collageweekly, Dec 18, 2012
Here's Jean Ritchie- Jubilee. I couldn't find it anywhere on
YouTube so I made my own. Enjoy!
No copyright infringement intended.
****
Edited by Azizi Powell
Latest update - April 20, 2026*
This pancocojams post showcases a YouTube audio file of folk singer Jean Ritchie singing the Appalachian play party song "Swing And Turn Jubilee" (also given as "Jubilee").
This post also presents information about White American singer Jean Ritchie as well as general information about play party songs, information about the song "Swing And Turn, Jubilee" and information about the word "Jubilee" in this song.
This information is from selected comments from a Mudcat folk music discussion thread (in which Jean Ritchie provides a comment), selected comments from the discussion thread of this post's showcase YouTube sound file, as well as from Wikipedia, from two AI Overview write-ups, and from other websites.
The Addendum to this post presents information about Black people in Appalachia region of the United States.
The content of this post is presented for historical, folkloric, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
Thanks to Jean Ritchie for her musical legacy. Thanks to the unknown composer of this song and thanks to all those who are quoted in this post. Thanks also to the publisher of this sound file on YouTube.
****
PANCOCOJAMS EDITOR'S NOTES
This post may depart from this pancocojams blog's mission of showcasing the music, dances, language practices, & customs of African Americans and of other people of Black descent throughout the world.
I wrote "may" because the composer of this Appalachian play party song is unknown.
I'm aware that Jean Ritchie was a White American woman from the state of Kentucky and Kentucky is part of the Appalachian region of the United States. However, contrary to widely held beliefs in the United States, Black people historically have lived in Appalachia and Black people still live in Appalachia.
Furthermore, contrary to the beliefs of some folklorists and others who know this play party song "Swing And Turn Jubilee" Jean Ritchie publicly indicated that neither she nor her family composed this play party song. Read comment #7 Mudcat Selected Comments" in this pancocojams post. In that comment, Jean Ritchie wrote that she got "Swing And Turn Jubilee" from someone in her community and that it was well known in that community. Whether or not there were any Black people in Ritchie's community, my point is that "Swing And Turn Jubilee" could have originated with a Black person or could have been part of the racial mixing of words and tunes that created and influenced a lot of Appalachian and other play party songs.
Be that as it may, I'm showcasing this version of "Swing And Turn Jubilee" because I'm interested in the play party genre, I like this song and this version of this song. In addition, this song provides me with an opportunity to share information about the fact that there were-and still are- Black people in Appalachia. (I'm Black and I live in Pittsburgh, Pennsylvania which is a part of Appalachia.
* Also, click __ for the pancocojams post "The Use Of The Word "Jubilee" In American Folk Songs (Including Play Party Songs)".
Among other things, that post presents a list of some American folk songs (including play party songs) that include the word "jubilee" in their title and examines their lyrics for any connection those examples have with Black American history and culture. In my editor's note in that post I
TWO AI OVERVIEW WRITE-UPS ABOUT THE WORD "JUBILEE" IN THE PLAY PARTY SONG "SWING AND TURN JUBILEE"
from AI Overview #1 [These AI write-ups are the results of my April 19, 2026 query on this subject. I numbered these write-ups for referencing purposes only. I asked the question two times to see if there were any differences to the results.]
"In the folk song and singing game "Swing and Turn/Jubilee," Jubilee represents a joyful, high-energy dance celebration, often signaling a time of release, fun, and communal togetherness. Rooted in Appalachian tradition, the term implies a festive, chaotic "whirlwind" dance reel rather than just a formal anniversary.
Musical/Dance Meaning: "Jubilee" functions as a vibrant refrain in the singing game, encouraging dancers to swing partners with energy.
Cultural Context: In Appalachian folklore, it signifies a lively party or community gathering where "swingin' in the true love's arms" is the "easiest work".
Alternative Significance: While in some contexts, "Jubilee" in African American folk traditions refers to freedom from hardship or slavery, in the context of "Swing and Turn," it is primarily a term for joyful, often impromptu, celebration.
AI Overview #2
"In the Appalachian folk song "Swing and Turn, Jubilee," the word Jubilee serves as a euphemism for a dance or a joyous celebration.
Historically, this term was used to bypass religious restrictions on dancing in Kentucky mountain communities.
Key Meanings in the Song
The "Play-Party" Euphemism: In many strict Appalachian religious communities, dancing to instruments like fiddles was considered sinful. To get around this, communities created "singing games" or "play-parties" where participants sang the music themselves while performing dance movements like "reeling" or "swinging". Calling the event a "Jubilee" made it socially and religiously acceptable.
A Biblical Reference to Freedom: The word originates from the biblical "Year of Jubilee" (Leviticus 25), a time every 50 years when slaves were freed and debts were forgiven. In the context of folk music—especially African American spirituals and later Appalachian music—it symbolizes a time of deliverance, future happiness, and communal joy.
Musical Style: In a broader folk context, "jubilee" also refers to a specific style of up-tempo, rhythmic performance, often associated with spirituals or quartets that emphasize celebration and exultation.
Origin and Popularity
The song is a traditional "gamesong" famously recorded by Jean Ritchie in 1952. It describes a reel where dancers face each other in lines and "swing" down the length of the formation, with the word "Jubilee" acting as a rhythmic call for the dancers to move."
****
INFORMATION ABOUT PLAY PARTY SONGS
From https://en.wikipedia.org/wiki/Play_party_(United_States)
"A play party is a social event in which toddlers gather to
sing and dance. Play parties began in the 1830s in the United States as a route
around strict religious practices banning dancing and the playing of musical
instruments. The areas most influenced by the practice were the Southern and
Midwestern parts of the United States. Folk songs, many of European and English
origin, were used as means to give the attendants choreographed movements for
each phrase. No instruments were played at the events, as they were banned by
the religious movements of the area. Singing and clapping were used to convey
each song. Because dancing was banned, the movements took on the quality of
children's games. Though the performance of play parties dwindled in the 1950s,
music educators use them as ways to incorporate music and dance in their
classrooms.[1]
Some traditional examples of play-parties are: Skip to My
Lou, Buffalo Gals, Bingo, Pop Goes the Weasel, Old Dan Tucker, Coffee Grows on
White Oak Trees, and Shoot the Buffalo."
****
INFORMATION ABOUT JEAN RITCHIE
From https://en.wikipedia.org/wiki/Jean_Ritchie
She is ultimately responsible for the revival of the Appalachian dulcimer, the traditional instrument of her community, which she popularized by playing the instrument on her albums and writing tutorial books.[4]
She also spent time collecting folk music in the United States and in Britain and Ireland,[6][7] in order to research the origins of her family songs and help preserve traditional music.[4]
She inspired a wide array of musicians, including Bob Dylan,
Joan Baez, Shirley Collins, Joni Mitchell, Emmylou Harris and Judy
Collins.[5][2][8]"
Out of Kentucky
Family
Jean Ritchie was born to Abigail (née Hall) Ritchie
(1877–1972) and Balis Wilmar Ritchie (1869–1958) of Viper, an unincorporated
community in Perry County in the Cumberland Mountains of southeastern
Kentucky.[1] Along with the Combs family of adjacent Knott County,[a] the
Ritchies of Perry County were one of the two "great ballad-singing
families" of Kentucky celebrated among folk song scholars"...
****
SELECTED COMMENTS FROM MUDCAT DISCUSSION FORUM ABOUT THE PLAY PARTY SONG "SWING AND TURN JUBILEE" (Including a comment from Jean Ritchie)
https://mudcat.org/thread.cfm?threadid=31807
1. Subject: Swing and Turn Jubilee
From: banjogal
Date: 10 Mar 01 - 11:26 AM
Thanks"
**
2.
From: Sandy Paton
Date: 10 Mar 01 - 12:21 PM
**
3. Subject: RE: Help: Swing and Turn Jubilee
From: GUEST,Roll&Go-C
Date: 10 Mar 01 - 01:05 PM
"Looks to me from the DT like there are a number of floating verses from Shady Grove, Get Along Home, Cindy, I'm Goin' Down to Lynchburg Town et al; my favorite verse of this type is:
Love it is a killing thing,
Beauty is a blossem,
If you want your finger bit,
Poke it at a possum.
But then there's also:
I'm gonna get some sticks and stones,
Build my chimney higher,
So when that old tom cat comes by,
He won't put out my fire."
-snip-
"The DT" is the "Digital Tradition", a repository of folk song lyrics that is housed on the online Mudcat folk music forum.
**
4. Subject: RE: Help: Swing and Turn Jubilee
From: Pinetop Slim
Date: 10 Mar 01 - 01:48 PM
5.
From: Sandy Paton
Date: 10 Mar 01 - 03:22 PM
I remember Frank Warner singing the "get your finger
bit" verse in one of his songs. True, too!"
-snip-
"Zipper verse type of song" = a song that has some floating verses from other songs that can be added to [zippered into] its lyrics. ["Floating verses" are song/rhyme verses that are found in more than one song or rhyme.]
**
6. Subject: RE: Help: Swing and Turn Jubilee
From: Joe Offer
Date: 10 Mar 01 - 04:03 PM
**
7. Subject: RE: Help: Swing and Turn Jubilee
From: kytrad (Jean Ritchie)
Date: 10 Mar 01 - 06:05 PM
The verses we sing are pretty well set, as we sang just the
number to get us through one turn of the game (circle for as many as will, but
our living rooms would hold just about six or seven couples). There's a reel
down between the lines at the end, then another couple leads out, as in the
Virginia Reel. If anyone needs my verses, holler.
Folk Songs of the Southern Appalachians was reissued last
year by University Press of KY; this year they reissued, The Swapping Song
Book. It's like having a second family, very pleasing."...
-snip-
The remainder of this comment refers to the cruise that she had just gotten home from.
8.
From: lefthanded guitar
Date: 26 Dec 12 - 04:22 PM
There's more than one version of the song btw, I do the one that starts
All Along the Old Railroad."
**
9. Subject: Origins: Swing And Turn, Jubilee
From: MickyMan
Date: 20 Jan 17 - 02:02 PM
I've always been
under the impression that it was written by Jean Ritchie, and the version on
the digitrad looks like hers in every way. It's not listed with credit for Jean
Ritchie, however, but it also doesn't say "Traditional"
The other day I
heard a nice Youtube version by Alyson Kraus on Youtube that was much slower
(listed simply as "Jubilee"). It used the same refrain as Ritchie's
"Swing and turn, Jubilee Live and
learn, Jubilee. The verses were different, however.
Are they both
writing new verses to an earlier traditional refrain? What's up?"
**
10. Subject: RE: Origins: Swing and Turn Jubilee
From: Joe Offer
Date: 20 Jan 17 - 02:58 PM
I've moved you over to the existing origins thread. See the
message above (click) from kytrad (Jean Ritchie). She says it's from her
community and her family - not her composition."
11.
From: Joe Offer
Date: 08 Dec 20 - 12:53 AM
JUBILEE
All out on the old railroad,
’S’all out on the sea,
’S’all out on the old railroad
Far as eye can see.
Swing ’n’ turn,
Jubilee!
Live ’n’ learn,
Jubilee!
Hardest work I ever done
Working on the farm,
Easiest work I ever done
Swinging my true love’s arm.
Live ’n’ learn,
Jubilee!
Coffee grows on the white-oak tree,
Sugar runs in brandy,
Boys as pure as a lump of gold,
Girls as sweet as candy.
Swing ’n’ turn,
Jubilee!
Live ’n’ learn,
Jubilee!
If I had me a needle and thread
Fine as I could sew,
Sew my true love to my side,
And down this creek I’d go.
Swing ’n’ turn,
Jubilee!
Live ’n’ learn,
Jubilee!
If I had no horse to ride,
I’d be found a-crawling,
Up and down this rocky road
Looking for my darling.
Swing ’n’ turn,
Jubilee!
Live ’n’ learn,
Jubilee!
All out on the old railroad,
’S’all out on the sea,
’S’all out on the old railroad
Far as eye can see.
Swing ’n’ turn,
Jubilee!
Live ’n’ learn,
Jubilee!
Copyright 1940 by Lynn Rohrbough (Cooperative Recreation Service)
From Jean Ritchie's Swapping Song Book (1952 & 1999),
page 26"
**
12. Subject: RE: Origins: Swing and Turn Jubilee
From: cnd
Date: 19 Oct 22 - 02:01 PM
"Coffee grows on a White Oak tree,
Sugar runs in Brandy.
Girls as sweet as a lump of gold,
Boys as sweet as candy."
Haven't been able to find any videos or anything more
direct, but that's at least a start."
**
13. Subject: RE: Origins: Swing and Turn Jubilee
From: cnd
Date: 19 Oct 22 - 02:02 PM
... "flirtatious" movements like swinging were not
allowed."
-snip-
This is cnd's complete comment.
**
14. Subject: RE: Origins: Swing and Turn Jubilee
From: cnd
Date: 19 Oct 22 - 02:06 PM
"
This play party game comes from Jean Ritchie’s family
tradition.
Children stand facing a partner in two lines holding hands.
The ends of the lines also hold hands so they can circle to the left until back
in their original position in two lines. Hands are dropped and the pair at the
head of the line skips sideway to the bottom of the set as the others clap.
Once they reach the foot the game continues as before.
via http://www.singinggamesforchildren.com/A%20Cluster%202.2%20Awaywego/20%20Follow%20my%20leader%20and%20other%20games%202.htm
-snip-
This is the latest comment on that Mudcat discussion thread as of April 19, 2026 at 9:27 PM EDT.
That discussion thread is still open for comments.
****
SELECTED COMMENTS FROM THE DISCUSSION THREAD OF THIS SHOWCASE YOUTUBE AUDIO FILE
1. @morrigankasa570, 2016
"
**
Reply
2. @sandramorey2529, 2021
"Morrigan KASA: not a square dance, but close. It is a Play Party song. Not allowed to dance, but you could sneak in
a dance to it. Sung at parties."
**
3.@reynardinegreencastl, 2017
"This was the first song I ever heard her sing. It was
broadcast on a folk song program when I was a kid, some six decades back...
(Yes, radios had tubes back then!)"
**
4.@spillthatwine, 2020
"It's all out on the old railroad,
It's all out on the sea,
All out on the old railroad,
Far as I can see.
chorus:
Swing and turn, Jubilee,
Live and learn, Jubilee.
Swing and turn, Jubilee,
Live and learn, Jubilee.
Hardest work I ever done,
Workin' on the farm,
Easiest work I ever done,
Swingin' my true love's arm.
If I had a needle and thread,
As fine as I could sew,
I'd sew my true love to my side
And down this creek I'd go.
If I had no horse to ride,
I'd be found a-callin'
Up and down this rocky road
Lookin' for my darlin'.
Some will come on a Sat'day night,
Some will come on Sunday;
If you give 'em half a chance
They'll be back on Monday.
I won't have no widder man
Neither will my cousin,
You can get such stuff as that
For fifteen cents a dozen.
Coffee grows on a white oak tree,
Sugar runs in brandy,
Girls are sweet as a lump of gold,
Boys as sweet as candy."
**
5. @sandramorey2529, 2021
"Great play party song.
I've been teaching my singing class this song for 49 years in the SF Bay
Area. Now on Zoom. Jean Ritchie was a source singer having
learned her songs within her family and Kentucky community. Thanks for posting"
**
6. @midnightcasino,2024
"Randomly remembered tihs, they had us sing this in 2nd grade
music class lol"
**
Reply
7. @jshowers01, 2024
"Shout out to your music teacher"
8.
"I picked up an old time banjo a few months ago. Now I've been going down the rabbit hole. I
am in love with this stuff. This is the
first song I've ever heard of hers. Im
definitly gonna listen to more."
ADDENDUM - AN AI WRITE-UP ABOUT BLACK PEOPLE IN APPALACHIA
From AI Overview [This write-up is the result of my April 19, 2026 query about this subject.]
"
Black people have been integral to Appalachia since the
region's early settlement, countering myths of a purely white, isolated
population. They were present as enslaved laborers, free settlers, and later, a
significant force in the coal mining industrial boom of the late 19th and early
20th centuries, building vibrant communities despite intense discrimination.
While many Black families left during the mid-20th-century coal decline, a
long-standing, resilient Black population remains and continues to shape
Appalachian culture.
Key Aspects of Black Appalachian History:
Early Presence & Agriculture: Both free and enslaved
Black people lived in the mountains from the beginning. Post-Civil War, many
worked as sharecroppers, farmhands, or pursued independent trades.
The Coal Boom (1880s–1930s): Industrialization brought
thousands of Black workers to Central Appalachia for jobs in mining, railroads,
and timber. By 1930, nearly 115,000 Black people lived in the Appalachian
region.
Industrial Communities: Black miners often lived in
segregated company towns (like Lynch and Benham, KY), creating strong
institutions, churches, and social clubs, and at times achieving higher wages
than in the Deep South.
Jim Crow and Social Life: Despite segregation and racist
discrimination, Black Appalachians developed, a "vigorous" civil
rights movement and strong local communities.
Outmigration & "Invisibility": Automation and
economic downturns in the 1950s–70s led many Black families to leave in a
massive exodus, contributing to the misconception that Black people never lived
in the region.
Cultural Legacy: Black people have profoundly influenced
Appalachian music, art, and food. Famous individuals from the region include
author August Wilson, singer Nina Simone, and educator Booker T. Washington.
Today, organizations like Black in Appalachia are working to document these often-overlooked histories."
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