Pinetop Smith - "PineTop's Boogie Woogie" (example, lyrics, comments)

The78Prof, Mar 21, 2023

Also commonly spelled “Pinetop,” boogie-woogie pianist Clarence Smith had been given his nickname as a child from his liking for climbing trees. It was this recording that later provided the inspiration for Tommy Dorsey’s classic big band hit “Boogie Woogie.” Smith died from a gunshot wound in a Chicago dance-hall fight only weeks after he made this track. Original 78rpm issue on Vocalion 1245 - Pine Top’s Boogie Woogie (Smith) by “Pine Top” Smith (vocal with piano), recorded in Chicago December 29, 1928 THE 1929 HITS ARCHIVE - a collection of commercial recordings and songs that proved popular during the calendar year 1929 (some were recorded in 1928) via sales, sheet music, and radio exposure.…plus some others that have gained increased recognition or have been shown to have had an impact during the decades that followed. .

Click https://www.youtube.com/watch?v=BYrcZp7Pdh8&list=RDBYrcZp7Pdh8&start_radio=1 for comments from this YouTubesound file's discussion thread.

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Edited by Azizi Powell

Latest update- Novembe 20, 2025

This  pancocojams post provides an example Pine Top Smith's December 29, 1928 record "Pine Top's Boogie Woogie". Song lyrics and comments about "Pine Top's Boogie Woogie" are also included in this post.

The Addendum to this post features my comments about certain vernacular sayings that are found in "PineTop's Boogie Woogie" and their contemporary equivalents or very similar contemporary terms and their meanings.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to Pine Top Smith for his musical legacy. Thanks also to all those who are quoted in this post, and thanks to the publisher of this post's featured sound file on YouTube.
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Several posts on songs that include the word "boogie" in their title can be found on this pancocojams blog. Click the tag "boogie" below or use the internal search engine to find those posts.

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YOUTUBE VIDEO SUMMARY & COMMENT FROM THIS POST'S PREVIOUSLY SHOWCASE VIDEO [NO LONGER AVAILABLE]

"Pine Top Smith, December 1928: PineTop's Boogie Woogie" [published by davidhertzberg on Apr 16, 2011
"Clarence Smith, better known as Pinetop Smith or Pine Top Smith (1904 - 1929) performs Pine Top Boogie. From the rare LP you see above, part of a four LP set produced by the jazz critic Leonard Feather and released by Decca in 1957 under the title "Encyclopedia of Jazz on Records."
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Selected comment from this sound file's discussion thread:
MooPotPie, 2011
"...That 1928 recording by "Pinetop" Smith is probably THE most influential source of what became rock music, though the boogie-woogie style probably dates to the late 19th century when it was known as "sixteenths" referring to the 16th notes in the left hand. Eubie Blake recalled hearing it by that name in the 1890s."

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INFORMATION ABOUT & LYRICS FOR THIS SONG
From http://weeniecampbell.com/yabbse/index.php?topic=5014.0
"dj, on: July 03, 2008, 11:37:27 AM
"Clarence "Pine Top" Smith recorded "Pine Top's Boogie Woogie" for Vocalion in Chicago on December 29, 1928. The world almost didn't get to hear Smith, as he was killed by a stray bullet while playing at a dance less than three months later, on March 15th, 1929.

The record is notable for being the first appearance of the term "boogie woogie" on record, and for being one of the first appearances of what would become known as a boogie woogie bass. Lots of pianists (and a few guitar players) have recorded versions of "Pine Top's Boogie Woogie" through the years, but very few have copied Pine Top's words. Here they are. If anyone has any additions or corrections, I'd be happy to receive them.

I've transcribed the words from both takes. They're pretty much the same, but there are two points of interest. 1) In take A, Pine Top calls the song "Pine Top's Boogie Woogie", but in take B he calls it "Pine Top Trouble", an interesting name given that the lyrics are a set of dance instructions and the word "trouble" is never used. (Though Pine Top recorded a "Pine Top Trouble" earlier in December which was never issued). 2) In take A, Pine Top shouts "Hold it" or "Hold yourself" over a trill , then shouts "Stop" and plays a descending melodic line. the two together are quite distinctive. But on take B, Though Pine Top says "when I say 'Stop'...", but never actually says stop, though the "Hold it", trill, and descending melodic line are still there. This would seem to be such a distinctive part of the piece that the difference, and the fact that the difference is consistent throughout the piece, is surprising.

"Pine Top's Boogie Woogie" (Take A)

(Instrumental)

I want all of you all to know this is Pine Top's Boogie Woogie
I want everybody to dance 'em just like I tell you
And when I say "Hold yourself" I want all of you to get ready to stop
And when I've said "Stop", don't move
And when I say "Get it", I want all of you all to do a boogie woogie
Hold it now
Stop
Boogie woogie
That's what I'm talkin' 'bout

(Instrumental)

Now when I say "Hold yourself" this time, I want all of you to get ready to stop
When I've said "Stop", don't move a peg
When I say "Get it", everybody mess around
Hold yourself now
Stop
Mess around

(Instrumental)

That's what I'm talkin' 'bout

Say little girl, you, standin' there with the red dress on
Back right up here at this piano where Mr. Pine Top is
That's right, face the audience
Now when I tell you to hold yourself, you get ready to stop, you hear?
And when I've said "Stop", don't you move a peg
And when I say "Get it", I want you to shake that thing
Hold yourself now
Stop
Shake that thing
That's what I'm talkin' 'bout

Now I'm gon' pick this piano

(Instrumental)

"Pine Top's Boogie Woogie" (Take B)

(Instrumental)

Now listen here all of you, this is my Pine Top Trouble
I want everybody to dance 'em just like I tell you
And when I say "Hold yourself" everybody get ready to stop
And when I've said "Stop", don't move a peg
And when I say "Get it", everybody do a boogie woogie
Hold yourself now
Boogie woogie
Now That's what I'm talkin' 'bout

(Instrumental)

Now when I say "Hold yourself" this time, y'all get ready to stop
And when I've said "Stop", don't move
When I says "Get it", everybody mess around
Hold yourself
Mess around
Now that's what I'm talkin' 'bout

(Instrumental)

Say little girl, you, standin' there with the red dress on
You come right up here where Mr. Pine Top is
Now face the audience
Now when I tell you to hold yourself, you get ready to stop
And don't move a peg
And when I say "Get it", I want you to shake that thing
Hold yourself now
Shake that thing
That's what I'm talkin' about

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ADDENDUM
Here's a list of some vernacular sayings that are found in "PineTop's Boogie Woogie" with their contemporary equivalents or very similar contemporary terms, and their meanings:
"dance 'em just like I tell you" = (dance like I tell you, and when I tell you to)

"Hold yourself" = "Hold it" (immediately stop dancing)

"Hold it now" = command to immediately stop dancing. This is similar to, if not the same as the command "Freeze" ("Freeze" means to stop moving, to stand in place (usually in a dramatic pose)
as though you have suddenly been frozen by ice)

"Don't move a peg" = don't move anything
From Barrelhouse Words: A Blues Dialect Dictionary By Stephen Calt, p. 180
"admonition to remain motionless, based on the Southern expession not to move a peg

"Get it" = "it" means those dance moves; This command means to show how well you can dance. "Get it!" is often used now as an exhortation to dancers and other performers and a statement that shows that those watching really like the way the person is dancing (or performing).

"Mess around" = do the dance steps that you want to do, improvise dance moves[?], or dance with a lot of enthusiasm[?]

I want you to shake that thing = shake your butt

That's what I'm talkin' about - that's what I mean (the dancers are doing what the singer wants them to do, as per the words in the song.

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Visitor comments are welcome.

African Language Sources & Definitions For The Terms "Boogie"

Edited by Azizi Powell

Latest revision - Nov. 5, 2023

This pancocojams post provides quotes from two websites about possible African sources. This post also includes other information about "boogie woogie" music including early forms of that term.

This post also includes a YouTube compilation tape of some early Boogie Woogie records.

The content of this post is presented for cultural and etymological reasons.

All copyrights remain with their owners.

Thanks to all those who are quoted in this post with special thanks to John "Nonjohn" Tennison. Thanks also to the featured musicians and the publisher of this post's featured sound file boogie woogie compilation on YouTube.
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Several posts on songs that include the word "boogie" in their title can be found on this pancocojams blog. Click the tag "boogie" below or use the internal search engine to find those posts.

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GENERAL OVERVIEW OF "BOOGIE WOOGIE" MUSIC
From http://www.bowofo.org/ The Boogie Woogie Foundation
..."early Boogie Woogie recordings are the unequivocal first recorded examples of what was later called "Rock and Roll." Consequently, Boogie Woogie has been rightfully called the "Father of Rock and Roll." Indeed, the influence of Boogie Woogie on Rock-and-Roll and popular music worldwide is greater than that of Blues in general. Put another way, Boogie Woogie can be regarded as the kind of Blues that has had the most influence on popular music throughout the world. Although profound in their own right, the slower, less-upbeat styles of Blues have not had this magnitude of influence. Moreover, the continuing influence of Boogie Woogie on popular music in general is undeniable. Boogie Woogie continues to be performed as a form of jazz, and has influenced classical composers throughout the world, including Conlon Nancarrow (United States), Nikolai Kapustin (Russia), and Louis Andriessen (The Netherlands)."
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"In Houston, Dallas, and Galveston—all Negro piano players played that way. This style was often referred to as a 'fast western' or 'fast blues' as differentiated from the 'slow blues' of New Orleans and St. Louis. At these gatherings the ragtime and blues boys could easily tell from what section of the country a man came, even going so far as to name the town, by his interpretation of a piece.”1 -- E. Simms Campbell, 1939, pages 112-113, (in Chapter 4 "Blues") in the book, "Jazzmen: The Story of Hot Jazz Told in the Lives of the Men Who Created It"1

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POSSIBLE AFRICAN SOURCES FOR THE TERM "BOOGIE WOOGIE"
From http://www.bowofo.org/
"BOOGIE WOOGIE: Its Origin, Subsequent History, and Continuing Development
by John "Nonjohn" Tennison, M.D. All Rights Reserved. This article was last updated on June 18, 2014*
"...music historian, Dave Oliphant has written:
"Barrelhouse, boogie-woogie, and jazz all originate to some degree in the religio-sexual customs of primitive African societies, for Wilfrid Mellers14 notes, one of the meanings of the phrase 'boogie-woogie,' and of the word 'jazz' itself, is sexual intercourse, even as the ritualistic-orgiastic nature of the music also represents an ecstatic form of a spiritual order."13
["Texan Jazz," 1996, by Dave Oliphant, University of Texas Press.]
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*Notes 4 & 8 in the Wikipedia article quoted below are also from this website.
That site includes this statement: "This article is a draft that contains only a fraction of the material that I will eventually publish as a book. Some sections and references in this article are incomplete and will be expanded in the book, including never-before-published material from field research on Boogie Woogie by me and others."

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From http://en.wikipedia.org/wiki/Boogie-woogie (given with some citation notes)
"Boogie-Woogie

Stylistic origins: Blues, ragtime

Cultural origins: 1870s, Piney Woods of Northeast Texas

Typical instruments: Piano

Derivative forms: Rock and roll, boogie rock, rhythm & blues

Fusion genres: Jump blues, rock and roll, rockabilly, swing

Boogie-woogie is a musical genre that became popular during the late 1920s, but developed in African American communities in the 1870s. It was eventually extended from piano, to piano duo and trio, guitar, big band, country and western music, and gospel. While the blues traditionally expresses a variety of emotions, boogie-woogie is mainly associated with dancing.[1] The lyrics of one of the earliest hits, "Pinetop's Boogie Woogie", consist entirely of instructions to dancers...
It [Boogie Woogie] is characterized by a regular left-hand bass figure, which is transposed following the chord changes...

The origin of the term boogie-woogie is unknown, according to Webster's Third New International Dictionary. The Oxford English Dictionary states that the word is a reduplication of boogie, which was used for "rent parties" as early as 1913.

Dr. John Tennison, a San Antonio psychiatrist, pianist, and musicologist, suggested some interesting linguistic precursors.[4] Among them are four African terms, including the Hausa word "Boog" and the Mandingo word "Booga", both of which mean "to beat", as in beating a drum. There is also the West African word "Bogi", which means "to dance",[5] and the Bantu term "Mbuki Mvuki" (Mbuki: "to take off in flight"; Mvuki: "to dance wildly, as if to shake off one's clothes").[6] The meanings of these terms are consistent with the percussiveness, dancing, and uninhibited behaviors historically associated with boogie-woogie music. The African origin of these terms is also consistent with evidence that the music originated among newly emancipated African-Americans. [4: Boogie Woogie: Development—by John Tennison (A.K.A. Nonjohn)—Updated November 3, 2010 at the Boogie Woogie Foundation http://www.bowofo.org]

In sheet music literature prior to 1900, there are at least three examples of the word "boogie" in music titles in the archives of the Library of Congress.[7] In 1901, "Hoogie Boogie" appeared in the title of published sheet music, the first known instance where a redoubling of the word "Boogie" occurs in the title of published music. (In 1880, "The Boogie Man" had occurred as the title of published music.)[8] The first use of "Boogie" in a recording title appears to be a "blue cylinder" recording made by Edison of the "American Quartet" performing "That Syncopated Boogie Boo" in 1913.[9]

"Boogie" next occurs in the title of Wilbur Sweatman's April 1917 recording of "Boogie Rag". However none of these sheet music or audio recording examples contain the musical elements that would identify them as boogie-woogie.

The 1919 recordings (two takes) of "Weary Blues" by the Louisiana Five contained the same boogie-woogie bass figure as appears in the 1915 "Weary Blues" sheet music by Artie Matthews. Dr. John Tennison has recognized these 1919 recordings as the earliest sound recordings which contain a boogie-woogie bass figure.[8: Boogie Woogie: Its Origin, Subsequent History, and Continuing Development—by John Tennison (A.K.A. Nonjohn)—Updated November 3, 2010.]

Blind Lemon Jefferson used the term "Booga Rooga" to refer to a guitar bass figure that he used in "Match Box Blues".[10] Jefferson may have heard the term from Huddie "Lead Belly" Ledbetter, who played frequently with Jefferson. Lead Belly, who was born in Mooringsport, La. and grew up in Harrison County, Texas in the community of Leigh, said he first heard boogie-woogie piano in the Caddo Lake Area of northeast Texas in 1899.[11] He said it influenced his guitar-playing. Lead Belly also said he heard boogie-woogie piano in the Fannin Street district of Shreveport, Louisiana. Some of the players he heard were Dave "Black Ivory King" Alexander, or possibly another Dave Alexander known as "Little Dave Alexander" and a piano player called Pine Top (not Pine Top Smith, who was not born until 1904, but possibly Pine Top Williams or Pine Top Hill.)[11][12] Lead Belly was among the first guitar-players to adapt the rolling bass of boogie-woogie piano.

Texas, as the state of origin, became reinforced by Jelly Roll Morton who said he heard the boogie piano style there early in the 20th century; so did Leadbelly and so did Bunk Johnson, according to Rosetta Reitz.[13]

The first time the modern-day spelling of "boogie-woogie" was used in a title of a published audio recording of music appears to be Pine Top Smith's December 1928 recording titled, "Pine Top's Boogie Woogie", a song whose lyrics contain dance instructions to "boogie-woogie

Earliest attempts to determine a geographical origin for boogie-woogie

The earliest documented inquiries into the geographical origin of boogie-woogie occurred in the late 1930s when oral histories from the oldest living Americans of both African and European descent, revealed a broad consensus that boogie-woogie piano was first played in Texas in the early 1870s. Additional citations place the origins of boogie-woogie in the Piney Woods of northeast Texas. "The first Negroes who played what is called boogie-woogie, or house-rent music, and attracted attention in city slums where other Negroes held jam sessions, were from Texas. And all the Old-time Texans, black or white, are agreed that boogie piano players were first heard in the lumber and turpentine camps, where nobody was at home at all. The style dates from the early 1870s."[14: Elliot Paul, page 229, Chapter 10, That Crazy American Music, published in 1957.]"..

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ONE URBAN DICTIONARY DEFINITIONS FOR THE WORD "BOOGIE" - DANCE*
This is just one of urban dictionary's reader submitted definitions for "boogie".
https://www.urbandictionary.com/define.php?term=Boogie

[top definition as of Nov. 5, 2023]

"Boogie

Dance:

It came about in the 70's during the disco era. Back then we boogied all night long.

Boogie down at the disco; boogied all night long; I've got the boogie fever

by I was there! August 14, 2016

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https://www.urbandictionary.com/define.php?term=Boogie&page=4

boogy

a 70s ish term meaning DANCE!!!!!!!

see jackson 5 song, blame it on the boogy (lyrics make no sense but hey)

"dnt blame it on sunshine,

dnt blame it on the moonlite,

dnt blame it on the good times,

blame it on the boogy"

boogy on the dancefloor

by blameitontheboogy May 17, 2004
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It's not until the fifth page that a viewer submitted this definition of "boogie" that I've heard:
https://www.urbandictionary.com/define.php?term=Boogie&page=5

"boogie

1. To leave

2. To run

3. To run unexpectantly

4. To flee out of fear

1. It's gettin' late, I'm about to boogie.

[...]

by El Jr, June 10, 2004

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THE EUROPEAN ETYMOLOGY OF THE WORD "BOOGEYMAN"

Although "boogie" is pronounced the same as "bogey" in the word "bogeyman", those words probably have different etymologies (origins).
From http://en.wikipedia.org/wiki/Bogeyman
"Bogeyman (also spelled bogieman, boogeyman, or boogie man, and pronounced /bʊɡimæn/ or /boʊɡimæn/; see spelling differences)[1] is a common allusion to a mythical creature in many cultures used by adults or older children to frighten bad children into good behavior...Parents may tell their children that if they misbehave, the bogeyman will get them.

The word bogey is derived from the Middle English bogge/bugge (also the origin of the word bug), and so is generally thought to be a cognate of the German bögge, böggel-mann (English "Bogeyman"). The word could also be linked to many similar words in other European languages: bogle (Scots), boeman (Dutch), Butzemann (German), busemann (Norwegian)"...

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SHOWCASE EXAMPLE: The Greatest Boogie Woogie Songs of All Time - part one (1922-1935)



Silvan Spektor Uploaded on Nov 26, 2011

Song List-
1922-
The Fives (Hersal Thomas)

1923-
Golden West Blues (Jesse Crump)
Blues Mixture (Lemuel Fowler)
The Rocks (George W. Thomas)
The Weary Blues (Clarence Williams)
Chime Blues (Fletcher Henderson)

1924-
Chicago Stomps (Jimmy Blythe)
Armour Avenue Struggle (Jimmy Blythe)

1925-
Sunshine Special (Sodarisa Miller with Jimmy Blythe)
Suitcase Blues (Hersal Thomas)

1926-
5th Street Blues (Cow Cow Davenport)
Mr. Freddie Blues (Jimmy Blythe)

1927-
Honky Tonk Train Blues (Meade Lux Lewis)

1928-
Cow Cow Blues (Cow Cow Davenport)
Pine Top's Boogie Woogie (Pinetop Smith)
Pinetop's Blues (Pinetop Smith)
Five O'Clock Blues Jimmy Blythe)
State Street Jive (Cow Cow Davenport)

1929-
Pitchin' Boogie (Will Ezell)
Stomp 'Em Down to the Bricks (Henry Brown)
Henry Brown Blues (Henry Brown)
Chimes Blues (Cow Cow Davenport)
Wilkins Street Stomp (Speckled Red)
Head Rag Hop (Romeo Nelson)
Gettin' Dirty Just Shakin' That Thing (Romeo Nelson)
Indiana Avenue Stomp (Montana Taylor)
Playing the Dozen (Will Ezell)
Jump Steady Blues (Pinetop Smith)
Dearborn Street Breakdown (Charles Avery)
Fat Fanny Stomp (Jim Clarke)
The Dirty Dozen (Speckled Red)
Hastings Street (Charlie Spand)
Detroit Rocks (Montana Taylor)
Slow and Easy Blues (Jimmy Yancey)

1930-
Chain 'Em Down (Blind Leroy Garnett)
Fanny Lee Blues (Westley Wallace)
No. 29 (Westley Wallace)
Boot That Thing (Roosevelt Sykes)

1932-
Pratt City Blues (Jabo Williams)
Jab Blues (Jabo Williams)

1933-
Piano Stomp (Walter Roland)
Jookit Jookit (Walter Roland)
Devil's Island Gin Blues (Roosevelt Sykes)

1934-
Black Gal What Makes Your Head So Hard? (Joe Pullum)
Alligator Crawl (Fats Waller)
Barrel House Woman (Leroy Carr)

1935-
Strut That Thing (Cripple Clarence Lofton)
Boogie Woogie (Cleo Brown)
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This is one of four YouTube compilation tapes in that series. Click https://www.youtube.com/watch?v=geJqOcyK_9s&list=RDgeJqOcyK_9s#t=10 for the link to that entire series. Those YouTube "videos" can also be found by looking on the right hand side of the page for each one of those videos.

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Louis Jordan -"Choo Choo Ch' Boogie", & Three Other Songs With The Word "Boogie" In Their Title

Edited by Azizi Powell

Louis Jordan — Choo Choo Ch'Boogie



Uploaded by ChChBoogie on Aug 7, 2011

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Edited by Azizi Powell

Latest revision - Nov. 21, 2021

This pancocojams post showcases five YouTube videos of songs or instrumentals that include the word "boogie" in their title.

The content of this post is presented for cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all those the composers of these songs and all those who are featured in these videos. Thanks also to all those who are quoted in this post and thanks to the publishers these videos on YouTube.  

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SHOWCASE VIDEOS

Video #1: Louis Jordan — Choo Choo Ch'Boogie

[ Placed at the top of this page.]

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Video #2:  John Lee Hooker Boogie Chillen original 1948 version



SonoranDub, Sept. 29, 2011

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Video #3: Frank Sugar Chile Robinson- "Caldonia Boogie"

Posted by picturesleevesclub / February 28, 2009
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This is a vintage movie clip of child prodigy/pianist Sugar Child Robinson playing Louis Jordan's composition "Caldonia Boogie".

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Video #4: Mary Lou Williams- "Hesitation Boogie"

tug0jackson | November 21, 2008

Mary Lou Williams Hesitation Boogie. Mary Lou Williams on piano, possibly Dallas Bartley on string bass and Henry Tucker on drums from Benny Carter and His Orchestra...

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Video #5:

Only Jazz and Blues, August 3, 2016

Albert Clifton Ammons (March 1, 1907 – December 2, 1949) was an American pianist and player of boogie-woogie, a bluesy jazz style popular from the late 1930s to the mid-1940s.

Ammons was born in Chicago, Illinois. His parents were pianists, and he had learned to play by the age of ten. His interest in boogie-woogie is attributed to his close friendship with Meade Lux Lewis and also his father's interest in the style. Both Albert and Meade would practice together on the piano in the Ammons household. From the age of ten, Ammons learned about chords by marking the depressed keys on the family pianola (player piano) with a pencil and repeated the process until he had mastered it. He also played percussion in a drum and bugle corps as a teenager and was soon performing with bands in clubs in Chicago. After World War I he became interested in the blues, learning by listening to the Chicago pianists Hersal Thomas and the brothers Alonzo and Jimmy Yancey.

In the early to mid-1920s Ammons worked as a cab driver for the Silver Taxicab Company. In 1924 he met up with his boyhood friend Meade Lux Lewis, who was also then a taxi driver. Soon the two players began working as a team, performing at club parties. Ammons started his own band at the Club DeLisa in 1934 and remained at the club for the next two years. During that time he played with a five-piece band that included Guy Kelly, Dalbert Bright, Jimmy Hoskins, and Israel Crosby. Ammons also recorded as Albert Ammons's Rhythm Kings for Decca Records in 1936. The Rhythm Kings' version of "Swanee River Boogie" sold a million copies, and their 1936 recording of "Boogie Woogie Stomp" has been described as "the first 12-bar piano based boogie-woogie, [which] was imitated by many jazz bands."

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