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Showing posts with label Black power salute. Show all posts
Showing posts with label Black power salute. Show all posts

Monday, July 15, 2024

The History And Meanings Of The Black Power Salute & Some Other Raised Fist Gestures Including Examples Of The Use Of The Raised Fist Salute By Former United States President Donald Trump


See Hear Say Learn, Jul 15, 2020

The raised fist, or the clenched fist, is a symbol of solidarity and support. It is also used as a salute to express unity, strength, defiance, or resistance.

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Edited by Azizi Powell

This pancocojams post showcases a YouTube video about the history and some of the meanings of the raised fist gesture. This post also showcases a YouTube video of the Black power salute at the 1968 Olympics in Mexico City.

Three online excerpts about the history and meanings of the raised fist salute are also found in this post. Special attention is given in this post on the Black Power salute and the use of the raised fist gesture by former United States President Donald Trump.

The content of this post is presented for historical and socio-cultural purposes.

All copyrights remain with their owners.

Thanks to all those who are associated with these videos and thanks to all those who are quoted in this post.

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SHOWCASE VIDEO #2 -  The story behind this iconic Olympics protest



Vox, Jul 9, 2020

Tommie Smith and John Carlos’s 1968 US national anthem protest, explained.

The image of sprinters Tommie Smith and John Carlos raising their fists during a medal ceremony at the 1968 Olympics in Mexico City is an enduring image of silent protest. But the key to understanding it goes beyond the black-gloved fists. All three medal winners, including silver medalist Peter Norman of Australia, wore buttons that read “Olympic Project for Human Rights.” The Olympic Project for Human Rights (OPHR) was a coalition of prominent athletes formed in 1967 that threatened to boycott participating in the upcoming Olympic games, in order to draw attention to systemic racism in the United States. The group, led by professor Harry Edwards, ultimately voted to compete in the games and hold their demonstrations there, which led to the now-iconic display on the medal stand following the men’s 200-meter final. This act got Smith and Carlos kicked off the team, but left a lasting legacy on making political statements through sport.
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Click https://www.youtube.com/watch?v=t4LvwXYmt3Q for a related YouTube video entitled "The Story Behind The White Guy In This Historic Photo", published by The Young Turks, Oct 31, 2015. Here's an excerpt of the summary of that YouTube video:
"In 1968 there was a powerful moment of protest at the Olympic games when two winners put on black gloves to protest what was happening in the country during the civil rights era. Most people don’t know the story of the silver medalist, Peter Norman.

“In an act as appropriate as it is overdue, the Australian House of Parliament is issuing an official state apology Monday to the country’s late, great sprinter Peter Norman. Norman won the 200-meter silver medal at the 1968 Olympics, but that’s not why he’s either remembered or owed apologies. After the race, gold and bronze medalists Tommie Smith and John Carlos bowed their heads and raised their fists on the medal stand and started an international firestorm. Many see the iconic image and assume Norman was just a bystander to history, or as he would joke, “the white guy.” But he was standing in full solidarity with Smith and Carlos, wearing a patch on his chest that reads, “Olympic Project for Human Rights.” "...

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ONLINE EXCERPTS ABOUT THE RAISED FIST SALUTE

EXCERPT #1
From https://en.wikipedia.org/wiki/Raised_fist

"The raised fist, or the clenched fist, is a long-standing image of mixed meaning, often a symbol of solidarity, especially with a political movement. It is a common symbol representing a wide range of political ideologies, most notably socialism, communism, anarchism, and trade unionism, and can also be used as a salute expressing unity, strength, or resistance.

History

The origin of the raised fist as either a symbol or gesture is unclear. Its use in trade unionism, anarchism, and the labor movement had begun by the 1910s. William "Big Bill" Haywood, a founding member of the Industrial Workers of the World, used the metaphor of a fist as something greater than the sum of its parts during a speech at the 1913 Paterson silk strike.[2] Journalist and socialist activist John Reed described hearing a similar description from a participant in the strike.[3] A large raised fist rising from a crowd of striking workers was used to promote a mass strike in Budapest in 1912.[4] In the United States, clenched fist was described by the magazine Mother Earth as "symbolical of the social revolution" in 1914.[5]

The use of the fist as a salute by communists and antifascists is first evidenced in 1924, when it was adopted for the Communist Party of Germany's Roter Frontkämpferbund ("Alliance of Red Front-Fighters"). In reaction, the Nazi Party adopted the well-known Roman salute two years later.[6] The gesture of the raised fist was apparently known in the United States as well, and is seen in a photograph from a May Day march in New York City in 1936.[7] It is perhaps best known in this era from its use during the Spanish Civil War of 1936–1939, as a greeting by the Republican faction, and known as the "Popular Front salute" or the "anti-fascist salute".[8]

The graphic symbol was popularised in 1948 by Taller de Gráfica Popular, a print shop in Mexico that used art to advance revolutionary social causes.[10] Its use spread through the United States in the 1960s after artist and activist Frank Cieciorka produced a simplified version for the Student Nonviolent Coordinating Committee: this version was subsequently used by Students for a Democratic Society and the Black Power movement.[11]

The raised right fist was frequently used in posters produced during the May 1968 revolt in France, such as La Lutte continue, depicting a factory chimney topped with a clenched fist.[12][13][14]

A raised right fist icon appears prominently as a feminist symbol on the covers of two major books by Robin Morgan, Sisterhood is Powerful, published in 1970,[15] and Sisterhood Is Forever, in 2003.[16] The symbol had been popularised in the feminist movement during the Miss America protest in 1968 which Morgan co-organised.[8]

[...]

Logo

The raised fist logo generally carries the same symbolism as a hand gesture. It was an important symbol of workers rights and labor movements, as well as specific labor actions, such as strikes, boycotts, and walk-outs.

Notable examples include the fist and rose, a white fist holding a red rose, used by the Socialist International and some socialist or social democratic parties, such as the French Socialist Party and the Spanish Socialist Workers' Party.[8] The fist can represent ethnic solidarity, such as in the Black Power fist of Black nationalism and the Black Panther Party, a Black Marxist group in the 1960s,[18] or the White Power fist, a logo generally associated with White nationalism.[19] A Black fist logo was also adopted by the northern soul music subculture. Loyalists in Northern Ireland occasionally use a red clenched fist on murals depicting the Red Hand of Ulster, which is also featured on the flag of Ulster.[20] Irish republicans, on the other hand, have been seen displaying raised fists.

[...]

Salute

Different movements sometimes use different terms to describe the raised fist salute: amongst communists and socialists, raised right fist is sometimes called the red salute, whereas in the United States it is widely known as the Black Power salute due to use by many African-American activists. The Rotfrontkämpferbund paramilitary organization of Communist Party of Germany used the right hand fist salute as early as 1924.[23] By this time, the Soviet Union had already established the use of a traditional Russian military salute. During the Spanish Civil War, it was sometimes known as the anti-fascist salute. A letter from the Spanish Civil War stated: "...the raised fist which greets you in Salud is not just a gesture—it means life and liberty being fought for and a greeting of solidarity with the democratic peoples of the world."[24]

At the 1968 Summer Olympics in Mexico City, medal winners John Carlos and Tommie Smith gave the raised fist salute during the American national anthem as a sign of black power, and as a protest on behalf of the Olympic Project for Human Rights. They were banned from further Olympic activities by the IOC, as the rules then in place prohibited any political statements at the Olympics. The event was one of the most overtly political statements[25] in the history of the modern Olympic Games. Tommie Smith stated in his autobiography, "Silent Gesture", that the salute was not a Black Power salute, but in fact a human rights salute.[26]

Nelson Mandela also used the clenched right fist salute upon his release from Victor Verster Prison in 1990.[8]

The raised right fist is used by officials in People's Republic of China when being sworn into office.[27]

Psychologist Oliver James has suggested that the appeal of the salute is that it allows the individual to indicate that they "intend to meet malevolent, massive institutional force with force of (their) own", and that they are bound in struggle with others against common oppression.[8]"...

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EXCERPT #2
From https://phm.org.uk/blogposts/the-raised-fist-a-history-of-the-symbol
The raised fist: a history of the symbol, 4 September 2023 

..."What is the raised fist?
The raised fist is a visual symbol used internationally by many different social movements and political organisations.  This symbol is manifested either as a bodily gesture made when people raise their arms and clenched fists, or a graphic motif presented through a range of visual media, such as posters, street art, pamphlets, placards, badges, and t-shirts.  Like all symbols, the raised fist is understood to represent an abstract idea. This idea being resistance. The raised fist is also understood to represent power from below and solidarity between people joined in political struggle.  The symbol is therefore generally associated with popular democratic struggle against oppression.  The raised fist can also be described as an iconic symbol, meaning that it has been widely reproduced and reused, and through this has become familiar to many people.  As such, this symbol is also nomadic, moving from one social movement and organisation to another, across time and space for at least a century.

The origin of the raised fist as a popular democratic symbol appears to be with the international labour movement in the early 20th century.  However, the exact origin of this symbol is not completely clear.  Trade unions and socialist and communist parties used the raised fist.  It was also adopted by anti-fascist movements between the world wars, and by pan-African, anti-colonial, and anti-apartheid movements.  Other recent movements that have used the raised fist have included Black Power, Women’s Liberation, and Gay Liberation.  The raised fist, when linked to Black Power and anti-racist struggles has also been called the Black Power salute or Black Power fist.  Building on this historic association with Black political struggle since the mid 20th century, the raised fist is currently most strongly linked to the Black Lives Matter movement, as demonstrated by its prolific use in 2020 in demonstrations and on social media after the police murder of George Floyd.  But it is worth stressing that the regular re-use of the raised fist over time, in different places, and for different purposes demonstrates that no single political movement or political issue can claim ownership of this symbol.  It is this lack of singular ownership as well as its versatility and broad recognisability that gives the raised fist its symbolic power and longevity.

[...]

How has the raised fist been used in graphic images?

The raised fist symbol has been used in graphic images in several different ways.  Sometimes graphic images show a group of people raising their fists, as is the case with the Young Communist League poster, above on the left, from the early 1970s that declares ‘Fight for a Socialist Future’ and depicts four activists as if seen from above raising their fists towards the spectator.

At other times images show a single person raising their fist as in the poster, above on the right, from the Anti-Apartheid Movement (AAM) during the 1970s calling for sanctions against South African coal that shows a lone Black South African miner raising his fist.

In other images the raising of a fist is integrated into a larger scene of protest or combined with other related images.  An example of this can be seen in this poster below on the left, calling for a May Day March and Rally Against Racism and Fascism, that presents a central image of a Black woman raising her fist to symbolise resistance and struggle along with an image of a violent racist attack and images of mass anti-racist demonstrations."..
.
Simon Faulker is an art historian leading a fully funded collaborative PhD, between Manchester Metropolitan University (MMU) and People’s History Museum (PHM), which focuses on the analysis of the use of the iconic raised fist symbol in anti-colonial and anti-racist posters in PHM’s political poster collection.

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EXCERPT #3
From https://www.wfae.org/politics/2024-07-14/trumps-raised-fist-is-a-gesture-with-a-long-history-of-different-meanings 
Trump’s raised fist is a gesture with a long history of different meanings

By Roger J. Kreuz | The Conversation

Published July 14, 2024 at 4:47 PM EDT
"In the frenzied moments when Secret Service agents surrounded a bleeding Donald Trump at a Pennsylvania rally on July 13, 2024, trying to hustle him offstage to safety, Trump – whose ear was grazed by a would-be assassin’s bullet – raised his fist in the air.

“Fight! Fight!” he appeared to be saying, pumping his fist hard.

It was an image, and a gesture, destined for the history books.

But if the situation was unprecedented, the gesture was hardly new to Trump, the former president and presumptive GOP presidential nominee. His raised fist has been part of his public image since the 1990s.

Earlier in the year, when Trump exited the building where he had been found guilty of 34 felonies on May 30, he waved and raised a clenched fist to those who had gathered outside.

He had made the same gesture when surrendering to New York authorities after his indictment in the case in April 2023. And at the end of a June 2024 campaign stop at a church in Detroit, he stood in front of an illuminated cross and two American flags and raised his fist again.

I’m a cognitive scientist who studies communication and writes about the meaning of gestures and how they are interpreted.

The raised fist is one of the most interesting of these because of its long and varied history: It’s been used by fascists, socialists, communists, Black Power advocates and even golfer Tiger Woods.

A loaded gesture?

The raised fist has been employed by a wide variety of groups for several different purposes. In the early 20th century, for example, it was associated with socialism, communism and labor unions like the Industrial Workers of The World. In these contexts, it was typically viewed as a symbol of solidarity with others who shared their views.

 In the 1960s, however, the raised fist became associated with the Black Power movement. One of the iconic – and controversial – images from the 1968 Olympic Games shows athletes Tommie Smith and John Carlos, who had won medals in the 200-meter event, raising gloved fists over their heads as the U.S. national anthem played.

During the award presentation for the Men’s 200-meter event final at the 1968 Summer Olympics, gold medalist Tommie Smith, center, and bronze medalist John Carlos each raise a clenched fist. Bettman/Getty Images

Forty-five years later, particularly after the 2014 protests in Ferguson, Missouri, and followed by the 2020 murder of George Floyd, it became a potent symbol of Black Lives Matter protesters.

But the gesture has also been adopted by the far right, with the Aryan fist becoming a symbol of white pride during the 1980s.

In many respects, the raised fist has become a generalized gesture of defiance that has been employed by groups as diverse as the Occupy Wall Street movement in 2011 and students protesting education budget cuts in the Philippines that same year.

The gesture is still seen as transgressive. In 2016, Black female cadets at West Point raised their fists for a photo, and this led to an inquiry by the school, although no disciplinary action was taken.

West Point’s superintendent, in a letter to the cadets, wrote, “We all must understand that a symbol or gesture that one group of people may find harmless may offend others. As Army officers, we are not afforded the luxury of a lack of awareness of how we are perceived

 [...]

Analogs of the raised fist are common in popular culture. The gesture is related to the fist pump that golfers like Tiger Woods frequently engage in. It is also related to the “Success Kid” meme – showing a baby at the beach with a sandy fist and a defiant face – popular on social media in the early 2010s. This could be viewed as a truncated version of the raised fist, just as the fist pump is an expanded version of the gesture.

It’s unusual, but not unheard of, for gestures to undergo fairly major shifts in their meaning. The V sign, made with index and middle fingers raised and separated, was popularized in the early 1940s as standing for resistance and ultimately an Allied victory in World War II. But a generation later, it was co-opted by those opposed to U.S. involvement in the war in Vietnam and became the peace sign.

Trump and the raised fist

Once public figures make a symbol their own, they tend to employ it habitually.

Richard Nixon, for example, made frequent use of a two-handed “V for victory” gesture during his political career. He even used it in contexts when it seemed wildly inappropriate, such as when, humiliated after his 1974 resignation, he boarded the helicopter that flew him out of Washington and turned to flash those two raised hands and fingers.

Donald Trump has employed the raised fist gesture for decades, and in a variety of contexts. He used it, for example, as a gesture of celebration at the 1990 opening of his Trump Taj Mahal casino and hotel in Atlantic City. But he has also employed it as a symbol of defiance, as he did during a press conference at which he threatened to sue the New York Post in 1994.

Donald Trump has employed the raised fist gesture for decades, and in a variety of contexts. He used it, for example, as a gesture of celebration at the 1990 opening of his Trump Taj Mahal casino and hotel in Atlantic City. But he has also employed it as a symbol of defiance, as he did during a press conference at which he threatened to sue the New York Post in 1994.

As president-elect, he raised a fist in a 2016 Christmas tweet. Perhaps most famously, he raised his fist in triumph during his inauguration in 2017. And during his presidency, he often used the gesture, such as when he arrived in Nashville for a presidential debate in October 2020, raising his fist to service members once he got off his plane at Berry Field Air National Guard Base.

Since public appearances by Trump typically draw mixed crowds of supporters and detractors, his use of a raised fist provides a potent message for both groups. It can function as a gesture of solidarity for those who are with him, and one of defiance against those who oppose him. In this way, Trump’s raised fist is like a Rorschach inkblot, since it allows people to interpret his message according to their own ideological preferences.

Other people in Trump’s orbit have also made symbolic use of the raised fist. Before entering politics, Trump made at least 40 appearances on Howard Stern’s radio show. When Stern moved his program to SiriusXM in 2006, he initially employed a clenched fist as his logo to emphasize the subversive nature of his programming. And there is even a video of a fist-pumping Pauly D and The Situation from “The Jersey Shore” at the Trump Taj Mahal in 2010.

Supporters of Trump, such as U.S. Sen. Josh Hawley, a Missouri Republican, have also appropriated the gesture. On Jan. 6, 2021, Hawley raised a fist to show his support for the demonstrators who were converging on the U.S. Capitol – right before he skittered down a hallway in flight from them.

On the heels of Trump surviving the assassination attempt, will delegates at the Republican convention, where he will formally become their nominee for president, adopt this gesture as well?"

This is an updated version of a story first published on July 11, 2024.

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Friday, May 18, 2018

Delta Sigma Theta Sorority Inc. - No Doubt About It We’re Deltas ( a historically Black Greek letter sorority strolling song that includes Black consciousness movement lyrics & the Black power salute)

Edited by Azizi Powell

This pancocojams post showcases a video of and lyrics for a Delta Sigma Theta Sorority, Inc. strolling song which includes a reference to the Black consciousness movement.

Information about historically Black Greek letter organization "steppin"[g] and "strolling" is also included in the Addendum to this post.

The content of this post is presented for historical and folkloric purposes.

All copyrights remain with their owners.

Thanks to the composer/s of this song and thanks to all those who are featured in this video. Thanks also to the publisher of this video on YouTube.
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If you know this chant or a similar chant please share that information in the comment section below.

Also, I'm interested in identifying other Black Greek letter organization (BGLO) songs or chants that include Black consciousness movement lyrics and/or gestures. For the historical record, if you know of any examples, please add them along with lyrics and demographic information (organization, year the song/chant was performed and where-city/state) in the comment section below. Thanks!

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SHOWCASE VIDEO: Morgan State University Graduation 2014 - Delta Sigma Theta



Michael Parker, Published on Jul 28, 2014
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The strolling song "No Doubt About It We’re Deltas" can be found at 4:00-5:32 in this video.
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Also, click 1:19 to 3:46 of this video for an example of "Wadin In The Water For DST", an adapted Spiritual sung as a strolling song. My attempt of transcribing that song can be found in this pancocojams post: http://pancocojams.blogspot.com/2018/05/historically-black-fraternities.html Historically Black Fraternities & Sororities Steppin And Strolling Songs & Chants Whose Tunes And Lyrics Come From African American Spirituals

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LYRICS- NO DOUBT ABOUT IT WE'RE DELTAS *
No doubt about it- we’re deltas
Sorors
No doubt about it- we’re deltas
Sorors

We got class
[hums do do do dodo - [gestures signifying proper and demure female etiquette] place their right hand on their left elbow, hold their the finger next to their thumb from their right hand in the air and then place that same finger to the side of their chin

We got soul
[hums] do do do dodo[group does the same rhythmic side to side dance step]

We’re so black
[hums] do do do dodo [group raises their left arm in Black power hand salute and bobs it in time to the rhythm]

and we’re mellow from our head to our soles
[hums] do do do dodo [group lower raised arm palm up down near the end of your body]

No doubt about it- we’re deltas
Sorors
{Wooo!)
No doubt about it- we’re deltas
Sorors
{Wooo!)

[repeat entire song]
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*This is my attempted transcription of this song from this video. Additions and corrections are welcome.

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ADDENDUM: INFORMATION ABOUT HISTORICALLY BLACK GREEK LETTER ORGANIZATIONS STEPPIN AND STROLLING
Excerpt #1:
Pancocojams Editor's Note: Most of this excerpt is found in this 2013 pancocojams post entitled "An Overview Of Black Greek Letter Organization Steppin & Step Cheers" http://pancocojams.blogspot.com/2013/05/an-overview-of-black-greek-letter.html

"Steppin (Stepping) is a syncopated, choreographed performance art that occurs at competitive "step shows" and other venues. The performance art of steppin originated among historically Black (African American) university based Greek lettered fraternities & sororities.

[...]

I've seen the 1940s given as the date that historically Black Greek lettered organizations began steppin'. I'm willing to accept that 1940s date as long as it's understood that the beginning of what steppin has become didn't look like steppin now.

in her book Soul Stepping Elizabeth Fine quotes a 1924 Howard University student newspaper The Hilltop article entitled "Hell-Week" in which members of Omega Psi Phi and Kappa Alpha Psi fraternites are described as pledges "dancing about the campus..." (p.15).

However that dancing or that marching on campus that is also documented didn't look the same as the Black Greek letted organizations' steppin' styles that developed in the 1980s and 1990s. Elizabeth Fine also wrote that "The shift from the old-style circular stepping of the 1940s and 1950s to the increasingly complex synchronized movement style of the 1980s and 1990s attests to the new role stepping has in asserting black cultural identity" (p. 6).

Since at least the 1990s among historically Black Greek lettered organizations (BGLO), the performance art of strolls (party walks) has been added to most step routines, particularly at the end of those routines. "Strolls" (party walks) are done in a vertical line to recorded music, usually from the R&B/Hip-Hop genres or group songs, often adapted from Spirituals or R&B songs. The terms "strolls" or "party walks" refer to the strutting, dancing walk that the organizations' members informally do at dances/parties. While steppin is almost always a competitive performance, fraternities against fraternities, and sororities against sororities, "strolls" can be either competitive within those gender groupings, or non-competitive."...
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Notice that BGLO originated "strolling" [and steppin] is a group activity. Another name for "strolling" is "party walks" as these strolls were seemingly spontaneously performed at parties (dance gatherings), usually to certain recorded R&B/Hip Hop music. Non-competitive BGLO strolls are also performed at any number of social events such as picnics and wedding receptions. "Stroll offs" are competitive events in which stroll teams from historically Black Greek letter fraternities compete against each other and stroll teams from historically Black Greek letter sororities compete against each other.

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Excerpt #2:
Pancocojams Editor's note: In this 2015 pancocojams post http://pancocojams.blogspot.com/2015/04/african-american-examples-of-walk_11.html "African American Examples Of Walk Arounds - Cakewalks And Other Non-Religious Examples", I maintain that historically Black Greek letter fraternity and sorority strolling should be considered as a contemporary example of a non-religious Black American "walk around" (circular dance movement) performance art tradition. Other historical and contemporary examples of walk arounds are "the cakewalk", "Chicago stepping" (dance), and "Detroit stepping" (ball room) dance. The "ring shout" is a historical example of a Black American religious walk around.

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Excerpt #3:
[This is a comment that I added to another video of sorority strolling]
"Strolling" (also known as "stroll offs" and "party walks") are non-competitive and competitive group struts and dancing performances to recorded music. Strolling shares the same history and early sources as historically Black Greek letter[ed] fraternity and sorority stepping and is now performed by Latino Greek lettered organizations, multi-cultural Greek lettered organizations, and others. Like sorority and fraternity "stepping", "strolling" has undergone and is still undergoing considerable performance changes. Click http://www.greekster.tv/page/greek-strolling-history-and for another definition of "strolling" and comments about the history of strolling (stroll offs, party walks). Also click the "African American fraternity and sorority steppin and strolling tab below for more pancocojams posts that about strolling and more pancocojams post that feature examples of historic ally Black Greek lettered organization stroll offs.

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Wednesday, February 28, 2018

The Significance In The Black Panther Movie Of Black Panther's Sister Shuri Giving A Dap (A Black Power Handshake)

Edited by Azizi Powell

This pancocojams post is Part II of a two part series on the 2018 Black Panther "secret handshake".

Part II of this series explores the cultural significance of Black Panther's sister Shuri giving a dap (a black power handshake) in the 2018 Black Panther movie.

YouTube examples of that scene and video examples of other females performing Black power handshakes are also featured in this post.

Click http://pancocojams.blogspot.com/2018/02/video-examples-of-comments-about-black.html for Part I of this series. Part I showcases four YouTube videos that include examples of and/or comments about the "secret handshake" between T'Challa (Black Panther) and his young sister Shuri in the 2018 Black Panther movie and/or examples of the crossed fists to the chest "Wakanda Forever" salute that was performed in the 2018 Black Panther movie.

Selected comments from an online discussion about that Black Panther handshake are also included in this post.

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The content of this post is presented for socio-cultural purposes.

All copyrights remain with their owners.

Thanks to all those who were associated with the 2018 Black Panther movie and thanks to all those who are quoted in this post. Thanks also to the publisher of these videos on YouTube.
-snip-
This post is a continuation of other pancocojams posts on the 2018 Black Panther movie. Click the Black Panther tag to find other posts in this series.

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COMMENTS ABOUT FEMALES "DAPPING" (GIVING BLACK POWER HANDSHAKES) [Revised March 3, 2018]
T'Challa's (Black Panther's) young sister Shuri, is one of the Black Panther movie's strong female characters. A now iconic scene from that movie is the one where Shuri and T'Challa exchange their "secret handshake". That handshake begins with a black power handshake (with one person's right arm and one person's left arm held in an arm wrestling-like position) and ends with both persons' arms crossed at the chest in what is being called "the Wakanda salute".

One reason why that scene may be so memorable is that dapping (giving a black power handshake) is usually considered to be a male only gesture. In my experiences as an African American female, instead of dapping, afrocentric Black women greet each other and say goodbye -and are greeted and said goodbye to by males- by both people giving the "fake hugs" (leaning from right to left toward the person they are facing). At the same time that they are performing this right to left "hugs", some people also give "air kisses", also known as "cheek kisses". (According to Wikipedia https://en.wikipedia.org/wiki/Air_kiss, "The air kiss is a pretence of kissing: the lips are pursed as if kissing, but without actually touching the other person's body. Sometimes, the air kiss includes touching cheek-to-cheek.")
-end of quote-

I've found very few online references to or video examples of Black women* in the United States or elsewhere giving daps. Here are two excerpts as examples of online information that routinely refers to "daps" as a male only custom. In contrast, there are lots of references and photographs of Black women giving "black power salutes" which is made by raising (usually) your right fist straight up above your head.

*However, as shown below, I have found several recent video examples of Black girls (and girls of other races) demonstrating the daps that they created.

Excerpt #1:
From https://folklife.si.edu/talkstory/2014/five-on-the-black-hand-sideorigins-and-evolutions-of-the-dap
Five on the Black Hand Side Origins and Evolutions of the Dap
September 22, 2014 by LaMont Hamilton
..."When we see youths, athletes, or even President Obama giving a fist bump or dap, we think of these gestures as mere greetings and are not aware of the origins and historical significance of these languages.

Historically, the dap is both a symbol among African American men that expresses unity, strength, defiance, or resistance and a complex language for communicating information. The dap and the black power handshake, which evolved from the dap, were important symbols of black consciousness, identity, and cultural unity throughout black America."...

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Excerpt #2:
From https://www.urbandictionary.com/define.php?term=black%20man%27s%20handshake
black man's handshake
The Black man's handshake is a handshake established in the black male community, where two men grab each other's hands, and pull one another into the sides of each other's chest, while patting each other's backs, with their other free hand.
Barack Obama gave 'a black man's handshake' to Kevin Durant, when meeting him for the first time.
by a black lady June 08, 2014
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Notice that "a black lady" is the one who submitted this definition to urban dictionary.

Here's a video of President Obama giving a dap:

Thug Life Obama



shishkababies, Published on Oct 5, 2014

inspired by the vine
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Pancocojams Editor's note [revised March 3, 2018]
The title "thug life Obama" implies that giving daps is "cool" (hip), something "thugs" do, and rarely something that an establishment figure, let alone the President would do.

Notice the similar theme of a person doing these types of handshakes being a thug (gangsta) in the "Beyonce's Gangsta Handshake" video that is found below.

Some people may equate being (or acting like) a thug with being cool (hip). Actually, if thugs/gangstas do give daps, they aren't the only ones who do that greeting and farewell people

Rather than being a thug or a gangsta, my sense is that Shuri giving her brother a dap (as shown in that Black Panther movie) signifies that she considers herself to be hip, strong, and confident. The fact that her brother responded to her greeting conveys that he also considers her that way.

The note under Example #2 of the section immediately below provides information about how Letitia Wright came up with the idea of adding the "secret handshake" to the scene in the Black Panther movie when Shuri and T'Challa greet each other.

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SHOWCASE VIDEOS OF THE BLACK PANTHER MOVIE SCENE WHERE SHURI GIVING "THE SECRET HANDSHAKE"
Example #1: Marvel Studios' Black Panther - Entourage TV Spot



Marvel Entertainment, Published on Jan 14, 2018

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Example #2:'Black Panther': Everything you need to know about Shuri



Variety, Published on Feb 18, 2018
-snip-
This video clip indicates that Letitia Wright who plays "Shuri" in Black Panther added the "secret handshake" (also known as "the Wakanda salute") to that often shown scene where she greets her brother.

At 1:43-2:06 the sub-title in this video clip asks "How did Wright come up with her version of the Wakanda handshake"? Letitia Wright says "I would go home, study the scene and think "Okay, how can I add a bit more to it. But I said to Chadwick, this is the first time you've come in and be with your sister, and hangout with her. We've gotta do something. Chadwick did that [showing the clenched fists crossed at the chest and pounding the chest with that gesture one or two times]. There's a whole history behind that and that's the Wakanda symbol, but Shuri would go into it in a way that was different. She... they would have a little bit of sumthin, sumthin special.

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SHOWCASE VIDEOS OF OTHER FEMALES "DAPPING" (GIVING BLACK POWER HANDSHAKES"
Example #1: Beyonce's Gangsta Handshake



Nicole Msft, Published on Apr 5, 2012
Beyoncé being cute as usual :)

DON'T OWN THIS VIDEO!!!

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Example #2: Imagine Hope Tolson Classroom Champions #TEAMWORK Handshake Challenge -



Jerome Clemons, Published on Mar 14, 2016

Students at Imagine Hope Tolson in Washington, D.C. worked together to create #TEAMWORK celebrations/handshakes for their Classroom Champions monthly challenge.

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[The only other videos that I could find of Black females doing daps were ones in which teachers gave their female and male students daps. If you know of any other videos that show females doing daps, please add their title and/or links in the comment section below.]

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Example #3: Teacher Has Incredible Handshakes With Each Student | ABC News



ABC News, Published on Feb 2, 2017

North Carolina teacher has personalized handshakes with each of his students. "It was just one or two students and then it became contagious. I saw how much it meant to them." http://abcn.ws/2jxFDgt

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Example #4
Charlotte teacher connects to students with personalized handshakes



WCNC, Published on Mar 23, 2017

Article about this teacher: http://www.wcnc.com/article/news/education/cms-teacher-connects-to-students-with-personalized-handshakes/275-394516216

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Example #5: Cool Teachers Greet Students With Personalized Handshakes



HS SPORTS, Published on Jul 13, 2017

Wichita Public Schools teacher does an individual handshake every morning with her students before they start class.

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Example #6: Coolest teacher ever wears black panther mask and greets students



Trender youtuber, Published on Feb 22, 2018

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Tuesday, November 8, 2016

The Black National Anthem "Lift Every Voice And Sing" (information, lyrics, videos, & comments)

Edited by Azizi Powell

This pancocojams post showcases five YouTube examples of the 1900 song "Lift Every Voice And Sing" that was written by James Weldon Johnson with music by his brother, J. Rosamond Johnson.

The content of this post is presented for historical, cultural, inspirational, and aesthetic purposes.

All copyrights remain with their owners.

Thanks to James Weldon Johnson and J. Rosamond Johnson for their cultural heritage. Thanks to all those who are quoted in this post, thanks to all who are featured in these videos and sound file, and thanks to the publishers of these examples on YouTube.

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A version of this post is published with additional information on another blog that I voluntarily curate http://civilrightssongs.blogspot.com/2014/11/lift-every-voice-and-sing-lyrics.html.

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This post is inspired by the dawn of national voting day in the United States (November 8, 2016). Hopefully, everyone who is eligible to vote will do so, if they have not already voted during the early voting period that occurred in some states (but regrettably not in my state of Pennsylvania).

Vote Blue! (Democratic Party)

"Facing the rising sun of our new day begun/Let us march on till victory is won."

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INFORMATION ABOUT AND LYRICS FOR "LIFT EVERY VOICE AND SING"
From https://www.poetryfoundation.org/poems-and-poets/poems/detail/46549 "Lift Every Voice and Sing" Related Poem Content Details BY JAMES WELDON JOHNSON
"A group of young men in Jacksonville, Florida, arranged to celebrate Lincoln’s birthday in 1900. My brother, J. Rosamond Johnson, and I decided to write a song to be sung at the exercises. I wrote the words and he wrote the music. Our New York publisher, Edward B. Marks, made mimeographed copies for us, and the song was taught to and sung by a chorus of five hundred colored school children.

Shortly afterwards my brother and I moved away from Jacksonville to New York, and the song passed out of our minds. But the school children of Jacksonville kept singing it; they went off to other schools and sang it; they became teachers and taught it to other children. Within twenty years it was being sung over the South and in some other parts of the country. Today the song, popularly known as the Negro National Hymn, is quite generally used.

The lines of this song repay me in an elation, almost of exquisite anguish, whenever I hear them sung by Negro children.

Lift every voice and sing
Till earth and heaven ring,
Ring with the harmonies of Liberty;
Let our rejoicing rise
High as the listening skies,
Let it resound loud as the rolling sea.
Sing a song full of the faith that the dark past has taught us,
Sing a song full of the hope that the present has brought us.
Facing the rising sun of our new day begun,
Let us march on till victory is won.

Stony the road we trod,
Bitter the chastening rod,
Felt in the days when hope unborn had died;
Yet with a steady beat,
Have not our weary feet
Come to the place for which our fathers sighed?
We have come over a way that with tears has been watered,
We have come, treading our path through the blood of the slaughtered,
Out from the gloomy past,
Till now we stand at last
Where the white gleam of our bright star is cast.

God of our weary years,
God of our silent tears,
Thou who hast brought us thus far on the way;
Thou who hast by Thy might
Led us into the light,
Keep us forever in the path, we pray.
Lest our feet stray from the places, our God, where we met Thee,
Lest, our hearts drunk with the wine of the world, we forget Thee;
Shadowed beneath Thy hand,
May we forever stand.
True to our God,
True to our native land.

Source: Complete Poems (2000)'

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WHY "LIFT EVERY VOICE AND SING" IS CALLED THE BLACK NATIONAL ANTHEM

[A version of this post was written by Azizi Powell and published on civil rights blog on November 2014]

"Lift Every Voice And Sing" is referred to as the Black National Anthem (formerly, the Negro National Anthem). That title was probably conferred on that song by the civil rights organization, National Association for the Advancement of Colored People (NAACP) who adopted "Lift Every Voice And Sing" as their organization's theme song in 1919.


It's important to emphasize that referring to "Lift Every Voice And Sing" as the Black national anthem was never meant to indicate or suggest that African Americans aren't part of the United States or that most African Americans wanted to form a nation separate from the United States. Instead, referring to "Lift Every Voice And Sing" as the Black National Anthem recognizes the fact that (most) African Americans consider ourselves (and are considered by others) to be a population within the larger population of the United States.


I learned "Lift Every Voice And Sing" in the early 1960s through my membership in the junior (children and teens) branch of the NAACP civil rights organization in Atlantic City, New Jersey. During that time, everyone was supposed to stand up out of respect while singing "Lift Every Voice And Sing" and men were supposed to remove their hats.


In introducing this song during the 1973 Watts (Los Angeles, California) concert -as shown in the video below [given as Example #5] - Black activist Jesse Jackson directs the huge audience to stand and raise their fist in the black power salute while singing "Lift Every Voice And Sing". The audience did so, but that Black power salute wasn't usually done for that song or for any other song. That said, I think that the reason that Jesse Jackson added that salute to the singing of the Black national anthem was to have the mostly young adult Black people attending that concert show respect for their past, and show determination to keep on pushing for the rights that Black people are supposed to have in the United States.

My sense is that few African Americans under the age of forty years old know the words to "Lift Every Voice And Sing". I also think that few African Americans under the age of forty years old know that that song is called the "Black (African American) national anthem. "Lift Every Voice And Sing" is seldom sung at social gatherings that I've attended in Pittsburgh, Pennsylvania-from the late 1960s to date, including in gatherings that were considered to be afrocentric. And when that song was sung at two Black community cultural events in Pittsburgh, Pennsylvania in the 1990s, few people knew the words without reading the lyrics in the program, and few people (besides me) stood up out of respect while singing this song. I strongly regret this relative lack of knowledge about "Lift Every Voice And Sing" -and other civil rights songs and I'm determined to do my part to address this lack of knowledge by publishing information, lyrics, and video examples of civil rights songs on this pancocojams blog and on http://civilrightssongs.blogspot.com/.

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SHOWCASE EXAMPLES
Example #1: LIFT EVERY VOICE AND SING by Ray Charles [1972]



cavettbiter Uploaded on Feb 13, 2009

From THE DICK CAVETT SHOW. September 18, 1972. The Raelettes are: Vernita Moss, Susaye Green, Mable John, Dorothy Berry, & Estella Yarbrough.

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Example #2: Aretha Franklin Lift Every Voice & Sing LIVE YouTube



Makowski Music, Published on Jun 4, 2017
-snip-
I don't know the year this was recorded.

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Example #3: Morehouse College Glee Club - Lift Every Voice And Sing [1978]



Charles Wagner, Uploaded on Sep 27, 2011

Morehouse College Glee Club

Wendell Whalum - Music Director and Choirmaster

Recorded 1978, Gary Indiana

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Example #4: Lift Every Voice and Sing Video - The Wardlaw Brothers Tribute to Black History



wardlawbros, Published on Feb 8, 2014

Black history month is a month set aside for us to reflect on the past from which we've come. Black History Month is very important to not only the African American Race, but to all races. So many years have passed and still there are a great number of us who are filled with hatred and envy. The dream of Dr. Martin Luther King Jr. has certainly come true in many areas, however, we are still not there - and we have a long way to go. Let us love one another and please keep the "dream" alive.
-snip-
I don't know the year that this was recorded.

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Example #5: Wattstax THE Black National Anthem KIM WESTON [1973]



mistachuck, Published on Jul 6, 2014

100,000 Black PEople in UNITY STAND for the national BLACK Anthem

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