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Showing posts with label Truckin. Show all posts
Showing posts with label Truckin. Show all posts

Friday, October 4, 2024

The Multiple Meanings Of The African American Vernacular English Saying "Keep On Truckin' " & Where Did That Saying Originally Come From?

These online excerpts are given in no particular order and are numbered for referencing purposes only.

EXCERPT #1
From https://www.betteratenglish.com/keep-on-tracking-or-keep-on-trucking# "What does keep on trucking mean in English? published by blog, English Learning Tips, Vocabulary / by Lori (no publishing date given, retrieved October 4, 2024)
"First of all, if you found this page by searching for keep on tracking, chances are that you misheard. Keep on tracking isn’t really an expression in English. You’re probably looking for the meaning of keep on trucking. If so, read on!

Keep on trucking means to continue or persist doing something — usually something boring, uninteresting, or tedious. You can say it about yourself, to show that you plan to persist with the task. But Keep on trucking is often said to encourage someone else who is doing a boring or unpleasant task. Here are a couple of examples:

Example 1. About yourself

Speaker one: How is the Henderson report coming along, John?

Speaker two: I’m making progress. It’s a massive job, but I just keep on trucking. I should be done in time.

Speaker one: Hang in there!

Example 2 — Encouraging someone else

Speaker one: How is the Henderson report coming along, John?

Speaker two: I’m making progress, but it’s a massive job. I hope I’ll be done in time.

Speaker one: Well, I’m impressed with what you’ve shown me so far. Just keep on trucking and I’m sure you’ll make it.”…

****
EXCERPT #2
From https://www.quora.com/What-is-the-origin-of-the-sixties-phrase-Keep-On-Truckin-What-did-it-actually-mean "What is the origin of the sixties' phrase "Keep On Truckin'? What did it actually mean?"

1. Martin Reyto, 2019
retired English teacher
"It was made famous in the 1960s by underground comic legend R. Crumb, whose characters both said it and demonstrated it. Here’s one of them, truckin’:

[An illustration of that character is inserted here.]

As you can see, it’s a style of walking. Cheerful, loose-jointed, long stride, ready to dance. The expression generally means something like, “Stay happy, stay in the groove, and keep on doing your thing.” The expression probably pre-existed Crumb, but his work jacked it into the “counter-culture,” which then became the pop culture of the day."

**
2. Sam Spencer
News editor, native English speaker, American, 2019
"Originally Answered: What does the phrase "Keep on truckin' " mean, and when did it start?

There is lots of info on this on Wikipedia but I will give a very brief answer here: This was a cartoon by cartoonist Robert Crumb who in 1968 published a cartoon called Keep On Truckin with men with big feet moving across landscapes. The idea was a kind of optimism that the Hippie movement latched onto. Here is something Crumb is reported to have said about it: Big feet equals collective optimism. You're a walkin' boy! You're movin' on down the line! It's proletarian. It's populist.

Find out more at Wikipedia page for Keep On Truckin’ and I think it all looks pretty correct. I used to see the phrase and pictures of the men related to it on cars in the Washington, DC, area in the 1970s a lot. I was a teenager but it was slightly older people in their 20s who seemed to know and like what it was about at the time.

I have a positive feeling about it but I feel positive about the Hippy mindframe in many ways, too.

**
3. 
Jim Heaphy, 2019
"I am a native American English speaker, born and raised in Michigan, and a Californian since 1972.

The phrase was part of a blues song in the 1930s but entered into pop culture in 1968 when the underground comic artist R. Crumb drew a single panel comic strip. It showed various men striding forward boldly and confidently. I grew up in that era and associate the phrase with the Grateful Dead and the hippie counterculture. To me, the phrase implies a certain grubby style of hardworking self-confidence, determination and optimism.

Keep on Truckin' (comics) - Wikipedia 
https://en.wikipedia.org/wiki/Keep_On_Truckin%27_(comics) "

** 
4. Yochanan Ben Hernandez, 2019
Knows English
Originally Answered: What does the phrase "Keep on truckin' " mean, and when did it start?
"Although this expression was used as early as the 1930s and may have originated in jazz, “Keep on Truckin” is a phrase from the famous song "Trucking My Blues Away" by Blind Boy Fuller. It may also refer to: Keep on Truckin' (comics), a comic and visual motif of underground comix by Robert Crumb.

It became even more popular in the late 60s and early 70s, with the boom of the Hippie Movement, a countercultural movement that rejected the mores of mainstream American life. The movement originated on college campuses in the United States, although it spread to other countries, including Canada and Britain.

It is unclear exactly how this expression developed into its use of the day, but some sources speculate that it may be associated with the large trucks that drive for many hours to transport goods across states and across the country. It was indeed praised in movies of that time like “Smokey and the Bandit” about the life of truck drivers in America. They must drive for long stretches of time, and therefore are thought of as something that just keeps going.

This expression can be used either as encouragement or as a description."

**
5. 
Keith W., Udoologist, Pastafarian, 2020
Knows English
Originally Answered: What does "keep on truckin" mean?
"When I was much younger, this was a popular expression. Most of the time it roughly equated to “be cool" or “be good" or “stay out of trouble". Simply another way to say see you later or even good luck.

It can also be used as an encouragement in rough times. If someone is in a difficult period due to work issues or financial stress (or other), you might tell them to “keep on truckin' bro/sis" or “keep on keepin' on" as a friendly gesture of support."

** 
6. Doc, 2022
" 
"Truckin'" was originally a dance move. There are several theories about where it came from, but the most likely is that it was invented in Harlem during the late 1920's. It was done to a shuffle rhythm and involved moving away from your partner while strutting and waggling your index finger.

It was popularized in the late sixties by cartoonist Robert Crumb. His "Keep on Truckin'" cartoon in Zap comics (1968), featuring a guy leaning way back with his index finger up and his foot thrust forward. It was a popular subject of poster art in the late sixties."

**
7. Assistant Bot, Aug 16, 2024
"The phrase "Keep On Truckin'" originated in the 1960s and is closely associated with the counterculture movement of that era. Its most notable popularization came from a 1965 comic strip by R. Crumb, which depicted a group of characters walking along a road with the caption "Keep on Truckin'." This imagery captured the spirit of perseverance, freedom, and the pursuit of one's own path, resonating with the youth of the time who were exploring new social, cultural, and political ideas.

"Keep on Truckin'." This imagery captured the spirit of perseverance, freedom, and the pursuit of one's own path, resonating with the youth of the time who were exploring new social, cultural, and political ideas.

The phrase itself means to continue moving forward or to keep going despite challenges or obstacles. It embodies a sense of resilience and determination, encouraging individuals to maintain their course and not give up. Over time, "Keep On Truckin'" became a motivational slogan, symbolizing the optimism and adventurous spirit of the 1960s counterculture, as well as the broader themes of the American road and lifestyle."

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EXCERPT #3
https://en.wikipedia.org/wiki/Keep_On_Truckin%27_(comics)
" "Keep On Truckin' is a one-page cartoon by Robert Crumb, published in the first issue of Zap Comix in 1968. A visual burlesque of the lyrics of the Blind Boy Fuller song "Truckin' My Blues Away", it consists of an assortment of men, drawn in Crumb's distinctive style, strutting across various landscapes. The cartoon's images were imitated and much displayed during the hippie era.

[...]

Copyright and licensing issues

The image has been imitated often without permission, appearing on T-shirts, posters, belt buckles, mudflaps, and other items.

[...]

A.A. Sales claimed the work was in the public domain, because Crumb had not included the copyright symbol on the work, although he had done so in Zap #1 as a whole. The work was protected by the terms of the 1909 Copyright Act, and any omission of notice was considered to cause the work to be public domain. The drawing had also appeared on the business card of Crumb's publisher without the copyright symbol. Based on that, Wollenberg granted A.A. Sales' request for summary judgment, and Keep On Truckin' became public domain. In 1977, the U.S. Court of Appeals reversed that decision, and it returned to copyrighted.

[...]

Crumb's notions

Crumb used the cartoon as an example of what caused the discomfort he claims he felt with his sudden fame during the late 1960s, saying:

I became acutely self-conscious about what I was doing. Was I now a "spokesman" for the hippies or what? I had no idea how to handle my new position in society! ... Take Keep on Truckin... for example. Keep on Truckin'... is the curse of my life. This stupid little cartoon caught on hugely. There was a D.J. on the radio in the seventies who would yell out every ten minutes: "And don't forget to KEEP ON TR-R-RUCKIN'!" Boy, was that obnoxious! Big feet equals collective optimism. You're a walkin' boy! You're movin' on down the line! It's proletarian. It's populist. I was thrown off track! I didn't want to turn into a greeting card artist for the counter-culture! I didn't want to do 'shtick'—the thing Lenny Bruce warned against. That's when I started to let out all of my perverse sex fantasies. It was the only way out of being "America's Best Loved Hippy Cartoonist".[4]”…

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SPECULATION ABOUT THE SOURCE FOR AN EARLY AFRICAN AMERICAN VERNACULAR ENGLISH MEANING OF 'TRUCKIN'
I believe that "The Ward Line" work song that was collected in the 1930s includes a meaning of the word "truck" that directly influenced the later African American Vernacular English word "truckin'" and the later African American Vernacular English saying "Keep on Truckin'".

"The Ward Line" is categorized as a sea shanty. However, instead of being sung by sailors, it was sung by the Black men who were laborers on land who loaded and emptied cargo in the holds of sailing vessels. The title "The Ward Line" refers to the route that that vessel followed or "The Ward Line" is the "brand name" for the ships that were owned and operated by the Ward family. [Correction welcomed]

The word "truck" in "The Ward Line" song refers to the "wheelbarrow" that the laborers pushed to load cargo into the ship's hold or to empty cargo from the ship's hold. The Black men who did this back breaking labor were referred to as "truckers". Those men had to "keep on truckin' " all those long hours until they completed that difficult work.

Here are two verses from that 1930s sea shanty "The Ward Line":  

https://www.judybwebdesign.com/handspikes/cast_off/coel_lyrics/ka03wardline.htm

"Get along there, Mose, your feet ain't stuck

Just hump your back and-a push that truck"

**

"Lake Superior is big and rough

And for this old trucker one trip's enough"


Here's an excerpt from that same online published source that provides information about the vernacular meaning of the word "truck" and "trucked" in the context of that 1930s sea shanty: 

"
NOTES:

Another cargo-loading shanty from the Great Lakes of America. I first heard this sung by the East Coast shanty group The Boarding Party. It was one of the songs collected by Ivan H. Walton and appears in the recently published book Windjammers: Songs of the Great Lakes Sailors. Lyrics used are taken out of dialect shown in the book to avoid some highly offensive language.

Notes from the book about this song:

There is mystery in this song – or at least in its recovery – and the mystery reveals the strange lives and turns these songs took. Throughout the Upper Great Lakes, sailors know the Ward Line and the work chantey of the black men who trucked the iron ore and copper pigs that filled the boats' holds.

[...]

Eber Brock Ward became Michigan's richest man with his ventures in steelmaking, glass making, real estate, and banking. Ward's wealth was rooted in shipping, the family business started by his uncle Sam at Marine City, Michigan, in 1820. Although E.B. Ward dropped dead on the streets of Detroit in 1875, his shipping business survived, as did this song about one of the most prominent Ward Line vessels, the Sam Ward. Nicknamed the "Old Black Sam" for its distinctive paint job, the side-wheeler steamed between Michigan's Lake Superior copper country and the ports of Detroit, Cleveland, and Buffalo. Captain Harvey Kendall of Marysville, Michigan, claimed to have served as mate for several seasons on the "Old Black Sam." The mystery is that the vessel was lost in 1861, making it unlikely that Kendall had ever served on it. And why should verses mention vessels that were not around while the Sam Ward sailed? The explanation might be that the song outlived its namesake, and grew with additions and embellishments.

Kendall said that the steamer would stop at Detroit on its upbound trip and ship a team of twenty or more black men to load the copper pigs waiting at the Keweenaw Peninsula on Lake Superior. The men would stay on until after they had unloaded the pigs at their destination, received their substandard wages (about fifty cents per day), and been put off at Detroit. The deckhands unloaded the "Old Black Sam" with hand trucks or wheelbarrows. Pushing their heavy loads in an endless loop between vessel and warehouse, the men worked continuously with only brief time-outs. It took two or three laborious days to load a cargo of copper this way. During the long, tedious work and for similar chores, the men sang. They preferred chanteys for their steady rhythm, improvisation, and group choruses."...
-snip-
It's easy for me to conjecture that the vernacular meaning of "Keep on truckin" (to persist in spite of difficulties) could have come from this history of laborers pushing trucks loaded with cargo to fill the holds of sailing vessels or to empty cargo from the holds of those sailing vessels. I can also imagine that that history was an early source of the "truckin" dance since we Black people sometimes have to find some enjoyment in the midst of bleak times, and  laugh to keep from crying. 

With regard to that 1930s sea shanty's meaning of the word "truck", recall that Blind Boy Fuller wrote and recorded hiss song "Truckin' My Blues Away" in 1936. However, that sea shanty probably was sung before the 1930s as it referred to a vessel that had stop sailing some time before that decade.

Click https://pancocojams.blogspot.com/2024/10/the-ward-line-african-american-sea.html  for more information about the sea shanty "The Ward Line", 

****
SOME NOTES ABOUT THE JAZZ DANCE "TRUCKIN"
There's documentation of the word "truckin'" being used for the name of a Harlem dance in 1927, but that doesn't mean that that term or that dance originated in Harlem (New York).

Here are two quotes about the Jazz dance "truckin"
Quote #1
From http://www.streetswing.com/histmain/z3truck.htm
“Truckin is considered a Harlem dance originating around 1927...It signifies the Strutting Walk done when one is happy or joyful...It’s mainly used in Lindy Hop today after separating from your partner to return later back together again. Truckin can be done as a couple or as a solo...

Truckin is the shoulders which fall and rise as the dancers move toward each other while the fore finger points up and wiggles back and forth like a windshield wiper.”

**
Quote #2
From http://www.barrypopik.com/index.php/new_york_city/entry/truckin_or_truck_on_down_1935/
"The Big Apple: Truckin
Entry from February 19, 2006
“Truckin‘“ or “Truck on Down” (1935)

The dance "Truckin" or "Truck on Down" was popularized in Harlem in 1935. Various Harlem spots and entertainers took credit for popularizing it."...   

Click https://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for the 2013 pancocojams post entitled "The Jazz Dance "Truckin" (Information & Video Examples)"

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This concludes Part I of this four part pancocojams series.

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Saturday, September 13, 2014

Three Examples Of African American Street Vendor Calls

Edited by Azizi Powell

This post presents three examples of African American street vendor calls. One of these examples (with an introductory comment) is included in the Notes section of Thomas W. Talley's now classic 1922 collection of Negro Folk Rhymes. The other two examples (with rather lengthy excerpted comments) are from Clyde "Kingfish" Smith and are excerpted from the 1981 published book Harlem Photographs 1932-1940 by Aaron Siskind. That book section showcases two additional street calls that Clyde "Kingfish" Smith recalled creating and singing.

The content of this post is presented for folkloric, cultural, entertainment and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the creators and collectors of these vendor calls.

****
EDITORIAL COMMENT
I'm using the term "African American" in this post even though that term wasn't used as a referent for that population in the early 20th century. Also, I'm using the term "street vendor call" because it seems to be most often used for this rhyming composition that was used by people selling products in neighborhoods. However, it should be noted that the example that Thomas W. Talley gives is of a vendor selling lemonade at a "backwoods" Negro picnic."Backwoods" here means "country"/"rural" and probably with the added distinction of southern rural). Talley refers to that "call" as a "cry" (meaning it was shouted). Thomas W. Talley wrote that some of the material in his book was quite old. Judging from that comment and the dialectic English that is used, that "Lemonade Call" may be much older than the early 20th century.

Clyde "Kingfish" Smith referred to himself and other "vendors" as "peddlers" and he also referred to those calls as "cries".

****
EXAMPLE #1
From Negro Folk Rhymes: Wise And Otherwise by Thomas W. Talley (Study section; originally published in 1922, pp. 243, 244)
http://www.gutenberg.org/files/27195/27195-h/27195-h.htm
[The Project Gutenberg EBook edition]
"Possibly the thing which will impress the reader most in reading Negro Folk Rhymes is their good-natured drollery and sparkling nonsense. I believe this is very important. Many have recounted in our hearing, the descriptions of "backwoods" Negro [Pg 244] picnics. I have witnessed some of them where the good-natured vender of lemonade and cakes cried out:
"Here's yō' cōl' ice lemonade,
It's made in de shade,
It's stirred wid a spade.
Come buy my cōl' ice lemonade.
It's made in de shade
An' sōl' in de sun.
Ef you hain't got no money,
You cain't git none.
One glass fer a nickel,
An' two fer a dime,
Ef you hain't got de chink,
You cain't git mine.
Come right dis way,
Fer it shō' will pay
To git candy fer de ladies
An' cakes fer de babies."
-snip-
My explanations of some of the terms used in this example:
"de" = the
"wid" = with
"sol"= sold
"fer" = for
"Ef you hain't got de chink" = If you don't have money [The word "chink" probably comes from the sound that coin money makes when it hits against other coins or something else.]
"dis" = this
'sho" = sure

****
EXAMPLES #2 and #3
From Harlem Photographs 1932-1940 by Aaron Siskind; recollections by Clyde "Kingfish" Smith [pp 11-17]
"I started singing when I started peddling; that was in 1932. "Heigho fish man, bring down your dish pan", that's what started it. "Fish ain't but five cents a pound." It was hard times then - the depression and people can hardly believe fish is five cents a pound so they started buying. There were quite a few peddlers and somebody has to have something extra to attract attention. So when I came around, started making a rhyme, it was a hit right away. One of the first things I learned about peddling was to be any success at all, you had to have an original cry. I known several peddlers that started out and they hollered Old Fish Man, but it doesn't work.

I've gone block where several fish men have gone alreeady and sold fish like nobody had been there. When I sing, a certain amount of people will be standing around, looking and listening, and that attracts more people. Whenever people see a crowd they think it's a bargain so they want to get in on it. Wheen I sing it will be so loud that people come to the windowss and look out. They come down with their bedroom shoes on, with bathrobes, and some have pans or newspapers to put the fish in.

When I first come to a block nobody pays any attention. Then I start singing, get them to laughing and looking and soon they start buying. A lot of them just hang around to hear the song. O alway try to give the best fish I can for the money and that makes repeated customers. A lot of people wait for my individual cry. The average day I cover about eight blocks and spend about an hour in each block, sometimes longer.

When I have crabs the kids like to see the crabs jump and bite, so they stand around in big crowds. Sometimes, when sing, the kids be dancing the Lindy Hop and Trucking. Women buy most of the fish. I find Home Relief and WPA people the best customers. They buy more. They have to budget more than the average family.

In white and Jewish neighborhoods I feature the words but in the colored neighborhood I feature the tune. In thee Jewish neighborhood they appreciate the rhyming and the words more, while in the colored neighborhood, they apprciate the swinging and the tune, as well as the words. I put in a sort of jumping rhythm for the colored folks. That swing music comes right from old colored folks spirituals.

I say whatever comes to my mind if I think it will be good. The main idea is wheen I got something I want to put over I just find something to rhyme with it. And the main requirement for that is mood. You gotta be in the mood. You got ot put yourself in it. You'v got to feel it. It's got to be more an expression than a routine. Of course sometimes a drink of King Kong helps.

A song like this I'd just look on the wagon and rhyme up something to match with it. When I sang this song, this morning, I was just thinking of something to rhyme then.

I got vegetables today,
So don't go away.
Stick around
And you'll hear me say,
Buy them by the pound,
Put em in a sack
Hurry up and get 'em
Cause I'm not coming back.
I got apples, onions, and collard greens.
I got the best string beans
That I ever seen
I got oranges, tomatoes, nice southern
sweet potatoes,
I got yellow yams
From Birmingham.
And if you want some,
Here I come
And if you don't want none
I don't give a
Yam, yam, yam
I got green greens
From New Orleans.
I got the greenest greens
I ever seen,
And I sure seen
A whole lot of greens
I got cauliflower
And mustard greens.
The best cauliflower
I ever seen.
So buy some,
Try some,
Take 'em home and fry some.


This was my first original fish song. I put words from this into some of the others. This was the first fish song in my own tune. So after the people begin to get too familiar with the tune, I grasped the idea of changing my tune to get the tune of the most popular song hit of that time.

Yo, ho, ho fish man!
Bring down your dish pan!
Fish ain't but five cents a pound.
So come on down,
And gather around.
I got the best fish
That's in this town.
I got porgies,
Crockers too.
I ain't got but a few,
So you know what to do.
Come on down,
And gather round,
Cause my fish ain't
But five cents a pound.
I've got 'em small;
I got 'em long and I got 'em tall,
I got 'em fried,
I got 'em broiled,
And I can't go home 'till I sell 'em all!
So yo, ho, ho, fish man!
Bring down your dish pan!
Cause fish ain't but five cents a pound.

I can't go home 'till all my fish is gone.
Stormy weather.
I can't keep my fish together,
Sellin' em all the time.
If you don't buy 'em
Old rag man will get me.
If you do buy'em
You folks'll kinda let me
Walk in the sun once more.
I don't see why
You folks don't come and buy
Stormy weather,
Come,
Let's get together,
Sellin 'em all the time.

I wouldn't sing this one in a Jewish neighborhood. They don't know the tune and they wouldn't appreciate that song. Only in a colored neighborhood.
-snip-
In the what I refer to as the "Fruit and vegetable Call", lines "And if you don't want none/I don't give a Yam, yam, yam" is an example of profanity avoidance by saying a word that rhyme with that "bad word". This and other clever profanity avoidance techniques appear to have been quite popular in the early 20th century. Those who are familiar with the "Miss Suzy Had A Steamboat" children's rhyme may recognize other profanity avoidance techniques that are found in that rhyme.

I separated this "Fish Call" into two parts with the second part that which has the "stormy weather" phrases. That part may just happen to begin at the top of the second column of the page so it's just my guess that this is a second portion of that call which may have been added later, and may also have had a different tune and tempo.

Clyde "Kingfish" Smith refers to the song "Stormy Weather" as sung by Billie Holliday.

The "walk in the sun" line refers back to that stormy weather motif. The sung will be shining if people buy his fish, thus averting poverty (which is represented by the idea of an old rag man, i.e. an old man dressed in rags).

For the folkloric record, the other two calls that Clyde "Kingfish" Smith recalled for this book were about selling ice and about selling crabs.

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Saturday, September 7, 2013

Peckin - Dance Movement & Jazz Compositions

Edited by Azizi Powell

This post provides information about and examples of the dance movement and Jazz song "Peckin".

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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INFORMATION ABOUT "PECKIN"
From http://www.streetswing.com/histmain/z3peckn1.htm
"Peckin is not a dance but a vernacular movement within another dance.

Frank Sebastion's Cotton Club (not related to the New York Club) in Los Angeles is said to have done the first public routine with the "Peckin' Motion" (Chicken) done by a group called the Three Chocolateers (Eddie West, Paul Black and Albert "Gib" Gibson) in 1934 and became a Swing and Ballroom sensation. The Three Chocolateers can be seen doing it in the feature length film entitled "New Faces of 1937" * by RKO Radio films and "Murder at the Vanities."

Later the “Cotton Club Express” (a dance group) at the Cotton Club in New York would introduce “the peckin dance” in 1937 to the dancing public. Basically, it was done with the head bobbing forward and back to each beat as the couple face each other, with a “Pecking motion” (like a chicken) toward each other’s head.”...

*This video is found below as Example #4.

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From http://www.youtube.com/watch?v=2Ezk4TWNy8M [This sound file is found below as Example #1.]
"Pecking", the name of this song, was a dance move in which each partner would move their heads towards each other and then back, alternating between the right and left. Their faces never touched, but would be to one side or the other. It was supposed to resemble a bird pecking at something - sort of.
-hebneh, 2012
**
Peckin, while seeming smiliar to a peck or kiss, actually stems from 20s animal dances such as camel walks, turkey trot, the snake, and the fox trot. Peckin is meant to resemble Bird like behavior."
-NaptownStomp, 2011
-snip-
In Standard American English, a “peck on the cheek” is a little kiss on the cheek and not the lips.

I would probably categorize "Peckin" as a bird dance instead of an animal dance. But that's nit picking.

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FEATURED EXAMPLES
(These examples are presented in chronological order with the oldest dated examples presented first.)

Example #1: 1937 Jitterbug: Benny Goodman & His Orch. - "Peckin'"



240252,Uploaded on Jun 16, 2008

Benny Goodman & His Orch. - Peckin' (H.James /B.Pollack), Victor 1937

The term "jitterbug" comes from an early 20th century slang used to describe alcoholics who suffered from the "jitters" (delirium tremens). During the early 1900s, the term became associated with dancers who danced without any control or knowledge of the dance. In the Swing era, the term was adopted by band leader Cab Calloway to describe the swing dancers who, as he put it „look like a bunch of jitterbugs out there on the floor", due to their fast often bouncy movements. Calloway's 1935 recording of "Call of the Jitter Bug" and the film "Cab Calloway's Jitterbug Party" popularized use of the word "jitterbug". Lyrics to "Call of the Jitter Jug" clearly demonstrate the association between the word jitterbug, and the consumption of alcohol. "If you'd like to be a jitter bug, First thing you must do is get a jug, Put whiskey, wine and gin within, And shake it all up and then begin. Grab a cup and start to toss, You are drinking jitter sauce! Don't you worry, you just mug, And then you'll be a jitter bug!"

World War II facilitated the spread of jitterbug to Europe. For instance, by May 1944 in preparation for D-Day, there were nearly 2 million American troops stationed throughout Britain. Time Magazine reported that American troops stationed in France in 1945 „jitterbugged", and by 1946 jitterbug had become a craze in England.

****
Example #2: Lindy Hop funny instructional video : Groovie Movie (1944)

.

SandetLudo, Uploaded on Mar 17, 2011
-snip-
The clip about peckin begins at 1:57 & ends at 2.16.

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Example #3: Peckin' (Cab Calloway & Orch 1937) 120 bpm



Swing Dance Montreal, Published on Apr 10, 2012

Pièce musicale swing idéal pour danser le Lindy Hop, Balboa, Blues et Ballrooming
www.swingdancemontreal.com
www.swingdancemontreal.blogspot.com
-snip-
In the beginning of this song the dance "truckin" is mentioned.
Click http://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for a post about "truckin".

****
Example #4: 1937 Peckin' Dance by the 3chocolateers



Sonny Watson, Uploaded on Feb 3, 2013

1937 Peckin' Dance by the 3chocolateers.

Frank Sebastion's Cotton Club (not related to the New York Club) in Los Angeles is said to have done the first public routine with the "Peckin' Motion" (Chicken) done by a group called the Three Chocolateers (Eddie West, Paul Black and Albert "Gib" Gibson) in 1934 and became a Swing and Ballroom sensation. The Three Chocolateers can be seen doing it in the feature length film entitled "New Faces of 1937" (see clip) by RKO Radio films and "Murder at the Vanities."

...for more inf on Peckin' and more see:
http://www.streetswing.com/histmain/z...

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ADDENDUM
Here's a video of a Cinco de Mayo "pecking dance". I'm not sure if thackPe

Pecking Dance

Jose Aguirre• Uploaded on May 8, 2008
SPVHS Cinco de Mayo Celebration
-snip-
This dance clearly is very similar if not the same as the Jitterbug "peckin" dance movement. I'm not sure if this was appropriated from that Jazz dance, or developed independently of that dance.

Click http://en.wikipedia.org/wiki/Cinco_de_Mayo for information about Cinco de Mayo.

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RELATED LINKS
Click http://pancocojams.blogspot.com/2013/05/the-pigeon-wing-buck-wing-and-buck.html for a post about African American bird dances.

Also, click http://pancocojams.blogspot.com/2013/09/a-tisket-tasket-information-lyrics-and.html for a post about the song "A Tisket A Tasket". A verse of that 1938 song mentions "peckin".

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Thanks to the creators of the peckin dance. Thanks also to all those who are featured on in this post, including Cab Calloway and Bennie Goodman for their musical legacy. Thanks also to all those who are quoted in this post and the publishers of these YouTube examples.

Thank you for visiting pancocojams.

Visitor comments are welcome.

"A Tisket A Tasket" (information, lyrics, and video)


Some One Ella Fitzgerald, March 3, 2018

Content from NBC Universal

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Edited by Azizi Powell

Latest revision: March 9, 2022

This pancoocjams post provides information about and examples of the nursery rhyme & the song "A Tisket A Tasket".

The content of this post is presented for folkloric, entertainment, recreational, and aesthetic purposes.

All copyrights remain with their owners.

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INFORMATION ABOUT "A TISKET A TASKET".
From http://en.wikipedia.org/wiki/A-Tisket,_A-Tasket
"A Tisket A Tasket is a nursery rhyme first recorded in America in the late nineteenth century.[1][2] It was used as the basis for a very successful and highly regarded 1938 recording by Ella Fitzgerald. It has a Roud Folk Song Index number of 13188.

The rhyme was first noted in the United States in 1879 [3] as a children's rhyming game. It was sung while children danced in a circle. One of the number ran on the outside of the circle and dropped a handkerchief. The nearest child would then pick it up and chase the dropper. If caught the dropper was either kissed, joined the circle, or had to tell the name of their sweetheart.[2] An early noted version had the lyrics:

A-tisket a-tasket
A green and yellow basket
I wrote a letter to my love
And on the way I dropped it,
I dropped it,
I dropped it,
And on the way I dropped it.
A little boy he picked it up
and put it in his pocket.[2]

In some variants, the second line is "I lost my yellow basket"."

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SONG LYRICS - A TISKET A TASKET
(Ella Fitzgerald, in conjunction with Al Feldman, later known as Van Alexander)

A-tisket A-tasket
A brown and yellow basket
I send a letter to my mommy
On the way I dropped it

I dropped it
I dropped it
Yes on the way I dropped it
A little girlie picked it up
And put it in her pocket

She was atruckin on down the avenue
But not a single thing to do
She went peck peck pecking all around
When she spied it on the ground

She took it
She took it
My little yellow basket
And if she doesn't bring it back, I think that I will die

A-tisket A-tasket
I lost my yellow basket
And if that girl don't return it
I don't know what I'll do

Oh dear I wonder where my basket can be
(So do we, so do we, so do we, so do we, so do we)
Oh gee I wish that little girl I could see
(So do we, so do we, so do we, so do we, so do we)

Oh why was I so careless with that basket of mine?
That itty bitty basket was a joy of mine!

A-tisket
A-tasket
I lost my yellow basket
Won't someone help me find my basket
And make me happy again? again

(Was it green?) No, no, no, no
(Was it red?) No, no, no, no
(Was it blue?) No, no, no, no

Just a little yellow basket
A little yellow basket

Source: http://www.sing365.com/music/lyric.nsf/A-tisket-A-tasket-lyrics-Ella-Fitzgerald/5F3E2C5F547CDE5F48256D290029CCC4

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ADDENDUM [Updated November 2, 2014]
-snip-
WHAT DOES "A TISKET A TASKET" MEAN?
From http://www.allnurseryrhymes.com/A-Tisket-A-Tasket.html
"The words Tisket-Tasket, have no specific meaning, it is a word play made up to go with the rhyme. The song lyrics were part of a popular singing game for kids."
-snip-
The general opinion is that the words "tisket" and "tasket" were created to rhyme with the word "basket".

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WHAT DOES "TRUCKIN IN THE LINE" MEAN?
The word "truckin" in the line "She was atruckin on down the avenue" can be broadly said to mean "she was moving on down the avenue". However, "truckin" refers to an actual social dance that was introduced in Harlem (New York) in 1927 if not earlier.
Click http://pancocojams.blogspot.com/2013/02/the-jazz-dance-truckin-information.html for a post about "truckin".
**
The word "peckin" in the line also refers to a Jazz (Jitterbug)dance movement that was popularized in 1937.

Click http://pancocojams.blogspot.com/2013/09/peckin-dance-movement-jazz-composition.html for a pancocojams post on "peckin".

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Thanks to the unknown composer/s of the children's rhyme "A Tisket A Tasket". Thanks also to Ella Fitzgerald for her musical legacy and thanks to Al Feldman (Van Alexander) for jointly composing the Jazz song which is based on that rhyme. Thanks to all those quoted in this post as well as the publisher of this featured video.

Thank you for visiting pancocojams.

Visitor comments are welcome.

Wednesday, February 27, 2013

The Jazz Dance "Truckin" (Information & Video Examples)

Edited by Azizi Powell

Latest revision - October 4, 2024

This pancocojams post presents information about and film clips of the Jazz dance step known as "truckin".

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

INFORMATION ABOUT "TRUCKIN" (DANCE)
http://en.wikipedia.org/wiki/Big_Apple_(dance)#Moves
"Truckin: Truckin is a shuffle step variation popularized after the vaudeville era. The right hand is held up (as in a right turn signal) with the index finger extended and wagging. In Harlem Truckin the shoulder is set back. Feet are parallel at all times. With both feet together and facing slight left the right foot scoopes down and brushes the floor, the left foot is then gathered at the right ankle and the right heel twists (this should cause forward movement as the foot scoopes past the other foot). The action is repeated creating a "hearts in the snow" effect from the overlapping steps. At the same time the left hand is placed over the stomach (like a waiter holding a towel) and never really moves. The stomach twistes with the feet therefore, the "stomach rubs the hand". If truckin is being done around a circle the outside hand is always up."
-snip-
From http://www.streetswing.com/histmain/z3truck.htm
“Truckin is considered a Harlem dance originating around 1927...It signifies the Strutting Walk done when one is happy or joyful...It’s mainly used in Lindy Hop today after separating from your partner to return later back together again. Truckin can be done as a couple or as a solo...

Truckin is the shoulders which fall and rise as the dancers move toward each other while the fore finger points up and wiggles back and forth like a windshield wiper.”
-snip-
From http://www.barrypopik.com/index.php/new_york_city/entry/truckin_or_truck_on_down_1935/
"The Big Apple: Truckin
Entry from February 19, 2006
“Truckin‘“ or “Truck on Down” (1935)
The dance "Truckin" or "Truck on Down" was popularized in Harlem in 1935. Various Harlem spots and entertainers took credit for popularizing it."...
-snip-
http://artsites.ucsc.edu/GDead/agdl/truckin.html
"According to The Golden Road, published 
Winter 1984.
"'Truckin'' was a popular dance step, and the word is immortalized in a number of '20s and '30s songs, including the blues "Keep on Truckin'" and Blind Boy Fuller's "Truckin' My Blues Away." ...
-snip-
Blind Boy Fuller's Blues song "
"Truckin' My Blues Away" was written and performed by that musician/singer in 1936.

[From that same site but credited to the Oxford English Dictionary]
"trucking 2. The action of dancing the truck. slang. 1944 C. CALLOWAY Hepster's Dictionary in Of Minnie the Moocher (1976)
260 Trucking, a dance introduced at the Cotton Club in 1933."

The OED also recognizes the phrase "Keep on trucking":
"to persevere: a phrase of encouragement. 1972. Sat. Rev. (U.S.) 28 Oct. 12 One poster...shows the famous R. Crumb cartoon characters and bears the caption: 'Let's Keep on Truckin'."

The New Grove Dictionary of American Music describes "Truckin'" as a dance step which was incorporated into the "lively and strenuous circle dance", the Big Apple. It describes the "truckin'" step, "with its shuffle step and waving index finger."....
-snip-
http://www.skippyblair.com/dance_dictionary.htm
"...TRUCKIN'' was easy to do in the 1940s because the dancers were already familiar with the movement. It was the same movement as the "subtle bounce" in the Jitterbug & Balboa. Truckin' was part of the "Big Apple" in the 1940's..."

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FEATURED VIDEOS
Example #1: Whitey's Lindy Hoppers Radio City Revels 1938



Olivier Cotton, Uploaded on Jun 3, 2010
-snip-
An example of "Truckin" occurs in this film clip at .04-.05
(a woman in the back dances across scene)

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Example #2: Whitey's Lindy Hoppers performing the Big Apple (1939)



Tanoa Stewart, Uploaded on Jan 25, 2007

Whitey's Lindy Hoppers performing the Big Apple followed by some crazy Lindy Hoppin'. From the movie Keep Punching, 1939 - Brought to you by the San Francisco Jitterbugs, www.jitterbugs.info
-snip-
I believe that one example of "Truckin" is found at .48-59.

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Example #3: A Day at the Races [The swing]



mind stripper, Uploaded on Sep 1, 2007
The whole beautiful, inspiring dancing scene of Whitey's Lindy Hoppers.
-snip-
Black dancers perform "Truckin" -.43-.50

Two Marx brothers perform "Truckin" - 6:56-6:59

Three Marx brothers perform "Truckin" - 7:27
-snip-
Editorial comment about this film clip:
Notwithstanding the skill & creativity of the Black dancers & singers who performed in this film clip, I believe that this scene is full of stereotypical depictions of Black people, including Black people’s interaction with the White lead character who plays the pipes & is referred to as (the angel) “Gabriel”. I also believe that the scene in at the end of this clip is racist. In that scene (7:08-7:36), the Marx brothers apply black axle grease to their skin so that they can merge in the crowd with the Black dancers, thus avoiding being captured by those persons chasing them. This is an example of "blackface".

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Example #4:Truckin - Jumbo70



Mrgreymattr, Uploaded on Oct 12, 2010

Inspired by a popular dance step in the 20's & 30's, Truckin was written and recorded by late 60's rock band Jumbo. Watch legends doing some of the coolest moves on the planet. Visit www.jumbo.com
-snip-
I’m not sure if any of these clips are of the “truckin” dance
step.]

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Example #5: Alphabetical Jazz Steps 2 (Bigger & Longer)



LindyandBlues, Uploaded on Feb 16, 2012
Vocabulary of 84 American vernacular jazz solo movements

A hyyperlinked list of the dances that are ddemonstrated in this video is found at http://www.youtube.com/watch?v=pbteWH-3QlY, including Truckin [around 9:40]

A shorter version of this video is found at http://www.youtube.com/watch?v=mEWxdPTCubI

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Example #6: Truckin' Routine at the Swing Brother Swing Festival, Bologna Italy 2011



Sharon Davis, Uploaded on May 11, 2011

Instructors at the 2011 Swing Brother Swing Festival in Italy perform the Truckin' routine, choreographed by Sharon Davis.

Song: Truckin' by Willie Bryant

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BONUS VIDEO
Here's a Soul Train television show clip of Eddie Kendricks performing his 1973 R&B song "Keep On Truckin". I don't know if the dances that are being performed are an updated version of "truckin". As a reminder, the African American colloquial saying "Keep on truckin'" is said to encourage people to keep on going, inspite of difficulties. Another way of saying this is "Keep on keepin on".

EDDIE KENDRICKS - KEEP ON TRUCKING.70S SOUL DANCERS



Raresoulfilms, Uploaded on Jun 6, 2011

WHAT A GROOVE

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RELATED LINK
http://pancocojams.blogspot.com/2013/02/ina-ray-hutton-and-her-melodears-doin.html
Ina Ray Hutton and Her Melodears - "Truckin" & "Doin' The Suzy Q"

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ACKNOWLEDGEMENT AND THANKS
Thanks to the Whitey's Lindy Hoppers and the other dancers in these featured dancers for their dance legacy. My thanks also to the musicians & vocalists who are featured in these videos. Thanks also to the producers of these film clips, the the uploaders of these videos and the authors of the information that is quoted in this post.

Thank you for visiting pancocojams.

Viewer comments are welcome.

Monday, February 18, 2013

Ina Ray Hutton and Her Melodears - "Truckin" & "Doin' The Suzy Q"

Edited by Azizi Powell

This post presents information about Jazz band leader, singer, and dancer Ina Ray Hutton. Two videos of Ina Ray Hutton and her all female band (Melodears) are showcases in this post. Both of these videos refer to very popular Jazz (Swing) dances of the 1930s.

Information about Ina Ray Hutton's sister, singer June Hutton, is also included in this post for supplemental purposes.

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

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INFORMATION ABOUT INA RAY HUTTON
From http://en.wikipedia.org/wiki/Ina_Ray_Hutton
"Ina Ray Hutton (March 13, 1916 – February 19, 1984) was an American female leader during the Big band era, and sister to June Hutton.

Hutton was born as Odessa Cowan in Chicago, Illinois of African American descent.[1] She began dancing and singing in stage revues at the age of eight. Cowan's mother Marvel Ray was a local pianist and entertainer in Chicago. She attended Hyde Park High School on the South Side of Chicago. In the 1930s she appeared on Broadway in George White's Scandals and The Ziegfeld Follies.
In 1934 she was asked by vaudeville agent Alex Hyde to lead an all-girl orchestra, the Melodears, which featured musicians including trumpet player Frances Klein, pianist Ruth Lowe Sandler, guitarist Marian Gange, trumpeter Mardell "Owen" Winstead and trombonist Alyse Wells during its existence.[2][3] Hutton and her Melodears were one of the first all-girl bands to be filmed for Paramount shorts...

The group disbanded in 1939. In 1940 she led an all-male orchestra that was featured in the film Even Since Venus (1944); it was disbanded in 1946. During the 1950s, she returned to the all-girl format for variety television programs including the Ina Ray Hutton Show for a local station on the West Coast"...
-snip-
From http://www.blackpast.org/?q=aah/hutton-ina-ray-nee-odessa-cowan-1916-1984
"Hutton, Ina Ray, née Odessa Cowan (1916–1984)
Ina Ray Hutton led the Melodears, one of the first all-female swing bands to be recorded and filmed. She passed as white throughout her musical career, as the leader of several bands from the 1930s through the 1960s. But when Hutton was a child, United States Census records called her and her family “negro,” and “mulatto,” when the Bureau used that term. Her family occasionally appeared in the society pages of a black newspaper"...
-snip-
Here is a brief clip from the Wikipedia page for Ina Ray Hutton's sister June Hutton:
From http://en.wikipedia.org/wiki/June_Hutton
"June Hutton (August 11, 1920 – May 2, 1973[1]) was an American popular singer.

Born June Cowan in Chicago she and her older sister, Ina Ray Hutton, a band leader in the 1930s and 40s, passed as white throughout their musical careers. United States Census records identified her family as “negro,” and “mulatto,” when the Bureau used that term.[2] Though their family occasionally appeared in the society pages of a black newspaper, both sisters had light complexions and by the late 1930s, dyed their hair blonde. Ina Ray Hutton changed her last name to "Hutton" (inspired by heiress Barbara Hutton), and in 1941, her younger sister June joined the band of her older sister, first singing under the name of Elaine Merritt, eventually changing her last name to "Hutton' as well"...

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FEATURED VIDEOS
Video #1: Ina Ray Hutton and Her Melodears - Truckin'



Jan Klompstra, Uploaded on Aug 14, 2006
All-female dance band of the 30s.
Leader and singer: sexy Ina Ray Hutton
-snip-
Click http://www.streetswing.com/histmain/z3truck.htm for information about the Jazz dance "Truckin". That website indicates that this dance first originated in Harlem in 1927.

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Video #2: Ina Ray Hutton and Her Melodears - Doin' The Suzy Q



Jan Klompstra, Uploaded on Aug 13, 2006
All-female dance band with sexy leader-singer Ina

A commenter on that video's http://www.youtube.com/watch?v=2FvJvcZMn3U indicated that this song & film clip are from 1936.
-snip-
Click http://www.streetswing.com/histmain/z3suzyq1.htmfor information about the Jazz dance the "Suzy Q". That website indicates that this dance first originated in 1935.

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RELATED LINK
Click http://www.jambalayah.com/node/1146 for a post on my Jambalayah website that includes videos of a number of African American originated jazz dances (from the 1920 through the 1940s), including the Suzy Q and Truckin. A video demonstrating the Susie Q is clearly labeled. Brief demonstrations of the Susie Q step, the Truckin step, and 82 other Jazz dance steps are found in the video that is entitled "Alphabetical Jazz Steps 2 (Bigger & Longer)"

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ACKNOWLEDGEMENT AND THANKS
Thanks to Ina Ray Hutton and Her Melodears for their musical legacy. Thanks to the composers of these songs, and thanks to the uploaders of these videos.

Thank you for visiting pancocojams.

Viewer comments are welcome.