Latest revision - July 23, 2023
This pancocojams post presents information about the use of the word "spades" or "space" in children's recreation rhymes.
The content of this post is presented folkloric, socio-cultural, and recreational purposes.
Thanks for all those who are quoted in this post and thanks to the contributors of examples of these rhymes. Thanks also to the publishers of this video on YouTube.
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ARTICLE EXCERPT ABOUT THE WORD "SPADE" AS A REFERENT FOR BLACK PEOPLE
From https://www.npr.org/sections/codeswitch/2013/09/19/224183763/is-it-racist-to-call-a-spade-a-spade "Is It Racist To 'Call A Spade A Spade'?" September 23, 2013 by Lakshmi Gandhi
"What happens when a perfectly innocuous phrase takes on a more sinister meaning over time?
Case in point, the expression "to call a spade a spade." For almost half a millennium, the phrase has served as a demand to "tell it like it is." It is only in the past century that the phrase began to acquire a negative, racial overtone.
Historians trace the origins of the expression to the Greek phrase "to call a fig a fig and a trough a trough." Exactly who was the first author of "to call a trough a trough" is lost to history. Some attribute it to Aristophanes, while others attribute it to the playwright Menander. The Greek historian Plutarch (who died in A.D. 120) used it in Moralia. The blogger Matt Colvin, who has a Ph.D. in Greek literature, recently pointed out that the original Greek expression was very likely vulgar in nature and that the "figs" and "troughs" in question were double entendres.
Erasmus, the renowned humanist and classical scholar, translated the phrase "to call a fig a fig and a trough a trough" from Greek to Latin. And in so doing he dramatically changed the phrase to "call a spade a spade." (This may have been an incorrect translation but seems more likely to have been a creative interpretation and a deliberate choice.)
[…]
In the late 1920s during the Harlem Renaissance,
"spade" began to evolve into code for a black person, according to
Patricia T. O'Connor and Stewart Kellerman's book Origins of the Specious:
Myths and Misconceptions of the English Language. The Oxford English Dictionary
says the first appearance of the word spade as a reference to blackness was in
Claude McKay's 1928 novel Home to Harlem, which was notable for its depictions
of street life in Harlem in the 1920s. "Jake is such a fool spade,"
wrote McKay. "Don't know how to handle the womens." Fellow Harlem
Renaissance writer Wallace Thurman then used the word in his novel The Blacker
The Berry: A Novel of Negro Life, a widely read and notable work that explored
prejudice within the African-American community. "Wonder where all the
spades keep themselves?" one of Thurman's characters asks. It was also in
the 1920s that the "spade" in question began to refer to the spade
found on playing cards.
The word would change further in the years to come.
Eventually, the phrase "black as the ace of spades" also became
widely used, further strengthening the association between spades and playing
cards"...
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PANCOCOJAMS EDITOR'S NOTE ABOUT THE WORDS "THE SPADES GO" AND "THE SPACE GO" IN CHILDREN'S RECREATIONAL RHYMES
That said, it's my position that, early on, when a specific meaning was given to the introductory phrase the "spades go", that phrase meant "(This is the way) Black people go (say or do this rhyme). Unlike the idiom "calling a spade a spade"*, no pejorative connotations were/are attributed to the words "the spades go" in children's rhymes.
Saying "the spades go" was a way of attributing the words of those rhymes or the way the rhymes were performed to Black people (or more specifically, to Black girls). That attribution lent authenticity to those rhymes and/or to their performance activities. That was because Black girls were (and still are) considered to be the arbiters of "the real way" that those songs or those hand clap rhymes were/are supposed to be sung, or chanted and performed.
This was/is partly because Black girls were/are considered to be the sources of many of these rhymes, or were/are considered to be the "coolest" or "hippest" examples of how those rhymes should be performed. This same dynamic can be found in the use of introductory phrases as "the Black people say" or "the Black people sing" in vaudeville songs. And this same dynamic can be found in past and current attitudes that mainstream American (i.e. White America) had/has about Black people being the "go to" population when it comes to learning how to do popular R&B/Hip Hop dances.
I further believe that the phrase "the spades go" predates the phrase "the space goes". I think that "the space goes" is probably a folk etymology form of "the spades go". And I think that "the space goes" was probably made up because "the spades go" was misheard or mis-remembered and not because children thought there was anything socially wrong with saying "the spades go".
*Read http://en.wikipedia.org/wiki/To_call_a_spade_a_spade for information about the idiom "call a spade a space".
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COMMENTS ABOUT MY LACK OF REACTION TO AN EXAMPLE OF A RHYME BEGINNING WITH "THE SPADES GO" ON MUDCAT'S FOLK MUSIC FORUM
In 2006 I wrote a rather lengthy reply to a question that was posed to me on the Mudcat Folk & Blues forum about my rather tepid reaction as an African American to the phrase "the spades go" in an example of the playground rhyme "Two Lips". (That example is re-posted below as Example #4 in Playground rhymes that include the phrase "the spades go").
To summarize my comment, I indicated that while I have a strongly felt visceral reaction to the pejorative word that is now known as "the n word" -regardless of who uses it- I don't have that same "hit in the gut" reaction to the phrase "the spades go". Here's my summary of my thoughts about this:
1. Even though I believe that the phrase "the spades" is a referent for "Black people", it's not a referent that is used that often in the United States (at least, in my experiences).
2. Because it's children who are reciting rhymes that include the phrase "the spades go", I give them the benefit of the doubt that they don't know the pejorative meaning of "the spades". That pejorative meaning is sometimes alluded to in the colloquial expression "call a spade a spade". The racial meaning of that expression came about because in a deck of playing cards, the spade category of cards is the color black.
3. In the context of children's playground rhymes, the phrase "the spades" has no literal meaning nowadays, but merely serves as an introduction to the rhyme itself.
To read my full comment in that discussion about the phrase "the spades", on that folk music forum, visit http://mudcat.org/thread.cfm?threadid=81350#1922124.
-snip-
Update 9/12/2016]
Here's a link to an article that cites some history of the use of the word "spade" in Black (African American) culture from 1920 to 2009 http://www.npr.org/sections/codeswitch/2013/09/19/224183763/is-it-racist-to-call-a-spade-a-spade.
I didn't know this information when I wrote those comments in 2006 or when I first published this blog post in 2012. However, while the information in those articles was interesting, it doesn't change the fact that I have had little direct experiences with hearing the word "spades" being used as a derogatory reference for Black people.
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"THE SPADE GO" IN THE MOVIE BIG AND THE SPACE GOES IN TOM HANKS' INTERVIEW ON A 2009 BBC SHOW
The playground rhyme "Shimmy Shimmy Co Co Pa" is a pivotal part of the 1988 movie Big. That rhyme is recited two times in that movie. However, it's only the second recitation of that rhyme that includes the phrase "the spades go".
Here's a transcription of the second rendition of the "Shimmy Shimmy Co Co Pa" rap from http://www.script-o-rama.com/movie_scripts/b/big-script-transcript-tom-hanks.html:
Scene 12 Josh
....Ooh! The spades go, Down! Down! Baby!
Down! Down the roller coaster!
Sweet, sweet baby!
Sweet, sweet delectable!
Shimmy, shimmy cocoa pop!
Shimmy, shimmy rock!
Shimmy, shimmy cocoa pop!
Shimmy, shimmy rock!
I met a girlfriend a triscuit!
She said a triscuit a biscuit!
Ice cream, soda pop,
vanilla on the top!
Ooh Shelly, walking down the street,
ten times a week!
I met it! I said it!
I stole my mother's credit!
I'm cool! I'm hot!
Sock me in the stomach three more times!
-snip-
Added July 23, 2023- The first version of that rap which was chanted by "Billy & Josh" in the movie Big is also found on that same site. That version doesn't have "the spades go" or "the space go" introductory line.
It's important to note that there are other online transcriptions of this rhyme in the movie Big that have different wording- in particular, it appears that most of those script transcriptions have "the space goes" instead of "the spades go". Also, some of those transcriptions include the words "Ooh Shalita" instead of "Ooh Shelly, walking down the street".
I just read the following comment from this pancocojams post: https://pancocojams.blogspot.com/2011/12/sources-of-big-movie-rap-shimmy-shimmy.html . I'm adding it for the historical record:
"Anonymous, July 22, 2023, 11:59 PM
**
Here's my reply to that comment:
"July 23, 2023, 6:52 AM
Anonymous, thanks for sharing your thoughts about this
example of "Shimmy Shimmy Co Co Pa" and its "the space go"
introduction. I appreciate your comments.
I didn't know that Tom Hanks had said in an interview that that rhyme came from his son's camp. I agree with you that if the movie writers even knew that the earlier words were "the spades" instead of "the space" , they would have changed those earlier words to avoid that racial meaning.
I appreciate your understanding of my motivations for writing and publishing this post.
Azizi "
-end of July 23, 2023 update-
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In 2009, the actor Tom Hanks, who starred in the movie Big was asked by the host of a BBC television talk show to recite the "Shimmy Shimmy Co Co Pa" rap. In the beginning of that rap, the actor recites the words "the space goes" instead of the words "the spades go".
Tom Hanks does the 'Big' rap - Friday Night with Jonathan Ross -BBC One
Uploaded by BBC on May 8, 2009
Jonathan's guests are one of Hollywood's most enduring superstars, double Oscar-winner Tom Hanks...
-snip-
A number of persons who posted comments on that video's viewer comment thread shared their transcription of Tom Hanks' recitation of that Shimmy Shimmy Co Co Pa "rap". Here's one of those transcriptions:
The space goes down, down baby,
down, down the roller coaster.
Sweet, sweet baby,
sweet, sweet, don't let me go.
Shimmy, shimmy, cocoa pop.
Shimmy, shimmy, rock.
Shimmy, shimmy, cocoa pop.
Shimmy, shimmy, rock.
I met a girlfriend - a triscuit.
She said, a triscuit - a biscuit.
Ice cream, soda pop,
vanilla on the top.
Ooh, Shelly's out, walking down the street,
ten times a week.
I read it. I said it.
I stole my momma's credit.
I'm cool. I'm hot.
Sock me in the stomach three more times!
-xxMarz456xx ;http://www.youtube.com/all_comments?v=p9z2hJwJuqg&page=2, 2009
I formatted this rap into a standard poetry pattern
I believe that the use of the phrase "the space goes" instead of "the spades go" was done on purpose because by the early 2000s there was greater awareness that the words "the spades" could be considered to an offensive referent for Black people.
At least one commenter to that video's viewer comment thread also reached that same conclusion:
bhackett777: "i think its spades(black men) in the BIG verison, tom hanks is just too P.C. now to say that word"
http://www.youtube.com/comment_servlet?all_comments&v=p9z2hJwJuqg&fromurl=/watch%3Fv%3Dp9z2hJwJuqg
-snip-
"P.C." = politically correct
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OTHER PLAYGROUND RHYMES THAT INCLUDE THE PHRASE "THE SPADES GO"
(These examples are placed in chronological order with the oldest examples -as identified by their online posting date or the date of the inclusion in an off-line publication-given first.)
EXAMPLE #1- TWO LIPS
I remember parts of this song:
The spades go two lips together
tie them together
bring back my love to me.
What is the me-ee-eening
of all these flow-er-er-ers
they tel the sto-or-or-y,
the story of love,
from me to you.
I saw the ship sail away,
it sailed three years and a day,
my love is far far away,
and I love him so, oh yes I do.
My heart goes bump ba de dump bump,
bump ba de dump bump,
over my love for you.
You are my one and only,
I love you passionately,
Source: Guest, susan; http://mudcat.org/thread.cfm?threadid=81350 I'm Rubber . You're Glue: Children's Rhymes
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EXAMPLE #2 - INY MINY POPSA KINEY
The spades the spades the spades go iny miny popsa kiney i love bomaragn a hop a scoth a liver roch a peach a plum i have a stick of chewing gum and if u want the other half this is wut you say: amen amen amendiego sandieago bostn bruins rah rah rah boo boo boo criss cross apple sauce do me a favor get lost while ur at it drop dead either that or lose ur head bang on trash cans bang on tin cans i can u can nobody else can sitting on the bench nuthing to do along comes some one..cohey coochey coo! andu tickle the other person
Source: Sally on Friday, May 6, 2005 - 08:07 pm:
http://www.streetplay.com/discus/ [This website's link is no longer viable.]
[Note that I'm using the phrase after the introductory words "the spades go" as the title for this rhyme. Also, as an aside, note that this rhyme is written in essay form with little punctuation. For various reasons which are beyond this post, this is an increasingly common online way of writing children's playground rhymes.]
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EXAMPLE #3 - EENIE MEANIE POP SI-KEENIE
The spades go eenie meenie pop-si-keenie ooh aah ogg-a-lini achi-pachi liver-achi say the magic words, a peach, a plum, a half a stick of chewing gum and if you want the other half this is what u say: amen amen a-man-di-ego san-diego hocus pocus ala-mocus, sis, sis, sis-coom-bah, montana montana rah rah rah, boo boo boo, 1-2, i hate you, criss-cross applesauce, do me a favor and get lost, while ur at it drop dead, then come back with no head.
haha it was a hand game we played at recess...
- Brandy (Post #360); http://www.facebook.com/topic.php?uid=2204285338&topic=2724&post=25803#topic_top,October 08, 2006
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EXAMPLE #4- TWO LIPS
The spades go two lips together
Tie them forever
Bring back my love to me.
What is the meaning of this?
For all the fellows I've kissed
They tell the story
the story of l-o-v-e.
-DebbieO_ (from memories of childhood in near Boston, Mass. in the 1970s); http://mudcat.org/thread.cfm?threadid=81350 I'm Rubber . You're Glue: Children's Rhymes; December 29, 2006
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EXAMPLE #5 - EENIE MEENIE POPSIKENNIE (TAKE A PEACH TAKE A PLUM)
The spades go eenie meenie
popsikeenie
I love boomerini
Otchi kotchi liveraci
say the magic word
a peach
a plum
a half a stick of chewing gum
and if you want the other half this is what you say
amen amen
amendiago sandiago
sis sis sis koomba
sharon and tommy sittin in a tree
bah ha ha
boo hoo hoo
criss cross
apple sauce
do me a favor and get lost.
and then it goes on..
- http://onceuponawin.com/2009/05/20/win-pics-the-hand-clap-game/, 5/20/2009 [This website's link is no longer viable.]
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[Added 8/12/2016]
EXAMPLE #6: THE ACE OF SPADES GOES
"Does anyone know a hand clapping song called (I think?) "Ace of Spades"? It goes like this:
Ace of spades goes two lips together,
down and forever
bring back my love to me
what is the meaning meaning meaning
of all the flow-ow-ow-ow-flowers
they tell the sto-o-o-o-story
the story of love from me to you
Then I think it goes back to Ace of Spades, but I don't remember if there are any more verses, and I don't remember the specifics of the hand clapping.
Anyone out there know anything more?
Thanks!!!"
-ratgirl, http://hubpages.com/hub/Recess-is-BACK-Hand-Clapping-Games, May 10, 2010 [This link leads to a different page than the one that I accessed for this pancocojams post.]
-snip-
The "ace of spades" is a particular card in a deck of playing cards. The use of that phrase might confirm that children reciting this rhyme didn't/don't know that the word "spades" was/is used as a (usually derogatory) referent for "Black people".
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OTHER PLAYGROUND RHYMES THAT INCLUDE THE PHRASE "THE SPACE GO"
(These examples are placed in chronological order with the oldest examples -as identified by their online posting date or the date of the inclusion in an off-line publication-given first.)
EXAMPLE #1 - BRING BACK MY LOVE
The space goes true love together
twilight forever
Bring back my love to me
What is the matter?
When we get married
And have some children
We’ll name them
Sandra and Jane
and Billy and Tom
And Betty and Jimmy now,
Source: Let's Slice The Ice (Eleanor Fulton and Pat Smith; St. Louis, Missouri; Magnamusic-Baton; 1978; p. 30 [This is a collection of African Americans' children rhymes from various states.]
**
EXAMPLE #2 - THE SPACE GOES (BOBO SKEE WATEN TATEN)
“The Space Goes" sounds something like this:
The Space goes
bobo, skee waten taten
ah ah, ah ah boom boom boom
mini mini waten, bobo skee waten,
bobo, skee waten freeze!
::at freeze the players would freeze and whoever moved first lost::
- contortme; octoblog/Whee Blog [This website is no longer active, September 16, 2003
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EXAMPLE #3 - APPLES ON A STICK
the space goes
apple on a stick just makes me sick make my tummy go 2 4 6
not because im hungry
not because im clean
just because i kiss a boy behind the magazine
hey girls lets have some fun
here comes (name) with his pant undone
he can wiggle he can wobble he can do the twist
but most of all he cant do this close your eyes and count ten if you messs up start ova again
1, 2, 3, 4, ...
Source ; Cece; Octoblog/Whee Blog (This website no longer active); 10/9/2005
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EXAMPLE #4 - CINDERELLA DRESSED IN YELLA
Cinderella dressed in yella went up stairs to kiss her fella. She stepped on a crack and broke her back. Tried to stand and cut her hand. How many stitches did it take? The space goes boom boom skitty wat and tat and ah ah ah ah boom boom boom skitty witty wa wa, bubishka wa wa bubishka wa wa pow bang boom. I went to a Chinese restaurant to buy a loaf of bread bread bread. She put it in a half brown bag and this is what she said said said, my name is ki yi yippee yi, yippe yi ki yi humble berry, chocolate cherry, walla walla Washington, chop chop chow
- http://www.inthe80s.com/rhymes.shtml; assessed on 8/13/2009
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A PLAYGROUND RHYME THAT INCLUDES THE PHRASE "THE BLACKS GO"
SHIMMY SHIMMY COKE CA POP
The Blacks go down down baby
Down by the roller coaster
Sweet sweet baby
I don't wanna let you go
Shimmy shimmy shimmy shimmy
shimmy shimmy-pop!
Shimmy shimmy shimmy shimmy
shimmy shimmy coke-ca-pop!
[Source: John Langstaff, Carol Langstaff Shimmy Shimmy Coke-Ca-Pop!, A Collection of City Children's Street Games & Rhymes {Garden City, New York, Double Day & Co; p. 76; 1973}
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RELATED LINKS
Portions of this post are lifted from pancocojams posts on
the sources of the rhyme "Shimmy Shimmy Co Co Pa" as recited in the 1988 American movie Big. Click http://pancocojams.blogspot.com/2011/12/sources-of-big-movie-rap-shimmy-shimmy.html for Sources Of The Movie Big's Rap "Shimmy Shimmy Cocoa Pop for Part I of that three part series on that rhyme. Hyperlinks to the other two posts of that series are found on that page.
Also, click https://pancocojams.blogspot.com/2021/04/childrens-recreational-rhymes-that.html for a 2021 pancocojams post entitled "Children's Recreational Rhymes That Include "Colored", "Black", Or Some Other Racial Referent For Black Americans."
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Thanks for visiting pancocojams.
Visitor comments are welcome.
I grew up in Queens and knew this rhyme. When I said "the spades go" I was thinking of cards and the Ace of Spades. This was in the early 70s. We also played card games that if you lost, you picked a random card and if it was red diamonds or hearts , we got beaten bloody and if it was black spades or clubs, we got hit a lot softer. Maybe I am naive but meaning black people when we sang about spades was never my thought.
ReplyDeleteHello, janette.
DeleteThanks for sharing your remembrances and comments about them.
I think it comes down to the fact that words can mean more than one thing depending on the context, the population, and the times.
For example, in the 1950s and 1960s, in Atlantic City, New Jersey, my mother used to say that someone was "ace". That meant that the person was the best (great).
I've also read that someone was an "ace boon coon" and I vaguely remember my mother saying that too. In that phrase, "ace" again meant someone great [since the ace in card games is a very high ranking card]. I interpreted "boon coon" to mean a good person and didn't know that "coon" was often used as a derogatory referent for Black people.
All of this, I don't think you were or are naive to have sang that rhyme and not interpreted "spades" to mean "black people". Yet, that doesn't mean that spades was never used as a derogatory or a neutral referent for Black people.
My recollection of The Spades Go is from Harlem on West 144th between 7th and Lenox and Hoe Avenue, the South Bronx, ( the two places I played, home and at my grandparents') circa 1960. From the clapping games where your palms were placed on another's, and according to the rhyme chanted you either slapped your partners palms or clapped your own between in syncopation, switching whose palms were on top or bottom as another part of the performance:
ReplyDeleteThe Spades go (hold hands and swing)
Two lips together (slap clap slap [switch] slap [switch] slap)
Twilight forever (slap clap slap [switch] slap [switch] slap)
Bring back my love to me ( slap clap slap [switch] slap [switch] slap [switch]slap)
What is the Me-e-ea –ning ( hold hands, swing. slap clap slap [switch] slap,[switch] slap [switch] slap)
of all these Flo-ow-ow –wers ( hold hands, swing. slap clap slap [switch] slap,[switch] slap [switch] slap)
They tell the Sto-or-ory ( hold hands, swing. slap clap slap [switch] slap,[switch] slap [switch] slap)
The story of l-o and v-e (hold hands, swing. slap clap slap [switch] slap [switch] slap)
l-o and v-e (slap clap slap [switch] slap [switch] slap)
l-o and v-e (slap clap slap [switch] slap [switch] slap)
love cha, cha cha (slap , swing, swing, swing)
Greetings, Akua Lezli Hope.
DeleteThanks for sharing your recollections of this hand clap rhyme with us. I appreciate your addition of the performance instructions and some demographical information (year and geographical location).
The name "Akua" is an Akan day name which means "female born on Thursday". I'm guessing from your name and your location of Harlem that you are Black. I'm also assuming that Akua wasn't your birth name. Are these guesses correct (If so, I don't need to know your birth name. I'm just asking for confirmation of my guesses for the folkloric record.)
Would you please share the age range of those who played this rhyme, whether they were all girls, and how you learned this rhyme. I'm also wondering if you associated any meaning to the word "Spades". For instance, did you recognize "the spades" as more than the title of that rhyme (if indeed it was the title), but as a referent for Black people. And, if so, did you consider it a negative referent?
Thanks again and best wishes!
New Jersey early sixties. Spades were cards. Nonsense rhyme. Syncopated rhythm. Hand dancing. Innocence. Fun. Shimmy shimmy COCO BOP as in the song by Little Anthony and The Imperials. Smh
DeleteThanks for your comment, Unknown November 20, 2019.
DeleteI grew up in western Canada and we said “they say that two lips together, tie them together, bring back my love to me, etc...
DeleteAkua, I began learning this hand clapping rhyme in my last months of elementary school in 1970 in Jackson Heights, NY. I landed on this page when I tried recalling the words and movements. Thank you for confirming my memory of, "twilight forever" instead of the frequently-cited line about tieing things together. And thank you for reminding me of the hand movements.
DeleteAnonymous, this reply isn't from Akua, but I want to thank you for adding your recollections of "The Spades" recreational rhyme to the folkloric record of that rhyme.
DeleteOur rendition of this started with the words "In Spain." Isn't that funny? This was in Nashville in the 1960s. And this part went this way:
ReplyDeleteShimmy shimmy puff
Shimmy shimmy puff
Shimmy shimmy shimmy shimmy shimmy shimmy Cocoa Puff!
Granny granny sick in bed
Called the doctor
This is what he said
Granny granny you're not sick
All you need is a backside Kick!
Pretty awful!!!
Hello, Reader.
DeleteThanks for sharing that rhyme with me and pancocojams visitors. I'm glad that you included some demographics (where and when you remember this version of what I call "The Spades Go" rhyme. It seems likely to me that "In Spain" is a folk processed form of "The Spades" and probably was an attempt to have those words make sense to the chanters.
I'm curious to know your race and the race of the other children (?) who recited this rhyme.
Thanks also for sharing that folklore collection website. Here's the link to the first of 21 pages https://research.udmercy.edu/find/special_collections/digital/cfa/index.php?field=keyword&term=FINAL+ITERATION&start=0
I wasn't aware of that collection before you shared that info. I'll be spending some time there :o)
Thanks again!
I just found this great site:
ReplyDeletehttps://research.udmercy.edu/find/special_collections/digital/cfa/index.php?field=keyword&term=FINAL+ITERATION&start=20
Azizi,
ReplyDeleteI LOVE PITTSBURGH! Especially the poets and bookstores. I am a poet and digital artist, a southerner transplanted to the rural Midwest (for love), mother of a college student, part-time lecturer on design, typographer, and all the other stuff on my profile. I am white.
It didn't occur time until today that my hearing impairment probably had me hearing "Spain" instead of "Spades." I didn't know I was born about half deaf until I was 20, so I am sure my childhood was full of misunderstandings such as that. So I asked my sisters about the clapping game and they said "Spades" and - get ready for it - "Saints"! Imagine saints putting two lips together, twilight forever.
I did not know that the word spade was a word for black person until a difficult, enlightening day in my class a few years ago. A black student stopped a discussion during a critique while students were talking - all at one time it seemed - saying, "Stop being racist." I then asked him what he had heard. He recited a list of words that caused him obvious pain. Then I asked the other students in class (all but one student was white) what they had been saying during the past few minutes, and, holy cow, over the course of an hour or so, we worked it out. The black student did not know that two of the white students who had been arguing both shared the same last name: Black. And they referred to each other using first and last names during the critique trying to be funny. One of those white students had used playing card motifs on his design and was ignorant of the racist meaning of spade, too. This aural cluster became a menacing atmosphere in the room. Once we had stopped and listened to one another carefully with the intention of understanding, there were some tears, and after a break we were able to resume the critique. I felt that everyone in that room changed for the better during that hour. I wonder if I had the heart and mind to stop the train and focus everyone on the present if I had not been bussed across town in grade school where I studied with black children.
Studying together is one opportunity to understand other people better. Playing together can be, too. I am interested in your work on these rhyming games. I remember realizing, quickly, that one of the fun things about the clapping games was that one could say profane things not allowed elsewhere about grandparents, body parts, sexuality, race, and people from other countries.There was also a pleasurable element of nonsense in that music.
I forgot to say - West Meade elementary school and Wharton were the school names. I played clapping games with one black girl named Yvonne, but mostly with white girls. There was a wariness between the black and white girls, the rich and poor girls, the girls who wore dress shoes to school and the ones who wore beat up sneakers, etc. But sometimes these differences we're transcended on the playground, sometimes they were intensified. The year I entered first grade was 1969. Girls had only been permitted to wear slacks to school for 2 years, jeans had just been permitted. The generation gap was starting to fade as some of our mothers were also wearing jeans and staying active in youth culture into their late twenties instead of settling down into a complacent, suburban life. There were more black actors and actresses on TV back then, too. It was a time of upheaval that still continues, and should have been farther along for blacks but for the death of Lincoln and the reversal of the reparative laws passed during reconstruction. If we had had a president from the North during those years (instead of that spineless incompetent Andrew Johnson from Tennessee), I feel that there would have been steady progress toward equality instead of another century and a half of redlining, poll taxes, and segregation, but no.
ReplyDeleteHello, The Reader.
DeleteI really appreciate what you have shared thus far on this site and hope that you will continue to share.
The "saints is a substitution for "the spades" that I've never come across before.
The incident in your classroom was particularly moving. I'm glad that you were knowledgeable and caring enough to help your students process what was going on. Regarding the last name "Black", in addition to my interest in playground rhymes, I'm also interested in personal names & surnames, and there are a number of posts on this blog on those subjects. I learned from my online research that in the USA there are more White people with the surname "Black" than there are Black people with that name.
I agree with you that "Studying together is one opportunity to understand other people better. Playing together can be, too." But I'm interested in researching and documenting the way that race and ethnicity influence which rhymes are performed and how they are performed and understood (for example, slang terms).
And while I agree that some progress has been made in this nation regarding race, institutional (systemic) racism and personal racism still flourish - as Black Lives Matter, the Oscar nominations, and the Republican primary campaigns have shown.
In the face of all of that people keep on keeping on, and people keep on making connections across racial, ethnic, religious, national and other categories that might have divided us.
I was born in 1948 and grew up in Maplewood NJ. I am white and Jewish. Anyway, we played the hand clapping game The Spades. There was no racial means to it then. We had two verses, one beginning The spades go two lips together and the other My heart goes thumping thump thump. I remember very clearly walking by myself to schoo at the age of ten and making up a third verse:Oh tell me where is my lover, where is my lover,bring back my love to me. I saw a ship sail away.My love is far far away. I’ll wait ten years and a day. I love him true oh yes I do. I taught it to the other girls and three years later I heard it in summer camp in Massachusetts. I swear this is true. I still make up songs and parodies all the time. I guess things have to start somewhere. Thought you might be interested.
ReplyDeleteGreetings, Nancy.
DeleteThank you for sharing your memories of this rhyme. I agree with you that verses for rhymes have to start somewhere. It's possible that more than one person could have made up the same or similar verse just like more than one inventor have had the same or similar ideas for an invention at the same time or very near the same time.
Also, lines from rhymes, such as the line "I saw a ship sail away" could have come from a previously existing rhyme or song that you may not have a clear remembrance of. That said, I recognize that it's also possible that someone somehow picked up the verse you composed for this rhyme and shared it at a summer camp in a distant state.
I applaud you for continuing to make up songs and parodies. Creativity is a blessing.
I'd like to suggest an alternative, as not everything evolves around race, nor does everything originate in the American continent. We all tend to interpret historical texts through the prism of our own culture, but that leads to unfounded assumptions in many cases.
ReplyDeleteSeveral versions of "The spades go" rhyme exist, and the most common version ends in "et vous?" In several versions, there is a second verse relating to a couple moving to Paris to live in bliss.
It's likely that the full rhyme refers to a notion of French romance, and it may originate (as do most English-language nursery rhymes) in 1400's to 1600's Britain.
In the 1500's the Frenchmen Etienne Vignoles and Etienne Chavilier worked together to develop the first hearts-diamonds-clubs-spades design for playing cards, and the change swept Europe... it remains to this day.
The "spades" suit represented nobility and knights. It was the most quintessentially "French" of the four suit designs, called "piques" (from the points of lances used on horseback) and was closely related to the popular French card game of Piquet.
The idea of "spades" as a reference to French nobility fits much more closely with the rest of the song, as well as the historical development of English-language children's rhyming. Viewing "the spades go" rhyme in full context as a romantization of French chivalry, rather than a reference to racism slang that developed a four centuries later in North America, seems to be the Occam's Razor argument here.
To put it humorously,sometimes a cigar is just a cigar.
Anonymous, thanks for your comment.
DeleteI agree with your first paragraph.
With regard to your comment that "It's likely that the full rhyme refers to a notion of French romance, and it may originate (as do most English-language nursery rhymes) in 1400's to 1600's Britain." if you are aware of a nursery rhyme that is a source of "The spades go" phrase in this rhyme, please cite it.
You wrote that "Several versions of "The spades go" rhyme exist, and the most common version ends in "et vous?" In several versions, there is a second verse relating to a couple moving to Paris to live in bliss."
I'm not familiar with any of these versions. Would you please share them?
Thanks.
I grew up in Cranford, NJ and learned the version cited way above as "Two lips" probably in '63 when I was in third grade and learning clapping games. This was a high skill clapping game, because the pattern was harder, the song was longer and changed melody. While the pattern stayed the same (slap clap slap clap reverse slap) we changed how we held our hands - my heart goes was done with fists, and I saw the ship sail away was done with two fingers. I am a folksinger and music teacher. I was doing a residency in a school in Roxbury, MA in the 80's on songwriting, and the girls in the class were sharing a clapping game with me - a version of shimmy-shimmy cocoa puff - and I was about to share "The Spades" with them when it suddenly struck me what spades could mean - I had always thought it was cards, like a fortune teller! I quickly switched to "I woke up Sunday morning", and put it aside to think about later. I agree with you, I think it refers to the coolness and skill of the girls of color from who it was learned. I am still weeding out of my repertoire the songs that I have recently learned have racist roots, and will continue to do so as we learn more. love this thread!
ReplyDeleteHello, Unknown.
DeleteThanks for your comment and thanks for including memories of how you played the "two lips" hand clap game in Cranford, New Jersey. I was born and raised in Atlantic City, New Jersey (and was a high school sophomore in 1963) and have no memory of the "two lip"/the spades go..." rhyme.
For the folkloric record, it would be great if you would share the words you remember to your "two lip" rhyme.
Regarding your memories of the school in Roxbury, Massachusetts in the 1980s, given you previous comments and those comments, I assume that you aren't Black and many if not all of the students in that school were. It would have been interesting to see if those students knew that "two lip"/"the spades go" rhyme. I'm African American and I didn't know that "spades" was a derogatory referent for Black people until a White person in a online folk music discussion thread asked me why I wasn't offended because I was discussing hand clap rhymes with someone who had shared several rhymes and among those rhymes was an example of the spades go". The person who posted that comment asking about my lack of reaction to the word "spade" shared that word's pejorative meaning. I wrote back that I didn't know that pejorative.
I've couldn't find that exchange on Mudcat at this time, but I happened upon two other examples of "the spades go" rhyme which I'll add to this post.
Unknown, October 25, 2020 at 8:53 AM
DeleteWith regard to your statement "I am still weeding out of my repertoire the songs that I have recently learned have racist roots, and will continue to do so as we learn more", I don't believe that people should stop singing or chanting EVERY song or rhyme that has racist roots. I think some adapted forms of those compositions are alright and people might not even know that they originally had racist roots (for instance "Eeeny meenie, minie mo/catch a tiger by its toe" etc.)
I also think studying once popular (or still popular) rhymes and songs (like "Momma's Little Baby Likes Shortnin Bread" that had racist content would be a good way to supplement history/social studies lessons for older children.
Thanks again for your comments, Unknown!
Here's an example of "The Spades Go" that I found in Mudcat discussion threads. I'll add another example after this one. I believe there's at least one more example of that rhyme in that folk music forum, but I can't find it right now.
DeleteFrom https://mudcat.org/thread.cfm?threadid=81350#1964386
Subject: RE: I'm Rubber . You're Glue: Children's Rhymes
From: GUEST,susan
Date: 19 Jul 10 - 11:04 PM
I remember parts of this song:
The spades go two lips together
tie them together
bring back my love to me.
What is the me-ee-eening
of all these flow-er-er-ers
they tel the sto-or-or-y,
the story of love,
from me to you.
I saw the ship sail away,
it sailed three years and a day,
my love is far far away,
and I love him so, oh yes I do.
My heart goes bump ba de dump bump,
bump ba de dump bump,
over my love for you.
You are my one and only,
I love you passionately,
..........
I never thought about the meaning of these lyrics when I was young. Now when I search to find the lyrics I see posts referring to them as racist. I wonder though whether this was a song by black people about slaves being sold and separated. Does anyone know the rest of the lyrics and/or know the origin of this song?"
http://awe.mudcat.org/thread.cfm?threadid=63097&messages=152&page=3
DeleteSubject: RE: Folklore: Do kids still do clapping rhymes?
From: Azizi
Date: 23 Jul 08 - 08:15 AM
"The spades go" is an interesting example of a phrase that has been separated from its original meaning. This phrase is found in a number of different children's handclap rhymes, among them this one:
The spades the spades the spades go iny miny popsa kiney i love bomaragn a hop a scoth a liver roch a peach a plum i have a stick of chewing gum and if u want the other half this is wut you say: amen amen amendiego sandieago bostn bruins rah rah rah boo boo boo criss cross apple sauce do me a favor get lost while ur at it drop dead either that or lose ur head bang on trash cans bang on tin cans i can u can nobody else can sitting on the bench nuthing to do along comes some one..cohey coochey coo! andu tickle the other person
By Sally on Friday, May 6, 2005 - 08:07 pm:
http://www.streetplay.com/discus/
[This link now leads to a page where the content is inaccessible to non-members.]
I found the example of "Two Lips"/The Spades Go" in that Mudcat discussion thread forum (which I referred to in my October 25, 2020 at 10:01 AM comment above. I also found the comment from another person on that discussion thread that asked why I didn't react to the word "spade" that example of the example of a "Two Lips" (The Spade goes" rhyme)
DeleteHere's the rhyme example:
Subject: RE: I'm Rubber . You're Glue: Children's Rhymes
From: DebbieOlsen
Date: 29 Dec 06 - 05:55 PM
[... other rhyme examples]
The spades go two lips together
Tie them forever
Bring back my love to me.
What is the meaning of this?
For all the fellows I've kissed
They tell the story
the story of l-o-v-e.
-snip-
I had posted a long comment on that discussion thread in response to the examples that Debbie Olson shared, but particularly to the example of "the spades go" rhyme. That comment mostly consisted of other examples of that rhyme thatI had found online.
Here's the subsequent comment from another Mudcat member about my relative lack of reaction to the word "spades". That comment is given with the n word not completely spelled out.
Subject: RE: I'm Rubber . You're Glue: Children's Rhymes
From: Mo the caller
Date: 30 Dec 06 - 05:24 AM
I'm interested that you don't find 'spades' offensive Azizi. Nobody uses it in the UK except the sort of people who say 'wogs' and 'ni--er'."
-snip-
As background, I was a very active member of that discussion forum for almost five years, and (according to others' comments), I was the only self-identified Black member of that forum at that time, and there were very few other People of Color who was members on that forum.)
I'll post an excerpt of my response to Mo The Caller's question in my next comment on this pancocojams comment thread.
https://mudcat.org/thread.cfm?threadid=81350&threadid=81350
DeleteAzizi, 30 Dec 06 - 08:44 AM
...The word 'spades' doesn't have even half the same negative reaction for me as the 'n word'. I believe that this is because I have so little experience with the word 'spades' being used as a referent for Black people. I barely recall its use [among Black people toward other Black people] in the 1960s and 1970s]. And I personally have no knowledge of 'Spades' being used as a referent for Black people nowadays.
See this entry from Urban Dictionary [warning-that page includes some profanity]:
"spade: A derogatory term for an African American, more commonly used in the post-Civil War era than today"
However, given your post, Mo, I gather that "spades" is currently used more often as a negative referent for Black people in the United Kingdom than in the USA. Is this what you are saying?
Having said this, I felt that I should include a message on that streetplay website and on this thread as a 'FYI" cautionary note to those who recite "The Spades go" rhyme-or teach this rhyme to children-that some people [I was thinking of Black people, but I can also understand how some non-Black people] might take exception to this referent and see it as being offensive, even if no offense was intended.
You will also note that in that same post on this thread that mentions 'the spades go two lips together', the poster mentions the '"Eeny meeny miney moe" rhyme and its' use of the 'n word' instead of the word 'tiger'. I decided to ignore that word and focus on what I considered to be a more worthwhile use of my energy & time-the presentation & analysis of examples of children's rhymes that are similar to 'The Spades Go' and had other similar lines.
Also, let me say this-because I'm a 'product' of the "Say It Loud, I'm Black And I'm Proud" movement, if [because] the word 'spades' as used for Black people refers to our dark skin color-then if I disliked that term, I would also be saying that I dislike black skin color. You see what I'm getting at?
Perhaps if I were a Black Briton who heard or read the term 'Spades' being used as a subsitute for the 'n-word', that word spades would be as loaded a term as the N-word is to me. Thankfully, I haven't had that experience."