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Showing posts with label New Orleans Jazz. Show all posts
Showing posts with label New Orleans Jazz. Show all posts

Sunday, May 16, 2021

Tu Way Pocky Way (Also Known As "Hey Pocky Way": A Timeline beginning in 1927 and including some YouTube links

Edited by Azizi Powell

Latetst Update - January 5, 2022

This pancocojams post provides a time line for the Mardi Gras Indian chant "Tu Way Pocky Way" (and various other spellings). This chant/song is also known as "Hey, Pocky-Way" (and similar titles). 

Some information about and YouTube links to most of these citations are also included in this pancocojams post.

The Addendum to this post presents the words to and my comments about a foot stomping cheer that I collected in 1985 from African American girls living in a community near Pittsburgh, Pennsylvania.  

The content of this post is presented for historical, cultural, and entertainment purposes.

All copyrights remain with their respective owners.

Thanks to all those who composed these chants and songs and all those who perform/ed these chants and songs. Thanks also to all those who are quoted in this post and all those who published these sound files or videos on YouTube.

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A TIMELINE FOR "TU WAY POCKY WAY" (ALSO KNOWN AS "HEY POCKY A-WAY" 

1927- Louis Dumaine's Jazz instrumental "To-Wa-Bac-A- Wa"
Excerpt #1
From https://translate.google.com/translate?hl=en&sl=de&u=https://de.wikipedia.org/wiki/Louis_Dumaine&prev=search&pto=aue
"Louis Dumaine (born July 17, 1889 in New Orleans , † September 9, 1949 ibid. [1] ) was an American cornet player and band leader of New Orleans jazz . [2]

Louis Dumaine was a member of the Tuxedo Brass Band in the early to mid-1920s . He also played with the Henry Allen Brass Band , [3] the Eagle Brass Band , Kid Howard and trombonist Frankie Duson . In 1927 he recorded five tracks for Victor with his Dumaines' Jazzola Eight , such as “Pretty Audrey”, “Red Onion Drag”, “Franklin Street Blues” and “To -wa-bac-a-wa ". He accompanied the blues singer Ann Cook on “Mama Cookie” and “He's the Sweetest Black Man in Town”. Contributors included clarinetist Willie Joseph, trombonist Earl Humphrey, and pianist Morris Rouse. In the 1930s he continued to lead his own brass bands , such as the WPA Band in 1935 and the ERA Orchestra in 1936.

For the authors Rex Harris and Brian Rust , the Dumaines' Jazzola Eight played authentic New Orleans jazz that was created before the revival phase."
-snip-
Louis Dumaine's 1927 instrumental "To-Wa-Bac-A-Wa" was also mentioned in an article entitled "Mardi Gras Influence on New Orleans Music* . This article is copyrighted 2002 by Thomas L Morgan. That website's name was given as a hyperlink and is no longer available.

**
Excerpt #2
 
To Wa Bac A Wa

https://www.youtube.com/watch?v=ZRejOstWsTk

Louis Dumaine's Jazzola Eight – Topic, Nov. 8, 2014

Jazz The World Forgot Volume 1 ℗ Shanachie Released on: 2005-06-20

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1938- Jelly Roll Morton on the Mardi Gras Indians (1938)

Alan Lomax Archive, Feb 6, 2015
-snip-
Jelly Roll Mortion describes the Mardi Gras Indians dancing in a ring while chanting "Tu way Pocka Way" (This is my phonetic spelling of this chant.)

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1950 -book citation in Mister Jelly Roll: The Fortunes of Jelly Roll Morton, New Orleans Creole and "Inventor of Jazz" by Alan Lomax (originally published in 1950).
"The text from Allan Lomax's book MISTER JELLY ROLL reveals the Creole spelling as "T'ouwais, bas q'ouwais" and response "Ou tendais," though there have been other representations. One possible translation of the phrase is "I'll kill (tuez) you if you don't get out the way, " with the response "Entendez," or "I hear ya!"...
-snip-
This is a quote from an article that was entitled "Mardi Gras Influence on New Orleans Music. That website is no longer available. I quoted a portion of that article  in a Mudcat discussion forum comment that I wrote in  17 Jan 06 https://mudcat.org/thread.cfm?threadid=88125#1650526. The website's name was given as a hyperlink and the article was copyrighted in 2002 by Thomas L Morgan. 

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1965- The Dixie Cups - Two Way Poc A Way
https://www.discogs.com/master/694246-The-Dixie-Cups-Two-Way-Poc-A-Way
-snip-
Thanks to Menno de Blaeij for alerting me to this record by email on Jan. 4, 2022.

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1974- The Meters' song entitled "Hey, Pocky-A- Way"
Excerpt #1
From https://www.translateasy.com/en/song/the-meters-rejuvenation-album-hey-pocky-a-way-english-lyrics/6926  
"The loose and infectious melody of “Hey Pocky A-Way” has been covered and re-recorded many times since its first release in 1974 by New Orleans funk heavyweights The Meters. The highly recognizable chorus–which reputedly stems from early Native American dialects in the region that would come to cradle New Orleans–has lost most of its linguistic meaning, but none of its emotional acuity. Later, The Grateful Dead’s cover of the song popularized it further, even as members of The Meters went on to join the famous soul group, The Neville Brothers."
-snip-
This page also includes the complete lyrics to that song.

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1987- The Greatful Dead- "Hey Pocky Way"
Excerpt #1:
From http://www.deaddisc.com/songs/Hey_Pocky_Way.htm
"The original recording of this song by The Meters and other recordings by the group use the title Hey Pocky A-Way. The majority of other recordings use the title Hey Pocky Way. The song was written in 1974. It incorporates traditional chants and a drum rhythm that was first used by Meters drummer Zig Modeliste on the Dr. John song Shoo Fly Marches On.

The Grateful Dead performed Hey Pocky Way about 30 times between September 1987 and July 1990.The song has also been performed by The Dead and Furthur."...
-snip-
Here's a list from that website for recordings of this song by various groups, including The Meters and the Greatful Dead. Note that a number of these citations have a  link for more information.

**
Excerpt #2

Grateful Dead - Hey Pocky Way 10/3/1987 [video]

https://www.youtube.com/watch?v=aAAHJS7DfRE

Brant Pittman, Aug 10, 2015

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1991- The Neville Brothers - Hey Pocky Way

https://www.youtube.com/watch?v=_w-ibD-wBRo&ab_channel=NevilleBrothersonMVNevilleBrothersonMV [video]

Neville Brothers on MV

Recorded Live: 10/31/1991 - Municipal Auditorium New Orleans - New Orleans, LA


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RECORD LISTS FOR THIS SONG 
From http://www.deaddisc.com/songs/Hey_Pocky_Way.htm

[Note: A number of these citations include a "info" tab which leads to more information about that record.]

Rejuvenation, The Meters, 1974

Single (Hey Pocky A-Way / Africa), The Meters, 1974

The Best of the Meters, The Meters, 1975

House of the Rising Sun, Idris Muhammad, 1976

Wild Tchoupitoulas, Wild Tchoupitoulas, 1976

Yellow Fever, Herbie Mann, 1979

Fiyo On The Bayou, Neville Brothers, 1981

Treacherous: A History of the Neville Brothers 1955-1985, The Neville Brothers, 1986?

Massive, Arrow, 1989

O'la Soca, Arrow, 1989

Keys to the Crescent City, Various Artists (Art Neville), 1991

Mardi Gras Party, Various Artists (Art Neville), 1991

Uptown Rulers: The Meters Live on the Queen Mary, The Meters, 1992

New Orleans Party Classics, Various Artists (Nevill Brothers), 1992

The Best of Louisiana Music, Various Artists (Meters), 1993

Funkify Your Life: The Meters Anthology, The Meters, 1995

Mardi Gras in New Oleans, Vol. 2, Various Artists (Meters), 1995

Roll Up The Rugs & Crank It: Live From Styleen's Rhythm Palace Syracuse, NY, Little Georgie & The Shuffling Hungarians, 1996

Bayou Bound, Poorboys, 1996

The Very Best of the Meters, The Meters, 1997

By Special Request, Van Broussard, 1997

Go-Go & Gumbo, Satchmo N Soul, Carte Brass & Percusion, 1997

Live in San Francisco, Leo Nocentelli, 1997

In Native, Soul Bossa Trio, 1997

A'capella New Orleans Volume 2, Jay-Ray & Gee with Friends, 1997

Uptown Rulin': The Best of the Neville Brothers, The Neville Brothers, 1999

Carnival '99, String Cheese Incident, 1999

Tribute, Van Broussard, 1999

Mardi Gras Party, Various Artists (Meters), 1999

Mardi Gras Essentials, Various Artists (Nevill Brothers), 2000

Bring A Friend, Flat Cat, 2000

The Blues Tribute To The Grateful Dead, Various Artists, 2001

Super Mann/Yellow Fever, Herbie Mann, 2001

Legacy 2: Toshiki Kadomatsu Presents Kudu Best Collection, Various Artists (Idris Muhammad), 2001

Simply Sound: Best Tracks 1993-2000, Soul Bossa Trio, 2001

Live in CPH, SP Just Frost, 2001

Drew's Famous Party Music: Mardi Gras, Hit Crew, 2001

We Got The Funky Blues, Roger Girke And The Funky Twisters, 2001

The Essentials, The Meters, 2002

Greatest Hits Vol. 2, The Lucky Devils, 2001

On the Road: July 4, 2002 Steamboat Springs, CO, String Cheese Incident, 2002

The Best of the Atlantic Years, Herbie Mann, 2002

Shakin' in the Makin', Ben Waters, 2002

Performances, Various Artists (Flat Cat), 2002

Live au Satellit'Cafe, Pierre Sibille, 2002

Pure Swamp Pop Gold, Vol. 4, Various Artists (Van Broussard), 2003

20th Century Masters: The Millennium Collection: The Best of the Neville Brothers, The Neville Brothers, 2004

Doctors, Professors, Kings and Queens: The Big Ol' Box of New Orleans, Various Artists (Meters), 2004

On The Road: July 10, 2004, Morrison, CO, String Cheese Incident, 2004

On The Road: October 5, 2003, Philadelphia, PA, String Cheese Incident, 2004

On The Road: October 29, 2004, Chicago, IL, String Cheese Incident, 2004

DSO Live: Jan 29, 2004, Charlotte, NC, Dark Star Orchestra, 2004

DSO Live: Jan 31, 2004, Raleigh, NC, Dark Star Orchestra, 2004

DSO Live: Feb 6, 2004, Pompano Beach, FL, Dark Star Orchestra, 2004

DSO Live: Mar 15, 2004, Winooski, VT, Dark Star Orchestra, 2004

CTI Master Collection, Vol. 2, Various Artists (Idris Muhammad), 2004

Gold, The Neville Brothers, 2005

On The Road: October 29, 2005, Las Vegas, NV (Orleans Ballroom), String Cheese Incident, 2005

On The Road: Archive Series: New Orleans, LA, May 1, 1999, String Cheese Incident, 2005

The Sandwich Man: With a Large Side of Love, Featuring Hammond Sandwich and Dark Star Orchestra, 2005

New Orleans Party Classics, Various Artists (Neville Brothers), 2005

PhryPhest, Great American Music Hall, SF, CA, July 5, 2006, Steve Kimock / ALO / New Monsoon, 2006

On The Road: June 25, 2006, Los Angeles, CA, String Cheese Incident, 2006

From the Big Apple to the Big Easy: Madison Square Garden Concert, Various Artists (Nevill Brothers), 2006

Live @ JZ, Monique diMattina/ Andrew Swann, 2006

Hard Ticket, Michael Schatte, 2006

New Orleans Mardi Gras, Dukes of Dixieland/Luther Kent, 2006

Taillights, Johnny Duke and the Aces, 2006

On The Road: July 29, 2007, North Plains, OR, String Cheese Incident, 2007

12/29/07, Beacon Theatre, New York, NY, Gov't Mule, 2007

Revolutions In Sound: Warner Bros. Records: The First Fifty Years (10 CD), Various Artists (Meters), 2008

Revolutions In Sound: Warner Bros. Records: The First Fifty Years (USB), Various Artists (Meters), 2008

Trick or Treat Box Set, String Cheese Incident, 2009

YarmonyGrass, August 16, 2008, Rebel Alliance Jam, 2009

Authorized Bootleg: Warfield Theatre, San Francisco, CA, Feb 27, 1989, Neville Brothers, 2010

On The Road: July 30, 2010, North Plains, OR, String Cheese Incident, 2010

Iridium Live 004: 7.12.2012, Donna Jean Godchaux Band, 2012

On The Road: July 20, 2012, North Plains, OR, String Cheese Incident, 2012

From The Archives 2/12/17, Voodoo Dead, 2020

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ADDITIONAL YOUTUBE LINKS FOR  THIS SONG 

Hey Pocky A-Way (A Way) [sound file]

https://www.youtube.com/watch?v=KsVn6gt8HN4&ab_channel=TheWildTchoupitoulas-TopicTheWildTchoupitoulas-Topic

The Wild Tchoupitoulas - Topic, July 29, 2018

℗ 1976 Island Records, a division of UMG Recordings, Inc.

Released on: 1976-01-01

Producer: Allen Toussaint

Producer: Marshall E. Sehorn

Composer  Lyricist: Arthur Neville

Composer  Lyricist: Charles Neville

Composer  Lyricist: George Porter Jr.

Composer  Lyricist: Joseph Modeliste

Composer  Lyricist: Leo Nocentelli

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Tu Way Pocky Way [sound file]

https://www.youtube.com/watch?v=G1caXKSHSVw

Big Chief Juan Pardo & Golden Comanche's - Topic, Oct 10, 2015

Tu Way Pocky Way · Big Chief Juan Pardo · Golden Comanche's

Spirit Food

℗ 2015 Big Chief Juan Pardo

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ADDENDUM- TWO WAY PASS AWAY"  (foot stomping cheer)

1985- "Two Way Pass Away" foot stomping cheer

TWO WAY PASS AWAY
All: Two way pass away. Two way pass away.
Soloist #1: Well, my name is Shana.
Group: Two way pass away.
Soloist #1: And if you don’t like it,
Group: Two way pass away.
Soloist #1: You can kiss what I twist.
And I don’t mean my wrist.
-African American girls (around 8-12 years old), Braddock, Pennsylvania, collected by Azizi Powell, 1985

(Repeat the entire cheer from the beginning with the next soloist and continue repeating until every member of the group has had one turn as the soloist.)

While we waiting for more children to come to the African storytelling session that I was scheduled to perform, I asked the girls who were present what rhymes and cheers they knew. I wrote the cheers down as the girls performed them and asked them to repeat them when I wasn't sure about the words. I recall these girls performing more than two cheers. However, the only other cheer that I now have in my files is a version of "Cheerleader".

The girls stood in a horizontal line to perform this and some other cheers. I remember that a few girls "sat out" some of the cheers. I believe that was because they didn't know that particular cheer that well and therefore weren't sure about their ability to "keep to the beat" or remember the words. (Remembering the words to "Two Way Pass Away" was easy because the only change in words for each soloist was that soloist's name or nickname.)

I didn't write down how the girls performed any of these cheers. In the pancocojams post entitled "Overview of Foot Stomping Cheers" *, I wrote that m
ost foot stomping cheers use this beat pattern: "stomp clap/ stomp stomp/ clap". Another beat pattern is "stomp stomp clap/ stomp stomp clap." If I recall correctly, the beat pattern for "Two Way Pass Away" is "stomp clap/ stomp stomp/ clap". However, if I recall correctly, the soloist and the other chanters (steppers) paused the beat pattern for the words "You can kiss what I twist/and I don't mean my lips". On those words, the soloist switched one hip and said those words with a "sassy attitude". Those words were immediately followed by the entire group beginning the chant again with a new soloist (until everyone in the group had one turn as the soloist.) 

I didn't note down the names of the girls who performed "Two Way Pass Away" as I did for the only other cheer that was performed during that session which I still have notes for. However, since most of the girls performed all of the cheers that they shared during that session, it's likely that the same girls whose names I documented for that version of "Cheerleader*" were the ones who performed "Two Way Pass Away". Those girls were Shayla, Shana, Shana, Jamie, and Jackie. Note that this "Two Way Pass Away" cheer includes the name "Shana", one of the names for the girls who performed "Cheerleader". (I didn't give fake names to the chanters in these examples). The only difference is that I wrote that those girls who performed that version of "Cheerleader" were 10-12 and I wrote that the girls who performed "Two Way Pass Away" were 8-12 years old.   

I've come across multiple versions of the "Cheerleader" foot stomping cheer, although none of the other examples of that cheer are the same as that Braddock, Pennsylvania version. In contrast, that 1985 session remains the only place that I've come across the "Two Way Pass Away" cheer.  I never saw those girls or the woman who hosted that session again. I regretted failing to ask the girls some questions about that "Two Way Pass Away" cheer (for instance, did any of their families have any connection to New Orleans, Louisiana and any connections to the Mardi Gras Indians). In 1990, when the Talbot Towers public housing development was torn down Iremember regretting that I'd further lost the opportunity and find out more information about that "Two Way Pass Away" cheer.   

I believe that the phrase "two way pass away" is derived from the Mardi Gras Indian chant "Tu Way Pock A Way". When I heard this cheer performed in 1985, I didn't know anything about the Mardi Gras Indians, and I've never heard the chant "Tu way pocka way" or the song "Hey, Pocky-a Way". I remember writing the cheer down as "Too way pass away" and I remember asking the girls what those words meant. They said that they didn't know what it meant. It was only after I learned about the Mardi Gras Indians (in the mid 1990s) that I began using "Two" as the spelling for that word instead of  "Too". 
-snip-
*Click http://pancocojams.blogspot.com/2013/05/an-overview-of-foot-stomping-cheers.html#:~:text=Foot%20stomping%20cheers%20are%20composed,has%20a%20short%20solo%20portion for the pancocojams post entitled "An Overview Of Foot Stomping Cheers (Part I- Characteristic & Sources)"

**Click http://pancocojams.blogspot.com/2016/09/foot-stomping-cheers-alphabetical-list.html for Version #4 of "Cheerleader: Braddock, Pennsylvania 1985). 
 

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Visitor comments are welcome.

Sunday, March 8, 2015

Gospel & Jazz Examples Of "When The Saints Go Marching In"

Edited by Azizi Powell

This pancocojams post provides information about the song "When The Saints Go Marching In" and showcases two examples of Gospel versions and five examples of New Orleans Jazz versions of this song. This post also features an example of "When The Saints Go Marching In" as sung by R&B great James Brown.

The content of this post is presented for cultural, religious, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the composer/s of this song and thanks to all singers and musicians who are featured in these examples. Thanks also to the publishers of these examples on YouTube.

This post honors the fiftieth anniversary of "Bloody Sunday" March in Selma, Alabama.
Click http://en.wikipedia.org/wiki/Selma_to_Montgomery_marches for information about that 1965 civil rights march.

Also, click http://www.huffingtonpost.com/2015/03/07/barack-obama-selma-anniversary_n_6823060.html amd http://www.huffingtonpost.com/2015/03/08/bloody-sunday-selma-march_n_6826932.html for information about the fiftieth anniversary march which was held March 7, 2015.

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INFORMATION ABOUT THE SONG "WHEN THE SAINTS GO MARCHING IN"
http://en.wikipedia.org/wiki/When_the_Saints_Go_Marching_In
"When the Saints Go Marching In", often referred to as "The Saints", is an American gospel hymn. The precise origins of the song are not known. Though it originated as a Christian hymn, it is often played by jazz bands. This song was first recorded on May 13, 1938 by Louis Armstrong and his Orchestra.[1] The song is sometimes confused with a similarly titled composition "When the Saints are Marching In" from 1896 by Katharine Purvis (lyrics) and James Milton Black (music). Luther G. Presley,[3] who wrote the lyrics, and Virgil Oliver Stamps, who wrote the music, popularized the tune as a gospel song.[4] A similar version was copyrighted by R.E. Winsett.[5]

Although the song is still heard as a slow spiritual number, since the mid 20th century it has been more commonly performed as a "hot" number. The tune is particularly associated with the city of New Orleans. A jazz standard, it has been recorded by a great many jazz and pop artists.

Both vocal and instrumental renditions of the song abound. Louis Armstrong was one of the first to make the tune into a nationally known pop tune in the 1930s. Armstrong wrote that his sister told him she thought the secular performance style of the traditional church tune was inappropriate and irreligious. Armstrong was in a New Orleans tradition of turning church numbers into brass band and dance numbers that went back at least to Buddy Bolden's band at the start of the 20th century.

In New Orleans, the song is traditionally used as a funeral march at "jazz funerals". While accompanying the coffin to the cemetery, a band plays the tune as a dirge. Returning from the interment, the band switches to the familiar upbeat "hot" or "Dixieland" style of play.”...

Lyrics
As with many numbers with long traditional folk use, there is no one "official" version of the song or its lyrics...As for the lyrics themselves, their very simplicity makes it easy to generate new verses. Since the first, second, and fourth lines of a verse are exactly the same, and the third standard throughout, the creation of one suitable line in iambic tetrameter generates an entire verse.”
-snip-
Read the statements that I posted in the comment section below about the meaning of "iambic tetrameter".

Some common verses for Gospel & Jazz renditions of this song are:
1. When the saints go marching in...
2. When the sun refuse to shine...
3. When they crown Him Lord of Lords
-snip-
Him = Jesus

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WHAT "SAINTS" MEAN IN THE SONG
From http://www.academia.edu/678234/Songs_of_Pentecost_Experiencing_music_transcendence_and_identity_in_Jamaica_and_Haiti, p. xii
"Among Pentecostal congregations, the term “saints” denotes those “believers who have professed Christ as their personal savior, been saved by His holy power, and now walk the‘set apart’ path of sanctification” (Hinson 2000, 2)."

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FEATURED EXAMPLES
With the exception of the two traditional Gospel examples, these videos are presented in chronological order based on their publishing dates on YouTube with the examples with the oldest dates presented earliest.

Example #1: "When The Saints Go Marching In" (1959) Famous Ward Singers



Gospel Nostalgia, Published on Apr 12, 2014

This is track 6 from the 1959 album "At The Apollo Theatre".

Clara Ward's mother, Gertrude Ward (1901--1981), founded the Ward Singers in 1931 as a family group, then called, variously, The Consecrated Gospel Singers or The Ward Trio, consisting of herself, her youngest daughter Clara, and her elder daughter, Willarene ("Willa"). Clara Ward recorded her first solo song in 1940, and continued accompanying the Ward Gospel Trio, thereafter.

The Ward Singers began touring nationally in 1943, following a memorable appearance at the National Baptist Convention held in Philadelphia, Pennsylvania, earlier that year. Henrietta Waddy joined the group in 1947, after Willa Ward retired. Waddy brought to the group a "rougher" alto sound and the enthusiastic stage manners learned from her South Carolina church background. The group's performance style, such as the mimed packing of suitcases as part of the song "Packin' Up", condemned by some gospel music purists as "clowning", was wildly popular with their audiences.

The addition of Marion Williams, who arose of the Miami, Florida Pentecostal tradition brought to the group a powerful singer with a preternaturally broad range, able to reach the highest registers of the soprano range without losing either purity or volume, with the added ability to descend "growling low notes" in the style of a country preacher. Williams' singing style helped make the group nationally popular when they began recording in 1948."...

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Example #2: "When The Saints Go Marching In"- Clara Ward Singers



Rowoches. Published on Jul 25, 2012
*I don't have the copyrights to this video, but I have been given permission, by Willa Ward, to post.
The Clara Ward Singers in Antibes, France during the 1962 Antibes Jazz Festival. Clara Ward leads the group with "When The Saints Go Marching In."

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Example #3: New Orleans Traditional Jazz - When the Saints Go Marching In!



New Orleans Traditional Jazz Uploaded on Nov 22, 2009

New Orleans Traditional Jazz Band performs the Saints Go Marching In Compton

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Example #4: Fats Domino ( best of the bands ) Part 2 O when the Saints



thejazzsingers, Uploaded on Jan 1, 2011

Happy New Year Lets Party Fats and his Band !

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Example #5: When the saints go marching in - James Brown



Eric Cajundelyon Uploaded on Aug 12, 2011
Classic Gospel cover by the Godfather of Soul himself...

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Example #6: When The Saints Go Marching In - B.B. KIng



keithlee77, Uploaded on Sep 18, 2011
-snip-
female soloist-singer/actor Solange
male soloist - actor, singer Terrence Howard

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Example #7: Louis Armstrong When the Saints Go Marching In, 1961



Владимир Тишин, Published on Sep 20, 2012

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Example #8: When the saints go marching in - New Orleans street music



rumpustina, Published on Apr 1, 2013

that lady was GOOD
-snip-
Comment from that video's viewer comment thread identifying the female musician/singer:
Bui NYC, 2013
"Her name is Doreen Ketchens."

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Visitor comments are welcome.

Monday, March 2, 2015

Sweet Emma Barrett- "I Ain't Gonna Give Nobody None Of My Jellyroll" (video & lyrics)

Edited by Azizi Powell

This post showcases a film clip of Sweet Emma Barrett singing "I Ain't Gonna Give Nobody None Of My Jellyroll". The lyrics for that song are also included in this post as is information about Sweet Emma Barrett.

The content of this post is presented for cultural, entertainment, and aesthetic reasons.

All copyrights remain with their owners.

Thanks to Emma Barret for her musical legacy. Thanks also to all those who are quoted in this post, and thanks to the publisher of this song on YouTube.

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INFORMATION ABOUT EMMA BARRETT
From http://en.wikipedia.org/wiki/Sweet_Emma_Barrett
"Sweet Emma" Barrett (March 25, 1897, New Orleans, Louisiana – January 28, 1983) was an American self-taught jazz pianist and singer who worked with the Original Tuxedo Orchestra between 1923 and 1936,[1] first under Papa Celestin, then William Ridgely. Also active with Armand Piron, John Robichaux, and Sidney Desvigne, Sweet Emma Barrett was at her most powerful in the early 1960s and became an iconic figure with the Preservation Hall Jazz Band...

She was nicknamed Bell Gal because she wore a red skull cap and garters with Christmas bells that jingled in time with her music. She was featured on the cover of Glamour magazine and written up in publications on both sides of the Atlantic. When the Preservation Hall Jazz Band began to "hit the road", she took it on international tours. Barrett toured in the United States as well, including a stint at Disneyland in 1963...

Despite the popular exposure she received at concerts and overseas appearances, Barrett continued to feel most comfortable in her native New Orleans, especially the French Quarter."...

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SHOWCASE EXAMPLE: Sweet Emma "I Ain't Gonna Give Nobody None Of My Jellyroll"



John Heneghan Uploaded on Oct 11, 2008

Sweet Emma Barrett
-snip-
Selected comments from this video's viewer comment thread: https://www.youtube.com/watch?v=xhtG5YrQ-lY

swanson6666, 2008
"Thank you for this wonderful video of
Sweet Emma Barrett. I was in New Orleans
in 1977 and saw her at Preservation Hall.
This lady was in a wheel chair by that time
and someone rolled her up to the piano and
she was outstanding. I'll always cherish
that memory. Thank you for keeping her
memory alive. God bless her."

**
davegiraffe, 2009
"Brilliant bit of archive footage. Thanks a lot for putting this up."

**
Nick Telfer, 2009
"Wow, nostalgia kicks in. I was introduced to Emma in Preservation Hall in 1978. She was only playing with one hand on account of having had a stoke. I wish I could play that good with two hands. She said "He's got a beard, I don't like men with beards!", Next time I met her she said "You know, I was only joking about that beard".

I don't think the rich and powerful in the city appreciate what a treasure they had in musicians like Sweet Emma"

**
Goutfoot, 2009
"How could the people of New Orleans just let this music die?"

**
infrogmation, 2009
in reply to Goutfoot
"We haven't. Unfortunately very few places care to hire bands that play the traditional music. Too many places, when they have live music at all, just hire who they can get cheap that plays loud."

Peter Meili, 2010
in reply to Goutfoot
"@Mangina9000 You know history: Storyville was closed 1918 and the musicians HAD to leave New Orleans if they wanted to earn money with thier music."

**
Angeli Alvares, 2010
"sweet Emma proves that true entertainment is not about looks and being young and sexy. It's about talent and heart and soul and towing along with it , is enlightenment ,which only comes to those with a sense of humor. i don't think I'll ever tire of hearing Emma sing this Jellyroll song!"

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LYRICS:
(as sung by Sweet Emma Barrett)

I ain't gonna give nobody none of my jellyroll.
I wouldn't give you a piece a cake
Not to save your soul.
Now my mama told me that day, before she went away
If I be a good little girl
Ah she'd put my hair in curls.
Now it ain’t no use for you to keep on hangin ‘round.
I know you want it.
I’ve got to turn you down.
Ah, my jelly roll is sweet
And it can’t be beat.
I know you want it. You can’t have it.
I ain’t ah gonna give you none.

No, I ain't gonna give nobody none of my jellyroll.
I wouldn't give you a piece a cake
Not to save your soul/
My mama told me that day, before she went away
If I be a good little girl
Ah she'd put my hair in curls.
Now it ain’t no use for you to keep on hangin ‘round.
I know you want it.
I’ve got to turn you down.
Now you’re jellyroll might be fine
But it ain’t as good as mine.
I know you want it. You can’t have it/
I ain’t gonna give you none.

[film clip ends abruptly]
-snip-
What jellyroll means:
From http://en.wikipedia.org/wiki/Talk%3AJelly_roll_(slang)
"Jelly Roll is black slang from the nineteenth century for the vulva, with various related meanings, i.e. sexual intercourse, a loving woman, a man obsessed with finding same"...
-snip-
From http://en.wikipedia.org/wiki/Jelly_Roll_Morton
"Ferdinand Joseph LaMothe (October 20, 1890 – July 10, 1941),[1] known professionally as Jelly Roll Morton, was an American ragtime and early jazz pianist, bandleader and composer who started his career in New Orleans, Louisiana.

Widely recognized as a pivotal figure in early jazz, Morton is perhaps most notable as jazz's first arranger, proving that a genre rooted in improvisation could retain its essential spirit and characteristics when notated.[2] His composition "Jelly Roll Blues" was the first published jazz composition, in 1915....

At the age of fourteen, Morton began working as a piano player in a brothel (or, as it was referred to then, a sporting house). While working there, he was living with his religious, church-going great-grandmother; he had her convinced that he worked as a night watchman in a barrel factory.

In that atmosphere, he often sang smutty lyrics; he took the nickname "Jelly Roll",[6] which was black slang for female genitalia.[7]"

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Tuesday, February 25, 2014

Seven Videos Of "Li'l Liza Jane" (Little Liza Jane)

Edited by Azizi Powell

This is Part II of a two part series on the song "Li'l Liza Jane"(also given as "Little Liza Jane"). This post presents showcases seven YouTube videos of "Li'l Liza Jane".

Click http://pancocojams.blogspot.com/2014/02/five-examples-of-song-lyrics-for-lil.html for Part I of this series. That post provides information about "Li'l Liza Jane" and presents five text examples (lyrics)for that song.

These two posts showcase only a small sample of the renditions of this song as sung by and performed by African Americans since the huge family of "L'l Liza Jane" songs originated with African Americans. Multiple versions of a song are presented not to rank which one is best, but to experience different interpretations of the same song.

There are numerous versions of "Li'l Liza Jane". New two lined rhyming verses for this song are improvised every day and/or floating verses from other old time songs are combined to make new renditions of "Little Liza Jane". Also, additional instrumental renditions of this song are performed and recorded daily.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to these featured performers of this song and thanks to the publishers of these examples on YouTube.

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FEATURED EXAMPLES
These examples are presented in chronological order based on their posting dates with the oldest dated examples given first.

Multiple versions of a song are presented not to rank which one is best, but to showcase some of the different interpretations artists have given of this song.

Example #1: Chuck Perkins - Lil Liza Jane



iching64 Uploaded on Oct 27, 2009
More at: http://www.ChuckPerkinsVoices.com
-snip-
This is a New Orleans Mardi Gras Indian version of "Li'l Liza Jane". My partial transcription of the lyrics can be found in Part I of this pancocojams series.

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Example #2: Kermit Ruffins Li'l Liza Jane DEC 29 2009 New Orleans



BiGGMIKE429, Uploaded on Dec 31, 2009

Kermit Ruffins, Li'l Liza Jane ... A visit to New Orleans would not be complete without seeing Kermit. What a Cool Ass Smooth Ass Brother, My Homie ,, He told me Man,,, you got me on video, but I'm gonna let you slide this time,, lol ,, He said you got the whole show,,!! but what I say is You have to see him yourself in person. Google his name to purchase his Music, a must have for your collection.
-snip-
This video is presented without any transcription.

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Example #3: Huey Piano Smith & the Clowns - Little Liza Jane



delwoodjef, Uploaded on Aug 7, 2010

Let's kick the tempo up a lot with Huey Piano Smith & the Clowns and "Little Liza Jane." This one really ROCKS. Enjoy!
-snip-
The lyrics to this song can be found in Part I of this pancocojams series.

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Example #4: Preservation Hall Jazz Band - Little Liza Jane (2004)



postmaster1, Uploaded on Oct 21, 2010

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Example #5: Nina Simone- Little Liza Jane



Achiko Kinkladze, Uploaded on May 5, 2011
-snip-
The lyrics to this song can be found in Part I of this pancocojams series.

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Example #6: White Eagles Mardi Gras Indians: Little Liza Jane, camera A (1982)



AlanLomaxArchive, Uploaded on Nov 15, 2011

Big Chief Jake Millon and the White Eagles Mardi Gras Indians rehearse "Little Liza Jane" at Darrell's Lounge, 7th Ward, New Orleans. Shot by Alan Lomax and crew, May 1982...
-snip-
This video is presented without any transcription.

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Example #7: Wynton Marsalis - Lil Liza Jane



Austin Casey, Published on Jan 6, 2013

Wynton Marsalis Tentet live at Dizzy's Club Coca Cola Dec. 31st 2012
Wynton Marsalis - Trumpet
Jon Erik Kellso - Trumpet
Victor Goines - Clarinet,
Andy Stein - Alto Saxophone, Violin
Chris Crenshaw - Trombone, Vocals
Vince Giordano - Bass Saxophone, Tuba, Tenor Guitar, Vocals
Ken Salvo - Banjo, Tenor Guitar
Dan Nimmer - Piano
Carlos Henriquez - Bass
Ali Jackson - Drums
Ricky "Dirty Red" Gordon - Washboard, Percussion
-snip-
In this version, the only lines that are sung are "Oh Eliza, Little Liza Jane"."

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BONUS VIDEO
Example #8: The Preservation Hall Jazz Band "Little Liza Jane" @ Bonnaroo 2013



steve holmes, Published on Jun 19, 2013

The Preservation Hall Jazz Band "Little Liza Jane" @ That Tent Bonnaroo 2013
http://www.preservationhall.com/band/
-snip-
The lyrics for this version of "Little Liza Jane" are given as part of the video's summary statement http://www.youtube.com/watch?v=LMli70II9F8

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