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Showing posts with label African American Blues songs. Show all posts
Showing posts with label African American Blues songs. Show all posts

Tuesday, March 24, 2026

YouTube Clip of The Sinners Movie "I Lied To You" Performance & An Article Excerpt & Selected Comments About Why The Sinners Movie Has That Title




Sinners | I Lied To You Song | Movie Clip | Warner Bros. Entertainment

Warner Bros. Entertainment, Jun 24, 2025  #sinnersmovie #michaelbjordan #oscars

Oscar Winning Best Screenplay, Original Score, Cinematography, and Best Actor winner Michael B. Jordan. Sinners song "I Lied To You,” performed live by Miles Caton as Sammie. The Sinners Movie Clip shows the raw, emotional blues track that channels the character’s longing, defiance, and dream of escape. Look for the horror adventure movie on digital.

Written by Raphael Saadiq and Ludwig Göransson, two award-winning multi-hyphenates, “I Lied To You” was filmed and recorded over several days on set, capturing the energy of a live juke joint crowd. It marks Sammie’s breakout as an artist and reflects on the film’s deep connection to the cultural roots and legacy of the blues.

From Ryan Coogler—director of “Black Panther” and “Creed”—and starring Michael B. Jordan comes a new vision of fear: “Sinners.” Trying to leave their troubled lives behind, twin brothers (Jordan) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. “You keep dancing with the devil, one day he’s gonna follow you home.”

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Edited by Azizi Powell

This pancocojsms post showcases a YouTube video of the clip of "I Lied To You" performance from the 2025 Sinners movies . That post also presents information about why this movie has the title "Sinners".

The content of this post is presented for socio-cultural and entertainment only.

All copyrights remain with their owners.

Thanks to Ryan Coogler, Director of Sinners. Thanks also to Raphael Saadiq and Ludwig Göransson, the writers of "I Lied To You" and all those who are associated with that award winning movie. Thanks also to Haniyah P. for her 2025 grio.com article about why that movie is named "Sinners".and thanks to commenters from a reddit.com discussion thread on that title of that movie. 

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ARTICLE EXCERPT: "Ryan Coogler talks the Delta Blues, spirituality and why his latest film is titled ‘Sinners’: ‘It’s a term of judgment, but it’s welcoming as well"

From https:// /2025/04/17/ryan-coogler-talks-the-delta-blues-spirituality-and-why-his-latest-film-is-titled-sinners-its-a-term-of-judgment-but-its-welcoming-as-well/ by Haniyah P, Apr 17, 2025

"Beyond the vampires and sex appeal of Michael B. Jordan, Ryan Coogler’s “Sinners” spotlights spirituality, music and Black folklore.

“This Good Friday, everyone is talking about the highly anticipated release of Ryan Coogler and Michael B. Jordan’s latest film, “Sinners.” Now, before you grab your Bible and start clutching your pearls at the thought of a horror movie with the title “Sinners,” hear me out.

The horror film, which chronicles what happens when vampires take over Clarksdale, Mississippi, in 1932, is filled with nuanced conversations about culture, religion, spirituality, and music. During a phone interview with Ryan Coogler, theGrio got a glimpse into the “Sinners” creator’s mind and how he managed to showcase the dissonant harmony of these themes.

“We ended up with ‘Sinners’ and in hindsight I think it’s the only title we ever could have,” Coogler told TheGrio, revealing that the film existed under the code name “Grilled Cheese” before getting its official title. “It has to do with that relationship that Delta Blues has with its kinda like twin sibling, gospel music.”

“Blues music was the first American music to be referenced as the devil’s music,” he continued. “That judgment of the practitioners of the music and folks who engage in the culture around it is at the heart of this movie. That conversation and acknowledgement that we all are [sinners] and if you point the finger at somebody calling them a sinner, you also have to point the finger back to yourself.”

For Coogler, who was raised in the Baptist church, attended a predominantly Black Catholic school growing up, and studied various religions throughout college, exploring the supernatural quality of Delta Blues music and the juxtaposition between spirituality and carnality through a diverse spiritual lens was important.

“[Religion] has always been something that has surrounded me in my life and a fascination of mine…people’s relationship with spirituality and it as a practice in which people choose to deal with the world,” he explained. “And it tends to be in my movies, too.”

In his fifth feature film, this fascination shows up through music–– a key part of the “Sinners” plot and creation. Inspired by his late Uncle James, who loved Delta Blues music, Coogler shared that he was inspired to make this film after studying the genre his uncle loved so much.   

“Where gospel music is made for the soul, Delta Blues music is made for the soul and the body–it acknowledges the flesh and all of the beauty and ugliness that comes with it.”

“The artists were known for embracing their flaws, their nightmares, their mortality, and their carnal desires,” he continued. “Some of these songs talk about being haunted by crimes committed, by a lifestyle, by demons, the devil, or visions of an untimely death.”

Listening to artists like Robert Johnson, Howlin’ Wolf, and a playlist full of Delta Blues music, Coogler noticed how these themes evolved into modern-day genres like in Bone Thugs-N-Harmony’s “The Crossroads.” 

“[I] realized that they’re not the first people to make a song called ‘Crossroads,’” he said, referring to his favorite ’90s rap songs. “That’s one of the most popular songs sung in the Delta Blues tradition, as a concept and [reference] to the entryway from the natural to the supernatural, life and death and crossing over.”

“All these things: the supernatural and my love of horror fiction made me think it would make sense to implement these elements into how these characters from [1932 Mississippi] encounter the supernatural,” he added”….

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SELECTED COMMENTS FROM A REDDIT.COM DISCUSSION THREAD ABOUT THE SINNERS MOVIE

[Numbers are added for referencing purposes only and may not correspond to the numbers in that reddit discussion thread. All of these comments were published in January and February 2026.]

https://www.reddit.com/r/SinnersbyRyanCoogler/comments/1qvx251/why_is_it_called_sinners/

1. JazzlikeHat9469
"Why is it called Sinners?

I had a thought while watching this movie for the third time. Why is it called Sinners?

I love when title cards are used to tell the story, and I think I know. The film starts with Annie’s VO talking about how “there are legends of those who can play music so pure…etc. in Ireland they were called Filí, firekeepers in Choctaw, griots in west Africa. Their music can heal their communities, but also attracts evil.” Then the title card - Sinners. Which made me think “ah, so in ancient Ireland, Choctaw land, and west Africa, they were called these various things, and then in 1930s Mississippi, they are called sinners.”

I’m also thinking about the ending, and tracking vampire genealogy. Stack and Mary are vampires, and were turned by Remmick. Remmick was alive in ancient Ireland, and was presumably turned at a similar party where a Filí was playing. That vampire was probably from west Africa or something, and was at a party where a griot was playing. Evoking Africa makes this relationship between vampires and music, community, etc. feel older and older - they’ve been with us for a looonng time… probably going back to biblical Eden. and the ORIGINAL SIN of eve eating the fruit, tempted by the devil, presented in the bible as a serpent (remember that snake in the truck, everyone?).

Stay with me for this, what if the serpent “bit” eve, making the first vampire, and she turned adam, beginning this chain of vampires that continues to this day in stack and Mary. All stemming from what we now call “sin.” Presumably they will follow Remmicks example, they’re going to stick around until they find another musician of Sammie’s caliber so that Stack can see Smoke again, since he can’t die naturally and see him like how smoke saw Annie and his daughter again.

I’m not religious, but I love thinking about the movie with this religious imagery in mind. This movie is so f--king* good."
-snip-
*This word is fully spelled out in this comment.

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2. WertherEffekt
"Ryan Coogler talks the Delta Blues, spirituality and why his latest film is titled ‘Sinners’: ‘It’s a term of judgment, but it’s welcoming as well’ -thegrio.com

https:// /2025/04/17/ryan-coogler-talks-the-delta-blues-spirituality-and-why-his-latest-film-is-titled-sinners-its-a-term-of-judgment-but-its-welcoming-as-well/ By Haniyah P, Apr 17, 2025...

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3. Ykindasus
"Smoke and Stack are career criminals who worked for both the Irish and Italian mobs in Chicago.

Sammie's father is a preacher who puts down Sammie's love of the Blues as sinful.

And Remmick.... I don't think I have to spell it out lol."

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4. ImpactNext1283
"They’re all Sinners. Blues, generally speaking, is a musical form for and about Sinners. Drinking, gambling, screwing, all sins. Only Sammie’s dad isn’t, and he’s the least likable character in the movie."

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5. momstheuniverse
"Because of the music.

At one point, Ray Charles was accused of making "devil's music" what does Sammy's father do?

There's also, in my opinion, strong references to The Color Purple where Shug is ostracized by her father who's a pastor, for choosing to be a singer.

As an adult she reunites with her father and while hugging him says, "See, Daddy? Even sinners have a soul too."

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6.
mrwrrrmwrmrmrmrw
"The twins made their fortunes working as pimps for Al Capone."

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7. [deleted]
"Well…. Stealing from Al Capone"

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8. TheDesertedRose
"smoking gambling drinking adultery prostitution (mentioned by the twins) thievery secular music and wanton violence. if someone wanted to also include Hoodoo as well from a religious view, then you could also include Annie. But also again from a religious view these are all sins, making each character in some way a sinner"

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9. Dweller201
"It the beginning, some older character said that playing blues music is attractive to evil, or something like that. So, the young guy better watch out with playing that music.

The whole movie is basically about how attractive blues music is. The club is trying to keep it contained but they can't because the vampires want to get in on it.

Maybe that?!"

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Sunday, February 1, 2026

"Don't You Let Nobody Turn You Around"- The 1920s Gospel Song That Became The 1960s Civil Rights Song "Ain't Gonna Let Nobody Turn You 'Round"



Docjive, Oct 29, 2010

Saturday, January 19, 2013

"Sweet Home Chicago" - Robert Johnson, And Various Other Artists

Edited by Azizi Powell

Latest revision - July 17, 2025

This pancocojams post presents information about the Blues standard "Sweet Home Chicago" and showcases YouTube examples of that song. The lyrics to one version of "Sweet Home Chicago" is also provided in this post.

The content of this post is presented for historical, entertainment, and aesthetic purposes.

All copyrights remain with their owners.
-snip-
Click http://pancocojams.blogspot.com/2011/11/sugar-daddies-sweet-nicknames-for-black.html for a video of David 'Honeyboy' Edwards -singing "Sweet Home Chicago"
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Click 


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SHOWCASE  EXAMPLES

Example #1: Sweet Home Chicago



irayoswahili, Uploaded on Oct 18, 2007

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Example #2: Buddy Guy - Sweet Home Chicago



gaukur, Uploaded on Jun 11, 2006
Sweet Home Chicago live in Houston, Texas

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Example #3: Robert Lockwood, Jr. - Sweet Home Chicago



blueshoeproject, Uploaded Sep 6, 2006

 91 Year Old Blues Legend and N.E.A. Recipient Robert Lockwood, Jr. plays live on stage at the Palace Theatre in Grapevine, Texas

More on the web at http://www.BlueShoeProject.org

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LYRICS AND NOTES ON "SWEET HOME CHICAGO"
From http://blueslyrics.tripod.com/lyrics/robert_johnson/sweet_home_chicago.htm
"Sweet Home Chicago" by Robert Johnson
recording of 1st of 5 sessions, November 23 1936, San Antonio, Texas
from The Complete Recordings (CBS 467246 2 & Columbia/Legacy C2K-46222 & Columbia 4622 & Sony 64916), copyright notice

Ooh, baby don't you want to go?
Ooh, baby don't you want to go?
Back to the land of California1, to my sweet home Chicago

Ooh, baby don't you want to go?
Ooh, baby don't you want to go?
Back to the land of California1, to my sweet home Chicago

Now one and one is two, two and two is four
I'm heavy loaded baby, I'm booked, I gotta go
Cryin' baby, honey don't you want to go?
Back to the land of California1, to my sweet home Chicago

Now two and two is four, four and two is six
You gonna keep monkey'in 'round here friend-boy2,
you gonna get your business all in a trick
But I'm cryin' baby, honey don't you wanna go
Back to the land of California1, to my sweet home Chicago

Now six and two is eight, eight and two is ten
Friend-boy, she trick you one time, she sure gonna do it again
But I'm cryin' hey, baby don't you want to go
To the land of California1, to my sweet home Chicago

I'm goin' to California, from there to Des Moines, Iowa'y3
Somebody will tell me that you, need my help someday,
cryin', hey hey, baby don't you want to go
Back to the land of California1, to my sweet home Chicago

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Note: a or the source for this song is probably Kokomo Arnold's popular song "Old Original Kokomo Blues", recorded in 1934;
Note 1: confusing California for Illinois suggests that Robert Johnson had not been yet to Chicago prior to the recording of this song. Another explanation is offered by Patrick Clark: "I do believe that he was simply using the phrase "the land of California" as an alternative way of stating "that place of great riches". California as a metaphor for the land of milk and honey, it is a possibility. Thanks to Patrick for this contribution;
Note 2: friend-boy is a dialectic synonym for "boyfriend" when used between men;
Note 3: "from there to Des Moines, Iowa-y" is best-guess work based on the phonetics…
-snip-
From http://en.wikipedia.org/wiki/Sweet_Home_Chicago
..."The melody was previously used in a number of recorded blues songs, including "Honey Dripper Blues", "Red Cross Blues" and the immediate model for the song: "Kokomo Blues"...

In 1932, Jabo Williams recorded "Ko Ko Mo Blues," with the same refrain and included the counting line

One and two is three, four and five and six[8]

In 1933, James Arnold laid claim to the song, styling himself Kokomo Arnold and his version as "Old Original Kokomo Blues".

Now one and one is two mama, two and two is four
You mess around here pretty mama, you know we got to go

Cryin O, baby don't you want to go
Back to the eleven light city, to sweet old Kokomo[9]

...Kokomo was a city of little significance to a Southern audience. Papa Charlie McCoy changed the reference to the better known Baltimore.[11] Robert Johnson changed the character of the song to one of aspirational migration, replacing back to Kokomo with to Chicago, and replacing that eleven light city with another migrational goal that land of California.

But I'm cryin' hey baby, Honey don't you want to go
Back to the land of California, To my sweet home Chicago



Johnson sang this as a refrain, and also as a first verse. Otherwise, his text retained the structure of Arnold's hit record, with similar counting verses"...

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