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Showing posts with label Ska. Show all posts
Showing posts with label Ska. Show all posts

Monday, November 25, 2024

The Original Non-Racist Skinheads And Ska Music (YouTube Video & Comments)


Rob & Jazz Dulcemania, Jan 16, 2012

Taken from a documentary about the history of reggae in England. Yes that's The Prince Talking, also Dave B. and Romeo. You seen it yet?

I can't believe nobody had found this and put this up yet. Check my other videos. All of them.

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Edited by Azizi Powell

This pancocojams post showcases a YouTube video about the original non-racist skinheads in the United Kingdom and in other European nations.

This post also includes selected comments from the discussion thread for that YouTube video.

Thanks to the producers of that documentary and thanks to the publisher of thist video on YouTube. Thanks also to all those who are quoted in this post.
-snip-
Click https://pancocojams.blogspot.com/2024/11/the-song-my-boy-lollipop-and-american.html for the related pancocojams post entitled "The Song "My Boy Lollipop" And The American Roots Of Jamaican Ska Music." That post includes some information about the history of Ska music.

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SELECTED COMMENTS FROM THIS VIDEO'S DISCUSSION THREAD

https://www.youtube.com/watch?v=b6y8SZSsQbQ

WARNING - A minimum amount of profanity is included in some of these comments. Those words are given in this post with amended spelling. 

Numbers are added for referencing purposes only.


1. @hadidphiron420, 2013
"oi. almost all these songs can be found on the soundtrack to the original 70s skinhead flick from jamaica " the Harder They come" this song in the start of this video is desmond dekker and the aces. track one disc two. are you a skinhead? if so good luck mate! und cheers!"

**
2. @RobTheTrojanSkin, 2013
"Desmond Dekker - Poor Me Israelites the 2nd Dave and Ansell Collins - Double Barrel, the 3rd Upsetters - Return of Django, the 4th Max Romeo- Wet Dream"
-snip-
This commenter identifies the music from that documentary.

**
3. @hadidphiron420, 2012
"desmond dekker . song title "the isrealites"

**

4. @RobTheTrojanSkin, 2014
"It's from Reggae Britannia... Documentary by the BBC"

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5. @leggozombieslayin, 2014
"Ha, I didn't know skinhead had a positive connotation"

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Reply
6. @Scoring57, 2015
"Holy f-ckin* sh-t*   The media ruined or is it the racists who stole the name as entitled whites always do? There are racists using rap music for their message now. The media had nothing to do with it"
-snip-
*These words were fully spelled out in this comment.

**
Reply
7. @markrichardson1657, 2019
"@Scoring57  research the national front, i'm certain you'll find your answer there."

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Reply
8. @Scoring57, 2015
" @yuhboii7862
By being nazis while calling themselves "skinheads"?"

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Reply
9. @Scoring57, 2019
" @markrichardson1657

I know about that group. And I didn't ask question, I was making a statement then. Racists took it like they do everything else"

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Reply
10. @markrichardson1657, 2019
"@Scoring57  next time refrain from using a question mark, becsuse that inturn makes a literate person believe you're posing a question."

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Reply
11. @mitzavor8468, 2019
"@Scoring57  the original Skinheads were anti racist whites who were inspired by the Jamaican Rude Boys. Some Racist Neo Nazis began adopt the skinhead subculture. The media focused on them as they were working class. This allowed the Neo Nazis to hijack the movement and rebrand it. The original skinheads were basically wiggers."

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Reply
12. @RobTheTrojanSkin, 2019
"
Wikipedia skinhead. I'm a skin. I've seen thousands and thousands of skins over the decades. And maybe like 25 Nazis. I really believe true skinheads, whether reggae boys or Oi boys, outnumber white nationalist scum that AREN'T skinheads. And we are on every continent except Antarctica."

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Reply
13. @Scoring57, 2020
" Black Rose

Or it was racists who appropriated something as they typically do (with whyte supremacists and anti-sjws saying "king" now) and media simply reflected that. Art imitating life? Whyte people are going to appropriate regardless so it's not the medias fault."

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Reply
14. @TheVaim, 2021
"@Scoring57  racists didn't appropriate sh-t*. Look, the skinhead movement was a working class thing. Some neo nazis saw an opportunity to push their agenda towards (the sometimes somewhat naive) working class people with the typical "look at all those foreigners taking your jobs" narrative. Some of those people influenced, happened to be skinheads, they went to beat up an Indian or Pakistani shop owner. At first it said in the newspaper that "racist skinheads beat up a foreigner", which gradually turned into "skinheads beat up foreigners", which in turn gave the word "skinhead" a bad connotation in the mainstream/common people's heads. Racists, neo nazis and other similar scum didn't claim the "skinhead" name, they didn't take it away, it was given to them on a platter by the media and society."
-snip-
*This word is fully spelled out in this comment.

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Reply
15. @Scoring57, 2021
"@TheVaim

Well they kind of did the moment some "working class" skinheads go together with them. If you don't make clear distinctions you can't blame others when you're grouped together"

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Reply
16. @TheVaim, 2021
"@Scoring57  You really need to brush up on what Skinheads are about and their history before you start to write your comments, because they do not make one bit of sense. Skinheads have been railing against racism and made clear that they are not a racist movement. Go take a look at SHARP and co... And yes, I can perfectly blame others when they f-cked* over a whole movement by turning them into a synonym for racist while the majority of Skinheads are nothing of the sort.
-snip-
*This word is fully spelled out in this comment.

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Reply
17. @spunkospunko4800, 2022
"At last someone who actually knows how it was"

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18. @alexcorbett4364, 2015
"BOOTS AND BRACES DONT MAKE A RACIST!!!"

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Reply
19. @djbeatz37, 2016
"You know that.x"

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Reply
20. @tonytanner4863, 2017
"SALUTE THIS MAN!"

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Reply
21. @sowhat.., 2019
"What braces?"

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Reply
22. @cvl8722, 2021
"
@alessandrolocci2004  well good thing proper skins dont recognize nazis as being real skins"
-snip-
Here's an article excerpt about Dr. Marten boots and United Kingdom's skinheads:
..."Initially worn by postmen and factory workers, Dr. Martens’ first few years of existence was very much that of a £2 work-wear boot, selling solid quantities to Britain’s working classes. Then something incredible started to happen..

Without any warning or intent, Dr. Martens were suddenly picked up by early multi-cultural, ska-loving skinheads – who proudly championed British working class style. Shortly after, Pete Townshend of The Who became the first high profile individual to wear them as a symbol of his own working class pride and rebellious attitude. In so doing, both first generation skinheads and Townshend altered the course of the brand’s history, changing this functional work-wear boot into a subcultural essential."...
-snip-
One meaning for "braces" in the United Kingdom is what Americans refer to as "suspenders"https://www.quora.com/British-people-say-braces-when-Americans-would-use-suspenders-Whats-the-British-word-for-braces-for-your-teeth

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23. @enriquegs4242, 2016
"the jamaican music ( ska , rocksteady/bluebeat and early reggae/skinhead reggae/ heavy reggae ) was very popular music in u.k in the late 60's and early 70's , at that time it was very fashionable between the first skinheads but this music was not the its reason for being , the skinhead culture would emerged anyway with or without jamaican music , i like this kind of music too but when someone says "skinheads could not exist without jamaica" makes me laugh , oi it's the music made by skinheads for skinheads"

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Reply
24. @enriquegs4242, 2016
"the first skinhead were jamaicans? looooooool , the rude boys was jamaicans the first skinheads was BRITISH darling"

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Reply
25. @enriquegs4242, 2016
"rude boys with boots , come on man , don't invent historys please , rude boys just used short hair not shave head and never wear boots"

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Reply
26. @enriquegs4242, 2016
"another different thing is that here in england some rude boys copy the skinhead look and some skinheads copy the rude boys look but never but there never was skinheads in jamaica"

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Reply
27. @enriquegs4242. 2016
"skinheads born in england in 60's and grew and developed in late 70's and early 80's in england and the rest of europe , jamaican music was widely accepted between the first skinheads that's all but but neither Jamaica or rude boys or jamaican music contributed in nothing besides Fun and entertainment , that's the reality so wake up , skinheads was are and will 100% european and an identity and patriotic movement"

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Reply
28. @enriquegs4242, 2016
"+Enrique Gs surely u are from usa , u don't know nothing about europe , nothing about uk , nothing about spain and off course nothing about skinheads"
-snip-
This sub-thread no longer includes any comment with the screen name "Enrique Gs".

**
Reply
29. @enriquegs4242
"introduce myself? looooool , there a skinhead movement in the whole europe since early 80's i don't need introduce nothing i'm spanish and proud to  be , proud of my history my ancestors and my culture ,skinheads born in england off course but the movement grew and developed in the whole europe since early 80's spain , italy , france , belgium , germany , netherlands , sweden ect...are countrys with a long skinhead tradition , however i live in london since 4 years ago and off course i know many old skinheads from 80's so don't pretend teach me nothing about skinheads"

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Reply
30. @blaineca, 2016
"+Enrique Gs I'll translate for you:  "I don't want to be a real skinhead, but I want to look like one.""

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Reply
31. @enriquegs4242, 2016
"americans try to teach europeans about skinheads that's the funny xd"

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Reply
32. @indy5624, 2018
"Skinheads were just a follow up to the hard Mod look, so unless you was there,which i doubt  then you know bugger all about what was happening towards the late 60s UK. the Suedehead  style was partly an influence from the Jamaican rude boy look which came into its own when Two Tone hit the streets."

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Reply
33. @RobTheTrojanSkin, 2019
"a w  skinhead came about during the volatile and racist 60s and the skinheads were generally more accepting of integration than the masses. We all know the early skins were subject to anti-immigrant intolerance. But "reggae brings unity between black and white"... And Reggae is unquestionably the original skinhead music and is better than glam, punk, oi, hxc in my opinion."

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Reply
34. @RobTheTrojanSkin, 2019
"@enriquegs4242  you a nationalist? Ya know, the US has had skins since the late 70s and has a rich history, including a bloody war which stopped the Nazi bandwagon. But we don't care about Europe, we care about our continent."

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Reply
35. @RobTheTrojanSkin, 2021
"
@enriquegs4242  spoken like an oi boi nationalist. "Skinhead was an evolution of hard mod and Jamaican rudeboy culture". If skins started in the Oi movement they'd be called knobheads and have mullets. Dont believe me, look up Sharpies in Australia."

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36. @dadfisher123, 2018
"Skinhead No bonehead ! Skinhead a way of life! Oi from Sweden 😀"

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37. @pateris, 2021
"REAL Skinheads, before those feckin' fascists came in to bollocks things up ans spoil the fun…"

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38. @leshughes748, 2021
"True skins are no way racist…. Black white we all fought together. One love. 🇬🇧👏🏽👏🏽👏🏽🇬🇧🇬🇧"

**
39. @jamesdriscoll2216, 2022
"Love this then and still to this day best times of my life love n unity skaaaaaa"

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40. @alexanderSydneyOz, 2022
"British love of music is color blind.  They just love great music, which, of course, includes just about everything made by african heritage people anywhere.  And how good was Double Barrel?!  Good God!"

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Reply
41. @xatoriusxVSExbhuttoriusx, 2022
"...WORD DUDE!..."

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Reply
42. @dogshumans9547, 2022
"Boneheads are not skinheads!"

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Reply
43. @ownstyle5878, 2023
"It’s one of the saddest things ever mate. A culture that brought people together, united people. Was hijacked and used as a medium to divide people based on where they come from. It truly brings a tears to my eyes thinking about 😢😢"

**
44. @urareknaw, 2024
"Toots and the Maytals. True Skinhead tunes. Skinhead Oi! No politics No Racism.

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Thanks for visiting pancocojams.

Visitor comments are welcome. 


Sunday, November 24, 2024

Eight YouTube Videos Of Jamaican Ska Music & Dance

 

Uploaded by ratajana on May 3, 2008

****

Edited by Azizi Powell

This pancocojams post provides information about Jamaican Ska music.

This post also showcases eight YouTube video examples of Jamaican Ska music and the dances that were performed to that music.

The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to all the musicians, vocalists, and video producers for uploading these featured videos. Thanks also to the video uploaders.
-snip-
This is a complete reprint with minor changes of the 2012 pancocojams post, plus the addition of another video.

https://pancocojams.blogspot.com/2012/04/jamaican-ska-music-videos.html.

That post, entitled "Seven Jamaican Ska Music Videos (information, and examples)", has no comments to date. The initial videos for #2 and #5 in that 2012 are unavailable in 2024 and have been replaced with other videos in this reprinted post.  

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INFORMATION ABOUT SKA
From http://en.wikipedia.org/wiki/Ska:
"Ska... is a music genre that originated in Jamaica in the late 1950s, and was the precursor to rocksteady and reggae. Ska combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. It is characterized by a walking bass line accented with rhythms on the upbeat. In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods. Later it became popular with many skinheads.

Music historians typically divide the history of ska into three periods: the original Jamaican scene of the 1960s (First Wave), the English 2 Tone ska revival of the late 1970s (Second Wave) and the third wave ska movement, which started in the 1980s (Third Wave) and rose to popularity in the US in the 1990s."

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ADDITIONAL SHOWCASE YOUTUBE VIDEOS ABOUT SKA MUSIC AND DANCE

These videos are presented in no particular order.


Video #2: - Jamaica Ska - Toots & The Maytals



Diogo Lima, Oct. 19, 2009

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Video #3: Ska Ska Ska Part 1 - A Regular Ska Session at the Sombrero Club in Jamaica - various artists



Uploaded by pablowkingstoned on Dec 24, 2008

This is ska,, there were little pieces of this film on you tube now its complete in 4 parts hope you like this one its a great documentary about a ska party in jamaica in that time at the sombrero club ..so if you want to learn how to dance the ska see this video ...on part 2 3 and 4 you can .see jimmy clif, the blues busters ,the maytals prince buster and some other artists doing there best to make a good video ,lots of energie introduced by byron lee ....enjoy!!!...

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Video #4: Ska Ska Ska Part 2 - A Regular Ska Session at the Sombrero Club in Jamaica - various artists



Uploaded by pablowkingstoned on Dec 24, 2008

This Is Ska Part 2 Live at the Sombrero Club in Jamaica...ENJOY!!!

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Video #5 - This is Ska! (2/4) 1964 Jimmy Cliff/Prince Buster/Toots & The Maytals and more..


Tudor Sykes, Feb 5, 2010


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Video #6: 100% EXPLOSIVE SKA MIX (16min) + tracklist



Eagles FanPublished on Dec 2, 2012

TRACKLIST

00:00 Toots & The Maytals - Broadway Jungle (aka Dog War)
01:12 Justin Hinds & the Dominoes - Carry Go Bring Come
02:07 The Wailers - Simmer Down
02:50 The Maytals - My Daily Food
03:41 Prince Buster - Madness
04:50 Jimmy Cliff - Miss Jamaica
05:45 Alton Ellis - Dance Crasher
06:30 The Wailers - Put It On
07:36 Tommy McCook & The Supersonic- Ska Jam
08:17 The Wailers - Go Jimmy Go
09:05 Baba Brooks - Portrait Of My Love
10:10 Millie Small - My Boy Lollypop
11:24 Byron Lee & The Dragonaires - Behold
12:31 Prince Buster - 30 Pieces Of Silver
13:32 Blues Buster - Donna
14:40 Byron Lee & The Dragonaires - Jamaica Ska

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Video #7: The Skatalites - Ska Boo Da Ba



JABLESPANOLPublished on Dec 22, 2013

The Skatalites - Ska Boo Da Ba
género : Ska
origen:Jamaica

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Video #8 -The Evolution of Jamaican Music & Dance (Ska, Rocksteady & Reggae)



Copasetic Boom, April 16, 2020

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Thanks for visiting this pancocojams.

Visitor comments are welcome.

Desmond Dekker & The Aces - "Israelites" (Official YouTube Audio for this 1968 hit Jamaican Song) Part II- YouTube Comments


Trojan Records Official,   May 9, 2014  #RockSteady #Reggae #Israelites

Official audio for Desmond Dekker & The Aces - "Israelites", released in 1968 on Trojan Records.

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Edited by Azizi Powell

This is Part II of a two part pancocojams series on Jamaican singer/composer Desmond Dekker's 1968 hit song* "Israelites".

This post showcases the YouTube official audio video of Jamaican singer Desmond Dekker's 1968 hit record "Israelites". This pancocojams post also presents some comments from the discussion thread for that video.   .     

Click https://pancocojams.blogspot.com/2024/11/desmond-dekker-aces-israelites-part-i.html for Part I of this pancocojams series. That post showcases a 2011 YouTube video of Desmond Dekker performing "Israelites".

That pancocojams post also presents information about Desmond Dekker as well as information about his hit song "Israelites".

The content of this post is presented for historical, socio-cultural, entertainment, and aesthetic purposes.

Thanks to Desmond Dekker for his musical legacy. Thanks to The Aces for their musical legacy. Thanks to all those who were associated with this song. Thanks to hare quoted in this post and thanks to the publisher of this video on YouTube.
-snip-
*There continues to be considerable debate about whether Desmond Dekker's song "Israelites" is Ska, Reggae, or Rock Steady. Some of the commenters below state their position on this subject. There are also comments about this subject in Part I of this pancocojams series. 

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SELECTED COMMENTS FROM THE DISCUSSION THREAD FOR THE YOUTUBE EXAMPLE THAT IS GIVEN ABOVE

https://www.youtube.com/watch?v=mxtfdH3-TQ4

These comments are given in relative chronological order except for replies. Numbers are added for referencing purposes only. 


2018

1. DEZMO NYC
"
da BOMB!!!"

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2019

2. Donald Morrow
"When I first heard this song on the radio, I thought I was hearing a very good foreign language record and lumped it together in my musical understanding with "Sukiyaki" and "Volare."  Boy was I wrong when further listening revealed English with a very heavy Jamaican accent.  I bought it when it first came out in the states and played it alone in my room a lot.  Little did I know, I was buying a record that would make history even now in light of the success of Bob Marley and the Wailers.  Little did I know that I would be playing it today as if I just bought it new way back then.  Little did I know that I would trace my love of Reggae music not to Bob Marley, but to Desmond Dekker and this masterpiece.  Tomorrow, I will play this again, unlock more of its secrets and enjoy every minute of it."

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Reply
3. David Smith, 2020
"+Donald Morrow  This was the first Reggae song I ever heard, when it came out. I did not realize it was from an entire genre of music. Years later, I saw Toots and the Maytals, the same week Bob's Rastaman Vibration came out. I was in Love, like I had not been since James Brown played in my 4th grade pre Integration all white elementary school auditorium, in Augusta Ga. Love at first hearing."

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Reply
4. Seb King, 2020
"+
Donald Morrow I don't want to sound rude, but I have no idea how you didn't recognize that this was English straight away."

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Reply
5. Donald Morrow, 2020
"
+Seb King Quite simply, I was twelve years old at the time and knew very few Jamaicans."

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Reply
6. Seb King, 2020
"@Donald Morrow Fair enough then. Again, sorry if it came off as rude."

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Reply
7. alkh3myst, 2020
"
+Donald Morrow This was also the first reggae song I ever heard. My aunts and uncles were holding out on me. I heard this record on WABC-AM in New York, and almost had a meltdown."

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8. Jorge Salazar
"Amazing song! Dekker introduced the ska and reggae music to UK, even before that Bob Marley."

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9. 
pat quecke
"It was perfect when they played this song at the end of the movie drugstore cowboy."

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10. Loobyloo
"So many memories of living in London! I was 13 when this came out and they would blast it at the fairgrounds in Clapton. Nostalgic as I age."

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2020

11, Jd Ck
"
I loved this song when it came out. I was 10, living next to the sea and this tune seemed to be everywhere.......the tourists always had radios with them on the beach in those days (UK)"

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12, 
dmarcus1260
"
I loved watching the cheerleaders practice their drill to the beat of this song in high school.  It was so cool!!"

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13. 
WedgePee
"The 269th UK #1.

Before Bob Marley was widely known in the UK, this number became the first reggae song to reach the chart summit. Goodness-knows-how-many years later, it's still better than the imitation "music" that dominates today's charts, and a lasting classic."

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14. Steve Armstrong
"Actually, "Israelites" is in the ska genre, which was a precursor to reggae."

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15. Casey Cahill
"It really is brilliant.  I heard it for the first time during a movie "Drugstore Cowboy."  It's so unique, and stays in your head!  Great, great song from extraordinary people - Jamaicans."

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16. Edwin kiarie
"
The flash Season 2 Episode 19 brought me here!  :P"

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17. 
Dan Renwick
"
Totally Righteous.

The original eh.

Huge hit here in Toronto, way back in the day. Not until the 70's did we get more."

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18. Alan Fox
"
I heard it on an episode of the flash right at the beginning tonight"

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19. 
william Cooper
"
Anyone else come here from the book 'Skinheads'?"

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2021

20, Jatsi
"Such a wonderful song!

My first contact with ska was the Specials' "Ghost Town" and after hearing that, I was hooked. :)

I think this song is both ska and reggae and it works very well.

Thank you, mr. Dekker! :)"

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21. Baflar
"
Unfortunately, this is NOT the sound of the original single that famously reached No.1 in the UK charts.  The original was on the Pyramid label [PYR 6058 A]: the version here appears to be the original take but with an added echo, which spoils the 'close' intensity of Desmond Dekker's voice.  It seems that rights to the song were acquired by Trojan at some point."

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22. Mikey BBB
"
Possibly one of the best intros to a song ever, pleasingly the rest of it is ace. The best tune to wake up to"

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23. 
phil giles
"
1st real reggae song on the UK main stream radio. still magic"

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2022

24. PetertheChanter
"
Thinking about the great Windrush generation."

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25. 
Chris Hind
"
Big tuune!"

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26. 
skiny81
"A skins anthems ! D. Dekkers is "the rude boy ska" ✊"

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27. 
Dan Bernstein
"This song perfectly illustrates the transformation of ska into reggae. And still fresh after 49! years"

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Reply
28. chuckemeade, 2024
"This is actually a Rocksteady tune Reggae came after Rocksteady.  The backing band is Lyn Taitt and The Jets."

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29. And Rob
"It was so cool for the time, there was nothing on the airways like it at the time. Super cool then, and now! 😍"

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2023

30. Millie Lillyton
"
Hello fellow Jamaicans"

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31. 
Kyle Butler
"
Marc (TV series) brought me here!"

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32. 
smart451cab
"This was one of the first 45s I bought.  Might have been THE first, can't say for certain though.  I'd have been 14-years old and was buying my first music with my own money.  I don't remember what 45s cost back then, but I made my spending money mainly from collecting & selling deposit soda bottles.  Back then, in my town, about the only place to buy records was at Sears.

Lyrics and interpretation can be found here:

https://songmeanings.com/songs/view/3530822107858619305/ "

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33. john e Lawler
"arguably the song that put reggae on the international map"

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34. TOM WAGNER
"
Heard this song as a 6 year old  in the late 60s and it stuck in my mind and then heard it again on a BBC news cast about the history of Trojan record company...glad I found it!"

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2024

35. JOHN ODEH
"
Lovely song; it took me right back to the days of my childhood when my mom and her brothers used to play sweet reggae records with songs like Israelites. I practically grew up on these kind of songs! Love em to pieces I did back then, and still do."

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36. 
Innoje Anas
"
Conscious vibe. Jah bless the artiste"

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37. 
Herb Burnswell
"
Loved this song for years. Jumped straight out of my seat when it started bumping on episode 3 of Watchmen!"

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38. J
ohn Desalvo
"
This is SKA..in the transitional phase to Rocksteady. While Mento was a "main ingredient" mixed in with American Jazz, Rhythm and Blues, and a touch of early rock and Roll. Mento in its PURE Calypso form was considered passe at this point...Tourist area bars exceptions."

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39. Marsh Duncanson
"
I would like to see the official correct lyrics. I have seen various inconsistent versions."

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Reply
40. 
Marsh Duncanson
"
I'd also like to know what the devil they mean!"

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Reply
41. Annmarie busu
"
Marsh Duncanson it’s posted in various comments pretty correctly. He wakes up every morning working hard to feed himself, woman and kids. The stress of the poor Israelite ie black people. He talks about not wanting to end up like Bonnie and Clyde ( I think he wants a honest living and not hunted down and killed) and how poor he is and his relationship struggles. 😄"

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42. 
Claudia Allen
"Watchmen thanks for using my country song 🇯🇲🥰"

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43. 
Joao LEAL JR
"
Also from Watchmen, but thia song remembers me the black jews rescue from Uganda by israeli special forces"

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44. 
ana paula Cameron
"I heard this melody in a UK margarine ad in the 90s and was immediately hooked, ( Oh, oh, oh, Vitalite) but it took me ages to find out the name of the song so I could go to Tower Records and get a copy."

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45. gil.gosseyn
"
The first reggae song I ever heard, and STILL one of the best.  I first heard it when I was 16, in late '68 or early '69, on Atlanta's first Progressive radio station, WPLO-FM."

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46. 
Harry S. Anchan
"
1969 all over again! I LOVE it! Released on June 3, 1969 reaching #9 on June 28."

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47. @colingehrman7078
"
Still listening at 66 danced to this when a was 11 😊 great days  😅😅"

**
48, 
@ru9204
"Oooh ohhh my ears are alight! What a great song 👌"

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49. @nakisharogers4555
"Look how some of our WOKE people was giving us clues before we were Born!!!"

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50. @philipdennis-rh7uj
"The struggle is real"

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51. @christine899
"I remember this song was used in an advert for a sunflower margarin, way back , always loved this song so cheerful and made you want to dance."

**
52. @irwinashby-im9ft
"Ya all remember this.  London town. Watch dem white girls n boys dance. Lawwdd  joyous me tell ya. Memories by the score."

**
53. @SotR59
"I've loved this song since it came out when I was a little kid. Never had any idea what he was saying and "Israelites" never even crossed my mind. I'm sure I thought something over the years but it's been a long time since I heard it till just now and as soon as I saw the title whatever I might have thought went out of my memory."

**
54. @algiemcneal2014
"I like this song, the music is so catchy 😊"

**
55. 
@markdurrant4174
"
A fantastic song,reminds me of the days of working in Brixton when you heard old school ska,and this was a absolute classic 👌"

**
56. 
@sandragriffiths9692
"This reminds me f all night dancing at The E Partido in Lewisham London in the mid 60's. What a time to alive!"

**
57. @2tone753
"
German from Berlin, 62 Years old, non-racist Skinhead since 1979. This is our music, not the plagiarism."

**
58. 
@danilaird
"Spirit of 69 SKinheads! This is our music!!! Skins unite worldwide! Rudeboys and Skins!! Oi! Rocksteady, 2 Tone, Oi! music"

**
59. @paulkenneally789
"Desmond Dekker did more improve race relations in Britain than anyone at the time or any of today’s shabby politicians."

**
60. @lesleycarney8868
"I can't drive anywhere without my Trojan discs playing here in Southern Spain. The best thing about being a teenager in the 70's in the UK was the music."

**
61.@delroyday8925
"I find this song to be as fascinating as when it was released in 1968. I was ten years old then, and I'm still listening to it, to this day. October 2, 2023.❤"

**
62. 
@JohnWatson-ey4bh
"This song was played a great deal out of an AM station out of Charleston SC. I would get excited when my parents would drive south towards the signal. Knew I would hear this."

**
63. @delroyday8925
"I am still listening to this classic song ❤"

**
64. 
@jonathanvernot762
"Ska-lite

Is a de-lite"

**
65.@TheSleightDoctor

2 months ago

This song had a profound effect on me as a teenager. It's message still stands today.

**
66.@lindacarroll-so6sr

2 months ago

2024 here! First ska song I ever heard at age five! Fast forward to the English Beat, The Selector,  Madness, The Specials! That beat never gets old. 😀🎵

**
Reply
67. @patriciasmith1128

2 months ago

Me too, 2024. Ska was an experience of a naive little white girl in Toronto, Canada, part of the British Commonwealth. in the 1960s. More Ska! More Reggae! More Rock Steady!

**
Reply
68.@lindacarroll-so6sr
"@patriciasmith1128  Ska was great for another little white girl (me!) growing up in a small town in northeast USA. When the DJ started playing all the ska songs, you couldn't get my friends or me off the dance floor. Sometimes lasted for an hour! Great times and memories. Glad you had fun,too! Rankin full stop goes on!"

**
69.@joancayenne9293
"I had loved it, but didn't  understand what it was all about, when it was banned I wondered why until between 2017/2018 I learnt that the negroes were the Israelites.   They didn't want us to know."

**
70. @stephenhess9680
"Fun song from my 13th year. Used to sing it with my boyhood buds. Of course we got most of the words wrong 😂"

**
71.
@ameliyaholiviyah6189
"😮Just realised this day what this song is about. They made it an advert for a drink. un-learn and re-learn. ❤"

**
72.@rudymartinez6242
"The first time I heard this was on Bob McCallister’s WONDERAMA show. My older cousins called LA radio stations to play it and were told, “Oh, thats an old song, it never charted”, but I guess a lot more Wonderama fans called in because within a month, it was a big hit, a few years after it was released. I’m going to have the DJ play this on our 45th Wedding Anniversary. Great song!!!!"

**
73.
@lawrencenjawe9875
"This all-time Reggae Classic gave me the shivers everytime I spun the record on my turntable back in the days...No doubt one of the defining tracks in the development of Jamaican music as much as the Wailers' Get up Stand Up and the Abyssinians' Satta Massagana.."

**

74.@scottburton9701
"The first reggae song to crack the U.S.charts-Reached the top 10 in the spring of 1969."

**
Reply
75. 
@jesavino1255
"Always loved this song."

**
Reply
76. 
@RasJabal
"Thank you for the education family"

**
Reply
77. 
@JohnGreen-y3w
"Yes!  Reached #9 on the Billboard Top 40 and was the first reggae song to get lots of airplay on mainstream pop radio here in the States"

**
Reply
78. 
@erisdiscordia5429
"This isn't reggae though.  This is ska.  This is good ska.  This is reggae's daddy."

**
79.@stevengrundy4720
"2024 and eternal  RASTAFERI❤"

**
80. @derekstynes9631
"Beloved Anthem of the Rude Boys and Real Skinheads everywhere !"

****
This concludes Part II of this two part pancocojams series.

Thanks for visiting pancocojams.

Visitor comments are welcome.


Desmond Dekker & The Aces - "Israelites" (Part I - 1968 hit Jamaican Record: Video, Information, & lyrics)



shenery, February 21, 2011

****
Edited by Azizi Powell

This is Part I of a two part pancocojams series on Jamaican singer/composer Desmond Dekker's 1968 hit song* "Israelites".

This post showcases a 2011 YouTube video of Desmond Dekker performing "Israelites".

This pancocojams post also presents information about Desmond Dekker as well as information about his hit song "Israelites".

Click https://pancocojams.blogspot.com/2024/11/desmond-dekker-aces-israelites-official.html for Part II of this pancocojam series. That post showcases the YouTube official audio video of Jamaican singer Desmond Dekker's 1968 hit record "Israelites". That post also presents some comments from the discussion thread for that video.    

The content of this post is presented for historical, socio-cultural, entertainment, and aesthetic purposes.

Thanks to Desmond Dekker for his musical legacy. Thanks to The Aces for their musical legacy. Thanks to all those who were associated with this song. Thanks to hare quoted in this post and thanks to the publisher of this video on YouTube.
-snip-
*There continues to be considerable debate about whether Desmond Dekker's song "Israelites" is Ska, Reggae, or Rock Steady. Read "Information About Desmond Dekker's Israelite Song" below for some comments about that subject. Additional comments are found in Part II of this pancocojams series.

****
INFORMATION ABOUT DESMOND DEKKER
From https://en.wikipedia.org/wiki/Desmond_Dekker
"Desmond Dekker (16 July 1941 – 25 May 2006)[1] was a Jamaican ska, rocksteady and reggae singer-songwriter and musician. Together with his backing group the Aces (consisting of Wilson James and Easton Barrington Howard), he had one of the earliest international reggae hits with "Israelites" (1968). Other hits include "007 (Shanty Town)" (1967), "It Mek" (1969) and "You Can Get It If You Really Want" (1970).

Early life

Desmond Adolphus Dacres was born in Saint Andrew Parish (Greater Kingston), Jamaica, on 16 July 1941. Dekker spent his formative years in Kingston. From a young age he regularly attended the local church with his grandmother and aunt. This early religious upbringing, as well as Dekker's enjoyment of singing hymns, led to a lifelong religious commitment. Following his mother's death, he moved to the parish of St. Mary and later to St. Thomas.[2] While at St. Thomas, Dekker embarked on an apprenticeship as a tailor before returning to Kingston, where he became a welder. His workplace singing had drawn the attention of his co-workers, who encouraged him to pursue a career in music.[3]

In 1961 he auditioned for Coxsone Dodd (Studio One) and Duke Reid (Treasure Isle), though neither audition was successful. The unsigned vocalist then auditioned for Leslie Kong's Beverley's record label and was awarded his first recording contract.[3]

Career

Despite achieving a record deal, it was two years before Dekker saw his first record released. Meanwhile, Dekker spotted the talent of Bob Marley, a fellow welder, and brought the youth to Kong's attention. In 1962 "Judge Not" and "One Cup Of Coffee" became the first recorded efforts of Marley, who retained gratitude, respect and admiration for Dekker for the rest of his life. Eventually in 1963 Kong chose "Honour Your Mother and Father" (written by Dekker and the song that Dekker had sung in his Kong audition two years earlier), which became a Jamaican hit and established Dekker's musical career. This was followed by the release of the tracks "Sinners, Prepare"[4] and "Labour for Learning". It was during this period that Desmond Dacres adopted the stage-name of Desmond Dekker. His fourth hit, "King of Ska" (backing vocals by The Cherrypies, also known as the Maytals), made him into one of the island's biggest stars. Dekker then recruited four brothers, Carl, Patrick, Clive and Barry Howard, as his permanent backing vocalists to perform with him under the name Desmond Dekker and the Aces.[3]

The new group recorded a number of Jamaican hits, including "Parents", "Get Up Edina", "This Woman" and "Mount Zion". The themes of Dekker's songs during the first four years of his career dealt with the moral, cultural and social issues of mainstream Jamaican culture: respect for one's parents ("Honour Your Mother and Father"), religious morality ("Sinners, Prepare") and education ("Labour for Learning"). In 1967 he appeared on Derrick Morgan's "Tougher Than Tough", which helped begin a trend of popular songs commenting on the rude boy subculture which was rooted in Jamaican ghetto life where opportunities for advancement were limited and life was economically difficult. Dekker's own songs did not go to the extremes of many other popular rude boy songs, which reflected the violence and social problems associated with ghetto life, though he did introduce lyrics that resonated with the rude boys, starting with one of his best-known songs, "007 (Shanty Town)". The song established Dekker as a rude boy icon in Jamaica and also became a favourite dance track for the young working-class men and women of the United Kingdom's mod scene.[5] "007 (Shanty Town)" was a top 15 hit in the UK and his UK concerts were attended by a large following of mods wherever he played.[3]

Dekker continued to release rude boy songs such as "Rude Boy Train" and "Rudie Got Soul", as well as mainstream cultural songs like "It's a Shame", "Wise Man", "Hey Grandma", "Unity", "If It Pays", "Mother's Young Girl", "Sabotage" and "Pretty Africa".[6] Many of the hits from this era came from his debut album, 007 (Shanty Town).[3]

In 1968 Dekker's "Israelites" was released, eventually topping the UK Singles Chart in April 1969 and peaking in the top ten of the US Billboard Hot 100 in June 1969. Dekker was the first Jamaican artist to have a hit record in the US with Jamaican-style music. Ironically although he went to worldwide fame his former welding colleague Marley never had a UK number one. That same year saw the release of "Beautiful and Dangerous", "Writing on the Wall", "Music Like Dirt (Intensified '68)" (which won the 1968 Jamaica Independence Festival Song Contest), "Bongo Girl" and "Shing a Ling".[3] 1969 saw the release of "It Mek", which became a hit both in Jamaica and the UK.[7] Dekker also released "Problems" and "Pickney Gal", both of which were popular in Jamaica, although only "Pickney Gal" managed to chart in the UK top 50.[3]

1970s

In 1970 Dekker released "You Can Get It If You Really Want", written by Jimmy Cliff, which reached No. 2 in the UK charts. Dekker was initially reluctant to record the track but was eventually persuaded to do so by Leslie Kong.[3] Dekker's version uses the same backing track as Cliff's original. Kong, whose music production skills had been a crucial part of both Dekker's and Cliff's careers, died in 1971, affecting the careers of both artists for a short period of time.[3] In 1972 the rude boy film The Harder They Come was released and Dekker's "007 (Shanty Town)" was featured on the soundtrack along with Cliff's version of "You Can Get It If You Really Want", as well as other Jamaican artists' hits, giving reggae more international exposure and preparing the way for Bob Marley.

In 1975 "Israelites" was re-released and became a UK top 10 hit for a second time. Dekker had also begun working on new material with the production duo Bruce Anthony in 1974. In 1975 this collaboration resulted in the release of "Sing a Little Song", which charted in the UK top twenty; this was to be his last UK hit.[7]"...

****
INFORMATION ABOUT DESMOND DEKKER'S SONG "ISRAELITES"

Online Source #1
From https://en.wikipedia.org/wiki/Israelites_(song)
" "Israelites" is a song written by Desmond Dekker and Leslie Kong that became a hit for Dekker's group, Desmond Dekker & the Aces,[2] reaching the top of the charts in numerous countries in 1969. Sung in Jamaican Patois, some of the song's lyrics were not readily understood by many British and American listeners at the time of its release.[3] Despite this, the single was the first UK reggae #1 and among the first to reach the US top ten (peaking at #9).[4] It combined the Rastafarian religion with rude boy concerns,[5] to make what has been described by Allmusic as a "timeless masterpiece that knew no boundaries".[6]

Song Origin and lyrics

Originally issued in Jamaica as "Poor Me Israelites",[7] it remains the best known Jamaican reggae hit to reach the United States Hot 100's top 10,[5] and was written almost two years after Dekker first made his mark with the rude boy song "007 (Shanty Town)".[2] Dekker composed the song after overhearing an argument: "I was walking in the park, eating popcorn. I heard a couple arguing about money. She was saying she needs money and he was saying the work he was doing was not giving him enough. I related to those things and began to sing a little song: 'You get up in the morning and you're slaving for bread.' By the time I got home, it was complete."[8] The title has been the source of speculation,[9] but most settle on the Rastafarian Movement's association with the Twelve Tribes of Israel. In the 1960s, Jamaican Rastafarians were largely marginalized as "cultish" and ostracized from the larger society, including by the more conservative Christian church in Kingston. Destitute ("slaving for bread") and unkempt ("Shirt dem a-tear up, trousers a-gone"), some Rastafarians were tempted to a life of crime ("I don't want to end up like Bonnie and Clyde"). The song is a lament of this condition.

Musical structure

The vocal melody is syncopated and centred on the tone of B flat. The chords of the guitar accompaniment are played on the offbeat and move through the tonic chord [B flat], the subdominant [E flat], the dominant [F], and the occasional [D flat],[5] viz, [B flat] - [E flat] - [F] - [B flat] - [D flat]. It was one of the first reggae songs to become an international hit, despite Dekker's strong Jamaican accent which made his lyrics difficult for many listeners to understand outside of Jamaica.[10]

Impact

Despite "Israelites" being recorded and released in 1968, the Uni 45 discography shows its copyright as 1969.[11] In June 1969, the record reached the Top Ten in the United States, peaking at #9 on the Billboard Hot 100 singles chart. "Israelites" hit #1 in the United Kingdom,[12] the Netherlands, Jamaica and West Germany.

[...]

Appearance in other media

The song has appeared in numerous movies and television programs,[14] including the soundtracks of the 1989 American film Drugstore Cowboy and the 2010 British film Made in Dagenham.

On November 3, 2019, "Israelites" was prominently featured in the third episode of HBO's Watchmen. Potentially because of this usage, the song charted again, entering the Billboard Digital Reggae Song Sales Chart at #2.[15]

****
Online Source #2
From https://genius.com/Desmond-dekker-israelites-lyrics
"Actually performed by Desmond Decker and the Aces, it was the first Reggae No. 1 in the UK and the second to make the top 10 in the US.

Musically, “Israelites” is all about Jamacian syncopation. A guitar and organ provide opening chords and counterpoints, but it’s the Jamaican reggae rhythm expressed by that jittery drummer, combined with those terrific vocals that defines the song.

The song is rooted in the ideas of the Rastafarian religion, which borrows the idea of the twelve Tribes from Judaism: the “Israelites”. Rastafarians see Ethipoia as the home of the Falasha or Beta Israel; the home of the “Lost Tribes” of Israel, and they see themselves as their descendants. This loosely organized religion became popular in the 1960s among poor Jamaicans."

****
Online Source #3
From Desmond Dekker & The Aces – Israelites (Official Lyrics Video), published by Trojan Records Official, May 7, 2019
"Between 1967 and 1975, Desmond Dekker, Jamaica’s first recording superstar, graced the UK pop charts on no less than 7 occasions.

His ground-breaking hit, ‘Israelites’, was the first Jamaican-produced song to top the UK chart in April 1969.

Its popularity led to a reggae explosion that took the genre into the mainstream and opened the way for the likes of Bob Marley, Jimmy Cliff, and Toots & The Maytals to follow.

Consequently, despite his tragic death over decade ago this year, he remains one of a handful of reggae artists who are readily identified with the genre.

And now, over half a century since 'Israelites' forever changed the sound of popular music, it is celebrated once more with a brand new lyrics video."...

****
Online Source #4
From https://www.reddit.com/r/Music/comments/oe4gr2/desmond_dekker_the_aces_israelites_classic_reggae/ "Desmond Dekker & The Aces "Israelites (Classic Reggae)

[Numbers added for referencing purposes only.]

1. wifespissed, 2021
"And the debate continues. Is this reggae, or is this ska?"

**
Reply
2. SavageHenry592, 2021
“Rocksteady”

**
Reply
3. [deleted], 2021
“Ska I think, it's not about tempo, a drummer friend told me ska is a straight beat and reggae has a swing to it”

**
Reply
 4. 
radio reddit, 2021
"I’d say this defo swings."

**
Reply
5. [deleted], 2021
"I listened again and I agree, it does"

**
6. eggsssssssss, 2021
"I usually see this song referred to as reggae. The band made music variously labeled ska, rocksteady, and reggae, and there’s a TON of overlap between genres in 20th century Jamaican pop music. So it’s not really all that important.

For that matter, when I see “Trojan Records” the first genre I think of is actually dub. Seriously, so many great strains of music came out of jamaica in the 1960s & ‘70s."

**
7. superfleh, 2021
"This isn't raggae it is 1st wave ska"

****
LYRICS - ISRAELITES

(Desmond Dekker and Leslie Kong)

[Verse 1]

Get up in the morning, slaving for bread, sir

So that every mouth can be fed

Poor, poor me, Israelites (Ah-ah)

Get up in the morning, slaving for bread, sir

So that every mouth can be fed

Poor, poor me, Israelites, sir

 

[Verse 2]

My wife and my kids, they pack up and a-leave me

Darling, she said, "I was yours to receive"

Poor, poor me, Israelites, hey

Shirt, them a-tear up, trousers are gone

I don't want to end up like Bonnie and—

(Poor) Bonnie and Clyde, poor me, Israelites, hey

 

[Verse 3]

After a storm, there must be a calm

They catch me in the farm

You sound your alarm

Poor, poor me, Israelites, hey


Source: https://genius.com/Desmond-dekker-israelites-lyrics

****
This concludes Part I of this two part pancocojams series.

Thanks for visiting pancocojams

Visitor comments are welcome.

Tuesday, September 20, 2022

"Sammy Dead-O" (Jamaican Ska examples, information, commentary, & lyrics)



amunda, Oct. 12, 2009

THIS IS SKA 'Sammy Dead-O' - Eric 'Monty' Morris ****
Edited by Azizi Powell

This pancocojams post presents information about the Jamaican Mento (folk song) "Sammy Dead-O". 
Ska examples of "Sammy Dead-O" are showcased in this post along with the lyrics for that song and commentary about that song. Information about some of the artists who recorded "Sammy Dead-O" is also included in this pancocojams post.

The content of this post is presented for folkloric, cultural, entertainment, and aesthetic purposes.

All copyrights remain with their owners.
****

"SAMMY DEAD O" LYRICS AND COMMENTARY
From https://jamaicajamaicawi.wordpress.com/2017/05/21/sammy-dead/ 
Posted on May 21, 2017 by suz in Jamaican Folk Songs

"A Jamaican folk song describing the fate of a man called Sammy.

Verse 1
Sammy plant piece a corn down a gully; (mhm-mhm)
An it bear till it kill poor Sammy. (mhm-mhm)
Sammy dead, Sammy dead, Sammy dead-o. (mhm-mhm)
Sammy dead, Sammy dead, Sammy dead-o. (mhm-mhm)

Verse 2
A no tief Sammy tief mek dem kill him; (mhm-mhm)
A no lie Sammy tell mek him dead-o. (mhm-mhm)
But a grudgeful, yes dem grudgeful mek dem kill him. (mhm-mhm)
But a grudgeful, yes dem grudgeful mek dem kill him. (mhm-mhm)

Verse 3
Neighbour kyaan bear fi see neighbour flourish; (mhm-mhm)
Neighbour kyaan bear fi see neighbour flourish. (mhm-mhm)
Sammy dead, Sammy dead, Sammy dead-o. (mhm-mhm)
Sammy dead, Sammy dead, Sammy dead-o. (mhm-mhm)

-snip-
Comment by Glen Warren says:June 23, 2019 
"It is PIECE A CAWN (corn), NOT peas and corn (or variants of it). That is how Jamaican farmers describe a farm plot. Check out the name of any place with “piece” in the name; it is always an agricultural or other plant object – Cassava Piece, cane piece, grass piece. Just recently my mother-in-law, with whom I had this very argument, was passing a plot and commented “what a niece piece a dasheen” – which I used to prove my point. A piece can simply refer to a plot (usually a “good looking” one) or a large plot (like acres of it).

Sammy propably had both a large “piece” that was truly a piece because of how bountiful it was."

****
EXCERPT ABOUT ERIC MONTY MORRIS
From https://skabook.com/2016/11/11/name-that-tune/
" “Sammy plant piece a corn dung a gully, an ’ it bear till it kill poor ole Sammy. Sammy dead, Sammy dead, Sammy dead oh. Sammy dead, Sammy dead, Sammy dead oh.”

Eric Monty Morris sang the now-classic “Sammy Dead” at the 1964 World’s Fair in New York backed by Byron Lee & the Dragonaires, thereby helping to introduce audiences outside of Jamaica to the sounds of ska. Morris attended with others like Jimmy Cliff, Prince Buster, Millie Small, and an entourage of dancers.

[…]

In addition to “Sammy Dead,” Eric Monty Morris is known for his songs “Oil In My Lamp,” “Penny Reel,” “Into This Beautiful Garden,” “Live As A Man,” “What You Gonna Do,” and one of my personal favorites, “Solomon Gundy.”

****
SHOWCASE EXAMPLE #2 - Byron Lee & The Dragonaires - Sammy Dead (HD)

milan82ca, Sept.17, 2010 The version I grew up with... -snip-

The Ska versions of "Sammy Dead-O" are remakes of that old Jamaican folk song with the same title. Here's some information about Ska from https://en.wikipedia.org/wiki/Ska "Ska (/skɑː/; Jamaican: [skjæ]) is a music genre that originated in Jamaica in the late 1950s and was the precursor to rocksteady and reggae.[1] It combined elements of Caribbean mento and calypso with American jazz and rhythm and blues. Ska is characterized by a walking bass line accented with rhythms on the off beat. It was developed in Jamaica in the 1960s when Stranger Cole, Prince Buster, Clement "Coxsone" Dodd, and Duke Reid formed sound systems to play American rhythm and blues and then began recording their own songs.[2] In the early 1960s, ska was the dominant music genre of Jamaica and was popular with British mods and with many skinheads.[3][4][5][6]

Music historians typically divide the history of ska into three periods: the original Jamaican scene of the 1960s; the 2 Tone ska revival of the late 1970s in Britain, which fused Jamaican ska rhythms and melodies with the faster tempos and harder edge of punk rock forming ska-punk; and third wave ska, which involved bands from a wide range of countries around the world, in the late 1980s and 1990s.[7]"... -snip- Here's some information about Byron Lee and the Dragonaires from https://en.wikipedia.org/wiki/Byron_Lee_and_the_Dragonaires

"Byron Lee and the Dragonaires (known as Byron Lee's Dragonaires after Lee's death and now The Dragonaires) are a Jamaican ska, calypso and soca band. The band played a crucial pioneering role in bringing Caribbean music to the world.

The band was originally formed around 1950 by Byron Lee and his friend Carl Brady, taking its name from the St. George's College football team for which they played.[1][2] The band originally played mento, and performed their first shows in the college common room to celebrate the team's victories.[1]

After a few years of playing at parties, birthdays and weddings, Lee decided to turn professional. By 1956, the Dragonaires had become a fixture on Jamaica's hotel circuit, playing under their own name and also providing backing to visiting American stars including Harry Belafonte, Chuck Berry, The Drifters, Sam Cooke, and Fats Domino.[1] The Dragonaires prided themselves on being able to play any style of music, their repertoire including covers of American pop and R&B hits, and they soon adapted to include ska when that became popular.[1]"...

**** SHOWCASE EXAMPLE #3 - Delroy Wilson - Sammy Dead

JABLESPANOL, Dec. 12, 2013

género: Ska origen : Jamaica -snip-
Here's some information about Delroy Wilson from https://en.wikipedia.org/wiki/Delroy_Wilson
"Delroy George Wilson CD (5 October 1948 – 6 March 1995)[1] was a Jamaican ska, rocksteady and reggae singer. Wilson is often regarded as Jamaica's first child star,[2] having first found success as a teenager"...

****
ARTICLE ABOUT THE SONG "SAMMY DEAD-O"
From
https://joan-myviews.blogspot.com/2021/08/dont-dilute-our-culture.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed:+blogspot/uypf+(my+views)&m=1 "DON'T DILUTE OUR CULTURE!" published by Talk Jamaica,  August 14, 2021
"I couldn’t agree more with the late great Marcus Garvey more, when he said, “A people without the knowledge of their past history, origin and culture is like a tree without roots."

One’s culture is the sum of the customs, arts, social institutions, and achievements and cannot be revised or changed willy nilly.

 A lot of our Jamaican culture has been solidified and expressed through Mento/folk music.

Mento is Jamaica's first recorded music and it evolved from the musical traditions brought by enslaved West African people. The lyrics of mento songs often deal with aspects of everyday life in a light-hearted and humorous way. They were put to catchy tunes and sung by the slaves or those who did backbreaking labour in the fields during the brutal Colonial British colonial period, to make their chores feel less onerous.

I am on this topic, as I noticed recently that some Facebook users are determined to dilute and change one aspect of our culture. That is, how land was obtained and farmed immediately after slavery was abolished. This they are trying to do by changing some words of a popular mento song "Sammy Dead."

This song begins; “Sammy plant piece a corn dung a gully, an it bear till it kill poor Sammy.” However, modern-day the revisionists have been changing it to “Sammy plant peas an corn dung a gully…….”

 They almost had me convinced too, until I fact-checked it with an expert in the field of Jamaican culture. That is Colin Smith, a foundation member of Jamaica Folk Singers and currently leader of Tallawah Mento band.

Smith, spent many years at the feet of the late, great social anthropologist, Dr. Olive Lewin, OD OM, studying Jamaica folk music and literature. She died in 2013.

Wikipedia describes her thus; "Lewin was the author of several books and has made numerous recordings of folk music, performed by the Jamaican Folk Singers, which she founded. She was honoured by the Government of Jamaica, the United Nations, the Organization of American States, the Government of France and by academia for her outstanding lifelong contribution to the arts. In 2001 she was awarded the Jamaican Order of Distinction."

Regarding whether Sammy planted piece a corn or peas and corn, Smith was emphatic. “It was piece a corn.”

He then went on to explain the conditions that prevailed when that song was written. In those days, freed slaves who wanted to farm, had no land of their own, so they had to rent/lease piece a land from their former slave/colonial masters. On this small holding, they would plant, piece a cane, piece a pumpkin, piece a cane, piece a yam, etc. (In some areas small yam holdings are known  as yam grung) Those who planted tree crops described their holdings as walk. Hence you have walk mango walk, orange walk etc.

On the other hand, large land barons planted fields or plantations, so their holdings were called cane plantations, banana plantations etc."...

****
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Visitor comments are welcome.




Friday, June 12, 2020

Justin Hinds And The Dominoes- "Carry Go Bring Home" (Ska & Rocksteady Sound Files, Lyrics, Information, & Comments)

Edited by Azizi Powell

This pancocojams post provides information about Jamaican singer/songwriter Justin Hinds and showcases sound files of Justin Hinds & The Dominos' Ska and Rocksteady records "Carry Go Carry Go Bring Come".

The lyrics for this song and selected comments from one of these YouTube sound files are also included in this post.


The content of this post is presented for cultural, entertainment, and aesthetic purpose.

All copyrights remain with their owners. 

Thanks to Justin Hinds and the Dominos for their musical legacy. Thanks to all those who are quoted in this post and thanks to the publishers of this song on YouTube.
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Click https://pancocojams.blogspot.com/2020/06/what-does-nigerian-pidgin-english.html for the somewhat related pancocojams post entitled "What Does The Nigerian Pidgin English Phrase "Carry Go" Mean? (with online definitions & comments from Nigerians).

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INFORMATION ABOUT JUSTIN HINDS
From https://www.furious.com/perfect/justinhinds.html Justin Hinds and the Dominoes
by Eric Doumerc, (May 2007)
"Justin Hinds began to make records with the Dominoes (Junior Dixon and Dennis Sinclair) forming a Jamaican harmony trio in the early 1960's and later gained some popularity abroad in the 1990's. Sadly, today Hinds and his comrades have remained rather unknown outside the circle of reggae cognoscenti and their music deserves much wider exposure.

Justin Hinds was born in the small village of Steertown on the Jamaican north coast in 1942 and came to Kingston to make his way in the music business in the early 1960's. He hooked up with the producer Duke Reid in 1963 and recorded his fist song in the same year with the cream of studio musicians at the time (Tommy McCook on saxophone, Drumbago on drums, Jah Jerry on guitar). The dominant sound at the time was ska and the Dominoes' first song, entitled "Carry Go Bring Come" (a Jamaican phrase meaning a gossip) was recorded in that style, with blasting horns and a driving rhythm. The song was a hit, remained in the charts for seven weeks, and launched Justin Hinds' career, becoming a transatlantic smash with the UK West Indian immigrant community and with the early incarnations of the skinhead movement (the Selecter covered the song in the late '70's and the Specials would later cover it with Desmond Dekker).

Hinds and his friends then recorded exclusively for Duke Reid until the producer's death in 1974 and then began to record for the late Jack Ruby in 1976, a partnership which led to the release of the Jezebel LP on Island, which included a remake of "Carry Go Bring Home." In spite of one of the songs from the LP (the jubilant "Natty Take Over") being included on the soundtrack to the film Rockers, lasting recognition still failed to come and Hinds went into semi-retirement. Although he returned to recording in the mid-1980's when he made an album for the American Nighthawk label (Travel with Love, 1985), he still missed out on the acclaim he deserved. The Dominoes had to wait until the 1990's for international recognition to come when they first performed at the Sierra Nevada World Music Festival in 1996, which led to more touring in the USA and in Europe. Justin Hinds died of cancer in Jamaica on March 17th, 2005.

[…]

For Hinds and the Dominoes, their belated recognition may be accounted for by the fact that they recorded in a style which was far removed from the mainstream of Jamaican music but which was nevertheless steeped in the Jamaican oral tradition. Their music (in the ska, rock steady and reggae modes) is best described as "rural" and could be said to belong to a type of reggae music sometimes known as "country reggae." Groups like Stanley and the Turbines and the Ethiopians recorded in a similar style.

The Dominoes' harmonies were church-based and Hinds himself came from a deeply religious family and loved to sing religious hymns in church. Parallel to that, he also liked listening to American popular music and his favourite artists included Fats Domino (hence Justin Hinds and the Dominoes), B.B. King, Smiley Lewis and Louis Jordan.

Hinds' lyrics were influenced both by his religious background and by the Jamaican oral tradition, which is based on storytelling, proverbs, sayings and songs. His first hit, "Carry Go Bring Come," was about a gossip, a "news-carrier":

[...]
The song was an immediate hit in 1963, during the ska era, and Hinds later re-cut it the rock steady idiom in 1967, and later as a Reggae song in the 1970s (on the Jezebel LP). The lyrics are a mixture of folk sayings and biblical allusions ("Jezebel", "Mount Zion", "the wicked") which struck a chord with the audience. Everyone was able to relate to the general feelings expressed in the songs about the wicked oppressing the weak. After all, the song was released in 1963, just one year after Jamaica became independent and the colonial legacy was certainly visible at the time.”…

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From
Work with Duke Reid
His first recording with Duke Reid was "Carry Go Bring Come", made in late 1963 in one take. It became a big hit topping the Jamaican chart for two months, just before the Wailers got their big hit with "Simmer Down". "Carry Go Bring Come" would later be covered by the British ska band The Selecter on their 1980 album Too Much Pressure, and by Desmond Dekker and The Specials on King of Kings.

[…]

He also released "Carry Go Bring Come" in 1963 in conjunction with Jonathan Bevan, an English-born Jamaican national, a successful collaboration which drew much admiration amongst Jamaican music producers. The track was described by esteemed Ghanaian music aficionado Zahid Chohan as "simply wonderful; belongs in any reggae fan's collection"….
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A number of other Reggae singers recorded "Carry Go Come Back" including Freddy McGregor, Millie Smalls, and the Skatalites.

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WHAT "CARRY GO BRING COME" MEANS
"Noun
Gossip. Idle talk, rumours, or salacious news about the private affairs of others.

Synonyms
brango, commesse, he say dem say, labba labba, labrish, melee, pung melee, pung name, seetful, shush, shushu, sip sip, skyat, suss, sussu, sussu sussu, yerriso"

Tags
Belna, May 19, 2015

JahMar 17, 2017
"Dwl!! Dis one old ennuh mi granny always seh dis."
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The phrase "carry go" is known in Nigeria, but has a different meaning (or meanings). I'm curious if there is any connection between the Jamaican phrase "carry go bring come" and the Nigerian phrase "carry go".A series of posts on the Nigerian use of "carry go" will be published ASAP on pancocojams and the link to that first post will be added here.    


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YOUTUBE EXAMPLES
Example #1: Justin Hinds & The Dominoes/Carry Go Bring Come



Soberphobe, Feb 5, 2007
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Here are selected examples of comments (including lyrics) from the discussion thread for this sound file. Numbers are added for referencing purposes only.

1. Jimmy Fantabulous, 2011
"this song plays in the background during the following scene from Last Days of Disco:   look up "last days of disco" and "to thine own self be true."

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2. Ruby Morris, 2012
"sounds awesome!! just like it should. authentic, none of that over-engineered sound processing - thank you :)"

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3. Mike Ballard, 2012
"1963 top of the pops with a bullet, according to Keith Richards in his bio, LIFE."

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4. Elkaosenpanama, 2014
This carry go bring come, my dear, brings misery
This carry go bring come, my dear, brings misery

You're going from town to town making disturbances
It's time you stopped doing those things, you old Jezebel
The meek shall inherit this Earth, you old Jezebel
It needs no light to see you're making disturbances

It's better to seek a home in Mount Zion high
Instead of keeping oppression upon innocent man
Time will tell on you, you old Jezebel
How long shall the wicked reign over my people?

It's better to seek a home in Mount Zion high
Instead of keeping oppression upon innocent man
Time will tell on you, you old Jezebel
How long shall the wicked reign over my people?
How long shall the wicked reign over my people?
How long shall the wicked reign over my people?

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5.  Carlton Ayre, 2017
"masterpiece of ska  they hail from the hills steer town in the parish of  ST ANN
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6. sherwood991, 2017
"This song was banned from airplay in Jamaica, at one point.  An interesting fact, given what's allowed to play today."

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REPLY
7. beanyjazz, 2018
"Any idea why sherwood991 dude?"

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REPLY
8. Andrew Palmer, 2019
"It is a protest song ,how long should  the wicked  rain  over my people is a cry for help its a cry for help  over prejudice"
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9. 
 Jahson Ntare, 2018
"TYPICAL ENGAGED MUSIC

"Carry Go Bring Come" by Justin Hinds and the Dominoes was very popular in 1964 and is claimed to have criticised the then powerful J.L.P. political leader, Alexander Bustamante, also a trade unionist (founder and leader of the Bustamante Industrial Trade Union, which has been nearly coalesced into the J .L.P., whereas the P.N.P. has obtained a strong connection with the National Workers Union, established by Norman Manley). The J.L.P. was organised under the leadership of Bustamante in 1943, and the P.N.P. by M. Manley in 1938. (Interestingly Bustamante and Manley were cousins.)

The following is an excerpt from the song:

Carry go bring come, my dear, bring misery
Yuh goin' from home to home, making disturbancy
Time, yuh stop doin' those t'ings, Yuh ole Jezebel
The meek shall inherit the earth ...

Better to seek a home in Mt. Zion I
Instead of keepin' oppression upon a (h)innocent man
Time will tell yuh, yuh 01' Jezebel
How long shall de wicked reign over my people

RASTAFARIAN MUSIC IN CONTEMPORARY JAMAICA: A Study of Socioreligious Music
of the Rastafarian Movement in Jamaica

By Yoshiko S Nagashima"
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This is the only lyric transcription that I have found online that gives the line "Better to seek a home in Mt Zion I" instead of "Better to seek a home in Mt. Zion high". The phrase "Mt. Zion I" fits the Rastafarian language use of  the word "I"*. However, this may be\is a Rastafarian adaptation of Justin Hinds' lyrics and not the way Hinds wrote that line.

*Click https://debate.uvm.edu/dreadlibrary/grant02.htm for a 2002 paper about Rastafarians written by William Grant.  I'll quote the section of that paper about Rastafarians' use of the word "I" in the comment section for this pancocojams post.  



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Example #2: Justin Hinds - Carry Go Bring Come (Rock Steady Version)



The Rickynow, July 1, 2010

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