Edited by Azizi Powell
This post showcases a sound file of the song "Independence Cha Cha" composed by Joseph "Grand Kalle" Kabasele and performed by the renown Congolese band "African Jazz". This post also information about Joseph "Grand Kalle" Kabasele , information about the song "Independence Cha Cha", the English lyrics for that song, and selected comments from this sound file's YouTube viewer comment thread.
The content of this post is presented for historical, cultural, entertainment, and aesthetic purposes.
All content remain with their owners.
Thanks to Joseph "Grand Kalle" Kabasele and the other musicians and singers featured on this record for their musical legacy. Thanks to the publisher of this sound file on Youtube and thanks also to all those who are quoted in this post.
****
INFORMATION ABOUT JOSEPH "GRAND KALLE" KABASELE
From http://en.wikipedia.org/wiki/Le_Grand_Kall%C3%A9
"Joseph Athanase Tchamala Kabaselleh (16 December 1930 in Matadi, Belgian Congo (now Democratic Republic of the Congo) – 11 February 1983 in Paris, France), popularly known as Le Grand Kallé, was a Congolese singer and bandleader, considered the father of modern Congolese music...
He came from a prominent Congolese family, which included Cardinal Joseph Malula[2] Kallé went to secondary school and became a typist at a succession of commercial firms in the capital of the Belgian Congo, Léopoldville.
In the early 1950s at a new recording studio called Opika he received an opportunity to pursue a career in music.[2][clarification needed] His first group was OTC, led by George Doula.[1]
In 1953, disillusioned with the lack of modernisation at OTC, he formed l'African Jazz which thought to be the most important Congolese band.[1] L'African Jazz was one of the most popular early African Rumba bands. At its height, L'African Jazz included big names like guitarist Dr Nico Kasanda, saxophonist Manu Dibango and singers Tabu Ley Rochereau, Sam Mangwana and Pepe Kalle.[3]"...
-snip-
Click http://en.wikipedia.org/wiki/Le_Grand_Kall%C3%A9_et_l%27African_Jazz for information about the band "African Jazz".
****
INFORMATION ABOUT THE SONG "INDEPENDANCE CHA CHA"
From http://www.nationalanthems.us/forum/YaBB.pl?num=1103579751 written by Jan December 14, 2004
"The "Indépendance Cha-cha" was written by the famous Congolese Singer Joseph Kabasele (also known as Kabasele Kale) in 1959, when the Round Table talks about a future indepencence of the Belgian Congo were held in Brussels. In a half humorous, half political way, the author asks the politicians and political movements of his country to put their differences aside and to join their efforts to achieve independence.
The patriotic dancing song, which met the musical taste of many urban Congolese people in the dancing halls at that time, was performed for the first time in February 1960, about four months before the declaration of independence of the Congo took place on 30th June 1960. During the turbulent period after independence, it became a quintessential tune not only for Congo-Léopoldville, but also for whole Africa, which obtained independence during the early 1960s.
Sadly, Kabasele Kale's appeal for unity was not heared in the Congo, and the political differences soon led to a civil war."
****
SHOWCASE EXAMPLE
Grand Kalle - Independance Cha Cha
Sir82000, Uploaded on Jul 1, 2008
An old school track about my country's independance, enjoy the real african beat!
****
LYRICS: INDEPENDENCE CHA CHA (in English)
English translation version by Franklin Katunda
Ref: Independance cha-cha declared
Oh Freedom cha-cha we've conquered
At the Round Table they won
Oh Liberty cha-cha we've conquered!
1. Asoreco and Abako
United as one
Conakat and Cartel
had joined the Front commun.
Bolikango, Kasavubu, Lumumba and Kalondji
Bolya, Tshombe, Kamitatu, oh Essandja, and Elder Kanza.
2. The Mnc, the Ugeco
Abazi and Pdc
The Psa and African Jazz Band
were all victorious at the Round Table!
Note:
ASORECO, ABAKO, CONAKAT, CARTEL, FRONT COMMUN, MNC, PDC, UGECO, ABAZI and PSA were the Congolese political parties that participated at the Round Table. African Jazz was the Musical Band which originally performed the "Indépendance Cha-cha". Jean Bolikango, Paul Bolya, Moise Tshombe, Albert Kalondji, Cleophas Kamitatu, Essandja and Mbuta Daniel Kanza were leaders of political and/or separatist movements in Congo.
Patrice Lumumba was the first prime minister of the independent Congo (assassinated in January 1961) and Joseph Kasavubu was the first President of the Congo.
Source: http://www.nationalanthems.us/forum/YaBB.pl?num=1103579751 written by Jan December 14, 2004
-snip-
Click that link for lyrics for this song in Lingala (its original version) and in French.
****
SELECTED COMMENTS FROM THE EMBEDDED VIDEO'S VIEWER COMMENT THREAD
These selected comments are presented in chronological order based on the year of their YouTube posting date. The oldest dates are given first. These comments may not be in consecutive order.
2008
yvesfrancois
perfect record, and a great homage to two of the greatest people (actually 3): grand kalle, patrice lumumba and docteur nico's excellent guitar solo (BTW: did you know that tabu ley is not on this record, but franco et ok jazz's vocalist vicky is), all the best, yves francois
****
2010
EYOMA1
God bless africa and this tune which stand for all african's countries independance day
****
2012
Eric Zadio
the african's rumba start.
**
ccrider
how Cuban records first got over to the Congo in the 30's and 40's who knows, but the link between Cuba and Africa can't be denied. Afro Cubano music developed on it's own across the Atlantic and then a few hundred years later it goes back and influenced Joseph Kabasele & African Jazz, which kicked off a whole new sound in the Congo and beyond. wonderful!
**
Didier J. MARY
06/30/1960 Congo's independence...
Here's, probably, the mother of all independence songs, by Joseph Kabasele Tshamala aka Grand Kalle.
**
PAM Genome
Certainly! one of the greatest Independence songs
**
ccrider
Dr Nico Kasanda on the guitar, he would go on to develop soukous music.
****
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Visitor comments are welcome.
Showing posts with label African Rhumba. Show all posts
Showing posts with label African Rhumba. Show all posts
Monday, March 17, 2014
Tuesday, January 28, 2014
Congolese singer Tabu Ley Rochereau - "Kaful Mayay" (sound file & comments)
Edited by Azizi Powell
This post showcases Congolese singer Tabu Ley Rochereau (also known as Tabu Ley) singing his song "Kaful Mayay". Information about Tabu Ley, and information about Soukous music (also known as African Rhumba) are also included in this post. In addition, this post includes an English translation and summary of this song from that sound file's viewer comment thread.
The content of this post is presented for cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
****
INFORMATION ABOUT TABU LEY ROCHEREAU
From http://en.wikipedia.org/wiki/Tabu_Ley_Rochereau
"Pascal-Emmanuel Sinamoyi Tabu (13 November 1937 or 1940 – 30 November 2013),[1][2] better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with [the dictator] Mobutu, [most] marked Africa's 20th century history."[3] He was dubbed the "African Elvis" by the Los Angeles Times.[4] After the fall of the Mobutu regime, Tabu Ley also pursued a political career.
During his career, Tabu Ley composed up to 3,000 songs and produced 250 albums."
****
INFORMATION ABOUT SOUKOUS (AFRICAN RHUMBA) MUSIC
From http://www.scaruffi.com/history/african.html "A brief summary of African Popular music"
by Piero Scaruffi excerpted from "The History of Popular Music"
"During the 1950s, when they experienced rapid urbanization and a relatively booming economy, the two French-speaking colonies of the Congo area (capitals in Brazzaville and Kinshasa) witnessed the birth of an African version of the Cuban rumba played by small American-style orchestras (called "kasongo", "kirikiri" or "soukous") with a touch of jazz and of local attitudes: Joseph "Grand Kalle" Kabasselleh's African Jazz (that counted on vocalist Tabu Ley, guitarist "Docteur" Nico Kasanda, saxophonist Manu Dibango), Jean-Serge Essous' O.K.Jazz (featuring the young Franco), Orchestre Bella Bella, etc. Each orchestra became famous for one or more "dances" that they invented. So soukous (as Ley dubbed it in 1966) is actually a history of dances, rather than one monolithic genre (Ley's definition originally applied only to a frenzied version of rumba). A guitarist named Jimmy Elenga introduced "animation": instructions yelled to the crowd in order to direct their dances. Animation eventually became part of the dance, delivering both the identity of the dance, the (ethnic) identity of the band and a (more or less subtle) sociopolitical message. As dictators seized power in both Congos, musicians emigrated to other African countries, to Europe and to the USA, thus spreading soukous around the world, while in Zaire (Congo Kinshasa) soukous bands were used for Maoist-style propaganda purposes ("l'animation politique").
-snip-
Click http://myafricanmusic.com/mycustomradio_d1c.php for a link to Soukous music radio.
****
SHOWCASE EXAMPLE: Tabu Ley Rochereau - Kaful Mayay
Malala1974, Uploaded on Jun 13, 2008
A song of Tabu Ley Rochereau
****
ENGLISH TRANSLATION & SUMMARY OF "KAFUL MAYAY"
From http://www.youtube.com/watch?v=Cboj9LPHbOk
Queenlez, 2013
"Translation...
This song is about domestic violence song...
Tabu Ley was a great women advocate...he was a voice for women...he sang a lot about women issues specially with Mbilia Bel....
The song is about all the abuse this woman is subject to in the hands of her husband...
She's crying...saying I am going back home...
I am tired of a life with a husband who doesn't love me...
It's hard to live in a loveless marriage...
I am doing everything he wants...
I am cooking, cleaning the house, doing his laundry...
But he still beats me up, calls me name...and mistreats me...
I am eating but I am still losing weight because of this stressful marriage...
I have decided to go back home...God forbid he kills me....
I am not going to risk my life just for the sake of being married..."
****
Agréable djo, 2014
"une femme parle un certain DIBUANA dans cette chanson de Papa Tabu ley: Dibuana , suis devenu l' offrande , je rentre au village parceque mon marie me rend la vie difficile . Dibuana je m'en vais , je rentre au village de mes parents parceque mon marie me menace, j'évite la honte pour ce grand problème qu'il m'a fait, moi l'enfant de maman, je ne dors pas la nuit , mon mari me tappe tout le temps, laisse moi partir, ça me fait très mail au coeur , s'il faut que reste ici ,ça sera ma mort , bien que le mariage c'est pas mauvais . Dibuana je suis devenu l'offrande , parceque je suis envouté par mes parents. je commence a maigrir , mon marie m'insulte tu le temps, je ne mange plus comme il faut de peur que mon marie me tue, oh mon Dieu ça m'étonne, c'est malhereux pour ce mariage contre ma volonté Mayay( le non de son mari) . je fais la cuisine et le ménage , la lessive comme il faut, je faits tout ce qu'il me demande , oh mon Dieu je ne supporte plus ce mariage sans amour. j'ai peur parceque nous sommes marié selon les normes de la notre coutume, oh mon coeur je suis devenu l'offrande , le mari de Kitshoul je refuse (kitsoul : une forme de mariage chez les Bayanzi une tribu du congo dont Papa Tabu fait parti) Mayay un petit qui s'est marié avec sa femme de coutume(kitshoul) Kaful Mayay c.a.d. pose la question à Mayay. elum'akua me Kalumayay é ne alélél ( pose la question à Mayay si tu veux savoir le jour de ma mort, et y aura des pleurs) . mieul epar epar Kaful Mayay ( il à des chiques dans ces pieds) . il dit ds sa parôle que je t'émbette et je t'insulte dans ma langue maternelle et tu me mettra nul part"
-snip-
Translation from French to English (from Google translate)
a woman speaks in a DIBUANA this song Papa Tabu ley: Dibuana, became the offering, I returned to the village becaufe my marie makes life difficult for me. Dibuana I go, I go back to my parents' village becaufe my marie threatens me, I avoid the shame for this great problem that was me, the child mom, I do not sleep at night my husband off with me all the time, let me go, it makes me very mail to heart, whether that stays here, it will be my death, although marriage is not bad. Dibuana I got the gift, because I am captivated by my parents. I began to lose weight, you insult my married me time, I can not eat it right lest my marie kill me, oh my God I'm surprised it is Malhereux for marriage against my will Mayay (the not her husband). I do the cooking and cleaning, washing as it should, I made everything he asks me, oh my God I can not stand this loveless marriage. I'm afraid because we are married according to the standards of our custom, oh my heart I became the offering, the husband of Kitshoul I refuse (kitsoul: a form of marriage in Bayanzi a tribe of Congo which is Papa Tabu party) a small Mayay who married his wife usual (kitshoul) Kaful Mayay cad raises the question Mayay. elum'akua me Kalumayay é do alélél (Mayay ask the question if you want to know the day of my death, and will cry). mieul separated separated Kaful Mayay (it classy with these feet). ds he said his word and I'll émbette I insult you in my mother tongue and you put me anywhere
-snip-
Here is the comment that I posted in response to that summary:
"Agréable djo, thank you so much for this summary of this song. Here’s what I think you wrote in standard American English:
The song is about a young bride who returns to her parent’s village because of a difficult marriage. In the song the woman describes being unable to sleep at night because she , never knows where her husband is. S he says that although marriage itself isn’t bad, if she stayed there that would have been her death. She began to lose weight, she couldn’t eat right. She was married against her will [but] she did everything her husband asked of her. She said “ I do the cooking and cleaning, washing as I should. I made everything he asks me. Oh my God, I can not stand this loveless marriage. I'm afraid because we are married according to the standards of our custom, oh my heart I became the offering, the wife of Kitshoul. I refuse (kitsoul: a form of marriage in Bayanzi a tribe of Congo which Papa Tabu belonged). Mayay ask the question if you want to know the day of my death, and [you] will cry”
[or is it "I will cry?]”
-snip-
I don’t understand the rest of this summary. Also, I don’t know what the word "Dibuana". Is that a personal name? And is "Mayay" a personal name (Is that the husband's name?) I’m still unsure what the title “Kaful Mayay” means.
****
Thanks to Tabu Ley Rochereau for his music legacy. Thanks also to those who are quoted in this post and to the publisher of this sound file on YouTube>
Thanks for visiting pancocojams.
Visitor comments are welcome.
This post showcases Congolese singer Tabu Ley Rochereau (also known as Tabu Ley) singing his song "Kaful Mayay". Information about Tabu Ley, and information about Soukous music (also known as African Rhumba) are also included in this post. In addition, this post includes an English translation and summary of this song from that sound file's viewer comment thread.
The content of this post is presented for cultural, entertainment, and aesthetic purposes.
All copyrights remain with their owners.
****
INFORMATION ABOUT TABU LEY ROCHEREAU
From http://en.wikipedia.org/wiki/Tabu_Ley_Rochereau
"Pascal-Emmanuel Sinamoyi Tabu (13 November 1937 or 1940 – 30 November 2013),[1][2] better known as Tabu Ley Rochereau, was a leading African rumba singer-songwriter from the Democratic Republic of the Congo. He was the leader of Orchestre Afrisa International, as well as one of Africa's most influential vocalists and prolific songwriters. Along with guitarist Dr Nico Kasanda, Tabu Ley pioneered soukous (African rumba) and internationalised his music by fusing elements of Congolese folk music with Cuban, Caribbean and Latin American rumba. He has been described as "the Congolese personality who, along with [the dictator] Mobutu, [most] marked Africa's 20th century history."[3] He was dubbed the "African Elvis" by the Los Angeles Times.[4] After the fall of the Mobutu regime, Tabu Ley also pursued a political career.
During his career, Tabu Ley composed up to 3,000 songs and produced 250 albums."
****
INFORMATION ABOUT SOUKOUS (AFRICAN RHUMBA) MUSIC
From http://www.scaruffi.com/history/african.html "A brief summary of African Popular music"
by Piero Scaruffi excerpted from "The History of Popular Music"
"During the 1950s, when they experienced rapid urbanization and a relatively booming economy, the two French-speaking colonies of the Congo area (capitals in Brazzaville and Kinshasa) witnessed the birth of an African version of the Cuban rumba played by small American-style orchestras (called "kasongo", "kirikiri" or "soukous") with a touch of jazz and of local attitudes: Joseph "Grand Kalle" Kabasselleh's African Jazz (that counted on vocalist Tabu Ley, guitarist "Docteur" Nico Kasanda, saxophonist Manu Dibango), Jean-Serge Essous' O.K.Jazz (featuring the young Franco), Orchestre Bella Bella, etc. Each orchestra became famous for one or more "dances" that they invented. So soukous (as Ley dubbed it in 1966) is actually a history of dances, rather than one monolithic genre (Ley's definition originally applied only to a frenzied version of rumba). A guitarist named Jimmy Elenga introduced "animation": instructions yelled to the crowd in order to direct their dances. Animation eventually became part of the dance, delivering both the identity of the dance, the (ethnic) identity of the band and a (more or less subtle) sociopolitical message. As dictators seized power in both Congos, musicians emigrated to other African countries, to Europe and to the USA, thus spreading soukous around the world, while in Zaire (Congo Kinshasa) soukous bands were used for Maoist-style propaganda purposes ("l'animation politique").
-snip-
Click http://myafricanmusic.com/mycustomradio_d1c.php for a link to Soukous music radio.
****
SHOWCASE EXAMPLE: Tabu Ley Rochereau - Kaful Mayay
Malala1974, Uploaded on Jun 13, 2008
A song of Tabu Ley Rochereau
****
ENGLISH TRANSLATION & SUMMARY OF "KAFUL MAYAY"
From http://www.youtube.com/watch?v=Cboj9LPHbOk
Queenlez, 2013
"Translation...
This song is about domestic violence song...
Tabu Ley was a great women advocate...he was a voice for women...he sang a lot about women issues specially with Mbilia Bel....
The song is about all the abuse this woman is subject to in the hands of her husband...
She's crying...saying I am going back home...
I am tired of a life with a husband who doesn't love me...
It's hard to live in a loveless marriage...
I am doing everything he wants...
I am cooking, cleaning the house, doing his laundry...
But he still beats me up, calls me name...and mistreats me...
I am eating but I am still losing weight because of this stressful marriage...
I have decided to go back home...God forbid he kills me....
I am not going to risk my life just for the sake of being married..."
****
Agréable djo, 2014
"une femme parle un certain DIBUANA dans cette chanson de Papa Tabu ley: Dibuana , suis devenu l' offrande , je rentre au village parceque mon marie me rend la vie difficile . Dibuana je m'en vais , je rentre au village de mes parents parceque mon marie me menace, j'évite la honte pour ce grand problème qu'il m'a fait, moi l'enfant de maman, je ne dors pas la nuit , mon mari me tappe tout le temps, laisse moi partir, ça me fait très mail au coeur , s'il faut que reste ici ,ça sera ma mort , bien que le mariage c'est pas mauvais . Dibuana je suis devenu l'offrande , parceque je suis envouté par mes parents. je commence a maigrir , mon marie m'insulte tu le temps, je ne mange plus comme il faut de peur que mon marie me tue, oh mon Dieu ça m'étonne, c'est malhereux pour ce mariage contre ma volonté Mayay( le non de son mari) . je fais la cuisine et le ménage , la lessive comme il faut, je faits tout ce qu'il me demande , oh mon Dieu je ne supporte plus ce mariage sans amour. j'ai peur parceque nous sommes marié selon les normes de la notre coutume, oh mon coeur je suis devenu l'offrande , le mari de Kitshoul je refuse (kitsoul : une forme de mariage chez les Bayanzi une tribu du congo dont Papa Tabu fait parti) Mayay un petit qui s'est marié avec sa femme de coutume(kitshoul) Kaful Mayay c.a.d. pose la question à Mayay. elum'akua me Kalumayay é ne alélél ( pose la question à Mayay si tu veux savoir le jour de ma mort, et y aura des pleurs) . mieul epar epar Kaful Mayay ( il à des chiques dans ces pieds) . il dit ds sa parôle que je t'émbette et je t'insulte dans ma langue maternelle et tu me mettra nul part"
-snip-
Translation from French to English (from Google translate)
a woman speaks in a DIBUANA this song Papa Tabu ley: Dibuana, became the offering, I returned to the village becaufe my marie makes life difficult for me. Dibuana I go, I go back to my parents' village becaufe my marie threatens me, I avoid the shame for this great problem that was me, the child mom, I do not sleep at night my husband off with me all the time, let me go, it makes me very mail to heart, whether that stays here, it will be my death, although marriage is not bad. Dibuana I got the gift, because I am captivated by my parents. I began to lose weight, you insult my married me time, I can not eat it right lest my marie kill me, oh my God I'm surprised it is Malhereux for marriage against my will Mayay (the not her husband). I do the cooking and cleaning, washing as it should, I made everything he asks me, oh my God I can not stand this loveless marriage. I'm afraid because we are married according to the standards of our custom, oh my heart I became the offering, the husband of Kitshoul I refuse (kitsoul: a form of marriage in Bayanzi a tribe of Congo which is Papa Tabu party) a small Mayay who married his wife usual (kitshoul) Kaful Mayay cad raises the question Mayay. elum'akua me Kalumayay é do alélél (Mayay ask the question if you want to know the day of my death, and will cry). mieul separated separated Kaful Mayay (it classy with these feet). ds he said his word and I'll émbette I insult you in my mother tongue and you put me anywhere
-snip-
Here is the comment that I posted in response to that summary:
"Agréable djo, thank you so much for this summary of this song. Here’s what I think you wrote in standard American English:
The song is about a young bride who returns to her parent’s village because of a difficult marriage. In the song the woman describes being unable to sleep at night because she , never knows where her husband is. S he says that although marriage itself isn’t bad, if she stayed there that would have been her death. She began to lose weight, she couldn’t eat right. She was married against her will [but] she did everything her husband asked of her. She said “ I do the cooking and cleaning, washing as I should. I made everything he asks me. Oh my God, I can not stand this loveless marriage. I'm afraid because we are married according to the standards of our custom, oh my heart I became the offering, the wife of Kitshoul. I refuse (kitsoul: a form of marriage in Bayanzi a tribe of Congo which Papa Tabu belonged). Mayay ask the question if you want to know the day of my death, and [you] will cry”
[or is it "I will cry?]”
-snip-
I don’t understand the rest of this summary. Also, I don’t know what the word "Dibuana". Is that a personal name? And is "Mayay" a personal name (Is that the husband's name?) I’m still unsure what the title “Kaful Mayay” means.
****
Thanks to Tabu Ley Rochereau for his music legacy. Thanks also to those who are quoted in this post and to the publisher of this sound file on YouTube>
Thanks for visiting pancocojams.
Visitor comments are welcome.
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