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Showing posts with label Christian Hymns. Show all posts
Showing posts with label Christian Hymns. Show all posts

Friday, January 16, 2026

Examples Of "In Shady Green Pastures" (also known as "God Leads His Dear Children Along" Or "God Leads Us Along")


Albertina Walker - Topic, Sep 24, 2015

Best of Albertina Walker

℗ 1996 Zomba Recording LLC

Released on: 2004-05-25

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Edited by Azizi Powell

This pancocojams post presents lyrics for the 1903 Christian hymn ""In Shady Green Pastures" (also known as "God Leads His Dear Children Along" or "God Leads Us Along").

This post also showcases seven examples of this hymn. Two of these examples are performed as a hymn and five are what I call  "gospelized hymns". "Gospelized hymns" is my term for hymns that are performed in a Gospel style, particularly in a Black Gospel style.

The content of this post is presented for religious, socio-cultural, and aesthetic purposes.

All copyrights remain withtheir owners.

Thanks to G. A. Young for composing this song. Thanks to all those who are featured in this examples that are showcased in this post and thanks to the publishers of these examples on YouTube. Thanks also to all those who are quoted in this post.

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LYRICS -" IN SHADY GREEN PASTURES" (also known as "God Leads His Dear Children Along" or "God Leads Us Along")
 
(composer: G. A. Young (George Young), 1903)

1 In shady, green pastures, so rich and so sweet,

God leads His dear children along;

where the water’s cool flow bathes the weary one’s feet,

God leads His dear children along.


Refrain:

Some through the waters, some through the flood,

some through the fire, but all through the blood;

some through great sorrow, but God gives a song,

in the night season and all the day long.


2  Sometimes on the mount where the sun shines so bright,

God leads His dear children along;

sometimes in the valley, in darkest of night,

God leads His dear children along.


3 Though sorrows befall us and Satan oppose,

God leads His dear children along;

through grace we can conquer, defeat all our foes,

God leads His dear children along.


4 Away from the mire and away from the clay,

God leads His dear children along;

away up in glory, eternity’s day,

God leads His dear children along.


Online source -  https://hymnary.org/text/in_shady_green_pastures_so_rich_and_so

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ADDITIONAL YOUTUBE EXAMPLES

SHOWCASE #2 (Christian Hymn) -  Bill & Gloria Gaither - God Leads Us Along [Live] ft. Sue Dodge

 

Gaither Music TV, Dec 6, 2012

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SHOWCASE #3 - 
In Shady Green Pastures God Leads His Dear Children Along Some Though the Shadows


Mission Minded Teacher, Sep 26, 2020

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SHOWCASE #4: (African American Gospelized Hymn) - Rev. James Cleveland - "God Leads His Children"



Rev. James Cleveland and the Southern California Community Choir - Topic

Having Church ℗ 1990 Savoy Records, Inc.

Released on: 1990-04-27

Main  Artist: Rev. James Cleveland

Main  Artist: The Southern California Community Choir

Composer: Calvin B. Rhone:

Music  Publisher: Calvin Rhone Publishing
-snip-
Calvin B. Rhone is the arranger of this version of G.A. Young's song.

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SHOWCASE #5 (African American Gospelized Hymn) - God Leads His Children Along


Bishop G.E. Patterson - Topic, Nov 7, 2014

Provided to YouTube by Syntax Creative

Recorded Live In Memphis, TN Volume 2

℗ 2006 Podium Records

Released on: 2006-01-01

Main  Artist: Bishop G.E. Patterson

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SHOWCASE #6 (Jamaican Gospelized Hymn) - In Shady Green Pastures || The Echoes Of Faith Choir

PFMFamily, Feb 15, 2018
-snip-
Here's information about PFM from https://www.youtube.com/@PFMFamilyMusic

"Description

Welcome to PFMFamilyMusic. This channel is dedicated to serving you with videos of the various Choir & Music Ministry of the Power Of Faith Ministries International.

Visit Us

Lot 13, Portmore Town Centre, Portmore

St. Catherine , Jamaica W.I"
-snip-
Click https://www.youtube.com/watch?v=7icQQiOWd8s&list=RD7icQQiOWd8s&start_radio=1 for a 2012 YouTube video of a rendition of this song by the same church.

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SHOWCASE #7- (Jamaican-American Gospelized Hymn) - 


FUTIM-NJ, Jan 18, 2010

Co-Pastor Evangelist P. Faulknor ministers in song before bringing the Word.
-snip-
"FUTIM" = First United Tabernacle International Ministries, Inc. (East Orange, NJ)

This church has a strong Jamaican influence through its founder, pastor/s and congregation.

Bishop Lloyd L. Faulknor, who founded this church in 1983 and was its Senior Pastor, was born in the parish of Manchester, Jamaica.

 https://www.futimnj.org/seniorpastor

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Visitor comments are welcome.

Friday, January 2, 2026

The Hymn "In The Land Of Fadeless Day" (Also Known As "No Night There") : The Probable Source For The Words "Fadeless Day" Or "Endless Day" In The Gospel Song "We Are On Our Way"


A Cappella Hymns, Nov 29, 2017

Lyrics - John R. Clements (1899)

Music - Hart P. Danks (1899)

Key - Eb major

Tempo - 80 bpm

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Edited by Azizi Powell

This is Part IV of this pancocojams series. This post showcases three YouTube examples of the Christian hymn "In The Land Of Fadeless Days" (also known as "No Night There".

The lyrics for that hymn are included in this post along with lyrics for two other hymns that include the words "fadeless days" or "endless days". 

I'm particularly interested in these songs because the words "fadeless days" or "endless days" are included in the African American Gospel song  "We Are On Our Way" that has been popularized by the Gospel Music Workshop Of America.

Click https://pancocojams.blogspot.com/2026/01/video-of-information-about-we-are-on.html for Part I of this pancocojams series. That post showcases a YouTube video of the Los Angeles Chapter Of  the Gospel Music Workshop Of America (GMWA) singing that chapter's (and later the entire organization's) anthem "We Are On Our Way". This post presents some information about Rev. James Cleveland and some information bout The Gospel Music Workshop of America that he founded. In addition, this post presents the introductory words and some of the lyrics to that rendition of the song "We Are On Our Way". 

Click https://pancocojams.blogspot.com/2026/01/southern-university-gospel-choirs.html for Part II of this pancocojams series. That post showcases a YouTube video of the song "We Are On Our Way" being sung by Southern University Gospel Choir during one of their church processions. Facebook comments about Southern University Gospel Choir's rendition are also included in this post. Some of those comments include the standard lyrics for that Gospel song (as popularized by the Gospel Music Workshop Of America. Some other comments in this discussion explain why the choir members hold their right hand up while they are marching into the church.

The Addendum to this post presents some information about the custom of some African American church choirs of marching into the church service with their right hand raised and their left hand held behind their back.

Click https://pancocojams.blogspot.com/2026/01/who-composed-gospel-song-we-are-on-our.html for Part III of a four part pancocojams series about the Gospel song "We Are On Our Way". This Gospel song is also known as "On Our Way".

This post showcases two YouTube videos of the song "We Are On Our Way" being sung by the Gospel Emeralds, a Philadelphia, Pennsylvania Gospel group.

This pancocojams post also presents statements about the song "We Are On Our Way" being composed by a member of the Gospel Emeralds, or by other people. At this time of this post's publication, 
"We Are On Our Way" is usually categorized as traditional since no person has been definitely credited as having composed this song.

In addition, selected comments from these videos are included in this post.

The content of this post is presented for religious, historical, cultural, informational, and aesthetic purposes,

 All copyrights remain with their owners.

Thanks to the composer of these hymns. Thanks to all those who are featured in these videos and/or all those who are quoted in this post and thanks to the publishers of this examples on  YouTube.

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PANCOCOJAMS EDITOR'S NOTE
This pancocojams post doesn't mean to indicate or suggest that the hymn "In The Land Of Fadeless Days" or any other Christian hymn that includes the words "fadeless days" or "endless days" were the main source of the African American Gospel song "We Are On Our Way" that was popularized in the early 1970s on by Rev. James Cleveland and his choirs. The lyrics, tunes, and tempos of those hymns and that Gospel song are quite different from each other.

However, I definitely believe that the hymn "In The Land Of Fadeless Days" or some other hymn with those words was the source of the "fadeless days" or "endless days" words in the African American Gospel song "We Are On Our Way".

That said, the only similarities between those hymns and that Gospel song are the concept of traveling to heaven where there will be no night (i.e. "fadeless" or "endless days".)  

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INFORMATION ABOUT AND LYRICS FOR "IN THE LAND OF FADELESS DAYS" (ALSO KNOWN AS "NO NIGHT THERE"
AI Overview
"The SDA hymn "No Night There," with words by John R. Clements and tune by H. P. Danks  was composed and published around1899, appearing in the collection Church Hymns and Gospel Songs. 

Text:
 John R. Clements wrote the lyrics, starting with "In the land of fadeless day," in 1899.

Tune:
 H. P. Danks composed the melody, also in 1899.

Publication:
 It first appeared in the Church Hymns and Gospel Songs hymnal in 1899."
 
-snip-
SDA= Seventh Day Adventist- a Christian (Protestant) denomination

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LYRICS FOR "IN THE LAND OF FADELESS DAYS" (ALSO KNOWN AS "NO NIGHT THERE"

https://sdahymnals.com/Hymnal/427-no-night-there/
No Night There

n the land of fadeless day

Lies "the city foursquare;"

It shall never pass away,

And there is "no night there?"

Refrain

God shall "wipe away all tears;"

There's no death, no pain, nor fears;

And they count not time by years,

For there is "no night there."

2

All the gates of pearl are made,

In "the city foursquare;"

All the streets with gold are laid,

And there is "no night there!"

3

And the gates shall never close

To "the city four square;"

There life's crystal river flows,

And there is "no night there!"

4

There they need no sunshine bright,

In "that city foursquare,"

For the Lamb is all the light;

And there is "no night there?"
-snip-
"SDA" - Seventh-Day Adventist, a Christian (Protestant) denomination

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SHOWCASE VIDEO #2- [Live] In the Land of Fadeless Day – Jehovah Shalom Acapella | Terracotta Sessions – Washington D.C

 

JEHOVAH SHALOM A CAPELLA, January 2, 2026
-snip-
Jehovah Shalom A Capella is a musical group  from Uganda, East Africa.
-snip-
Judging from the number of YouTube videos, the song "No Night There" (also known as "In The Land Of Fadeless Days" appears to be well known among Seventh Day Adventist congregations in various African nations, but it's also known in the United States. A video from the USA is given directly below.:

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SHOWCASE VIDEO #3- NO NIGHT THERE




StaticStreak, Feb 27, 2012

CCS High School Choir performing "No Night There" for the SACCS Warm Up Concert.
-snip-
This video's summary include the same lyrics for "No Night There" that are given above in this post for "In The Land Of Fadeless Days".


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LYRICS FOR TWO OTHER HYMNS THAT INCLUDE THE WORDS "FADELESS DAYS" OR "ENDLESS DAYS"

https://hymnary.org/text/im_going_to_the_land_of_endless_day/fulltexts

The King Of Glory (1918)
[No composer given]


1 I’m going to the land of endless day,

Where there’ll be no night, and tears are wiped away;

On that golden, happy shore,

I shall live forevermore,

Yea! I’m going to the land of endless day.

 

Refrain:

Won’t you come, friend, to the land of endless day?

God would not have any soul to go astray;

And the Gospel-ship will call

At each heart to welcome all;

Say you’ll come, friend, to that land of endless day.

 

2 I’m going to the land of endless day,

Where they do not live by faith or even pray;

There I’ll know my Savior’s grace,

When I look upon His face,

Yea! I’m going to the land of endless day. [Refrain]

 

3 I’m going to the land of endless day,

Where I’ll meet my loved ones clothed in bright array;

All with Him, and not to part,

Ne’er to have an aching heart,

Yea! I’m going to the land of endless day. [Refrain]

4 I’m going to the land of endless day,

Where with Christ and all His saints I’ll reign for aye;

In the white-robed choir I’ll sing,

Glory to our Lord and King,

Yea! I’m going to the land of endless day. [Refrain]

 

The King of Glory #178


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"I'm Going to the Land of Endless Day" (Words/Music by J.C. Pollock) [composition date?)

(Verse 1)

I'm going to the land of endless day,

Where there'll be no night, and tears are wiped away;

On that golden, happy shore,

I shall live forevermore,

Yea! I'm going to the land of endless day.

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This concludes Part IV of this four part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.


Saturday, September 20, 2025

Information About And Videos Of The 1989 Gospel Song "Who's On the Lord's Side" & The Christian 1877 Hymn "Who Is On The Lord's Side"


malacomg, May 23, 2014

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Edited by Azizi Powell

This pancocojams post is divided into two sections.

Part A presents information about and showcases five YouTube videos of the 1989 Gospel song "Who's On The Lord's Side". The complete lyrics for that Gospel song are included in this pancocojams post. 

Part B presents information about and showcases four YouTube videos of the 1877 Christian hymn "Who Is On The Lord's Side". Partial lyrics for that Christian hymn are included in this pancocojams post. 

The content of this post is presented for religious, cultural, inspirational, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to the composers of these songs and thanks to all those who are featured in these videos. Thanks also to all those who are quoted in this post.  

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PART A - 1989 GOSPEL SONG "WHO'S ON THE LORD SIDE"

INFORMATION ABOUT REV. TIMOTHY WRIGHT' & INFORMATION ABOUT HIS GOSPEL SONG "WHO'S ON THE LORD'S SIDE
Excerpt #1
https://www.facebook.com/groups/GospelHistory/posts/1348361796455676/

"The Gospel Music History Group  ·

Garlyn St. Louis, June 17, 2025
"🎉 Happy Heavenly Birthday to Rev. Timothy Donald Wright (June 17, 1947 – April 24, 2009). He would've been 78 years old 🎂😃

Gospel director Reverend Timothy Wright has been involved with choirs on a regular basis for most of his life. Wright began playing piano at the age of 12, as he utilized his budding musical talents at the St. John's Fire Baptized Holiness Church of God in Brooklyn, NY, eventually composing for the church's choir. By 1969, Wright was playing piano for the late Bishop F.D. Washington, and it was from his tenure in Washington's choir that Wright gained the attention of Rev. Isaac Douglas and the N.Y. Community Choir, for which Wright soon began playing organ for, as well as penning almost all the songs on Douglas' 1971 album Lets Go Higher.

In the mid-'70s, Wright formed his own outfit, the Timothy Wright Concert Choir, resulting in such releases as Who's on the Lord's Side and Do You Know the Light, and began playing with various other choirs across the United States. Wright also found the time to team up with Myrna Summers for her We're Gonna Make It release, as well as forming the project Come Thou Almighty King, which is comprised of a 500-voice choir. Wright is the pastor and founder of the Grace Tabernacle Christian Center in Brooklyn, and since 1990 has been issuing albums on a regular basis, including such titles as I'm Glad About It, Moving in the Spirit, and Story to Tell; 1994's Come Thou Almighty King was nominated for the Best Traditional Soul Gospel Grammy and hit Billboard's Top 20 gospel chart. He remained busy into the 2000s, until July 2008, when Wright was seriously injured in a car accident that killed his wife and grandson; he died the following April at age 61."
-snip-
I reformatted this comment to increase its readability.

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Excerpt #2
From https://petra.fandom.com/wiki/Who%27s_on_the_Lord%27s_Side "Who's On The Lord's Side"

...Song History

The song was written by Rev. Timothy Wright. The original version of the song was featured on his live album titled Live! Who's on the Lord's Side, released in 1989."...
-snip-
The complete lyrics for this Gospel song are found below Showcase Part A, Video #5.

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SHOWCASE VIDEOS OF THE GOSPEL SONG "WHO'S ON THE LORD'S SIDE"

SHOWCASE VIDEO #1-
This video is found at the top of this pancocojams post.

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SHOWCASE VIDEO #2 - Chris Coleman singing Who's one the Lord side

thankyag, Jan 22, 2009

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SHOWCASE VIDEO #3 -Patti LaBelle - Who's On The Lord's Side


allen freeman, Apr 23, 2013

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SHOWCASE VIDEO #4- Voices of Eden -- "Who's on the Lord's Side"



VOEVault, Mar 22, 2015

Voices of Eden Gospel Choir at the University of North Carolina at Charlotte. Spring 2015 Tour: New Life Christian Center (Jackson, TN), Voices of Eden Concert -- March 15, 2015. Performing "Who's on the Lord's Side" by Rev. Timothy Wright. Soloist: Paris Blackwell.

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SHOWCASE VIDEO #5 - 
Who's on the Lord's Side with Trilogy(feat. Darris Sneed) | Mariners Worship



Mariners Church, Feb 14, 2022

"Who's on the Lord's Side" by Timothy Wright

Live from Mariners Worship featuring Trilogy & Darris Sneed

[LYRICS- WHO'S ON THE LORD'S SIDE- Composer - Timothy Wright]

You've been running and running

Running for a long time

Your time is winding up

You better make up your mind

It's getting late in the evening

The sun is going down

You better get right while

He may be found

 

(Chorus)

I want to know where

Who's on the Lord's side

I want to know where

Who's on the Lord's side

Where do you stand

Come on, come on

I'm on the Lord's side

 

You got to work, got to work, work while it's day

For the night is coming when you can't find your way

Oh sinner I wonder what will you do

You better choose this day - tomorrow's not promised to you

 

Get up if you're on the Lord's side

Get on your feet

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PART B -  19TH CENTURY CHRISTIAN HYMN " WHO IS ON THE LORD'S SIDE"

INFORMATION ABOUT THIS CHRISTIAN HYMN
Excerpt #1
From AI Overview [a result of my query about that hymn to Google Search on September 20, 2025]

"AI Overview

The hymn "Who Is on the Lord's Side?" was written by Frances Ridley Havergal in 1877 and published in 1878 as "Home Missions". Its text draws inspiration from Moses' challenge in Exodus 32:26, "Who is on the Lord's side? Let him come unto me," and 1 Chronicles 12:18, where Amasai pledges loyalty to David. The hymn was composed by Havergal, though an existing melody was adapted, and it asks for total commitment to Christ's cause. 

Origin of the hymn

Author: Frances Ridley Havergal, an English hymn writer.

Date: October 13, 1877, first published in 1878 in her collection Loyal Responses.

Original Title: Home Missions.

Inspiration for the hymn

Exodus 32:26: Moses, returning from the mount, calls out, "Who is on the LORD's side?" to the Israelites worshipping the golden calf, and the sons of Levi gathered to him.

1 Chronicles 12:18: Amasai, a leader of David's army, declares loyalty, saying, "We are yours, O David; We are on your side, O son of Jesse!"."...

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Excerpt #2
From https://hymnstudiesblog.wordpress.com/2023/06/03/who-is-on-the-lords-side/
..."A hymn which asks us if we are on the Lord’s side or not is “Who Is on the Lord’s Side?”  The text was written by Frances Ridley Havergal (1836–1879).  It is dated Oct. 13, 1877, was entitled “Home Missions,” and was first published with five stanzas in her 1878 Loyal Responses.  The tune (Armageddon) is an adaptation of a German melody credited to C. Luise (or Louise) Reichardt, who was born on April 11, 1779, at Berlin, Germany, the daughter of composers Johann Friedrich Reichardt and Juliane Reichardt, and granddaughter of Bohemian violinist and composer Franz Benda"...

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PARTIAL LYRICS - WHO IS ON THE LORD'S SIDE
"
Text: Frances Havergal

Music: Mo Leverett

1. Who is on the Lord's side?

Who will serve the King?

Who will be His helpers,

other lives to bring?

Who will leave the world's side?

Who will face the foe?

Who is on the Lord's side?

Who for Him will go?

By Thy call of mercy,

by Thy grace divine,

We are on the Lord's side

Savior, we are Thine!

 

2. Not for weight of glory,

not for crown and palm,

Enter we the army,

raise the warrior psalm;

But for love that claimeth lives

for whom He died:

He whom Jesus nameth

must be on His side.

By Thy call of mercy,

by Thy grace divine,

We are on the Lord's side

Savior, we are Thine!"...
-snip-
Click http://hymnbook.igracemusic.com/hymns/who-is-on-the-lords-side for the complete lyrics for this hymn.

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SHOWCASE VIDEO #1 - The Hinsons Singing "Who Is On The Lords Side"

YoungAtHeart1941, Jan 28, 2011

The Original Hinson Family As They Appeared On "Gospel Singing Jubilee".  All Hinson Songs I Post Is A Tribute To Kenny Hinson (1953-1995).  Kenny Was Truly A Dynamic And Prolific Lead Singer Who Was Influenced By Singing Style Of Merle Haggard; Who In Return Was Influenced By Singing Style Of Lefty Frizzell.

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SHOWCASE VIDEO #2 - Who Is On the Lord's Side Congregational Hymn



Temple Baptist Church, 
Jan 11, 2018

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SHOWCASE VIDEO #3 - 
Who is On the Lord's Side-Glorious Philharmonic Choir



Glorious Philharmonic Choir, Jul 31, 2020

Who is On The Lord's Side-MHB 820. By J. Goss. Performed by Glorious Philharmonic Choir, Ghana.

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SHOWCASE VIDEO #4 - Who is on the Lord's Side (Cover) by Nagaland Baptist College Choir.[India]

 

Nagaland Baptist College, Apr 22, 2022

Who is on the Lord's Side written by Frances R Havergal

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Thanks for visiting pancocojams.

Visitor comments are welcome. 

Sunday, November 10, 2024

White American Renditions & Black American Renditions Of "Higher Ground" (also known as "Lord Lift me Up", "Plant My Feet On Higher Ground", & "I'm Pressing On The Upward Way")



VBFA Church. June 21, 2011 
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Edited by Azizi Powell

This pancocojams post showcases three White American video examples and three Black American video examples of the Christian hymn entitled "Higher Ground".* 

The Christian hymn "Higher Ground" is also known as "I'm Pressing On The Upward Way" "Lord Lift Me Up" and "Lord, Plant My Feet On Higher Ground". Based on YouTube examples, it appears to me that White Americans most often use the first two titles for this song while Black Americans also use the last three titles for that religious song.

The content of this post is presented for historical, cultural, religious, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Johnson Oatman, Jr and Charles H. Gabriel for composing the lyrics and tune for this Christian song. Thanks also to all those who are showcased in the YouTube videos that are embedded in this pancocojams post and thanks to the publishers of these videos on YouTube.
-snip-
*The lyrics for the Christian hymn "Higher Ground" were composed by (White American) Johnson Oatman, Jr in 1898. The tune for that hymn was composed the same year by (White American) Charles H. Gabriel.

I'm showcasing the White American videos of "Higher Ground" before the Black American examples of that song because that song was composed by White Americans. However, as I believe Showcase video #1 demonstrates, renditions of "Higher Ground" that are sung by White Americans may sound like Black American renditions of that song.

Notice that Showcase Video #2 of "White American Renditions" includes some Black Americans.

These videos are presented in chronological order within their categories based on the videos' publishing dates, with the oldest published video given first.
-snip-
Click https://www.hymnologyarchive.com/higher-ground  for the history of the Christian hymn  "Higher Ground" whose lyrics and tune were composed in 1898* by (White American) Johnson Oatman, Jr. and its tune was composed that same year by (White American) Charles H. Gabriel.

Also, click https://pancocojams.blogspot.com/2021/01/the-mississippi-mass-choir-higher.html for a 2021 pancocojams post about another gospelized version of this hymn. The title of that post is "The Mississippi Mass Choir - "Higher Ground" (also known as "I'm Pressing On The Upward Way"), information, video, & comments).

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LYRIC EXCERPT "HIGHER GROUND"
(Johnson Oatman, Jr)

I’m pressing on the upward way,
New heights I’m gaining every day;
Still praying as I onward bound,
“Lord plant my feet on higher ground.”
Refrain:
Lord, lift me up, and let me stand
By faith, on heaven’s table land;
A higher plane than I have found,
Lord, plant my feet on higher ground.

Click https://gccsatx.com/hymns/higher-ground/ for the complete standard lyrics for the Christian hymn "Higher Ground".

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EXAMPLE #2 OF A WHITE AMERICAN RENDITION OF THE CHRISTIAN HYMN "HIGHER GROUND"

Kim Hopper, Wesley Pritchard, Amy Lambert - Higher Ground [Live]



Gaither Music TV, September 27, 2012

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EXAMPLE #3 OF A WHITE AMERICAN RENDITION OF THE CHRISTIAN HYMN "HIGHER GROUND"

Higher Ground • Congregational


Daniel Baptist, January 19, 2019

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EXAMPLE #1 OF A BLACK AMERICAN RENDITION OF THE GOSPEL SONG "HIGHER GROUND"

'Higher GROUND'- Pastor E.Dewey Smith Jr Singing Old School HYMN




BrothaRollins, December 17, 2010 #countrygospelsongs #higherground #oldchurchsongs

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EXAMPLE #2 OF A BLACK AMERICAN RENDITION OF THE GOSPEL SONG "HIGHER GROUND"

The Mississippi Mass Choir" I'm Pressing On!" (Plant My Feet On Higher Ground) 


The BL & S Singers,  May 8, 2012

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EXAMPLE #3 OF A BLACK AMERICAN RENDITION OF THE GOSPEL SONG "HIGHER GROUND"


Palestine Missionary Baptist Church, Victoria, Texas, March 13, 2013

Monday, October 7, 2024

Examples Of Douglas Miller's African American Gospel Arrangement Of The Late 19th Century Hymn "Pass Me Not O Gentle Savior"



Douglas Miller, Dec 28, 2020

Provided to YouTube by Malaco Music Group

Pass Me Not · Douglas Miller · The True Way Choir C.O.G.I.C.

The Joy Of The Lord Is My Strength

℗ 1982 Atlanta International Records, Inc.

Released on: 1982-06-15

Main  Artist: Douglas Miller

Featured  Artist: The True Way Choir C.O.G.I.C.

Composer: Douglas Miller

Music  Publisher: Songs Of Peer LTD|S R F Publishing Company

Auto-generated by YouTube.

****
Edited by Azizi Powell 

This pancocojams post showcases one YouTube sound file & four YouTube videos of African American composer, singer, and choir director Douglas Miller's Gospel arrangement of the late 19th century hymn "Pass Me Not O Gentle Savior". This religious song is also known as "Pass Me Not" and "Do Not Pass Me By".

This post also presents information about Douglas Miller.

The Addendum of this post includes a few examples of comments about choirs renditions of Douglas Miller's arrangement of "Pass Me Not O Gentle Savior". 
 
The content of this post is presented for religious, inspirational, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Fannie Cosby,the composer of the lyrics for this hymn (in t868) and thanks to How­ard Doane the composer of the music for this hymn (in 1870). Thanks also to Gospel singer, arranger, and choir director Douglas Miller for this arrangement of this hymn. Thanks to the producers and publishers of these examples on YouTube and thanks also to all those who are featured in these videos and all those who are quoted in this post.
-snip-
Click 
https://pancocojams.blogspot.com/2012/11/versions-of-religious-song-pass-me-not.html for the 2012 pancocojams post entitled "African American Versions Of The Religious Song "Pass Me Not O Gentle Savior". That post includes the lyrics to the hymn "Pass Me Not O Gentle Savior". That post also showcases two traditional African American renditions and some videos of Douglas Miller's Gospel arrangement, and a contemporary African American Gospel/Hip Hop arrangement of that hymn.

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INFORMATION ABOUT DOUGLAS MILLER
From 
https://en.wikipedia.org/wiki/Douglas_Miller_(musician)
"
Douglas Lee Miller (December 31, 1949 – February 5, 2021) was an American gospel musician. He started his music career, in 1984, with the release of, I Still Love the Name Jesus, that was released by Atlanta International Records. This album along with five others placed on exclusively the Billboard magazine Gospel Albums chart. He released albums with A&M Records, Light Records, Word Records, Atlanta International Records, and Rejoice Music Group.

Early life

Miller was born on December 31, 1949, in Johnstown, Pennsylvania as Douglas Lee Miller, and was reared in the church singing in the choir.[1] He went to the University of Akron, and while there at the college, Mattie Moss Clark trained him how to hone his craft, and presented him at Midnight Musicals put on by The Church of God in Christ.[1] He became known for his baritone timbre.[1]

Music career

He started his recording music career in 1984, with the release of I Still Love the Name of Jesus by Atlanta International Records, and it placed at No. 5 on the Billboard magazine Gospel Albums chart.[2][3] He would place five more albums upon that chart, with 1985's Unspeakable Joy at No. 6, while 1985's Redeeming Love peaked at No. 22, the next 1988's Sing until Morning went to No. 14 as did 1993's Victory, and 1990s Living at the Top got to No. 15.[2][3]"...
-snip-
This Wikipedia page is incorrect that Douglas Miller started his music recording career in 1984 based on his "Pass Me Not" record that was recorded in 1982.

Based on YouTube videos and some YouTube discussion thread comments, it appears to me that Douglas Miller's arrangement of "Pass Me Not" is the Gospel arrangement of that late 19th hymn that is most often sung by African American church choirs. 

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SOME YOUTUBE VIDEOS OF DOUGLAS MILLER'S ARRANGEMENT OF "PASS ME NOT"
These YouTube videos are given in chronological order with numbers added for referencing purposes only.


YOUTUBE EXAMPLE #2 - 
Pass me not OLD SKOOL THROWBACK

hammondxc3, Oct 19, 2009ct 19, 2009

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YOUTUBE EXAMPLE  #3- 
"Do Not Pass Me By" 1.11.15 - Min. Ricky Dillard



Ebenezer AME Church, Jan 13, 20154,755,542 views • Jan 13, 2015

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YOUTUBE EXAMPLE #4 - 
NEW BIRTH // "DO NOT PASS ME BY"



SAVE THE BLACK CHURCH, Feb 7, 2023

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YOUTUBE EXAMPLE #5 - 
Brighter Day Community Choir -- "Pass Me Not"



Brighter Day Community Choir, Dec 27, 2023

Brighter Day Community Choir of Charlotte, North Carolina. "Back 2 Basics" (Throwback) Concert - November 5, 2023, Reeder Memorial Baptist Church, Charlotte. Performing "Pass Me Not" by Douglas Miller and The True Way Choir... 

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ADDENDUM- EXAMPLES OF COMMENTS THAT INCLUDE THE AFRICAN AMERICAN VERNACULAR ENGLISH WORD "SANG".

These comments are from the discussion threads of three of the YouTube videos that are showcased in this pancocojams post.

All of these comments include the African American Vernacular English (AAVE) word "sang" or forms of that word.  My definition for the AAVE meaning of "sang" and "sangin(g)" is "to sing very well, especially to sing soulfully very well". In contrast to the standard English past tense word "sang", in African American Vernacular English, the word "sang" is present tense and the word "sangin(g)" is a present tense of that AAVE meaning of that word. Both "sang" and "sangin(g) can be considered to be updated forms of the AAVE meaning of the word "sing" and "singing" (for example "They are singing that song" which means They are really singing that song very well".

Like the word "sing", in African American Vernacular English, the word "sang" is often used as an exhortation (for example "Sing it!" and "Sang it!" both mean "Keep on singing very well, especially singing soulfully very well".
-snip-
Click 
https://pancocojams.blogspot.com/2014/02/linguistic-alert-another-verncular.html for the 2014 pancocojams post entitled "What "Sang", "Sanging", & "Sanger" REALLY Mean In African American Vernacular English"
-snip-
These examples are given in no particular order and are numbered for referencing purposes only.

Discussion thread "A".
from Showcase Video #3 in this pancocojams post

Thursday, August 25, 2022

"Say Brothers, Will You Meet Us?" - The Christian Camp Meeting Song That Was Adapted As "John Brown's Body", "The Battle Hymn Of The Republic" , & More


Columbia Yore,  Dec 12, 2018 

American Christian folk song. Its earliest date for being written down is in 1850, but the song is more likely dated to the late 1700s, during the Second Great Awakening, a series of Evangelical Christian revivals. The song was very popular in America during its time and served as the basis for the songs "John Browns Body" and later "The Battle Hyme of the Republic" during the Civil War.

unknown original artist, but this version is by Bob Horton.

The images are of 'The Great Awakening" which were waves of Christian Evangelical revivals across the United States.

The First one being from 1730-1755

The Second one being from 1790-1840

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Edited by Azizi Powell

This is Part I of a three part pancocojams series on songs that are sung to the tune that is best known now as "Glory Glory Hallelujah".

This post presents a YouTube sound file of the Christian song "Say Brothers, Will You Meet Us?". Information and comments about this song are also included in this post along with a few versions of its lyrics. 

Click https://pancocojams.blogspot.com/2022/08/john-browns-body-civil-war-marching.html for Part II of this pancocojams series. That post presents a YouTube sound file of the Civil War marching song "John Brown's Body".  Information and comments about that song are also included in this post along with a few versions of its lyrics..

Click https://pancocojams.blogspot.com/2022/08/john-browns-baby-sound-file-article.html for Part III of this pancocojams series. That post presents a YouTube video sound file of the children's parody song "John Brown's Baby". The lyrics for "John Brown's Baby" are included in this post along with an article excerpt and comments about that song. 

This post also includes a version of the song "John Brown's Baby Has A Pimple On His Nose".

The content of this post is presented for folkloric, historical, and educational purposes.

All copyrights remain with their owners.

Thanks to the unknown composers of this song. Thanks to all those who are quoted in this post and thanks to the producers and publisher of the YouTube sound file that is embedded in this post. 

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INFORMATION ABOUT THE SONG "SAY BROTHERS, WILL YOU MEET US?"

Excerpt #1
From https://en.wikipedia.org/wiki/John_Brown%27s_Body
..."History of the tune
Say, Brothers, Will You Meet Us", the tune that eventually became associated with "John Brown's Body" and the "Battle Hymn of the Republic", was formed in the American camp meeting circuit of the late 1700s and early 1800s.[2] These meetings were usually held in frontier areas, when people who lacked regular access to church services would gather together to worship before traveling preachers.[3] These meetings were important social events, but developed a reputation for wildness in addition to wild religious fervor experienced by attendees.[4] In that atmosphere, where hymns were taught and learned by rote and a spontaneous and improvisational element was prized, both tunes and words changed and adapted in true folk music fashion:

[…]

According to George Kimball, the second publication of the John Brown Song and the first including both music and text, with music arranged by C.S. Marsh, dated 1861. See George Kimball, "Origin of the John Brown Song", New England Magazine, new series 1 (1890):371–76

Specialists in nineteenth-century American religious history describe camp meeting music as the creative product of participants who, when seized by the spirit of a particular sermon or prayer, would take lines from a preacher's text as a point of departure for a short, simple melody. The melody was either borrowed from a preexisting tune or made up on the spot. The line would be sung repeatedly, changing slightly each time, and shaped gradually into a stanza that could be learned easily by others and memorized quickly.[5]

Early versions of "Say, Brothers" included variants, developed as part of this call-and-response hymn singing tradition such as:

Oh! Brothers will you meet me

Oh! Sisters will you meet me

Oh! Mourners will you meet me

Oh! Sinners will you meet me

Oh! Christians will you meet me

This initial line was repeated three times and finished with the tag "On Canaan's happy shore".[6]

The first choruses included lines such as

We'll shout and give him glory (3×)

For glory is his own[7]

The familiar "Glory, glory, hallelujah" chorus—a notable feature of the "John Brown Song", the "Battle Hymn of the Republic", and many other texts that used this tune—developed out of the oral camp meeting tradition sometime between 1808 and the 1850s.

Folk hymns like "Say, Brothers" circulated and evolved chiefly through oral tradition rather than through print.[8] In print, the camp meeting song can be traced back as early as 1806–1808, when it was published in camp meeting song collections in South Carolina, Virginia, and Massachusetts.[9]

The tune and variants of the "Say, brothers" hymn text were popular in southern camp meetings, with both African-American and white worshipers, throughout the early 1800s, spread predominantly through Methodist and Baptist camp meeting circuits.[10] As the southern camp meeting circuit died down in the mid 1800s, the "Say, brothers" tune was incorporated into hymn and tune books and it was via this route that the tune became well known in the mid 1800s throughout the northern U.S. By 1861, "groups as disparate as Baptists, Mormons, Millerites, the American Sunday School Union, and the Sons of Temperance all claimed 'Say Brothers' as their own."[11]

For example, in 1858 words and the tune were published in The Union Harp and Revival Chorister, selected and arranged by Charles Dunbar, and published in Cincinnati. The book contains the words and music of a song "My Brother Will You Meet Me", with the music but not the words of the "Glory Hallelujah" chorus; and the opening line "Say my brother will you meet me". In December 1858 a Brooklyn Sunday school published a hymn called "Brothers, Will You Meet Us" with the words and music of the "Glory Hallelujah" chorus, and the opening line "Say, brothers will you meet us".[12]

Some researchers have maintained that the tune's roots go back to a "Negro folk song",[13] an African-American wedding song from Georgia,[14] or to a British sea shanty that originated as a Swedish drinking song.[15] Anecdotes indicate that versions of "Say, Brothers" were sung as part of African American ring shouts;[16] appearance of the hymn in this call-and-response setting with singing, clapping, stomping, dancing, and extended ecstatic choruses may have given impetus to the development of the well known "Glory hallelujuah" chorus. Given that the tune was developed in an oral tradition, it is impossible to say for certain which of these influences may have played a specific role in the creation of this tune, but it is certain that numerous folk influences from different cultures such as these were prominent in the musical culture of the camp meeting, and that such influences were freely combined in the music-making that took place in the revival movement.[5]

It has been suggested that "Say Brothers, Will You Meet Us", popular among Southern blacks, already had an anti-slavery sub-text, with its reference to "Canaan's happy shore" alluding to the idea of crossing the river to a happier place.[17][18] If so, that sub-text was considerably enhanced and expanded as the various "John Brown" lyrics took on themes related to the famous abolitionist and the American Civil War."...

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Excerpt #2
From https://mudcat.org/thread.cfm?threadid=20569 Lyr Req/Add: Say Brothers Will You Meet Us?

Numbers added for referencing purposes only.

1.
Subject: Lyr Add: SAY, BROTHER, WILL YOU MEET US? etc.
From: Rex
Date: 21 Apr 00 - 12:32 PM

[…]

Say, Brother, Will You Meet Us?

(No. 202 in "Spiritual Songs of Early America" by George Pullen Jackson)

Say, Brother, will you meet us?
Say, Brother, will you meet us?
Say, Brother, will you meet us?
On Canaan's happy shore.

Glory, glory hallelujah,
Glory, glory hallelujah,
Glory, glory hallelujah,
As we go marching on.

Say, Sister, will you meet us? ....

By the grace of God we'll meet you, ....

That will be a happy meeting,.....

Jesus lives and reigns forever,....

Glory, glory hallelujah....

Forever, evermore.


Here's another version.

Say Brothers Will We Meet You [title]

Say brothers will you meet us on Canaan's happy shore,
Say brothers will you meet us on Canaan's happy shore,
When the day of Judgement comes?

Glory, glory hallelujah,
Glory, glory hallelujah,
Glory, glory hallelujah,
When the day of Judgement comes?

** 
2. 
Subject: Lyr Add: SAY, BROTHERS
From: Dicho (Frank Staplin)
Date: 02 Jun 02 - 12:19 AM

SAY, BROTHERS

Say, brothers, will you meet us?
Say, brothers, will you meet us?
On Canaan's happy shore?

Say, sisters, will you meet us, etc.

By the grace of God we'll meet you

Where parting is no more;

That will be a happy meeting

On Canaan's happy shore.

Jesus lives and reigns forever,

On Canaan's happy shore.

Glory, glory, hallelujah!

Forever, evermore!

The Revivalist, No. 173, p. 95. From American Negro Folk Songs, 1928, Newman L. White, 1965 reprint, Appendix, p. 434-435. A variant of the version posted by Rex.

**
3.
Subject: RE: Lyr Req: Say Brothers Will You Meet Us?
From: masato sakurai
Date: 02 Jun 02 - 02:12 AM

George Pullen Jackson notes:

"This ["Say Brothers"] will be recognized as the tune which Julia Ward Howe used for the chorus of the 'Battle Hymn of the Republic'. It is still popular in the above form [as "Say Brothers"] in negro churches of the South." (Spiritual Folk-Songs of Early America, p. 207)

He presents, in addition, a Negro spiritual version of "Say Brothers" in his White and Negro Spirituals (1944; Da Capo, 1975, p. 179), with this comment: "Recorded by the present author as sung May 21, 1933, in Zema Hill's Primitive Baptist Church, Nashville, Tennessee. Earlier variants are in White's Fisk Jubilee Songs of 1872, pages 14 and 140." (p. 179); the tune is practically the same.

The ol'-time religion it is good enough for me,

The ol'-time religion it is good enough for me,

The ol'-time religion it is good enough for me

As we go marching home.

~Masato

**
4. 
Subject: RE: Lyr Req: Say Brothers Will You Meet Us?
From: masato sakurai
Date: 17 Nov 04 - 10:33 AM

Ellen Jane Lorenz, in her Glory, Hallelujah!: The Story of the Campmeeting Spiritual (Abingdon, 1978, p. 121), writes (underline added):

Say, brothers, will you meet us illustrates the singability of the campmeeting choruses; it is the campmeeting chorus most parodied, from the time of its first creation up to the present. ... L.A. Banks relates its story in his Immortal Songs of Camp and Field [1898]. His first meeting with the song was in Charleston in 1859, with a performance soon after at the YMCA of Albany, N.Y. (But the present study reveals a publication in Songs of Zion, 1851.) Banks says, "It has been claimed that the Millerites [Adventists] used the tune to a hymn, 'We'll see the angels coming through the old church yard (3 times) / Shouting through the air / Glory, glory, hallelujah.'"

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Excerpt #3
From https://mudcat.org/thread.cfm?threadid=71356

Numbers added for referencing purposes only.


1.
Subject: RE: Origins:John Brown's Body/ Battle Hymn of Republic
From: Q (Frank Staplin)
Date: 14 Nov 04 - 03:42 PM
"Very interesting!

Do we have a firm date on the hymn, "Say Brothers, Will You Meet Us?"? Posted in thread 32038: Civil War Songs

One website says 1856-1858 (the Steffe story*), and another says it appeared in 1858 as the hymn (copyright and/or sheet music), or "Oh, My Brothers Will You Meet Me?" (Union Harp [?] but I have no means of checking. See Say brother

Some of the information is questionable. The sheet music I have is from an article published much later.

According to Lois Eagan, a letter from Port Royal said the song was sung by slaves "at General Drayton's plantation," in a "shouting exercise" to the tune of "Say, Brothers." "Sisters, soldiers, preachers," etc. were given an invitation to meet on "Canaan's happy shore." Anecdotes

I cannot find a date or further details about this 'letter'. According to a note (p. 259) in Dena J. Epstein, "Sinful Tunes and Spirituals," the song may have been heard at St Helena in 1862 by Laura Towne."
-snip-
*Pancocojams Editor’s note: Here's some information about William Steff from https://mudcat.org/thread.cfm?threadid=71356, "John Brown's Body", posted by raredance,11 May 01
...."The source of this is "The Singing Sixties" by W A and PW Heaps (1960 Univ Oklahoma Press). They say that the tune was composed some time before 1855 by a South Carolinian named William Steffe and had bcome popular at camp meetings with a chorus line of "Say, brothers, will you meet us on Canaan's happy shore?". When a battalion of the 12th Massachusetts Regiment was stationed at Fort Warren in Boston early in the war, some of the members used the tune to taunt a soldier named John Brown. The conversion to the Abolitionist John Brown was not a big step"..
-snip-
This complete comment is given in Part II of this pancocojams series.

** 
2.
Subject: RE: Origins:John Brown's Body/ Battle Hymn of Republic
From: masato sakurai
Date: 15 Nov 04 - 04:10 AM

"According to James J. Fuld (The Book of World-Famous Music, 5th ed., 2000, p. 132):

The written record begins in 1857-1858. On Dec. 19, 1857, there was a copyright entry by Charles Dunbar, Camp Meeting Harp and Revival Chorister. Though no copy of a book with this title has been found, a book entitled The Union Harp and Revival Chorister, with the collection selected and arranged by Charles Dunbar, and a statement that it was published in Cincinnati in 1858, has been found; and it contains at page 264 the music and words of "My Brother Will You Meet Me." The opening words are "Say my brother will you meet me." The music of the Glory Hallelujah chorus is present, but not the words. No copyright entry was made for this book in 1858, although Dunbar copyrighted several other books during that year and copyrighted the second edition of The Union Harp and Revival Chorister on April 30, 1859."

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This concludes Part I of this three part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.