showcases Nina Simone's 1967 record "It Be's That Way" and includes a listing of and comments about "That's life" sayings.

Click http://pancocojams.blogspot.com/2014/07/jimmy-cliff-thats-way-life-goes-example.html for Part II of this series. Part II showcases Jimmy Cliff's 1969 record "That’s The Way Life Goes."

Click http://pancocojams.blogspot.com/2014/07/joe-simon-it-bes-that-way-sometimes.html for Part III of this series. Part III showcases Joe Simon's 1974 record "It Be's That Way Sometimes".

Click http://pancocojams.blogspot.com/2014/07/denise-lasalle-it-bes-that-way.html for Part V of this series. Part V showcases Denise LaSalle's 1985 record "It Be's That Way Sometimes".

Those showcased songs are only a sampling of what I call "that's life" songs.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thank to the composer/s of this featured song and thanks to Kuris Blow for his musical legacy. Thanks also to also to all those who are quoted in this post and thanks to the publisher of this example on YouTube.

****
INFORMATION ABOUT KURIS BLOW
http://en.wikipedia.org/wiki/Kurtis_Blow
"Kurt Walker (born August 9, 1959), professionally known by his stage name Kurtis Blow, is an American rapper and record producer.[1] He is the first commercially successful rapper and the first to sign with a major record label. "The Breaks", a single from his 1980 debut album, is the first certified gold record rap song."...

****
SHOWCASE EXAMPLE: Kurtis Blow-The Breaks



rekoj1376, Uploaded on Aug 31, 2009

Clap your hands everybody
If you got what it takes
'Cause I'm Kurtis Blow and I want you to know
That these are the breaks

Breaks on a bus brakes on a car
Breaks to make you a superstar
Breaks to win and breaks to lose
But these here breaks will rock your shoes
And these are the breaks
Break it up, break it up, break it up!

If your woman steps out with another man
(That's the breaks, that's the breaks)
And she runs off with him to Japan
And the IRS says they want to chat
And you can't explain why you claimed your cat
And Ma Bell sends you a whopping bill
With eighteen phone calls to Brazil
And you borrowed money from the mob
And yesterday you lost your job
Well, these are the breaks
Break it up, break it up, break it up

Throw your hands up in the sky
And wave 'em 'round from side to side
And if you deserve a break tonight
Somebody say alright! (All right)
Say ho-oo! (Ho-oo!)
And you don't stop
Keep on, somebody scream!( Owwwww!)
Break down!

Breaks on a stage, breaks on a screen
Breaks to make your wallet lean
Breaks run cold and breaks run hot
Some folks got 'em and some have not
But these are the breaks
Break it up, break it up, break it up!
Break down!

To the girl in brown, stop messing around
(Break it up, break it up)
To the guy in blue, whatcha gonna do?
(Break it up, break it up)
To the girl in green, don't be so mean
(Break it up, break it up)
And the guy in red, say what I said
(Break it up, break it up)
Break down!

Brakes on a plane, brakes on a train
Breaks to make you go insane
Breaks in love, breaks in war
But we got the breaks to get you on the floor
And these are the breaks
Break it up, break it up, break it up!
Break down! Yo!

Just do it, just do it, just do it, do it, do it!
Just do it, just do it, just do it, do it, do it!
Just do it, just do it, just do it, do it, do it!
Just do it, just do it, just do it, do it, do it!

You say last week you met the perfect guy
(That's the breaks, that's the breaks)
And he promised you the stars in the sky
(That's the breaks, that's the breaks)
He said his Cadilac was gold
(That's the breaks, that's the breaks)
But he didn't say it was ten years old
(That's the breaks, that's the breaks)
He took you out to the Red Coach grill
(That's the breaks, that's the breaks)
But he forgot the cash and you paid the bill
(That's the breaks, that's the breaks)
And he told you the story of his life
(That's the breaks, that's the breaks)
But he forgot the part about...his wife!
(That's the breaks, Huh! Huh! that's the breaks)
Well, these are the breaks!
Break it up, break it up, break it up!
Break down!

****
COMMENTS ABOUT "THE BREAKS"
From http://en.wikipedia.org/wiki/The_Breaks
"The Breaks" is a critically acclaimed 1980 hit single by Kurtis Blow from his self-titled debut album. It was one of the earliest hip-hop hits hitting its peak at #87 on the Billboard Hot 100 chart....

"The Breaks" repeats the word "break" (or any of its homophones) eighty-four times over six and a half minutes.

There are six breakdowns (seven including the outro) in "The Breaks".
There are no fewer than three definitions for "break," "to break" or "brakes" used in "The Breaks"...

****
ANALYSIS OF THE USE OF "BREAK/S" IN THE RAP "THESE ARE THE BREAKS"
Kurtis Blow's "The Breaks" is a great example of word play in Hip-Hop compositions. In that rap, the word break (including the word "brake" which sounds like it) is used as a verb, a noun, an injunction, and as part of idioms.

Here's my explanations of the meaning of that rap's lines that include the word "break/s" or "brake". Notice that sometimes the particular use of "breaks" or "break" with another word or words" could have been intended to have more than one possible meaning. [These examples are numbered for reference purposes only.] Additions and corrections are welcome.

1. ["I want you to know that] these are the breaks" - [I want you to know that] I'm going to share multiple meanings of "the breaks"

2. "Brakes on a plane, brakes on a train", "Breaks on a bus brakes on a car"- referring to a part of a vehicle that stops the vehicle from moving

3. "Breaks to make you a superstar" - "good opportunities"

4. "Breaks to win and breaks to lose" - Good or bad experiences

5. "these here breaks will rock your shoes" - a reference to the musical term "break beat"

6. Break it up break it up break it up! - dance/play music with lots of intensity

7. "that's the breaks" [in the verse beginning with "If your woman steps out with another man" and elsewhere in this verse and this rap - an idiom that means "That's life" ; It be's that way sometimes", said when things happen to you.]

8."(Owwwww!) Break down!" -do your best dance moves(This is a play on the Hip-Hop dance "breakdown")

9. "Breaks on a stage, breaks on a screen" - a pause in the action

10. "Breaks to make your wallet lean" - difficult situations that force you to spend money

11. "Breaks run cold and breaks run hot" - a play on the word "brakes" [Read #2 explanation]

12. "Some folks got 'em and some have not" - an allusion to the phrase "lucky breaks"

13. "To the girl in brown, stop messing around (Break it up, break it up)"- both "stop messing around" and "break it up" could mean "stop arguing and fighting" or those lyrics could mean "stop dancing half-heartedly; dance with more intensity."

14. "Breaks to make you go insane" - percussive music [read #13] ; "insane" here means that the breaks are very good (the same way that "sick" means "very good").

15. "Breaks in love"- ending or pause in love (a play on the word "breakups")

12. "breaks in war" - pause in a war, or a period of time when there are no wars

13. "we got the breaks to get you on the floor" - percussive music; "In DJ parlance, a break is where all elements of a song (e.g., pads, basslines, vocals), except for percussion, disappear for a time." http://en.wikipedia.org/wiki/Break_(music)

14. "You say last week you met the perfect guy" (That's the breaks, that's the breaks)- these lines and the other lines in this verse use the "that's life"; "it be's that way sometime" meanings (an attitude and stance that indicates that a person isn't bothered [harmed] by the bad things that have happened to him or her)

****
This ends Part IV of this series.

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Friday, July 4, 2014

Black Talk: Excerpt From "Sez Who? Hip Hop Nation: A Scholar's View"

Edited by Azizi Powell

This post provides an excerpt from an online article about Hip Hop Language [HHL) reprinted from Language in the USA.

As such, this post is related to an ongoing pancocojams series entitled "Putting On The Black". That series explores Black people's online use of African American Vernacular English [AAVE] and/or other forms of Black English such as Caribbean Patois. I maintain that those and other forms of Black English are often purposely used on YouTube discussion threads and on other internet blogs to signal the user's Black racial identity and/or to just "kick back" (relax) and have fun being "for real" in an informal setting. Those posts can be assessed by clicking on the "Putting On The Black" tag given below.

The content of this post is provided for historical, etymological, and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

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ONLINE EXCERPT: "SEZ WHO? HIP HOP NATION: A SCHOLAR'S VIEW
From http://www.pbs.org/speak/words/sezwho/hiphop/reprint/
"Sociolinguists are intensely interested in the language of Hip Hop Nation, a highly fluid, creative and constantly changing dialect. H. Samy Alim explains how devotees “devise innovative ways to slice the system with the syntax."

H. Samy Alim argues that language—especially Hip Hop Nation Language (HHNL)—is central to the Hip Hop Nation (the “borderless” composite of hip hop communities world-wide). He identifies ten tenets of HHNL, including its rootedness in African American language and discursive practices, its regional variability, its synergistic combination of speech, music, and literature, and its links with surrounding sociopolitical circumstances, like police brutality and the disproportionate incarceration of the African American hip hop generation.

Much of the distinctiveness of HHNL comes from its inventiveness with vocabulary, and Alim provides several rich examples of this, from “Puffy” Combs popularizing of benjamins for ‘$100 bills’ to E-40’s coinage of new slang terms like What’s crackulatin for ‘What’s happenin.’...

Hip Hop Nation Language [HHNL]
...The centrality of language to the HHN is evident in such song and album titles as the “New Rap Language” (Treacherous Three 1980), “Wordplay” (Bahamadia 1996), “Gangsta Vocabulary” (DJ Pooh 1997), “Project Talk” (Bobby Digital 1998), “Slang Editorial” (Cappadonna 1998), Real Talk 2000 (Three-X-Krazy 2000), “Ebonics” (Big L 2000), Country Grammar (Nelly 2000), and Project English (Juvenile 2001). In numerous ethnographic interviews, I have found that language is a favorite topic of discussion in the HHN,[Hip Hop Nation] and its members are willing to discuss it with great fervor—and to defend its use.

When we speak of “language,” we are defining the term in a sense that is congruent with the HHN's “linguistic culture” (Schiffman 1996), and HHNL can be situated in the broader context of African American speech:
"There is no single register of African American speech. And it's not words and intonations, it's a whole attitude about speech that has historical rooting. It's not a phenomenon that you can isolate and reduce to linguistic characteristics. It has to do with the way a culture conceives of the people inside of that culture. It has to do with a whole complicated protocol of silences and speech, and how you use speech in ways other than directly to communicate information. And it has to do with, certainly, the experiences that the people in the speech situation bring into the encounter. What's fascinating to me about African American speech is its spontaneity, the requirement that you not only have a repertoire of vocabulary or syntactical devices/constructions, but you come prepared to do something in an attempt to meet the person on a level that both uses the language, mocks the language, and recreates the language. (Wideman 1976: 34)"

Members of Tha Pharcyde actively debated the concept of HHNL:
"Booty Brown: There's more than just one definition for words! We talk in slang. We always talk basically in slang. We don't use the English dictionary for every sentence and every phrase that we talk!

Pharcyde: No, there's a lot of words out of the words that you just said which all...

Booty Brown: Yeah, but the way I'm talking is not the English language... We're not using that definition… We're making our own… (Spady et al. 1999: xix)"

...In Tha Pharcyde conversation, when the brotha says the way he is talking is not the English language, he is talking about much more than slang. He asks pointedly, “Whose definition are you glorifying?” By making up your own words, he attests, you are freeing yourself from linguistic colonization (Wa Thiongo 1992)...

The relationship between HHNL and AAL [African American Language] is a familial one. Since hip hop's culture creators are members of the broader African American community, the language that they use most often when communicating with each other is AAL. HHNL can be seen as the submerged area (Brathwaite 1984: 13) of AAL that is used within the HHN, particularly during hip hop-centered cultural activities, but also during other playful, creative, artistic, and intimate settings. This conception of HHNL is broad enough to include the language of rap lyrics, album interludes, hip hop stage performances, and hip hop conversational discourse. African Americans are on the cutting edge of the sociolinguistic situation in the USA (as evidenced by abundant recent sociolinguistic research on the topic). HHNL, thus, is the cutting edge of the cutting edge.

A revised edition of the lexicon of “Black Talk” (Smitherman 1994, 2000) begins with a chapter entitled, “From Dead Presidents to the Benjamins.” The term “dead presidents” (meaning ‘money’ and referring to American notes with images of dead presidents) has been in use in the African American community since the 1930s. In the late 1990s, hip hop group dead prez both shortened the term and made explicit its multivariate meanings (within the revolutionary context of their rhymes and philosophy, they are surely hinting at assassination—a form of verbal subversion).

The “benjamins” is a term from the late 1990s popularized by rapper Sean “Puffy” Combs (P. Diddy)...

The HHN’s linguistic consciousness refers to HHNL speakers’ conscious use of language to construct identity. Addressing the divergence of AAL from standard English, Smitherman and Baugh (In press: 20) write:
"Graffiti writers of Hip Hop Culture were probably the coiners of the term “phat” (meaning excellent, great, superb)...
although “phat” is spelled in obvious contrast to “fat,” the former confirms that those who use it know that “ph” is pronounced like “f.” In other words, those who first wrote “phat” diverged from standard English as a direct result of their awareness of standard English: the divergence was not by chance linguistic error. There is no singular explanation to account for linguistic divergence, but Hip Hop Culture suggests that matters of personal identity play a significant role...

As with the highlighting of regional vocabulary, HHNL speakers intentionally highlight regional differences in pronunciation by processes such as vowel lengthening and syllabic stress (Morgan 2001b)...

When Nelly and the St. Lunatics “busted” onto the hip hop scene, they were among the first rappers to represent St. Louis, Missouri on a national scale. Language was an essential part of establishing their identity in a fiercely competitive world of hip hop culture. For example, in a single by the St. Lunatics featuring Nelly they emphasize every word that rhymes with “urrrr” to highlight a well-known (and sometimes stigmatized) aspect of southern/midwest pronunciation (here à hurrrr; care à currrr; there à thurrrr; air à hurrrr and so on). By intentionally highlighting linguistic features associated with their city (and other southern cities), they established their tenacity through language as if to say, “We have arrived.”

HHNL speakers vary their grammar consciously
Nelly and the St. Lunatics are conscious not only of their pronunciation, but also of their syntax. On his platinum single “Country Grammar” (2000), Nelly proclaims, “My gramma bees Ebonics.” Clearly, HHNL speakers vary their grammar consciously. An analysis of copula variation in the speech and the lyrics of hip hop artists concluded that higher levels of copula absence in the artists' lyrics represented the construction of a street conscious identity—where the speaker makes a linguistic-cultural connection to the streets, the locus of the hip hop world (Alim 2002). John Rickford has suggested (in a conference comment made in 2001) that the use of creole syntactic and phonological features by many rappers supports the ability of HHNL speakers to manipulate their grammar consciously.

...Linguistic scholars of the hip hop generations (we are now more than one) are needed to uncover the complexity and creativity of HHNL speakers. In order to represent—reflect any semblance of hip hop cultural reality—these scholars will need to be in direct conversation with the culture creators of a very widely misunderstood Nation."

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Visitor comments are welcome.

Monday, January 27, 2014

Macklemore & Ryan Lewis , featuring Mary Lambert - Same Love (videos & lyrics)

Edited by Azizi Powell

This post showcases the song "Same Love" by Macklemore & Ryan Lewis, featuring Mary Lambert.

Included in this post are the official video of that song, a video of its 2014 Grammy performance, and the lyrics to that song. In addition, this post includes my transcription of the comments that Queen Latifah made as an introduction to the Grammy performance of "Same Love" and the weddings of thirty-three couples -some same-sex — in the middle in the performance as Queen Latifah officiated.

The content of this post is presented for cultural, inspirational, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Note: Although pancocojams focuses on music, dance, and other features from African American cultures and other Black cultures throughout the world, I'm showcasing the song "Same Love" which is composed by & performed by non-Black artists. I'm doing so because I strongly support this song's message. That said, the official "Same Love" video includes Black people, as does its Grammy performance.
Even if it did not, that song's message would make it a winner and very worthy of being showcased on this blog.

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SHOWCASE VIDEOS:

Example #1: Macklemore & Ryan Lewis - Same Love -featuring Mary Lambert (Official Video)



Ryan Lewis, Published on Oct 2, 2012

...SONG:
Macklemore & Ryan Lewis
Same Love feat. Mary Lambert
(B. Haggerty, R. Lewis, M. Lambert)
Macklemore Publishing BMI, Ryan Lewis Publishing BMI
Produced by Ryan Lewis for Macklemore DBA Ryan Lewis LLC
Written by Macklemore, Mary Lambert
Piano performed by Josh Rawlings
Violin by Andrew Joslyn
Cello by Natalie Hall
Trombone by Greg Kramer
Recorded and Mixed by Ryan Lewis, Ben Haggerty
Macklemore/RyanLewis Studios, Seattle, WA
Mastered by Sterling Sound, New York City, NY

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Example #2: Macklemore - Same Love Performance Ft. Mary Lambert & Ryan Lewis At The Grammys 2014



Ali Reda, Published on Jan 26, 2014

Macklemore - Same Love Performance Ft. Ryan Lewis, Queen Latifah Mary Lambert, Madonna at The Grammys 2014
-snip-
Transcription of Queen Latifah's introductory remarks:
"When we say music has the power to bring people together at the Grammys we mean it. One of the most inspiring success stories in music this past year has been Macklemore and Ryan Lewis, already four time Grammy winners tonight.

This song is a love song, not for some of us, but for all of us. And tonight we celebrate the commitment to love by some very beautiful couples.

Joined by Mary Lambert and New Orleans own Trombone Shorty, here's Macklemore and Ryan Lewis and the uplifting song song that says "Whatever God you believe in, we come from the same one. Trip away the fear, underneath it's all the same love".
-snip-
Transcription by Azizi Powell. Additions and corrections are welcome. I wonder if Queen Latifah meant to say "Strip away the fear etc." instead of "trip away"...

****
LYRICS: SAME LOVE
(Written by Macklemore, Mary Lambert)

When I was in the third grade I thought that I was gay,
'Cause I could draw, my uncle was, and I kept my room straight.
I told my mom, tears rushing down my face
She's like "Ben you've loved girls since before pre-k, trippin' "
Yeah, I guess she had a point, didn't she?
Bunch of stereotypes all in my head.
I remember doing the math like, "Yeah, I'm good at little league"
A preconceived idea of what it all meant
For those that liked the same sex
Had the characteristics
The right wing conservatives think it's a decision
And you can be cured with some treatment and religion
Man-made rewiring of a predisposition
Playing God, aw nah here we go
America the brave still fears what we don't know
And God loves all his children, is somehow forgotten
But we paraphrase a book written thirty-five-hundred years ago
I don't know

And I can't change
Even if I tried
Even if I wanted to
And I can't change
Even if I tried
Even if I wanted to
My love
My love
My love
She keeps me warm
She keeps me warm
She keeps me warm
She keeps me warm

If I was gay, I would think hip-hop hates me
Have you read the YouTube comments lately?
"Man, that's gay" gets dropped on the daily
We become so numb to what we're saying
A culture founded from oppression
Yet we don't have acceptance for 'em
Call each other faggots behind the keys of a message board
A word rooted in hate, yet our genre still ignores it
Gay is synonymous with the lesser
It's the same hate that's caused wars from religion
Gender to skin color, the complexion of your pigment
The same fight that led people to walk outs and sit ins
It's human rights for everybody, there is no difference!
Live on and be yourself
When I was at church they taught me something else
If you preach hate at the service those words aren't anointed
That holy water that you soak in has been poisoned
When everyone else is more comfortable remaining voiceless
Rather than fighting for humans that have had their rights stolen
I might not be the same, but that's not important
No freedom till we're equal, damn right I support it

(I don't know)

And I can't change
Even if I tried
Even if I wanted to
My love
My love
My love
She keeps me warm
She keeps me warm
She keeps me warm
She keeps me warm

We press play, don't press pause
Progress, march on
With the veil over our eyes
We turn our back on the cause
Till the day that my uncles can be united by law
When kids are walking 'round the hallway plagued by pain in their heart
A world so hateful some would rather die than be who they are
And a certificate on paper isn't gonna solve it all
But it's a damn good place to start
No law is gonna change us
We have to change us
Whatever God you believe in
We come from the same one
Strip away the fear
Underneath it's all the same love
About time that we raised up... sex

And I can't change
Even if I tried
Even if I wanted to
And I can't change
Even if I tried
Even if I wanted to
My love
My love
My love
She keeps me warm
She keeps me warm
She keeps me warm
She keeps me warm

Love is patient
Love is kind
Love is patient
Love is kind
(not crying on Sundays)
Love is patient
(not crying on Sundays)
Love is kind
(I'm not crying on Sundays)
Love is patient
(not crying on Sundays)
Love is kind
(I'm not crying on Sundays)
Love is patient
(not crying on Sundays)
Love is kind
(I'm not crying on Sundays)
Love is patient
Love is kind

Source:
http://www.azlyrics.com/lyrics/macklemore/samelove.html
-snip-
"trippin" - acting or saying something silly, from the phrase "acid trip" ("acid"- a type of illegal drug
**
"Have you read the YouTube comments lately?
"Man, that's gay" gets dropped on the daily" = The offensive American vernacular saying that something is "gay" equates "gay" with being "stupid" and/or un-hip.

"dropped on the daily" = said every day

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Thanks to the composers of this song, to all the vocalists and musicians featured in these videos, and to the producers of the official video. Thanks also to Queen Latifah for her introductory comments. And thanks to the transcribers of this song, and the publishers of these videos on YouTube.

Thank you for visiting pancocojams.

Visitor comments are welcome.

Monday, November 25, 2013

The REAL Meanings of "Burn Baby Burn" & "The Roof Is On Fire"

Edited by Azizi Powell

Latest revision - May 21, 2025

This pancocojams post provides a partial time line & some comments about the chant & musical refrain "burn baby burn" or its variant form "burn mf* burn.

This post also presents some information and comments about the musical refrain "the roof is on fire". This time line is from 1967-2002 and particularly focuses on the Soca record "Follow The Leader" by the Soca Boys.

This post also includes comments gleaned from an informant about how "the roof is on fire" chorus was chanted in call & response style at certain African American parties & dance clubs beginning in the mid 1980s.

This post also includes my comments about the cluster of African American vernacular terms  "being on fire"/"getting hot" that mean something is done very well or someone is doing something very well [such as playing musical instrument, singing, or dancing]. 

The content of this post is presented for historical, cultural, and folkloric purposes.

All copyrights remains with their owners.

Thanks to all those who are quoted in this post. Special thanks to my informant MH
-snip-.
Click http://pancocojams.blogspot.com/2013/11/four-videos-of-soca-record-follow-leader.html for a companion post that showcases four videos of the Soca song "Follow The Leader".

*”mf” is my abbreviation for the widely known expletive that has two syllables which begin with those letters.

TIME LINE
1967
From http://www.answers.com/topic/riots-urban-of-1967
"Gale Encyclopedia of US History:
Urban Riots of 1967"
"Beginning in April and continuing through the rest of the year, 159 race riots erupted across the United States. The first occurred in Cleveland, but by far the most devastating were those that took place in Newark, New Jersey, and Detroit, Michigan. The former took twenty-six lives and injured fifteen hundred; the latter resulted in forty deaths and two thousand injuries. Large swaths of ghetto in both places went up in flames. Television showed burning buildings and looted stores, with both National Guardsmen and paratroopers on the scenes."

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1978
From http://www.metrolyrics.com/disco-inferno-lyrics-the-trammps.html “The Trammps – Disco Inferno Lyrics"
The Tramps song includes the verses:
"(Burn baby burn) disco inferno
(Burn baby burn) burn that mother down
(Burn baby burn) disco inferno
(Burn baby burn) burn that mother down...

Up above my head
I hear music in the air
That makes me know
There's a party somewhere"...

(Just can't stop) when my spark gets hot
(Just can't stop) when my spark gets hot"
-snip-
It’s my position that those lines refer to sexual energy, to a dance event & dancers who are "hot", and to an expanded meaning of the fires that occurred during the riots of 1967. That expanded meaning alludes to the need to burn down [tear down] mainstream America’s (and the world’s) entrenched, unjust system to make way for a more just, equitable system for all. It's important to emphasize my view that these interpretations don't mean that that song condoned or encouraged riots or burning businesses, or other such actions.

The “up above my head” verse is almost entirely lifted from the African American Spiritual with that name. However, in that Hip Hop Song, the "up above my head" verse refers to music at a disco party and reflects the role of that music - to "heat up" [raise the energy of] those in attendance that party. In other words, that song’s purpose is to help “get the party jumpin” with loud and energetic music [music that is “bumbin” ].

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1984
From http://en.wikipedia.org/wiki/The_Roof_Is_on_Fire
"The Hip Hop song "The Roof Is On Fire" was composed and recorded in 1984 by the Bronx, New York based Hip Hop group Rock Master Scott & the Dynamic Three.

"The Roof Is on Fire" is a single from Rock Master Scott & the Dynamic Three which was released in 1984 that reached number five on the Billboard Hot Dance Music/Maxi-Singles Sales chart.

That song is remembered for its chorus:
“The roof, the roof, the roof is on fire!
We don't need no water—Let the mf* burn!
Burn, mf*, burn!"
-snip-
*This expletive is fully spelled out in those lyrics and on that page.
-snip-
Another page about that group, http://en.wikipedia.org/wiki/Rock_Master_Scott_%26_the_Dynamic_Three, indicates that “Rock Master Scott & the Dynamic Three was an old school rap group best known for the singles "The Roof Is on Fire" and "Request Line", both of which have been sampled by many other groups, for a large variety of genres...

The phrase and hook from "The Roof Is on Fire" has become more notable than the band itself, having been sampled by groups such as Chemical Brothers, Coal Chamber, Kid 'n Play, Rancid, The Pharcyde, and The Bloodhound Gang and many others.”
-snip-
The use of the expletive "mf" is an extension of the word “mother” that is found in The Trammps’ song. In the context of those songs both of those words mean the same thing.

Read my comments above about the meaning of the “burn baby burn” chant.

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1992
The "burn baby burn" was re-introduced to a lesser extent in 1992 in relationship to the Los Angeles, California riots that were sparked by the acquittal of police officers who were charged in the Rodney King videotaped beating incident.

From http://www.brycezabel.com/instanthistory/2005/08/watts_riots_40t.html
"Watts Riots: Burn, Baby, Burn
During August of 1965, the Watts riots transfixed the nation in an explosion of racial violence that, when it was over, left 36 dead, 900 reported injured, over 4,000 arrested and at least $200 million dollars of property damage. It was an orgy of burning and looting that left the area looking like a ravaged war zone. It all started with an arrest of a black man by the hated LAPD on charges of drunken driving"...

****
1997?
The Soca dance instruction song* “Follow Da Leader” was first recorded by the Trinidad & Tobago duo Nigel and Marvin Lewis. (The word "da" in that title means "the".)

"Follow Da Leader" includes a sample of the Rock Master Scott & the Dynamic Three's chorus of "The Roof Is on Fire" but the "Follow Da Leader" chorus purposely omits the expletive that is in that Hip Hop song. Inspite of that expletive being omitted, in the "Follow Da Leader" record & in Nigel's & Marvin's live performances of that song those singers noticably pause where that word would have been. In doing so, listeners to that song who are familiar with the inclusion of that expletive in the Hip Hop song which is the source of that refrain, can add that word during their singing of it, or they can feel a sense of "one upmanship because they are a "hip to the fact" that that expletive is implied by that noticable pause.
-snip-
*A "dance instruction" song is one in which the singer leads the listeners in the performance of various dance moves.

A number of online pages indicate that Marvin & Nigel were the original artists to record that song, but I haven't found any specific date for that recording. I also haven't found any biographical information about that group. Additions to this post with that information and/or links to that information would be appreciated.

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1988
The song "Follow The Leader" is re-recorded by The Soca Boys, a Dutch music group whose members are of Trinidadian ancestry.
From http://nl.wikipedia.org/wiki/The_Soca_Boys
[translated from Dutch to English]
“The Soca Boys is a Dutch dance act, which in 1998 scored a worldwide hit with the song Follow the Leader. Besides a number one hit in the Netherlands, the song reached the charts in European countries, the USA and South America."
-snip-
The lyrics, tune, and tempo of that recording are the same as in the original record by Marvin & Nigel Lewis.

The Soca Boys' "Follow The Leader" record is highly popular worldwide where it is used for a large number of activities, including parading in carnivals, dancing in conga lines during weddings receptions and as part of the entertainment on cruise ships and in resort clubs shows. The Soca Boys's "Follow The Leader" record has also been used in the Caribbean as the song for the children's game musical chairs. That record has also been played during parties, proms and for aerobic exercise routines such as Zumba and cheer-robics [at cheerleader camps]. The Soca song "Follow The Leader" has also been used as a fun sing & dance along activity in summer camps & schools, where it also has been used as a stress reduction activity or as a reward after test taking. Adults have also used "Follow The Leader" as a stress reduction activity.

{These uses for The Soca Boy's "Follow The Leader" song were gleaned from this viewer comment thread for a video of a video of that song: http://www.youtube.com/watch?v=Y8zzG4n8CpM
WARNING: Like many other YouTube viewer comment threads, this thread includes profanity, sexually explicit language, racists comments, and other comments that are problematic.

****
2000
The song "Follow the Leader" was recorded by the Spanish speaking group S.B.S.

The lyrics, tune, and tempo of that recording are the same as in previous recordings.
-snip-
Additions to this post with information and/or links to information about the music group S.B.S. would be appreciated.

****
2002
Nigel & Marvin - Follow Da Leader (2002)
Nigel & Marvin record an updated version of their now classic party song. That 2002 version samples the dance beat of Chocolate Puma's "I Wanna Be" record.

****
COMMENTS ABOUT THE USE OF "THE ROOF IS ON FIRE" CHORUS AT AFRICAN AMERICAN PARTIES & DANCE CLUBS
Remembrances of a 40 year old African American from Pittsburgh, Pennsylvania (referred to as "MH")

According to MH, "the roof is on fire” chorus from The Trammps Hip Hop record was a very widely used call & response chant at certain African Americans parties and small dance clubs from the mid 1980 on, and that chant is still heard at those venues, particularly those attended by African Americans who were young adults or teens during the mid 1980s. (The parties and small club events that MH recalls were in the Pittsburgh, Pennsylvania and the Washington, DC. area and were largely attended by Black students or who attended colleges or universities. However, she believes that "the roof is on fire" was chanted the same way in other African American communities beginning in the mid 1980s as result of The Trammps' record with that title and that chorus. She further believes that that chorus has been chanted the same way since that time, particularly among Black party or dance club attendees who were young adults or teens in the mid 1980s.

MH explained that although the "the roof of fire" chant was known to be from The Trammps' Hip Hop song, that chant was almost always done independent of that record being played. When a party was "getting good", and/or as a means of raising the energy at those parties so that the party got even "hotter", someone in the crowd, or perhaps the dj would seemingly randomly yell “The roof, the roof, the roof is on fire". Immediately afterwards people still dancing and other people at the party loudly responded “We don’t need no water – let the
"mf" burn”. [I asked this informant if the crowd actually said “mf”. She replied "yes", but indicated that she didn’t because she doesn’t curse.]. MH also said that “when people in her generation hear songs like the song “Follow The Leader” which leaves out that curse word, they know that word has been left out - that word is understood**, although it's not sung out loud.

MH said that she believes that "the roof is on fire" meant that the atmosphere at the party or club was "heating up"/"getting hot". That chorus had no political meaning what so ever.

**In this context “understood” means the same thing as what occurs with the word “You” that is left out of commands such as “Come here”.

****
COMMENTS ABOUT THE "BEING ON FIRE/GETTING HOT" CLUSTER OF BLACK VERNACULAR TERMS
A number of Black slang [African American/Caribbean] terms are part of a "being on fire"/"getting hot" cluster. Those terms mean that something is being done very well or that someone is doing something very well [such as playing musical instrument, singing, or dancing].

Among those vernacular terms are "cookin", "smokin", "burnin", and [being] "on fire". I also believe that the logical result of something or someone being on fire resulted in the African American vernacular terms "dynamiter", "the bomb", "sick", "killed [it]", "murdered", and "slaughtered". Those slang terms also mean "something that is done very well" or "someone doing something very well."

Note that "gettin hot" = "doing something very well" [because of that person's talent and/or skills or because the energy in a room has "heated up" are just two of a number of Black vernacular meanings for the word "hot".

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