Edited by Azizi Powell
This is Part II of a two part series about the Georgia Sea Islands [United States] songs "Sangaree" and "Sandy Ree". This post presents speculations about the origin & meaning of the words "sangaree" & "Sandy Ree" as found in those songs. This post also presents some other examples of the word "sangaree" apart from the use of that word as a song's title and refrain.
Click http://pancocojams.blogspot.com/2014/09/sangaree-and-sandy-ree-song-lyrics_12.html for Part I of this series. That post showcases the 19th century Black American song "Sangaree" [with later verses] and a 20th century version of that song entitled "Sandy Ree".
The content of this post is presented for folkloric and cultural purposes.
All copyrights remain with their owners.
Thanks to all those who composed and collected these songs. Thanks also to all those who are quoted in this post.
****
EXCERPTS OF THESE SONGS
SANGAREE
Verse 1: From Slave Songs of the Georgia Sea Islands by Lydia Parrish (Athens, GA: University of Georgia Press, 1942, reprinted 1992), page 99 [hereafter given as Slave Songs of the Georgia Sea Islands]
If I live (Sangaree)
Don' get kill' (Sangaree)
I'm goin' back (Sangaree)
Jacksonville (Sangaree)
****
SANDY REE
From Step It Down: Games, Plays, Songs & Stories from the Afro-American Heritage by Bessie Jones & Bess Lomax Hawes (1972) pp. 133-135 [hereafter given as Step It Down]
Verse #1:
Way down yonder,
Sandy Ree,
Where I come from,
Sandy Ree,
Girls love boys,
Sandy Ree,
Likee a hog loves corn
Sandy Ree,
-snip-
The complete lyrics for those versions of those songs can be found in Part I of this series.
****
SPECULATIONS ABOUT THE ORIGIN AND MEANING OF "SANGAREE" AND "SANDY REE"
These theories are presented along with their citations in the order that I came upon them. The numbers are assigned for referencing purposes only. Any italics were added by me to highlight that particular sentence or sentences.
1. From Step It Down
"Sangaree" is an old dance song and a particular form of dancing to that song.
"..."Sandy Ree" was obviously onee of the Islanders favorite dance; they seemed to reservee their fanciest footwork and their hottest clapping for a "Sandy Ree" session. The word itself may have originally been "sangari," an African term*, but the people from the Sea Islands say that the name came from the way one's feet "scrooch up in the sand: when the Sandy Ree step is down"
-snip-
Given the similarities between the words "sandy ree" and the word "sangaree" as well as the very close similarities between the structure and much of the lyrics of both versions of this song that I've come across, it seem obvious that "sandy ree" is a folk etymology form of the word "sangaree". Therefore, it's the word "sangaree" whose origin/s and meaning/s that I'm most interested in.
I've read the statement that "i>The word [sangaree] itself may have originally been "sangari," an African term" in several sites that weren't quoting the Step It Down book. That statement probably refers to the work of Lorenzo Dow Turner who pioneered the research into the retention of African words among the Gullah people of the Georgia Sea Islands. Click http://en.wikipedia.org/wiki/Lorenzo_Dow_Turner for information about Lorenzo Dow Turner and his now classic 1949 book Africanisms in the Gullah Dialect. Read the entry given as #3 below for more on what may be "the African term" that is alluded to in that statement.
2. From http://mudcat.org/thread.cfm?threadid=55909 Lyr Req: Sangarie
The word "sangaree is a referent for the [alcoholic drink] "sangria".
3. From i>Slave Songs of the Georgia Sea Islands
"One ring –play uses “sangaree” for its refrain, and in so doing gives a clue of its age. Few people today know that ante-bellum planters were refreshed by this West Indian drink which consisted of a chilled mixture of wine, sugar, nutmeg, and water [note 14]
[book note #14] Julep sangaree was in use before 1840, Dr. L. D. Turner believes however that the song got its refrain from the African word “sangari” meaning a ring dance.
-snip-
In the first part of that excerpt, Lydia Parrish refers to "sangria". In the second part of that excerpt, she unfortunatly doesn't identify which African language or even which African nation the word "sangari" comes from. I recall reading that Dr. Turner attributed the word "sangari" to the West African nation of Sierra Leone. From the little bit of reading of his work that I've done, I gather that Sierra Leone was the African nation where Dr. L. D. Turner did most of his research. However, I can't find that citation so I'm not sure about that.
4. From Google Book edition of The Hairstons: An American Family in Black and White by Henry Wiencek ["Sangaree is a children's singing game]
That book "is a biographical history which chronicles the racially intertwined Hairston clan of the noted Cooleemee Plantation House which is located between Mocksville and Lexington, North Carolina, at the terminus of SR 1812 on the Yadkin River in Davie County, North Carolina. http://www.goodreads.com/book/show/1227972.The_Hairstons and the Wikipedia eentry for the Cooleemee Plantation House.
A passage from that book [beginning on p. 233] indicates that the Black Hairston family were as familiar with the children's game "Sangaree" as they were with the game "Ring Around the Rosies". Henry Wiencek writes that the famly didn't know what "sangaree" meant, but that he eventually learned of a Ghanaian folktale which includes the refrain "Sangaree". The author includes that Ghanaian folktale in his book.
5."Sangaree" is a adaptation of a Mali, West Africa
surname from the Bambara language
Among those persons with that last name is the renown Malian vocaist Oumou Sangaré. Click http://pancocojams.blogspot.com/2014/09/eight-videos-of-oumou-sangare-mali.html for a pancocojams post which showcases examples of that vocalist's recordings. Another person with that last name happens to be cited in the summary of one of those videos.
****
EDITOR'S COMMENT
I think that it's likely that the word "sangaree" -and the words "sandy ree" may have come from one or more African langagues and that word or words may have also been used for the alcoholic drink known as "sangria". However, I also think that it's likely that most people who sung the song "Sangaree" and later "Sandy Ree" just thought of that word or those words as as nicely sounding rhythmic refrain that has no literal meaning.
Although Elizabeth Cotton's song "Shake Sugaree" is different in structure, lyrics, and most likely tune, than the other two songs that are discussed here, it occurs to me that the word "sugaree" looks and sounds a lot like "sangaree" and "sandy ree".
Neither Elizabeth Cotton nor her granddaughter who sung that song in that record, explained what "shake sugaree" meant. I've presented a number of theories about the meaning of that phrase in an earlier pancocojams post http://pancocojams.blogspot.com/2013/02/eiizabeth-cotton-shake-sugaree-sound.html
I now believe that "shake sugaree" pertains to the "favorite dance
["Sandy Ree"/"Sangaree"] to which [the Gullah islanders] seemed to reserve their fanciest footwork and their hottest clapping" [quoting Step It Down].
Prior to doing research for this "Sangaree"/"Sandy Ree" post, I favored the theory that "shake sugaree" came from the word "shavari" meaning a loud community serenade or gathering in celebration of the bride and groom.
The fact that Elizabeth Cotton was an African American from North Carolina [parts of which historically were considered Gullah country] adds further support to the theory that "shake sugaree" and "sangaree" are one in the same. Also, note the use of the word "sangaree" as the name of a North Carolina elementary School, and a North Carolina middle school, and a city in Georgia. All of those locations are in what historically was considered Gullah country.
That a city would name itself "Sangaree" and that school districts would use that word as the name of public schools suggests to me that either the meaning of that word isn't known, or, that word doeesn't have any literal meaning (or no longer has any literal meaning"), or that those people who decided on that city's namee and those schools names didn't think that "sangaree" meant the alcoholic beverage kbown as "sangria".
"Sangaree" was also a title of a 1953 American movie about ante-bellum Georgia. That name could have been chosen because of its lyrical nature, but using that word suggests to me that someone who was affiliated with that movie's production was familiar with the fact that that Black dance song "Sangaree" is documented as being from Georgia [if not also from any other state such as North Carolina].
****
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Showing posts with label African American songs and rhymes. Show all posts
Showing posts with label African American songs and rhymes. Show all posts
Friday, September 12, 2014
"Sangaree" And "Sandy Ree" Song Lyrics
Edited by Azizi Powell
This is Part I of a two part series about the Georgia Sea Islands [United States] songs "Sangaree" and "Sandy Ree".
This post showcases a version of the 19th century Black American song "Sangaree" [with later verses] and a 20th century version of that song entitled "Sandy Ree". I'm referring to these examples a "versions" because, as is the case with other folk songs, the lyrics and order of verses of those songs can be changed each time they are sung. However, these are the only examples of these songs that I've found to date.
Click http://pancocojams.blogspot.com/2014/09/speculations-about-origin-meaning-of.html for Part II of this seris. Part II of this series presents speculations about the origins
and meanings of "sangaree" & "Sandy Ree".
The content of this post is presented for folkloric and cultural purposes.
All copyrights remain with their owners.
Thanks to all those who composed and collected these songs. Thanks also to all those who are quoted in this post.
****
COMMENTS ABOUT AND LYRICS FOR THE SONG "SANGAREE"
posted by Jim Dixon on http://mudcat.org/thread.cfm?threadid=55909 Lyr Req: Sangarie.
"From Slave Songs of the Georgia Sea Islands by Lydia Parrish (Athens, GA: University of Georgia Press, 1942, reprinted 1992), page 99 (There is a lead sheet on page 101.)
SANGAREE
This ring-play varies in action whenever I see it done. For that reason I will attempt no description. The tune, however, always remains the same.
1. If I live (Sangaree)
Don' get kill' (Sangaree)
I'm goin' back (Sangaree)
Jacksonville (Sangaree)
CHORUS: Oh Babe (Sangaree)
Oh Babe (Sangaree)
Oh Babe (Sangaree)
Oh Babe (Sangaree)
2. If I live (Sangaree)
See nex' fall (Sangaree)
Ain' goin' t' plant (Sangaree)
No cotton at all (Sangaree) CHORUS
3. Chicken in the fiel' (Sangaree)
Scratchin' up peas (Sangaree)
Dog on the outside (Sangaree)
Scratchin' off fleas (Sangaree) CHORUS
Extra verses contributed by a Darien singer:
4. My husban's got the shovel (Sangaree)
An' I got the hoe (Sangaree)
If that ain't farmin' (Sangaree)
I don't know (Sangaree)
CHORUS"
5. If you want t' see a [n word]* (Sangaree)
Cut the fool (Sangaree)
Let him ride (Sangaree)
A white man's mule (Sangaree) CHORUS
-snip-
My comments:
*"The n word" was fully spelled out in these lyrics. The words "black man" can be substituted for what is now considered to be a highly pejorative referent.
Here's some information about the Georgia Sea Islands:
from http://en.wikipedia.org/wiki/Gullah:
"The Gullah are the descendants of enslaved Africans who live in the Lowcountry region of the U.S. states of South Carolina and Georgia, which includes both the coastal plain and the Sea Islands...Historically, the Gullah region extended from the Cape Fear area on the coast of North Carolina south to the vicinity of Jacksonville on the coast of Florida; but today the Gullah area is confined to the South Carolina and Georgia Lowcountry. The Gullah people and their language are also called Geechee...
Because of a period of relative isolation in rural areas, the Gullah developed a culture that has preserved much of their African linguistic and cultural heritage from various peoples, as well as absorbing new influences from the region. They speak an English-based creole language containing many African loanwords and influenced by African languages in grammar and sentence structure. Properly referred to as "Sea Island Creole," the Gullah language is related to Jamaican Patois, Barbadian Dialect, Bahamian Dialect, Trinidadian Creole, Belizean Creole and the Krio language of Sierra Leone in West Africa."
-anip-
Verse #2 in that version of "Sangaree" is a floating verse that is found in several number of 19th century Black American southern plantation dance songs, including the song "Susan Jane" in Thomas W. Talley's Negro Folk Rhymes ; originally published in 1922 [The Project Gutenberg EBook, p. 77 http://www.gutenberg.org/files/27195/27195-h/27195-h.htm
"If I lives to see nex' Fall;
Susan Jane! Susan Jane!
I hain't gwineter sow no wheat at all.
Susan Jane! Susan Jane!"
****
LYRICS FOR "SANDY REE"
From Step It Down: Games, Plays, Songs & Stories from the Afro-American Heritage by Bessie Jones & Bess Lomax Hawes (1972) pp. 133-135
Way down yonder,
Sandy ree
Where I come from,
Sandy ree
Girls love boys,
Sandy ree
Like a hog loves corn,
Sandy ree
(Refrain, to be used ad lib)
Oh, babe,
Sandy ree
Oh, babe,
Sandy ree
Oh, babe,
Sandy ree
Papa got theee shovel
Sandy Ree (etc.)
Mama got the hoe
If that ain't farmin'
I don't know
Dog on the porch
Kicking off fleas,
Chickeeen in the yard,
Scratching up peas.
Old brother rabbit,
Died with a habit.
In my garden,
Eating up cabbage.
If I live to see next fall.
I ain't gonna plant,
No cotton at all.
Mama in the cotton patch,
Picking up cotton,
Papa in town,
Drunk and sloppin'
Well, if I live,
And I don't get killed,
I'm going back,
To Jacksonville.
Road is wet,
Woods is muddy,
Daddy's so drunk
He can't stand studdy.
Down in the bottom,
Cotton goes rotten,
Can't get a bale,
It's no need of trottin'.
Your dark bark.
He don't see nothin;,
My dog bark.
He done see somethin'.
One of these days
And it won't be long,
You'll look for me
And I'll be gone.
-snip-
This collection is of songs from the Georgia Sea Islands (Gullah tradition).
Notice that a few of these verses are the same as or very similar to verses found in the 19th century version of "Sangaree". The last verse is a floater from Black American religious songs.
"He can't stand studdy" = He can't stand steady.
"the bottom" = http://dictionary.reference.com/browse/bottom "Usually, bottoms. Also called bottom land. Physical Geography. low alluvial land next to a river."
-snip-
alluvial= "made up of or found in the materials that are left by the water of rivers, floods" www.merriam-webster.com/dictionary
"It's no need of trottin'" = It's no need to hurry (to walk fast; trot) to get to the cotton
****
Thanks for visiting pancocojams.
Visitor comments are welcome
This is Part I of a two part series about the Georgia Sea Islands [United States] songs "Sangaree" and "Sandy Ree".
This post showcases a version of the 19th century Black American song "Sangaree" [with later verses] and a 20th century version of that song entitled "Sandy Ree". I'm referring to these examples a "versions" because, as is the case with other folk songs, the lyrics and order of verses of those songs can be changed each time they are sung. However, these are the only examples of these songs that I've found to date.
Click http://pancocojams.blogspot.com/2014/09/speculations-about-origin-meaning-of.html for Part II of this seris. Part II of this series presents speculations about the origins
and meanings of "sangaree" & "Sandy Ree".
The content of this post is presented for folkloric and cultural purposes.
All copyrights remain with their owners.
Thanks to all those who composed and collected these songs. Thanks also to all those who are quoted in this post.
****
COMMENTS ABOUT AND LYRICS FOR THE SONG "SANGAREE"
posted by Jim Dixon on http://mudcat.org/thread.cfm?threadid=55909 Lyr Req: Sangarie.
"From Slave Songs of the Georgia Sea Islands by Lydia Parrish (Athens, GA: University of Georgia Press, 1942, reprinted 1992), page 99 (There is a lead sheet on page 101.)
SANGAREE
This ring-play varies in action whenever I see it done. For that reason I will attempt no description. The tune, however, always remains the same.
1. If I live (Sangaree)
Don' get kill' (Sangaree)
I'm goin' back (Sangaree)
Jacksonville (Sangaree)
CHORUS: Oh Babe (Sangaree)
Oh Babe (Sangaree)
Oh Babe (Sangaree)
Oh Babe (Sangaree)
2. If I live (Sangaree)
See nex' fall (Sangaree)
Ain' goin' t' plant (Sangaree)
No cotton at all (Sangaree) CHORUS
3. Chicken in the fiel' (Sangaree)
Scratchin' up peas (Sangaree)
Dog on the outside (Sangaree)
Scratchin' off fleas (Sangaree) CHORUS
Extra verses contributed by a Darien singer:
4. My husban's got the shovel (Sangaree)
An' I got the hoe (Sangaree)
If that ain't farmin' (Sangaree)
I don't know (Sangaree)
CHORUS"
5. If you want t' see a [n word]* (Sangaree)
Cut the fool (Sangaree)
Let him ride (Sangaree)
A white man's mule (Sangaree) CHORUS
-snip-
My comments:
*"The n word" was fully spelled out in these lyrics. The words "black man" can be substituted for what is now considered to be a highly pejorative referent.
Here's some information about the Georgia Sea Islands:
from http://en.wikipedia.org/wiki/Gullah:
"The Gullah are the descendants of enslaved Africans who live in the Lowcountry region of the U.S. states of South Carolina and Georgia, which includes both the coastal plain and the Sea Islands...Historically, the Gullah region extended from the Cape Fear area on the coast of North Carolina south to the vicinity of Jacksonville on the coast of Florida; but today the Gullah area is confined to the South Carolina and Georgia Lowcountry. The Gullah people and their language are also called Geechee...
Because of a period of relative isolation in rural areas, the Gullah developed a culture that has preserved much of their African linguistic and cultural heritage from various peoples, as well as absorbing new influences from the region. They speak an English-based creole language containing many African loanwords and influenced by African languages in grammar and sentence structure. Properly referred to as "Sea Island Creole," the Gullah language is related to Jamaican Patois, Barbadian Dialect, Bahamian Dialect, Trinidadian Creole, Belizean Creole and the Krio language of Sierra Leone in West Africa."
-anip-
Verse #2 in that version of "Sangaree" is a floating verse that is found in several number of 19th century Black American southern plantation dance songs, including the song "Susan Jane" in Thomas W. Talley's Negro Folk Rhymes ; originally published in 1922 [The Project Gutenberg EBook, p. 77 http://www.gutenberg.org/files/27195/27195-h/27195-h.htm
"If I lives to see nex' Fall;
Susan Jane! Susan Jane!
I hain't gwineter sow no wheat at all.
Susan Jane! Susan Jane!"
****
LYRICS FOR "SANDY REE"
From Step It Down: Games, Plays, Songs & Stories from the Afro-American Heritage by Bessie Jones & Bess Lomax Hawes (1972) pp. 133-135
Way down yonder,
Sandy ree
Where I come from,
Sandy ree
Girls love boys,
Sandy ree
Like a hog loves corn,
Sandy ree
(Refrain, to be used ad lib)
Oh, babe,
Sandy ree
Oh, babe,
Sandy ree
Oh, babe,
Sandy ree
Papa got theee shovel
Sandy Ree (etc.)
Mama got the hoe
If that ain't farmin'
I don't know
Dog on the porch
Kicking off fleas,
Chickeeen in the yard,
Scratching up peas.
Old brother rabbit,
Died with a habit.
In my garden,
Eating up cabbage.
If I live to see next fall.
I ain't gonna plant,
No cotton at all.
Mama in the cotton patch,
Picking up cotton,
Papa in town,
Drunk and sloppin'
Well, if I live,
And I don't get killed,
I'm going back,
To Jacksonville.
Road is wet,
Woods is muddy,
Daddy's so drunk
He can't stand studdy.
Down in the bottom,
Cotton goes rotten,
Can't get a bale,
It's no need of trottin'.
Your dark bark.
He don't see nothin;,
My dog bark.
He done see somethin'.
One of these days
And it won't be long,
You'll look for me
And I'll be gone.
-snip-
This collection is of songs from the Georgia Sea Islands (Gullah tradition).
Notice that a few of these verses are the same as or very similar to verses found in the 19th century version of "Sangaree". The last verse is a floater from Black American religious songs.
"He can't stand studdy" = He can't stand steady.
"the bottom" = http://dictionary.reference.com/browse/bottom "Usually, bottoms. Also called bottom land. Physical Geography. low alluvial land next to a river."
-snip-
alluvial= "made up of or found in the materials that are left by the water of rivers, floods" www.merriam-webster.com/dictionary
"It's no need of trottin'" = It's no need to hurry (to walk fast; trot) to get to the cotton
****
Thanks for visiting pancocojams.
Visitor comments are welcome
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