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Showing posts with label Swing dances. Show all posts
Showing posts with label Swing dances. Show all posts

Saturday, October 8, 2016

The Texas Tommy - The First Swing Dance (Information & Two Film Clips)

Edited by Azizi Powell

This post provides information about and descriptions of the early 20th century African American originated social dance called the "Texas Tommy". The Texas Tommy is considered to be the first swing dance.

Two film clips of "The Texas Tommy" are also showcased in this post.

This post also includes a film clip of the early Lindy Hop as shown in the 1929 movie "After Seben". That film clip is included because a summary of one of the Texas Tommmy videos indicates that its apparent from the dance sequences shown in "After Seben" film that the Texas Tommy is one source of the early Lindy Hop.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those who are featured in these film clips and thanks to all those who are quoted in this post. Thanks also to the publishers of these film clips on YouTube.

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INFORMATION ABOUT THE "TEXAS TOMMY"
These excerpts are given in no particular order and are numbered for referencing purposes only.
Excerpt #1
From http://www.streetswing.com/histmain/z3tex1.htm
"The Texas Tommy... is said by many to be the first swing dance. The main reason being is that during this period (1909), all the couples dances were done in "closed position," while the Texas Tommy was supposedly the first modern couples dance of the time to include the "break-away" step (energetically dancing from closed to open position and back) while using the basic 8 count rhythm of swing dance.

...Many dance bands of the day would travel the "band circuit" from San Francisco thru Mississippi to Kentucky, New Orleans etc., and end in New York and then start back again. The first written record was in San Francisco, California in 1909. Many dance bands or composers of the day would write dance music that had the directions for doing the dance in the verses, such as the Maxixe, Texas Tommy, Bunny Hug, Grizzly Bear, Turkey Trot etc. At the time, many Composer / Musicians would look for a new dance to write a song about.

...Tommy by the way was a slang term for a "Trench or Foot Soldier" in the 1890-1910's, which the song title could be saying Texas Soldier. A 'Texas' Tommy is said to be a female prostitute who also worked the trenches and/ or walked the streets in the early 1900s.

The Texas Tommy may go all the way back to the Civil War... however unlikely; There was a famous black dancer named "Tom from Palestine" Texas, that was known for "putting a glass of water on his head and making his feet go like trip-hammers and sounding something like a snare drum," he would "whirl around and such" while all his movements were from the "waist down, without spilling a drop of water." He was known as "The Jigginest fellow ever was" (sounds like Juba .) Although this does not sound like a swing dance and obviously more directly a Tap/Clog/Jig dancer because he danced by himself, and was probably doing a form of Jig or Buck dancing, he may have later had something to do with the rhythms and such but doubtful. Another may have been in east Texas, by a well known Blues Pioneer "Ragtime Texas Henry" Thomas who in the late 1800's played at many "Juke Joints" along the way to his fame.”...

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Example #2:
From https://en.wikipedia.org/wiki/Texas_Tommy_(dance)
"The Texas Tommy is a vigorous social dance for couples that originated in San Francisco in the early twentieth century.[1]

...Description
Some social dance historians have argued that the Texas Tommy was the first swing dance. The argument is that it was the first social dance using the basic 8-count rhythm of swing dance to include a breakaway step from the closed position of other couple dances of the time.[9] Ethel Williams, who helped to popularize the dance in New York in 1913, described it as a "kick and a hop three times on each foot followed by a slide." The basic steps are followed by a breakaway, an open position that allowed for acrobatics, antics, improvisations, and showing off. Working from an old film of the dance, she also described it as having a basic pattern of "a loose step, hop-kick, step, hop-kick, run, run, run, run" and identified a "useful variation" of four step-kicks that "agrees with the open and improvisational manner that the Texas Tommy was described to have in many of the written references."[10]....

Original sheet music
The "Texas Tommy Swing" was composed by Sid Brown, with lyrics by Val Harris, and was published by the World's Fair Publishing Company in San Francisco in January or February 1911. The sheet music cover was designed in the form of the front page of a newspaper, with the headline reading "The Dance That Makes the Whole World Stare." The faux newspaper included reprints of three articles from the San Francisco Examiner, headlined "Pavlowa Endorsed Texas Tommy Swing," "Mrs. Oelriches Liked Texas Tommy Swing," and "The Story of the Dance," which is transcribed here:
A breath from the cotton fields - the grizzly bear, the loving hug, the walk-back and the turkey-trot all blend in Texas Tommy Swing.

The Texas Tommy Swing invades the north and east like a dainty zephyr from the perfumed cotton fields of the sunny South. The rhythm of the Grizzy Bear, the inspiration of the Loving Hug, the grace of the Walk-Back and the abandon of the Turkey-Trot all blend in the harmony of the Texas Tommy Swing, which was really the parent of all the others.

The dance originated more than forty years ago among the negroes of the old Southern plantations. Every little movement has a meaning all its own to the heart truly in tune with nature. The graceful harmonies of the song and dance reflect the joyous spirit of the negro race, the care-free actions of the Dinahs and the Sams who gathered outside the cabin doors on moonlit nights and to the twang of the banjo or the scrape of the fiddle, vented the rhapsodies of mind and body in a purely natural way.

Here and there a raucous discord like the squacking voice of a chicken in distress breaks in upon the frivolous melody of the theme or a plaintive note brings a reminder of the tear always so close to the laugh in the negro nature.

Southern darkies brought the dance and a suggestion of the melody to San Francisco several years ago, and there upon the Barbary Coast it was rounded into perfect harmony. It took the place by storm. Eastern people interested in dancing took it up. Stage favorites seized upon its absorbing rhapsodies.

Society men and women accepted and adopted it. Pavlowa, the Czar's favorite dancer, went into raptures over it and incorporated it in her repertoire. Leaders of the four hundred all over the country regard it as one of the sights of San Francisco and endorse it to their friends on their return.

In tangible and concrete form this inspiring, historic and dramatic song and dance is now presented to the public for the first time, in Texas Tommy Swing.
-snip-
Notes and references [for the book that contained the passage given in blockquotes]
Albert and Josephine Butler, "Texas Tommy," in The Encyclopedia of Social Dance (New York: Albert Butler Ballroom Dance Service, 1971)."

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SHOWCASE VIDEOS
Example #1: A 1914 film showing black people dancing in a dance hall - Great dance moves. Getting jiggy with it!



ricsil2037, Published on Jul 21, 2012

...This is a 1914 film showing black people dancing on a dance floor. They are getting jiggy with it. Interior of a Black dance hall with band and dancers.

DISCLAIMER: This video is part of the Prelinger Archives with the Creative Commons Public Domain Mark 1.0 license. This video is in the Public Domain.
-snip-
Some commenters in that "video's" discussion thread indicated that one of the dances that the dancers were doing was the "Texas Tommy".

Here are links to two other YouTube examples of this film clip with added sound:
https://www.youtube.com/watch?v=NpEVCiAG70c
American dancers in 1914, jazz dance in a black club with Kid Ory's 'Ballin' the Jack'

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https://www.youtube.com/watch?v=ZOk4oArl3Tk Dancing (1914)

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Example #2: The original Texas Tommy



Richard Powers, Published on Jan 11, 2015

An amateur film shot in San Francisco around 1910, showing the one-step in a dance hall, then the Texas Tommy in the street, then another couple doing the Texas Tommy in an indoor dance hall. The Texas Tommy was the earliest version of swing dancing. Two of the African American Texas Tommy dancers - Ethel Williams and Johnny Peters - traveled to New York (Harlem) in 1911, where the transplanted Texas Tommy became popular, mostly as a vaudeville act, then evolved into an easier social dance version at the Savoy Ballroom (1926), which then became the Lindy hop by 1928. Watch Shorty George Snowden and his Savoy Ballroom dancers dance the 1929 version in "After Seben" and the roots of the Texas Tommy are apparent.
-snip-
African American dancers are shown in this film clip beginning at .015

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ADDENDUM -"After Seben" Film Clip
(that is mentioned in the summary to the "video" given as Example #2 above)

After Seben (1929)



Swungover, Published on Oct 2, 2013

This clip from 1929 is by most accounts the birth of Lindy Hop on film.
-snip-
*"After Seben" = "After Seven" (meaning, in the evening; at night)

Here's the summary of another YouTube video of this same film clip ("Early Savoy Lindy Hop", posted by Richard Powers, Published on Jan 11, 2015 https://www.youtube.com/watch?v=H9E4Aq4K_p8
" "Shorty" George Snowden and his dancers from the Savoy Ballroom, dancing to music by Chick Webb And His Orchestra, in the 1929 film "After Seben." Note that each couple not only has a different style, but also a different timing. Couple #1 dances it QQ-S, rock-step first, and includes 6-count timing at the end. Couple #2 is clearly S-QQ, side-step first, as is couple #3, Shorty Snowden. Over the next five years the music changed to a swung rhythm, and the slow step of the QQ-S timing was replaced with a triple step."

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Visitor comments are welcome.

Tuesday, August 23, 2016

Information About "Ballin' The Jack" (Railroad Term, African American Dance, & Song Lyrics)

Edited by Azizi Powell

This is Part I of a two part series on the American dance "ballin the jack".

Part I provides information about the railroad term "ballin' the jack" and the African American originated dance with that name. Part I also provides examples of some early 20th century songs that include the phrase "ballin the jack".

Click http://pancocojams.blogspot.com/2016/08/youtube-sound-files-video-examples-of.html for Part II of this series. Part II showcases four sound files & videos of Jazz compositions entitled "Ballin The Jack". Part II also showcases a 1914 film clip of Black Americans dancing in a nightclub. That film clip is dubbed with a "Ballin' The Jack" Jazz composition. Part II also showcases two movie clips that feature a "Ballin The Jack" song and dance performance.

The content of this post is presented for folkloric, historical, and cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post.

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EXCERPTS ABOUT "BALLIN THE JACK"
These excerpts are numbered for referencing purposes only.

Excerpt #1
From http://www.streetswing.com/histmain/z3balin.htm
Ballin the Jack
"Ballin' the Jack is basically just a sensual, gyration dance with bumps and grinds. Notorious in its day, it was done as a solo dance or along with swing dancing. It's first public appearance was in 1913 at the Lafayette Theater in Harlem, the play was called "The Darktown Follies" produced by Leubrie Hill in the first act called "At The Ball, That's All." Florence Ziegfeld loved it so much he purchased the rights and used it in his Follies of 1913.

In 1913 dancer and composer Chris Smith wrote the song titled "Ballin' The Jack," based on a Negro song that was becoming a dance fad across the nation with white America. Most people think of Ballin' the Jack as a swing variant such as the Big Apple and Truckin'. However in the early 1900's, it was a dance all in its own. When it merged with the Lindy Hop, it lost most of its original form and became just a sidekick to swing dance such as pictured on left.

There are stories that 'Ballin' the Jack' was sung by the African-Americans while laying rail for the rail road companies in the 1890's. The "Jack" was a common name for a locomotive (the jackass carrying the load), and Ballin' was the trainmen's hand gestures to 'Highball it' or "High Balling" which means, "faster or to have fun." a side note:
The vintage 'Little Wonder Records' had the title of 'Ballin' The Jack' in 1909. The last patent date listed on the record is 11/30/1909.

Ballin The Jack dance:
Birth Place USA
Creation Date(song: 1909/1913) | (dance: c.1899)
Creator African-Americans
Dance Type: Swing

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Excerpt #2
From https://www.rem.routledge.com/articles/darktown-follies-lafayette-theatre-harlem-1913
"Darktown Follies (Lafayette Theatre, Harlem, 1913) By Templeton, Melissa; 09/05/2016
"One of the earliest large-scale musical revues to be created and performed by an all-Black cast, Darktown Follies premiered in 1913 at the Lafayette Theatre in Harlem. Darktown Follies exhibited qualities common to minstrel shows of the period with its episodic musical numbers and large group finale. The plot, however, focussed on a romantic storyline between two Black characters, which was rarely seen in minstrel performances. Darktown Follies introduced dances, like Ballin’ the Jack (which would eventually become a popular dance on Broadway) and the Texas Tommy (a predecessor of the lindy hop) to the New York stage. Darktown Follies helped launch a trend of White artists traveling to Harlem in search of new material for their own productions. The show foreshadowed the development Black musicals like Shuffle Along (1921) and was an important precursor to the artistic renaissance that would define Black modernism in Harlem of the 1920s and 1930s."

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Excerpt #3
From http://nkaa.uky.edu/record.php?note_id=1743
My Friend from Kentucky (Darktown Follies)
Start Year : 1913
"The Darktown Follies in "My Friend from Kentucky" was a three act comedy that was produced and initially staged in Harlem by J. Leubrie Hill. The production had been previously named "My Friend from Dixie" and it would go through a series of title and content changes before finally becoming known as Darktown Follies. The show is remembered for the dancing, unlike anything that had been witnessed on Broadway, and it had great drawing power that brought whites into Harlem at night. The production would eventually be moved downtown and performed for white audiences. One of the main characters is Bill Simmons, a businessman from Kentucky, who convinces character Jim Jackson Lee that for a fee he can leave his wife and her father's Virginia plantation (an African American-owned plantation) for a better life and a newer wife in Washington, D.C. For more see "The Darktown Follies" in A Century of Musicals in Black and White, by B. L. Peterson; and Steppin' On the Blues, by J. Malone.
Subjects: Actors, Actresses, Musicians, Opera, Singers, Song Writers
Geographic Region: Kentucky"

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Excrpt #4:
From http://mudcat.org/thread.cfm?threadid=1948 "ballin the jack"

[Pancocojams Editor's note:This compilation highlights Selected comments from that post on that online folk music forum. These comments are in response to a request for lyrics for the song "Ballin The Jack". I've numbered these comments for referencing purposes only.]

1. RE: Ballin' the Jack
From: [Gene]
Date: 20 Jun 97 - 12:33 AM

"The following songs refer to BALLin’ the Jack...Perhaps it is one of them...and there’s at least one more I know of.
BRINGIN’ IN THE GEORGIA MAIL
Words and music by Fred Rose

See that engine puffin’, boy she’s making time
That old train’s a going off the rail
Heading for the mountain that she’s got to climb
Bringin’ in the Georgia mail.

Ninety miles an hour and she’s gaining speed
Just listen to that whistle moan and wail
Has she got the power, I say yes indeed
Bringin’ in the Georgia mail.

See the driver scramble, watch it spin the track
They ought to put that engineer in jail
Has he got her rolling, watch her ball the jack
Bringin’ in the Georgia mail.

Rocking and a rolling, spouting off the steam
Stoke the fire and hope the brakes don’t fail
Serving all the people, listen to her scream
Bringin’ in the Georgia mail.

Or this one: CHOO CHOO CH BOOGIE

Gonna settle down by the railroad track
And live the life of Reilly in a beaten down shack
So when I hear a whistle I can peep through the crack
And watch the train a-rollin’ when she’s ballin’ the jack...

Or this one circa the 40’s?

First you put your two knees close up tight,
Then you swing them to the left and swing ‘em to the right,
Then you dance around and dance around with all of your might
Take you loving baby close up tight
And you hug her, hug her, hug her with all of your might
Then you swing her out, and pull her back
And that’s what I call ‘ballin' the jack’!"

-Gene
-snip-
That blogger used bold font in this comment and in his next comment.

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2. RE: Ballin' the Jack
From: [Gene]
Date: 20 Jun 97 - 11:31 AM

"also-"Wanderin"
"My daddy is an engineer
My brother drives a hack
My mother takse in washin'
And the baby balls the jack.......etc.." "

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Subject: Lyr/Chords Add: WANDERING
From: Will
Date: 24 Jun 97 - 07:52 PM

""Wandering" is in Rise Up Singing, credited as traditional and arranged by Sammy Kaye.
Nice song. Now, could someone tell us what "balling the jack" is?
C Em
My daddy is an engineer, my brother drives a hack
F G
My sister takes in washing and the baby balls the jack
C Am F G C
And it looks like I'm never gonna cease my wandering.

My daddy longs to see me home, my brother'd share his bed
My sister longs for me to have a roof above my head
And it looks ...

I've been wandering early and late
From Singapore to the Golden Gate
And it looks ...

I've worked on freighters and I've worked on a farm
And what I've got to show for it is muscles in my arm
And it looks ...

There's snakes on the mountain and eels in the sea
I let a red-headed woman make a fool out of me
And it looks ..."

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3. Subject: Lyr Add: BALLIN’ THE JACK (Jim Burris, C Smith)
From: Gene
Date: 14 Aug 97 - 07:12 PM

"Ran across this version of Ballin’ The Jack awhile back...

BALLIN' THE JACK
Words by Jim Burris; Music by Chris Smith
New York: Jos. W. Stern & Co., 1913.

1. Folks in Georgia's 'bout to go insane
Since that new dance down in Georgia came.
I'm the only person who's to blame.
I'm the party introduced it there,
So, give me credit to know a thing or two.
Give me credit for springing something new.
I will show this little dance to you.
When I do you'll say that it's a bear.

CHORUS: First you put your two knees close up tight,
Then you sway 'em to the left, then you sway 'em to the right.
Step around the floor kind of nice and light,
Then you twis' around and twis' around with all your might.
Stretch your lovin' arms straight out in space,
Then you do the Eagle Rock with style and grace.
Swing your foot way 'round then bring it back.
Now that's what I call "Ballin' the Jack."

2. It's being done at all the cabarets.
All society now has got the craze.
It's the best dance done in modern days.
That is why I rave about it so.
Play some good "rag" that will make you prance.
Old folks, young folks, all try to do the dance.
Join right in now while you got the chance.
Once again the steps to you I'll show.


Featured in the movie: THAT’S MY BOY! with Dean Martin and Jerry Lewis."

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4. RE: Ballin' the Jack
From: Whip
Date: 15 Aug 97 - 02:28 PM

"There were a number of popular dances in the 19-'teens and '20s that originated in the black community and were commandeered (sp?) by white socialites. The eagle rock was one, as were the buzzard lope and the black bottom. Not sure if the Charleston started out black or not.
Most of them were considered "not nice" by Mrs. Grundy and crew."

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5. Subject: RE: Ballin' the Jack
From: Jon W.
Date: 18 Aug 97 - 01:12 PM

"I've heard of the eagle rock in a few old blues/ragtime/boogie songs from the 30's. And Ballin' the Jack was referred to in a Chuck Berry song - I don't remember the title, something about school days. The line was "we were balling the jack, but were all back in place when the teacher got back."
As for trains, could it refer to the governor mechanism on a steam locomotive? There were two steel balls on a centrifuge-type mechanism. When the balls swung out to a preset point (controlled by the engineer) by centrifugal force, it would automatically decrease the power, thus maintaining a constant speed. I believe the expression "Balls to the wall" meaning full speed came from this."

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6. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Jim Dixon
Date: 28 Apr 10 - 06:49 PM

"I expected to find that the expression "balling the jack" was older than the song, but I failed to find any examples. The closest I could get was this: from The Freeman, an Illustrated Colored Newspaper, December 20, 1913, page 12:

ANNUAL STAGE REVIEW
The Parliament of Intellect as a Lost Cause in a Valley of Imbecility
Immoral Sarcasm—Managers and Alliances—Colored Shows
The Southern Situation—Picture Houses—Artists Illustrated
. . .
Cost of Slang and Immoral Dances

There is no cost so dear as the price of slang and immorality seen enacted upon the stage by brazen, illegitimate performers, who vaguely think the applause of a few noisy rowdies is an endorsement that will meet the approval of managers who forfeit their pride and disregard the welfare of children for the sake of revenue only. The actor who swears too much is a nuisance. Some theaters don't allow it at all. But when it comes to smutty slang managers should not allow it: actors should be watched and chided and the limit of the law regarded. Stories that suggest ill repute are especially offensive. It is quite the same with suggestive dances. The shivering bodice, twitching of the shoulders, centralized emotion and balling the jack are all sufficient reason for the revoking of any manager's license.

[Note: the song BALLIN' THE JACK was published in October, 1913, only a couple of months before this article was published. The writer doesn't explain the expression "balling the jack"—he assumes his readers already know what it means, and that they understand why he considers it obscene.

[Furthermore, it is hard to believe that anyone would consider the song obscene, or the movements described in the song. Am I justified in concluding that the original meaning of "balling the jack" must have been something quite different from what is described in the song?—and that the song somewhat sanitized the concept of "balling the jack"?—JD.]"

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7. Subject: RE: Ballin' the Jack
From: Jon W.
Date: 18 Aug 97 - 01:12 PM

"I've heard of the eagle rock in a few old blues/ragtime/boogie songs from the 30's. And Ballin' the Jack was referred to in a Chuck Berry song - I don't remember the title, something about school days. The line was "we were balling the jack, but were all back in place when the teacher got back."

As for trains, could it refer to the governor mechanism on a steam locomotive? There were two steel balls on a centrifuge-type mechanism. When the balls swung out to a preset point (controlled by the engineer) by centrifugal force, it would automatically decrease the power, thus maintaining a constant speed. I believe the expression "Balls to the wall" meaning full speed came from this.

**
8. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Jim Dixon
Date: 28 Apr 10 - 07:02 PM

From The Atlanta Constitution, December 4, 1917, page 3:

Actresses Go Free After Girl Shows Dance to Recorder
It Was a "Naughty Little Wiggle," According to Assistant Chief Jett, So Judge Johnson Orders Demonstration.

... the attorney for the defense, called upon the leading lady to show the judge a sample of the dance which he stated was called "Balling the Jack." ...

[Unfortunately, you can't see more of the article without paying a fee.]

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9. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Q (Frank Staplin)
Date: 28 Apr 10 - 08:14 PM

"J. E. Lighter, Historical Dictionary of American Slang

Ball the jack. 1. To go fast (said esp. of a railroad train), make haste; hence to run away.
"1913 quot. from a well-known ragtime song gave the phrase wide currency and ref. specifically to the performance of a dance step presumably introduced by the song: whether the phrase itself was coined at the same time is uncertain.
"1913 Burris and Chris Smith song "Now that's what I call 'ballin' the jack'."
"1914, in Handy, Blues Treasury Said a black headed gal make a freight train jump the track / But a long tall gal makes a preacher ball the jack.
"1918 Niles Singing Soldiers I come to France to make de Kaiser ball de jack." "

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10. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Q (Frank Staplin)
Date: 28 Apr 10 - 08:37 PM

" Originally a railroad term.

"Balling the jack (High Balling the Jack)
Giving a proceed signal to a locomotive (see High Ball, Jack) a series of proceed signals allows a train to make sufficient speed to maintain a schedule".
A Book of Railroad Terms, W. E. Bill Wood.

"Highball- Signal made by waving hand or lamp in a high, wide semicircle, meaning "Come ahead" or "Leave town" or "Pick up full speed." Verb highball or phrase ball the jack means to make a fast run. Word highball originated from old-time ball signal on post, raised aloft by pully when track was clear. A very few of these are still in service, in New England and elsewhere."

http://www.catskillarchive.com/rrextra/glossary1.html"

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11. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Tinker
Date: 28 Apr 10 - 09:23 PM

"Here is another definition
http://www.slangcity.com/ask_ac_archive/balling%20_the_%20jack.htm

Dear Slang City:

1. What does "balling the jack" mean and what is its origin? I hope it's not gross......
To answer your first question…you can find later uses of the expression [ballin the jack] where it has a sexual meaning, similar to "balling" (having sex). For example, in the 1940s, blues artist Big Bill Broonzy sang:

My baby's coming home.
I hope that she won't fail because I feel so good, I feel so good.
You know I feel so good, feel like balling the jack.

Well, he could be talking about dancing… but maybe not.
11.14.05
More information on the railway origins from Steve, who says
"Believe it or not I was looking for "balling the jack" after listening to my new Hobart Smith record. He sings the Broonzy tune you quoted and there's no doubt what he meant there :-). But I think the phrase has it's origins in how men worked on the railway. Hobart does another song with the lines "Balling the jack, lining track / You can't shovel no more" and the liner notes say it comes from railroad section gangs in the early 1870's. Now if you look up railway know-how on http://madisonrails.railfan.net/lewman10.html you will see that to fix a crooked rail you had one person sit on the track and site along it to see where it needed to be straightened (lining the track), then two men would put jacks at an angle against the inside ball of the rail and lever it until it was straight. Then you had to shovel ballast back in under the ties and tamp it down. The ball of the rail is the curved part going up to the flattened surface on top of the rail. The jack had a groove across the top that fit against the ball so it wouldn't slip off." "

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12. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: Roger the Skiffler
Date: 08 Jul 10 - 07:11 AM

" Re: Eagle Rock.
In Leadbelly's Titanic he refers to Jack Johnson doing the Eagle Rock when he realises that the racial prejudice that stopped him boarding probably saved his life. So many obscure dances seem only to survive in their introductory song (ie Locomotion), this one seems to have got into several."

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13. Subject: RE: Lyr/Tune Req: Ballin' the Jack (J Burris, C Smith)
From: GUEST,dpblais1
Date: 23 Jun 12 - 03:06 PM

"Memphis slim (who worked with bill broonzy) did a version of ballin the jack which I discovered on a bootleg cassette tape in Singapore when I was in the Navy. Not sure which album it came from but it has some of the same lyrics attributed to the Broonzy version referenced in previous post on this thread."

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Wednesday, February 27, 2013

The Jazz Dance "Truckin" (Information & Video Examples)

Edited by Azizi Powell

Latest revision - October 4, 2024

This pancocojams post presents information about and film clips of the Jazz dance step known as "truckin".

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

INFORMATION ABOUT "TRUCKIN" (DANCE)
http://en.wikipedia.org/wiki/Big_Apple_(dance)#Moves
"Truckin: Truckin is a shuffle step variation popularized after the vaudeville era. The right hand is held up (as in a right turn signal) with the index finger extended and wagging. In Harlem Truckin the shoulder is set back. Feet are parallel at all times. With both feet together and facing slight left the right foot scoopes down and brushes the floor, the left foot is then gathered at the right ankle and the right heel twists (this should cause forward movement as the foot scoopes past the other foot). The action is repeated creating a "hearts in the snow" effect from the overlapping steps. At the same time the left hand is placed over the stomach (like a waiter holding a towel) and never really moves. The stomach twistes with the feet therefore, the "stomach rubs the hand". If truckin is being done around a circle the outside hand is always up."
-snip-
From http://www.streetswing.com/histmain/z3truck.htm
“Truckin is considered a Harlem dance originating around 1927...It signifies the Strutting Walk done when one is happy or joyful...It’s mainly used in Lindy Hop today after separating from your partner to return later back together again. Truckin can be done as a couple or as a solo...

Truckin is the shoulders which fall and rise as the dancers move toward each other while the fore finger points up and wiggles back and forth like a windshield wiper.”
-snip-
From http://www.barrypopik.com/index.php/new_york_city/entry/truckin_or_truck_on_down_1935/
"The Big Apple: Truckin
Entry from February 19, 2006
“Truckin‘“ or “Truck on Down” (1935)
The dance "Truckin" or "Truck on Down" was popularized in Harlem in 1935. Various Harlem spots and entertainers took credit for popularizing it."...
-snip-
http://artsites.ucsc.edu/GDead/agdl/truckin.html
"According to The Golden Road, published 
Winter 1984.
"'Truckin'' was a popular dance step, and the word is immortalized in a number of '20s and '30s songs, including the blues "Keep on Truckin'" and Blind Boy Fuller's "Truckin' My Blues Away." ...
-snip-
Blind Boy Fuller's Blues song "
"Truckin' My Blues Away" was written and performed by that musician/singer in 1936.

[From that same site but credited to the Oxford English Dictionary]
"trucking 2. The action of dancing the truck. slang. 1944 C. CALLOWAY Hepster's Dictionary in Of Minnie the Moocher (1976)
260 Trucking, a dance introduced at the Cotton Club in 1933."

The OED also recognizes the phrase "Keep on trucking":
"to persevere: a phrase of encouragement. 1972. Sat. Rev. (U.S.) 28 Oct. 12 One poster...shows the famous R. Crumb cartoon characters and bears the caption: 'Let's Keep on Truckin'."

The New Grove Dictionary of American Music describes "Truckin'" as a dance step which was incorporated into the "lively and strenuous circle dance", the Big Apple. It describes the "truckin'" step, "with its shuffle step and waving index finger."....
-snip-
http://www.skippyblair.com/dance_dictionary.htm
"...TRUCKIN'' was easy to do in the 1940s because the dancers were already familiar with the movement. It was the same movement as the "subtle bounce" in the Jitterbug & Balboa. Truckin' was part of the "Big Apple" in the 1940's..."

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FEATURED VIDEOS
Example #1: Whitey's Lindy Hoppers Radio City Revels 1938



Olivier Cotton, Uploaded on Jun 3, 2010
-snip-
An example of "Truckin" occurs in this film clip at .04-.05
(a woman in the back dances across scene)

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Example #2: Whitey's Lindy Hoppers performing the Big Apple (1939)



Tanoa Stewart, Uploaded on Jan 25, 2007

Whitey's Lindy Hoppers performing the Big Apple followed by some crazy Lindy Hoppin'. From the movie Keep Punching, 1939 - Brought to you by the San Francisco Jitterbugs, www.jitterbugs.info
-snip-
I believe that one example of "Truckin" is found at .48-59.

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Example #3: A Day at the Races [The swing]



mind stripper, Uploaded on Sep 1, 2007
The whole beautiful, inspiring dancing scene of Whitey's Lindy Hoppers.
-snip-
Black dancers perform "Truckin" -.43-.50

Two Marx brothers perform "Truckin" - 6:56-6:59

Three Marx brothers perform "Truckin" - 7:27
-snip-
Editorial comment about this film clip:
Notwithstanding the skill & creativity of the Black dancers & singers who performed in this film clip, I believe that this scene is full of stereotypical depictions of Black people, including Black people’s interaction with the White lead character who plays the pipes & is referred to as (the angel) “Gabriel”. I also believe that the scene in at the end of this clip is racist. In that scene (7:08-7:36), the Marx brothers apply black axle grease to their skin so that they can merge in the crowd with the Black dancers, thus avoiding being captured by those persons chasing them. This is an example of "blackface".

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Example #4:Truckin - Jumbo70



Mrgreymattr, Uploaded on Oct 12, 2010

Inspired by a popular dance step in the 20's & 30's, Truckin was written and recorded by late 60's rock band Jumbo. Watch legends doing some of the coolest moves on the planet. Visit www.jumbo.com
-snip-
I’m not sure if any of these clips are of the “truckin” dance
step.]

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Example #5: Alphabetical Jazz Steps 2 (Bigger & Longer)



LindyandBlues, Uploaded on Feb 16, 2012
Vocabulary of 84 American vernacular jazz solo movements

A hyyperlinked list of the dances that are ddemonstrated in this video is found at http://www.youtube.com/watch?v=pbteWH-3QlY, including Truckin [around 9:40]

A shorter version of this video is found at http://www.youtube.com/watch?v=mEWxdPTCubI

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Example #6: Truckin' Routine at the Swing Brother Swing Festival, Bologna Italy 2011



Sharon Davis, Uploaded on May 11, 2011

Instructors at the 2011 Swing Brother Swing Festival in Italy perform the Truckin' routine, choreographed by Sharon Davis.

Song: Truckin' by Willie Bryant

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BONUS VIDEO
Here's a Soul Train television show clip of Eddie Kendricks performing his 1973 R&B song "Keep On Truckin". I don't know if the dances that are being performed are an updated version of "truckin". As a reminder, the African American colloquial saying "Keep on truckin'" is said to encourage people to keep on going, inspite of difficulties. Another way of saying this is "Keep on keepin on".

EDDIE KENDRICKS - KEEP ON TRUCKING.70S SOUL DANCERS



Raresoulfilms, Uploaded on Jun 6, 2011

WHAT A GROOVE

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RELATED LINK
http://pancocojams.blogspot.com/2013/02/ina-ray-hutton-and-her-melodears-doin.html
Ina Ray Hutton and Her Melodears - "Truckin" & "Doin' The Suzy Q"

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ACKNOWLEDGEMENT AND THANKS
Thanks to the Whitey's Lindy Hoppers and the other dancers in these featured dancers for their dance legacy. My thanks also to the musicians & vocalists who are featured in these videos. Thanks also to the producers of these film clips, the the uploaders of these videos and the authors of the information that is quoted in this post.

Thank you for visiting pancocojams.

Viewer comments are welcome.

Monday, February 18, 2013

Ina Ray Hutton and Her Melodears - "Truckin" & "Doin' The Suzy Q"

Edited by Azizi Powell

This post presents information about Jazz band leader, singer, and dancer Ina Ray Hutton. Two videos of Ina Ray Hutton and her all female band (Melodears) are showcases in this post. Both of these videos refer to very popular Jazz (Swing) dances of the 1930s.

Information about Ina Ray Hutton's sister, singer June Hutton, is also included in this post for supplemental purposes.

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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INFORMATION ABOUT INA RAY HUTTON
From http://en.wikipedia.org/wiki/Ina_Ray_Hutton
"Ina Ray Hutton (March 13, 1916 – February 19, 1984) was an American female leader during the Big band era, and sister to June Hutton.

Hutton was born as Odessa Cowan in Chicago, Illinois of African American descent.[1] She began dancing and singing in stage revues at the age of eight. Cowan's mother Marvel Ray was a local pianist and entertainer in Chicago. She attended Hyde Park High School on the South Side of Chicago. In the 1930s she appeared on Broadway in George White's Scandals and The Ziegfeld Follies.
In 1934 she was asked by vaudeville agent Alex Hyde to lead an all-girl orchestra, the Melodears, which featured musicians including trumpet player Frances Klein, pianist Ruth Lowe Sandler, guitarist Marian Gange, trumpeter Mardell "Owen" Winstead and trombonist Alyse Wells during its existence.[2][3] Hutton and her Melodears were one of the first all-girl bands to be filmed for Paramount shorts...

The group disbanded in 1939. In 1940 she led an all-male orchestra that was featured in the film Even Since Venus (1944); it was disbanded in 1946. During the 1950s, she returned to the all-girl format for variety television programs including the Ina Ray Hutton Show for a local station on the West Coast"...
-snip-
From http://www.blackpast.org/?q=aah/hutton-ina-ray-nee-odessa-cowan-1916-1984
"Hutton, Ina Ray, née Odessa Cowan (1916–1984)
Ina Ray Hutton led the Melodears, one of the first all-female swing bands to be recorded and filmed. She passed as white throughout her musical career, as the leader of several bands from the 1930s through the 1960s. But when Hutton was a child, United States Census records called her and her family “negro,” and “mulatto,” when the Bureau used that term. Her family occasionally appeared in the society pages of a black newspaper"...
-snip-
Here is a brief clip from the Wikipedia page for Ina Ray Hutton's sister June Hutton:
From http://en.wikipedia.org/wiki/June_Hutton
"June Hutton (August 11, 1920 – May 2, 1973[1]) was an American popular singer.

Born June Cowan in Chicago she and her older sister, Ina Ray Hutton, a band leader in the 1930s and 40s, passed as white throughout their musical careers. United States Census records identified her family as “negro,” and “mulatto,” when the Bureau used that term.[2] Though their family occasionally appeared in the society pages of a black newspaper, both sisters had light complexions and by the late 1930s, dyed their hair blonde. Ina Ray Hutton changed her last name to "Hutton" (inspired by heiress Barbara Hutton), and in 1941, her younger sister June joined the band of her older sister, first singing under the name of Elaine Merritt, eventually changing her last name to "Hutton' as well"...

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FEATURED VIDEOS
Video #1: Ina Ray Hutton and Her Melodears - Truckin'



Jan Klompstra, Uploaded on Aug 14, 2006
All-female dance band of the 30s.
Leader and singer: sexy Ina Ray Hutton
-snip-
Click http://www.streetswing.com/histmain/z3truck.htm for information about the Jazz dance "Truckin". That website indicates that this dance first originated in Harlem in 1927.

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Video #2: Ina Ray Hutton and Her Melodears - Doin' The Suzy Q



Jan Klompstra, Uploaded on Aug 13, 2006
All-female dance band with sexy leader-singer Ina

A commenter on that video's http://www.youtube.com/watch?v=2FvJvcZMn3U indicated that this song & film clip are from 1936.
-snip-
Click http://www.streetswing.com/histmain/z3suzyq1.htmfor information about the Jazz dance the "Suzy Q". That website indicates that this dance first originated in 1935.

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RELATED LINK
Click http://www.jambalayah.com/node/1146 for a post on my Jambalayah website that includes videos of a number of African American originated jazz dances (from the 1920 through the 1940s), including the Suzy Q and Truckin. A video demonstrating the Susie Q is clearly labeled. Brief demonstrations of the Susie Q step, the Truckin step, and 82 other Jazz dance steps are found in the video that is entitled "Alphabetical Jazz Steps 2 (Bigger & Longer)"

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ACKNOWLEDGEMENT AND THANKS
Thanks to Ina Ray Hutton and Her Melodears for their musical legacy. Thanks to the composers of these songs, and thanks to the uploaders of these videos.

Thank you for visiting pancocojams.

Viewer comments are welcome.

Thursday, February 14, 2013

Whitey's Lindy Hoppers (information & film clips)

Edited by Azizi Powell

This post presents information about and film clips of Whitey's Lindy Hoppers, a very influential Jazz (Swing) American dance group in the late 1930s and early 1940s. A bonus video tribute to Frankie Manning, a core member & choreographer of that group, is also included in this post.

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

INFORMATION ABOUT WHITEY'S LINDY HOPPERS
From http://en.wikipedia.org/wiki/Whitey's_Lindy_Hoppers
"Whitey's Lindy Hoppers was a professional performing group of Savoy Ballroom swing dancers, started in 1935 by Herbert "Whitey" White. The group took on many different forms, with up to 12 different groups performing under this name or one of a number of different names used for the group over the years, including Whitey's Hopping Maniacs, Harlem Congaroo Dancers, and The Hot Chocolates. In addition to touring both nationally and internationally, the group appeared in a number of feature films and Broadway productions and counted Dorothy Dandridge and Sammy Davis Jr. among their celebrity regulars. By the summer of 1943, with most of its best male dancers got drafted, the Whitey's Lindy Hoppers had pretty much disbanded. The Savoy Ballroom closed in 1958."...
-snip-
From http://www.savoystyle.com/whiteys_lindy_hoppers.html
Archives of Early Lindy Hop -Biographies of Early Swing Dancers

"It is almost 70 years since Herbert "Whitey" White started a professional performing group of Savoy Ballroom swing dancers in 1935. Yet the film clips of Whitey's Lindy Hoppers continue to delight and astonish audiences and inspire new generations of swing dancers...

Whitey's Lindy Hoppers was the brainchild of Herbert "Whitey" White. An African-American man known as "Whitey" because of the streak of white in his hair, he was a former boxer who became a bouncer at the Savoy Ballroom. At one time, more than 70 swing dancers were employed by Whitey. He had a good eye for talent and, like a good coach, he knew how to nurture it. He gave many future entertainers their start in show business...

No matter how far their professional careers went, Whitey's dancers were always, first and foremost, social dancers and true jazz dance improvisors, even after they had a number of choreographed routines under their belts. In this they paralleled the musicians of the great Big Bands, who could perform tight arrangements and still blow completely original jazz improvisations night after night.

The interaction between the improvisations of the great dancers and the great musicians made for fireworks! The dancers transposed the rhythms and riffs into movement and the musicians, watching, responded to what they saw with a frenzy of jazz innovation"...

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FEATURED VIDEOS
Example #1: whitey's lindyhoppers -- history



7roach, Uploaded on Oct 15, 2007

whitey's lindyhoppers
featuring clips from Hot Chocolates and A Day at the Races

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Example #2: Whitey's Lindy Hoppers Radio City Revels 1938


Olivier Cotton. Uploaded on Jun 3, 2010

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Example #3: Whitey's Lindy Hoppers performing the Big Apple (1939)



Tanoa Stewart, Uploaded on Jan 25, 2007

Whitey's Lindy Hoppers performing the Big Apple followed by some crazy Lindy Hoppin'. From the movie Keep Punching, 1939 - Brought to you by the San Francisco Jitterbugs, www.jitterbugs.info

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Example #4: Whitey's Lindy Hoppers - Hot Chocolate - Duke Ellington & His Orchestra - 1941



Juan Villafane, Published on Aug 8, 2013

"Cottontail" Hot Chocolate

Whitey's Lindy Hoppers:

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Example #5: Whiteys Lindy Hoppers .. Helzapoppin



Uploaded by docludi2 on Sep 7, 2010

Probably the greatest Lindy hop sequence ever filmed. Whitey's Lindy Hoppers from the film Helzapoppin… [1941]



Juan Villafane, Published on Aug 8, 2013

"Cottontail" Hot Chocolate

Whitey's Lindy Hoppers

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BONUS VIDEO
Frankie Manning Tribute Video



swingbud,Uploaded on Aug 25, 2010

We're pleased to present the new video tribute to Frankie Manning, produced by Swing Bud Films, "Frankie Manning: Ambassador of Swing." Whether you are a longtime Swing dancer, or new to the dance floor, we hope you will enjoy and be inspired by this introduction to one of America's great dancer / choreographers.

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RELATED LINKS
Click http://www.savoystyle.com/hellzapoppin.html for information about the "Hellzapoppin" dance scene and a listing of other early lindy hop dance scenes.

Also, for a largely non-dance related critique of this film clip and a non-dance related critique of neo-Swing in general, click http://thesocietypages.org/socimages/2011/07/05/race-appropriation-lindy-hop-how-to-honor-our-heroes/ Race, Appropriation, & Lindy Hop: How to Honor our Heroes.

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ACKNOWLEDGEMENT AND THANKS
Thanks to Whitey's Lindy Hoppers for their dance legacy. My thanks also to the musicians and producers of these film clips. Thanks also to the uploaders of these videos and the authors of the information that is quoted in this post.

Also, thank you for visiting pancocojams.

Viewer comments are welcome.

Tuesday, April 24, 2012

Two Archival Lindy Hop (Swing) Dance Videos

Edited by Azizi Powell

This post provides information about The Lindy Hop (Swing) and showcases two archival Lindy Hop (Swing) dance videos.

My thanks to Whitey's Lindy Hoppers, the choreographers, dancers, musicians, and producers of these film clips. Thanks also to the uploaders of these videos and the authors of the information that is quoted.

PART I: BRIEF OVERVIEW OF THE LINDY HOP
The Lindy Hop is an American dance that evolved in Harlem, New York City in the 1920s and 1930s and originally evolved with the jazz music of that time. Lindy was a fusion of many dances that preceded it or were popular during its development but is mainly based on jazz, tap, breakaway and Charleston. It is frequently described as a jazz dance and is a member of the swing dance family.

In its development, the Lindy Hop combined elements of both partnered and solo dancing by using the movements and improvisation of black dances along with the formal eight-count structure of European partner dances...

Revived in the 1980s by American, Swedish, and British dancers, the Lindy Hop is now represented by dancers and loosely affiliated grass roots organizations in North America, South America, Europe, Asia, and Oceania
Source:http://en.wikipedia.org/wiki/Lindy_Hop

-snip-
The name "Lindy Hop" is said to have been coined by Savoy dancer "Shorty" George Snowden as a referent to aviator Charles Lindberg, although the Hop dance was performed years before Lindberg's trans-Atlantic flight. Read about the history of the Lindy dance (Swing)on that Wikipedia page given above, including this quote from African American writer Langston Hughes:
As white people began going to Harlem to watch black dancers, according to Langston Hughes: "The lindy-hoppers at the Savoy even began to practice acrobatic routines, and to do absurd things for the entertainment of the whites, that probably never would have entered their heads to attempt for their own effortless amusement. Some of the lindy-hoppers had cards printed with their names on them and became dance professors teaching the tourists. Then Harlem nights became show nights for the Nordics.

Source: Langston Hughes (1940). The Big Sea. New York: Hill and Wang. - cited in Lynne Fauley Emery (1972). Black Dance in the United States from 1916 to 1970. National Press Books. ISBN 0874842034.

SELECTED VIDEOS

Video #1: Hellzapoppin' (1941) - Whitey's Lindy Hoppers w/ Dancers' Names - Harlem Congaroos



SwingcatVB, Published on Aug 10, 2012
Lindy Hop / Swing Dance scene from the movie - Hellzapoppin' - One of the top lindy hop swing dance scenes complete with aerials ever in the movies. http://www.imdb.com/title/tt0033704/
-snip-
Film Clip Description:
This scene depicts various Black employees spontaneously interrupting their work to play musical instruments & dance. When the Black men & women realize that they are being viewed by their White employees, they stop dancing & playing music, and return to their assigned work.

Were it not for racism, these dancers & musicians would have been the stars of the planned show instead of backstage laborers & other support people.

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Video #2: Day At The Races Movie [swing dance scene]



Uploaded by themindstripper on Sep 1, 2007

The whole beautiful, inspiring dancing scene of Whitey's Lindy Hoppers.

-snip-
Film Clip Description:
The scene begins with a White pied piper figure [one of the Marx brothers who were stars of that movie] playing his flute for a White couple who ignore him. He then moves on to the barnyard where he interrupts Black girls jumping rope, and other Black children at play [The longest focus is of boys engaged in the lower class pastime of shooting dice. ]The children ask "Who dat man?" and answer "It's Gabriel!' (meaning the Biblical archangel) singing a Gospel tinged song.

Unlike the White couple who brush the pied piper off, the Black children and adults quickly drop what they are doing, form a circle and dance for the pied piper, and supposedly for themselves.

In my opinion, the set up for this dancing, and some of the antics found in the dancing displays and reinforces a prevailing White view at that time of Black people as coons, meaning immature, happy, care-free, non-threatening, and superstitous people who love to dance.

Click http://cocojams.com/content/comments-about-racism-movie-day-races to read a compilation of YouTube comments about whether the Whitey's Lindy Hoppers dance scene in the "Day At The Races" film is racist or not.

Also, for a largely non-dance related critique of this film clip and a non-dance related critique of neo-Swing in general, click http://thesocietypages.org/socimages/2011/07/05/race-appropriation-lindy-hop-how-to-honor-our-heroes/ Race, Appropriation, & Lindy Hop: How to Honor our Heroes.

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OTHER RELATED LINKS
http://www.jambalayah.com/node/1146 African American Jazz Dances

This compilation post features videos of Jazz Dances such as The Big Apple, The Black Bottom, The Charleston, and more.

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http://www.youtube.com/all_comments?v=knW1hGwmEXQ Gap Commercial - Khaki Swing

This 1998 commercial for The Gap stores feature White "Swing" dancers. Contrary to the uploader's comments, several viewers indicated that this commercial helped to occurred toward the end of the Swing dance trend (in the USA), and may have even helped to usher in the end of that trend (although there are still some people in the USA & elsewhere who are avid Swing dancers).

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Thank you for visiting pancocojams.

Viewer comments are welcome.